Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Tidevarv (Seasons) Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tidevarv is the fourth instalment of colouring books illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Hanna’s first three books, Dagdrömmar (Daydreams), Sommarnatt (Summer Nights), and Magisk Gryning (Magical Dawn). The latest book is identical in format so if you already have a previous title of hers then skip to paragraph two, for those of you who are new to her work, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are a beautiful lemon yellow colour with a black and white design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is black with gold lettering (these books look really luxurious on the shelf and look like classic tomes). The pages are glue and string-bound and the pages are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist of single and double-page spreads.

The image content is gorgeous, varied, and possibly the best yet! This time, they’re organised into four sections of season-themed images starting with Spring and ending with Winter. The vast majority of the images are heavily nature-centred and realistically drawn but with Hanna’s signature quirkiness and magic added to them with gemstone fruit, anthropomorphised animals, and hair morphing into fruit, florals and even migrating geese. This book contains the second largest number of women (18) with seasonal accessories, beautiful headdresses, piercings and tattoos, these are in my opinion, the best drawings of women that Hanna has given us so far, they’re beautiful and so inventive, and in keeping with the seasonal theme, however, if you’re not interested in colouring people then don’t despair, these are not the majority of the images and there are loads of images of animals, flowers, plants, fruit and lots of gemstones as always! There is so much content in each of these books, it’s hard to sum it all up in a written description but the book contains everything from potion bottles, birds, mushrooms, seedlings, beetles, and mice, to snakes, fish, berries, cats, candles, houses, lanterns, Christmas baubles, presents and stars, it’s absolutely jam-packed with content. The illustrations are all highly decorative and ornate, they are beautiful in black and white but they’re completely brought to life with colour! Hanna’s work has always been beautiful but the added theme of seasons is spectacular, it’s really brought a new dimension to her work and has led to some really creative and beautiful illustrations.

In terms of mental health, this book is just wonderful, it offers escapism, natural imagery and lots of whimsy and it’s perfect for distraction even just by looking through the images! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout and mostly range from medium to high but a few have much larger open spaces. The detail is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! Unlike Hanna’s first book Daydreams, this book doesn’t contain any outline images or written prompts. This may be a welcome change for those of you who don’t like to draw. A number of the images are centralised and have large surrounding spaces so there are plenty of opportunities to create your own backgrounds if you wish, though of course this isn’t a requirement! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary in size and difficulty and they consist of a mixture of collections of components, portraits and scenescape images. This makes it ideal for good and bad days because you can work on one gem or potion bottle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels.

I would highly recommend this book to anyone who loves natural images, highly ornate illustrations, and anyone who likes all things pretty or magical. Hanna’s books are genuinely stunning and some of my favourites, I love just looking through them and this is definitely my favourite with the seasonal theme, it’s added another dimension and gives the book more flow.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

The image below was coloured using Holbein Artists’ Colored Pencils and Prismacolor Premier Coloured Pencils.

Sagor Och Sägner (Tales and Legends) En Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Sagor Och Sägner is the second colouring book illustrated Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Emelie’s first book, Sagolikt. This latest book is different in format from Sagolikt, it’s the same format as Hanna Karlzon and Maria Trolle’s books, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are pale pink with a mostly coloured design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is burgundy with gold lettering. The pages are glue and string-bound and are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist solely of single-page spreads apart from one double-page spread at the back.

The title translates as Tales and Legends and that’s exactly what you get in this book, images of fantastical creatures, scenes from fairy stories and, I assume, characters from Swedish folktales. The content is floral, girly, and quite similar, but not samey, to Sagolikt. The images are decorative and very nature and animal-focused. There are lot of mice and bunnies as well as doll-like girls and characters from stories. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The illustrations are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together but would look equally good removed from the book and framed. The images include mice, princesses, gnomes, flowers, woodland creatures, snow globes, a whale, teacups, a dragon, and lots of other beautiful objects and animals. Many of the pages depict imaginative imagery from a snow queen to a fortune-telling cat, a hare carrying a house on its back to mice being read a bedtime story, and fairies to mice showering in a teacup and so much more! The images contain a lot of realistic items used in very imaginative ways including lemons, teapots, cakes and acorns, all made into houses. The pictures are all very cute, fun and often light-hearted and they look absolutely stunning once you’ve added a splash of colour to them!

In terms of mental health, this book is lovely because it’s based around fairy-tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of objects that you can practice realistic colouring of wood, metal or fur on if you wish. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like tales and legends, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

If you’re a fan of Emelie’s work then please do join my dedicated Facebook group where you can share your coloured pages from all of her books and postcard books.

The image below was coloured using Holbein Artists’ Colored Pencils and blended with a Caran d’Ache Blender Pencils.

Romantic Country: The Third Tale – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Romantic Country: The Third Tale is published and kindly sent to me to review by St Martin’s Griffin. I’ve been looking forward to this book being published for such a long time and I was delighted when it arrived just a few days ago and I was able to complete my Romantic Country collection. I think that the second book is my personal favourite, it seems the most cohesive and most exciting in terms of content, however, this third instalment is beautiful too though the story does jump around from us being shown Elena meeting Joset the duck in Chapter 4 to seeing new scenes of shops and places we’ve seen in previous books as well as visiting new islands and areas. The book is illustrated by Eriy, a Japanese artist who creates her work using a toothpick dipped in ink. This whole book took approximately 900 toothpicks and because of the way the lines are created they’re not a uniform thickness and aren’t a stark black colour (more on this later). This series was the series I’ve been hoping would be made, with its childlike charm but with adult levels of intricacy, it’s what I always felt was missing for me in JB’s books, don’t get me wrong, hers are stunningly beautiful, I really love them, but they’re a little too perfect for my imagined perfect series. Eriy’s books are utterly charming, not quite perfect, and truly heart-warming and that’s what makes them so wonderful.

This book is square, the same size as the bestsellers, paperback, with a removable paper dust jacket with partially coloured images from the book on the front and back. The book itself has brown card covers with two line drawings from inside the book and blank covers on the inside. The paper is a lovely rich creamy colour (it’s hard to describe but it’s a little warmer in colour than the paper in Johanna’s first two books but not yellowy and it’s the same as in the previous Romantic Country titles), and it’s thick and doesn’t bleed or shadow with water-based pens when used carefully, it also holds up well to water and doesn’t bleed through with Derwent Inktense pencils. The paper is lightly textured and while you can’t get loads of layers, pencils do lay down well on it and it’s perfectly possible to get some lovely blending and layering. The spine is glue and stitch-bound so it’s durable but a little difficult to get to the centre of each spread, however, spines of this type do ease up with use so do persevere. The images are printed double-sided and borderless and are a mixture of single and double-page spreads so a little of each image is lost into the spine to begin with.

The images themselves are beautiful, charming, and begging to be coloured and are split into the following 5 chapters: 1. Peaceful Days in the North; 2. Peaceful Days in the South; 3. Beautiful Island Scenes; 4. Good Times for Elena and Joset; 5. The Passage of Time in the Secret Forest. The book starts with a single page spread showing a map of the islands of Cocot (the name of the land in which the first two books are set, which was dreamt up in the imagination of Eriy when she was a child), depicting the landmarks introduced in this book. Following this, are two double-page spreads showing mapped scenes of Sarryska Island and Cocot North, and Uisce and Melati Islands and their landmarks which are pictured in more detail later in the book so you can clearly see where they’re situated in relation to each other. Following the maps, the images show beautiful scenes of children posting letters to Santa Claus, vegetable carts, snow-capped castles, farmyard scenes, cutlery and crockery, a library, Island traditional dress, a lamp shop, inside a boat, a picnic, fairies, mermaids, a dragon receiving healthcare, a witch’s hat shop, and so much more. Each image is shown as a thumbnail at the back of the book too with a short description telling you more about each place and life there. At the back of the book are two fully colourable pages with single-sided scenes to cut out and assemble into a 3D shop that Elena and her duck friend Joset, are visiting.

In terms of mental health, I doubt there’s a book (or series) that’s better for it in all honesty! Certainly for mine anyway! The illustrations are so charming and because they have a beautiful childlike quality to them they really have a nostalgic aspect which will remind you of colouring books you used as a child but with so much more detail and intricacy that it’s still very entertaining as an adult. The content is wonderful because it whisks you off to a simpler, happier, gentler place where there is a slower pace of life and mythical creatures live alongside people and even witches are good. The line thickness varies throughout because Eriy draws with a toothpick and so it naturally varies however the majority of the lines are thin but not spindly so they’re perfectly colourable with moderate vision and fine motor control. The lines themselves are not a stark black, they’re an uneven brown because they’re drawn in dipping ink and while this may not sound great and does take a little getting used to, it truly adds so much charm to the drawings and these illustrations just wouldn’t look right drawn in harsh, black, perfect lines. The images range in intricacy and detail from large open spaces in some of the landscape pages, to small intricate details of vegetables, books and leaves, and everything in between, it’s very wide-ranging but the intricacy level in this book is significantly higher in most images than in Romantic Country though most of the images would still be suitable for those with moderate, or higher, vision or fine motor control so this is a great book for nearly anybody! The images are detailed and contain lots of things to look at and colour but most are not so overwhelming that you don’t know where or how to start and because they’re all depicting real things like buildings, plants, and food, they’re easy to work out colour schemes for whether that be subtle pastels, realistic browns and greys, or bright fantastical colours, this book isn’t so perfect that you don’t want to touch it which is part of its huge appeal. The images are less cohesive in this book and don’t tell a chronological story, however, they do create a wonderful sense of place and they offer great escapism as you walk through the streets, castles, countryside and shops, by the end of the book you really feel like you’ve visited the fantastical lands and you’ll be planning your next visit as soon as you can!

I would highly recommend this book to anyone who likes to colour scenes, landscapes, shops, food and flowers. This is one of the most beautiful books I’ve ever seen, it’s cute, pretty, whimsical, magical and charming and it truly is the book of my dreams, and hopefully of yours. If you don’t already have the first two Romantic Country titles then get them too, this series is truly perfect!

If you’d like to purchase a copy of this gorgeous book then it’s available here:
Amazon UK – Romantic Country: The Third Tale
Book Depository Worldwide – https://www.bookdepository.com/Romantic-Country-The-Third-Tale-Eriy/9781250133830/?a_aid=colouringitmom

Book 1 and 2 are available here.

The image below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache Blender Pencil.

Mein Sommer Spaziergang (My Summer Walk) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mein Sommer Spaziergang (My Summer Walk) is published and kindly sent to me to review by Bastei Lübbe. This book is one of four season-themed colouring books illustrated by Rita Berman, a highly talented German illustrator. This series of books is truly stunning, it’s not often that I get hugely excited by books now because I have so many but when I saw Rita’s illustrations online I knew I had to have these books and when they arrived I was honestly blown away by their beauty, there’s so much detail and content packed into each book and they really do typify and epitomise each season. I can’t enthuse about them enough, they’re just beautiful! The books are all identical in format and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than the bestsellers at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the other three titles in the series. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each book but they’re heavily tailored to each season and it’s very clear from looking through each book which season it’s dedicated to. A couple of images in each book are repeated across two books e.g. sunflowers in the Summer and Autumn books, sheep in Spring and Summer and a Spring scene in the Winter and Spring books.

The drawings range from double-page spread scenes to wreaths, centralised images to random object spreads and a few pattern pages, all usually related to the season theme. The content ranges from beach scenes, seagulls and beach huts to ice cream, fruit and sunshine, there are woodland scenes, seashells, blossoms, birds and hill views, picnic tables, jars of jam, duck ponds and camping, vegetable patches and quite a few cats through the pages. The imagery really does sum up Summer and childhood memories of beach or camping holidays. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, this whole series of books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish colour schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and flowers and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and the rest in the series, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Mein Sommer Spaziergang (My Summer Walk)
Book Depository Worldwide – https://www.bookdepository.com/Mein-Sommerspaziergang/9783404609291/?a_aid=colouringitmom

You can read my reviews of the other books in the series here.

The page below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache blender pencil.

Mein Frühlings Spaziergang (My Spring Walk) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mein Frühlings Spaziergang (My Spring Walk) is published and kindly sent to me to review by Bastei Lübbe. This book is one of four season-themed colouring books illustrated by Rita Berman, a highly talented German illustrator. This series of books is truly stunning, it’s not often that I get hugely excited by books now because I have so many but when I saw Rita’s illustrations online I knew I had to have these books and when they arrived I was honestly blown away by their beauty, there’s so much detail and content packed into each book and they really do typify and epitomise each season. I can’t enthuse about them enough, they’re just beautiful! The books are all identical in format and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than the bestsellers at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the other three titles in the series. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each book but they’re heavily tailored to each season and it’s very clear from looking through each book which season it’s dedicated to. A couple of images in each book are repeated across two books e.g. sunflowers in the Summer and Autumn books, sheep in Spring and Summer and a Spring scene in the Winter and Spring books.

The drawings range from double-page spread scenes to wreaths, centralised images to random object spreads and a few pattern pages, all usually related to the season theme. The content ranges from pussy willow branches to fields of sheep, crocuses, daffodils and tulips, spring bulbs and vegetables to mice, countryside and nesting birds. There’s a beautiful bunny, lots of feathers, eggs, and butterflies, there are pond scenes, woodland walks, and all manner of things that you’d expect to find in Spring and at Easter. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, this whole series of books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and flowers and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and the rest in the series, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Mein Frühlings Spaziergang (My Spring Walk)
Book Depository Worldwide – https://www.bookdepository.com/Mein-FrAhlingsspaziergang-Rit-Berman/9783404609284/?a_aid=colouringitmom

You can read my reviews of the other books in the series here.

The page below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache blender pencil.

Mein Winter Spaziergang (My Winter Walk) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mein Winter Spaziergang (My Winter Walk) is published and kindly sent to me to review by Bastei Lübbe. This book is one of four season-themed colouring books illustrated by Rita Berman, a highly talented German illustrator. This series of books is truly stunning, it’s not often that I get hugely excited by books now because I have so many but when I saw Rita’s illustrations online I knew I had to have these books and when they arrived I was honestly blown away by their beauty, there’s so much detail and content packed into each book and they really do typify and epitomise each season. I can’t enthuse about them enough, they’re just beautiful! The books are all identical in format and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than the bestsellers at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the other three titles in the series. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each book but they’re heavily tailored to each season and it’s very clear from looking through each book which season it’s dedicated to. A couple of images in each book are repeated across two books e.g. sunflowers in the Summer and Autumn books, sheep in Spring and Summer and a Spring scene in the Winter and Spring books.

The drawings range from double-page spread scenes to wreaths, centralised images to random object spreads and a few pattern pages, all usually related to the season theme. The content ranges from pine cones and Christmas trees to Wintry mountain scenes and penguins, mittens, hats and scarves to the northern lights, Christmas biscuits and an advent calendar, even Father Christmas makes an appearance! This book contains everything you would want from a Winter and Christmas-themed book with multitudes of stars and snowflakes, baubles, Winter sports and even a Christmas market scene. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, this whole series of books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and flowers and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and the rest in the series, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Mein Winter Spaziergang (My Winter Walk)
Book Depository Worldwide – https://www.bookdepository.com/Mein-Winterspaziergang/9783404609178/?a_aid=colouringitmom

You can read my reviews of the other books in the series here.

The page below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache blender pencil.

Mein Herbst Spaziergang (My Autumn Walk) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mein Herbst Spaziergang (My Autumn Walk) is published and kindly sent to me to review by Bastei Lübbe. This book is one of four season-themed colouring books illustrated by Rita Berman, a highly talented German illustrator. This series of books is truly stunning, it’s not often that I get hugely excited by books now because I have so many but when I saw Rita’s illustrations online I knew I had to have these books and when they arrived I was honestly blown away by their beauty, there’s so much detail and content packed into each book and they really do typify and epitomise each season. I can’t enthuse about them enough, they’re just beautiful! The books are all identical in format and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than the bestsellers at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the other three titles in the series. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each book but they’re heavily tailored to each season and it’s very clear from looking through each book which season it’s dedicated to. A couple of images in each book are repeated across two books e.g. sunflowers in the Summer and Autumn books, sheep in Spring and Summer and a Spring scene in the Winter and Spring books.

The drawings range from double-page spread scenes to wreaths, centralised images to random object spreads and a few pattern pages, all usually related to the season theme. The content ranges from ploughed fields and haystacks to orchard fruits and mice, squirrels and birds to rain showers, Thanksgiving turkeys to root vegetables, kites flying in a blustery wind to mushrooms, pumpkins and Autumn leaves, and even migrating geese, everything you can think of that symbolises Autumn is pictured in abundance in this book. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. This book was the first published and as such, a few of the images are drawn in a slightly different style from the other three books in the series and are much emptier, more on this later. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, this whole series of books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish colour schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. This book has a five images that are quite different from the rest in this, and the other books in the series, these are much emptier and feel less finished, there are no written prompts on the pages but you could certainly add your own patterns or imagery if you wished, or just leave them as they are and finish them off with beautiful colours and backgrounds if you fancy. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and flowers and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and the rest in the series, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Mein Herbst Spaziergang (My Autumn Walk)
Book Depository Worldwide – https://www.bookdepository.com/Mein-Herbstspaziergang/9783404609161/?a_aid=colouringitmom

You can read my reviews of the other books in the series here.

The page below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache blender pencil.

Harry Potter Magical Artefacts Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Harry Potter Magical Artefacts Colouring Book is published and kindly sent to me to review by Studio Press. This book is the fourth in the Harry Potter Colouring Book series and my reviews of the first, second, and third can be found here. Grab your wand, bring a lantern, swat up on your incantations and let’s get delving into the magical artefacts of the wizarding world. This book is paperback with a glossy accented cover and a pale blue spine, it’s A4 in size and glue-bound meaning that a little of some images is lost. The images are a mixture of single and double-page spreads with many of the single pages having a thin border meaning that they’re not lost into the spine. The book contains 96 pages which are printed double-sided. The paper is bright white and thick (they’ve sorted out the paper issues since the first book), and didn’t bleed or shadow when tested with water-based pens, it’s lightly textured and perfect for pencils, you can get plenty of layers for blending and shading! It also held up fine to light use of water when activating the Derwent Inktense Pencils.

The images are drawn by multiple illustrators so they’re cohesive in content but some are drawn quite differently from each other. The images themselves include almost no stills from the film this time. There are a number of images based on concept art for the films and a few patterns are included which do feel a bit like “filler” images but there are fewer of these in this book than the first two (about 4 full page patterns) however, at least 24 pages are images with a centralised object overlaying a repeating pattern, like my coloured page of the sorting hat, and these get quite samey and dull. A huge number of different artefacts are pictured from obvious inclusions of wands, brooms, a time-turner, the Sorting Hat and horcruxes, to many of the items sold by the Weasley twins, book covers, the Marauders’ Map, Delores Umbridge’s cat plates and lots more. There are single and double-page spreads of objects and posters. This time there aren’t many pictures of characters though a few are included  At the end of the book are a number of full colour pages of the images included in the book meaning you can either copy the colour schemes in those or pick your own, they’re also great for helping you re-live the magic of the films and get yourself back into the world of Hogwarts – as if any of us ever left! I have to say, this book feels quite samey when compared to the previous three and they haven’t been brilliantly represented as specific titles due to the first book containing a real mixture of images and then the following three being specific aspects, many of the most obvious of which had already been featured in the first book. It just feels like it’s lacking, we’ve already had images of wands in two books, we’ve already seen the quidditch balls and different brooms, the collection of images is just quite random and the most obvious wizarding artefacts aren’t pictured well due to being shown in previous books.

In terms of mental health, this book doesn’t have an awful lot of impact on it unless you’re a Harry Potter Mega Fan in which case it’s likely to considerably lift your mood and give you hours and hours of distraction and enjoyment. The images take a long time to colour if you want them to look realistic so you will need fairly good levels of concentration. The line thickness varies from very thin to thick but mostly it remains thin so you will definitely need good vision and fine motor control to get the most out of this book. The best part of this book is that it has coloured pages at the back which can be used to copy or give inspiration for colour schemes, you can also easily google the objects and artefacts in order to work out exactly how to colour them so they look true to the film, or you can go it alone and try out your own colour schemes with purple broomsticks, glittery wands and rainbow time-turners – it doesn’t have to be realistic, remember it’s a magical world! Some of the illustrations are very intricate and detailed and others are much simpler with larger open spaces so this book does have a variety of difficulty levels to accommodate your good and bad days.

All in all, this is a good book, but I’m left disappointed, it feels samey and lacklustre and the image style gets boring quite quickly, I think a trick was missed by creating the first generic themed book, it really took away from the subsequent three specific titled books as the best bits of each had already been pictured. However, if you’re wanting to finish off the set, or you’re just a bit less picky than me then this book may be for you. The paper quality is good and there’s a wide range of objects and artefacts pictured, I just feel they could have been pictured in a better, more exciting and inspiring way.

If you’d like to purchase a copy it’s available here:
Amazon UK – Harry Potter Magical Artefacts Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Harry-Potter-Magical-Artefacts-Colouring-Book/9781783705924/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Derwent Inktense Pencils activated with water.

Jane Foster’s Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Jane Foster’s Colouring Book is published and kindly sent to me to review by Pavilion. Jane Foster is best known for her range of screenprinted toys and homeware products which are inspired by Scandinavian art from the 50s and 60s, this colouring book offers fans, new and old, the opportunity to bring her illustrations to life with their own colour schemes. The book itself is 20cm square with rounded corners, paperback with a thin card cover with a partially coloured illustration from inside the book, and a thick piece of hardboard-style card at the back which offers a great surface to colour on. The spine is not attached to the spine of the book cover and is lightly glue-bound meaning that the book opens completely flat and the pages can be easily removed but will also fall out easily when colouring the pages towards the back of the book so do be very careful if you’re wanting your book to remain intact. The images are all printed single-sided. The paper is bright white, thick and lightly textured, it’s perfect for water-based pens which didn’t bleed or shadow but would work equally well with pencils for blending and shading or alcohol markers as long as you put some protective sheets behind your work to prevent bleed-through. The illustrations themselves are lovely and very cheerful, they’re mostly flowers, leaves, fish and birds and all have patterns within them. They’re drawn in quite a simplistic, naïve style and are quite childlike and would certainly appeal to children as well as adults. The designs are mostly Scandinavian-inspired and if you liked the book Scandia, you may well like this as it’s quite similar. The content is wide-ranging consisting of everything from flowers to peapods, bouquets to cacti, fish to feathers and chickens to mushrooms. The images are all in large print, contained within the page without reaching the edges, and quick and easy to colour.

In terms of mental health, this book is lovely to just zone out with and not have to think hard about the colouring experience. The images are all of real things but are not drawn at all realistically meaning they’ll look equally good coloured in real colour schemes as they will coloured in rainbows or neons. The images are all small and blocky and therefore quick to colour so this is ideal for anxious or low mood days when you don’t think you’ll be able to concentrate for long and can’t cope with blending and shading, the art really lends itself to block colouring in your brightest colours and after 20 minutes of that you’re sure to feel calmer and more able to face the world. The line thickness is consistent throughout with each image being outlined in an extremely thick line and then details added within in medium and thin lines. The illustrations are all centralised objects or groups of objects and therefore none are scenes in need of backgrounds though you could still add some if you wish. The intricacy and detail levels vary throughout each image with the majority having one or two very large spaces and then other areas that are made smaller by internalised patterns which can either be coloured within or over for texture. None of the spaces are teeny tiny and this book would be suitable for almost any level of vision or fine motor control including most children. The content is cute and quirky and sure to put a smile on your face, especially once you’ve filled it with bright colours and made it your own.

I would recommend this book to those who like Scandinavian art, those who liked Scandia and those who want quick and easy designs to colour on days when their mental health is poor, this book is filled with cute and quirky designs that look great no matter what colours you choose so grab a pen and get colouring!

If you’d like to purchase a copy of this book it’s available here:
Amazon UK – Jane Foster’s Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Jane-Fosters-Colouring-Book-Jane-Foster/9781911216155/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tip Pens.

Rhapsody in the Forest – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Rhapsody in the Forest is illustrated by Kanoko Egusa, a Japanese artist, who very kindly sent me a copy to review. Kanoko’s work is yet to be picked up by a US or UK publisher which is a real shame because her work is truly stunning, it’s unlike anything we’ve seen before in the UK but is similar to many of the other beautiful Japanese books on the market, they have such a lovely quality to them and are very whimsical and cute with plenty of detail. Kanoko has created two books so far, this one and a second called Menuet de Bonheur which I’ve reviewed here.

The book itself is just under 25cm square, paperback with very flexible card covers and a beautiful thick paper dust jacket with linework from inside the book. The pages are printed double-sided and the spine is glue-bound, the images are printed full-page and therefore do enter the spine so you’ll need to be careful when trying to reach the centre of the pages not to break the spine or you may end up loosening the pages. The paper is white, medium/thin and very lightly textured, it doesn’t bleed or shadow with water-based pens but do make sure you check this somewhere inconspicuous as we all colour differently, pencils blend and shade well despite the lack of tooth in the paper and sparing amounts of water were tolerated very well and didn’t cause bleeding when I used my Derwent Inktense Pencils. The images are a mixture of single and double-page spreads and the content is all heavily nature-based with lots of animal characters. The book is printed in Japanese so it’s not possible to read the text at the beginning of the book which I assume explains what’s happening through the pages but most of the scenes are pretty self-explanatory.

The illustrations contain all sorts of imagery from food to flowers, postage stamps to books, circus and nautical scenes and lots and lots of animals in various stages of anthropomorphosis from very animal-like, possibly wearing a hat, to very anthropomorphic and doing human jobs like decorating cakes, trick-or-treating, and even going to a ball. They are very natural and filled with detail, objects, and plenty to look at and the content is really wide-ranging and very pretty. I’m not entirely sure what the specific theme of the book is but it seems like it’s following the lives of lots of woodland and more exotic creatures and their travels, tales, exploits and even parties! It’s a really lovely theme for a book and the pictures are truly exquisite and beautiful! Five of the pages have black or grey backgrounds which is quite novel and a nice addition to the book.  Of the two books, I personally prefer this one as it’s more natural and less anthropomorphic which suits my tastes more, however, both are just gorgeous! At the back of the book are two light brown pages, the first has two postcard sized images which can be cut out and coloured, the second has 5 illustrations each with dotted lines drawn around them so that they can be cut out and attached to cards or used as gift tags etc either coloured or uncoloured.

In terms of mental health, this book is fantastic, it’s so calming and distracting and there’s just so much to look at in each picture so it’s really absorbing. It also offers wonderful escapism because you can create stories about what the animals are doing and what they might be baking a cake or wearing their best outfits for and immerse yourself in their lovely world. The book feels really peaceful and reminds me of my childhood reading Beatrix Potter’s wonderful stories about animals, I’m sure Peter Rabbit and Mrs Tiggywinkle would fit right in with Kanoko’s forest of creatures and you could have great fun naming all of the characters depicted in this beautiful book. The line thickness is pretty consistent throughout and is thin but not spindly thin so it’s perfectly colourable. The intricacy and detail levels vary throughout from very detailed sections with lots of intricate parts to much larger sections where you can really go to town with your blending and shading if you wish; this book would be suitable for those with moderate to good vision and fine motor control. This book will require a fairly good level of concentration but there are lots of natural stopping points so you can colour for as little or as much time as you want and still get a good sense of accomplishment. The amount of content in each page varies so some are centralised single page images, others are fully covered double-page spreads and a few have spaces where you could add your own imagery or backgrounds if you wish.

Overall, I would highly recommend this book and Kanoko’s second book, Menuet de Bonheur, both are truly beautiful, really natural and calming and just charming to look through. Having seen lots of coloured images from inside, these illustrations are really brought to life with colour and they look spectacular when finished.

If you’d like to purchase a copy, it is available on Amazon but price varies so do check there as well as Amazon Japan (postage is steep but does reduce per item if you buy more than one thing) and check Etsy too where an increasing number of Japanese and other International colouring books are being stocked for a reasonable price.

Amazon UK – Rhapsody in the Forest

The image below was coloured using Derwent Inktense Pencils activated with water.

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Twilight Garden Artist’s Edition (Blomstermandala Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Twilight Garden Artist’s Edition is published and very kindly sent to me to review by Gibbs Smith Publishing. Twilight Garden is the English title of the hugely successful series of colouring books called Blomstermandala by Swedish artist, Maria Trolle. I have previously reviewed the Blomstermandala Colouring Book HERE and this is the Artist’s Edition of that book, it’s identical in format to other Artist’s Editions published by Gibbs Smith and Pagina (the Swedish publisher of all of these books) and therefore much of my review is identical to those, this Artist’s Edition is also identical to the Swedish version of it apart from the language. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are black with muted coloured flowers from inside the book and gold foiled text on the front, back, and spine. The book has a matte gold tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. For my page I used Derwent Inktense Pencils activated with minimal water which worked brilliantly with absolutely no buckling or warping at all. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The content is a little strange, the book contains 20 pages, 16 of which are illustrations from the original book, 1 is a floral alphabet where each letter shape consists of a single flower (oddly the letter W is missing), and 3 of which are black-background images with full colour printing of what look to be photographed petals, leaves and flowers so these 3 pages are unable to be coloured, a strange choice I feel. However, the other 17 images are lovely choices and are all single-page spreads from the book printed either the same size as the originals or a little larger. 7 of the images have white backgrounds and 10 have black backgrounds (some of these were printed with white backgrounds in the original book). The images are all of flowers and plants and none contain any animals, birds or objects so if those were you favourites then this Artist’s Edition may not be for you. A huge range of flowers are included from daffodils to tulips, lupins to forget-me-nots, foxgloves to grape hyacinths, and fuchsias to peonies and so many more! I’ve included photos of all of the pages below so that you can see the range and make an informed choice. None of the images reach the edges of the page and those with a white background have space where you could add your own backgrounds or imagery if you wish, though this is by no means a requirement, and this will make all of them very easy to frame for yourself or to gift to others.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing and very realistic and details have been added to these that weren’t in the original illustrations (see photo comparisons below). The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout from medium to high and this is higher than the original book due to the added details in the larger spaces of each section, these are easily coloured over if you prefer larger sections to colour or they’re manageable to colour within so this book is good for a range of levels of vision and fine motor control depending on how you want to use it. I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different flowers and leaves made me feel calmer and the images are just beautiful so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one tiny flower or leaf on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book (despite the inclusion of three uncolourable images) to those of you who like to colour flowers and plants, those who have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful and very calming.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Twilight Garden Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Twilight-Garden-Mari-Trolle/9781423647072/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with water.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

Wonderlands by Johanna Basford – A Review

Ever since I found Johanna’s first colouring book, Secret Garden, I’ve been on a mission to have copies of all of the books and formats that get published of her work. A quick google search alerted me to an elusive book called Wonderlands which was the first book published in her name but this was either out of stock, unavailable or selling for crazy amounts of money for a used copy on Amazon or Ebay because it’s now out of print, with no plans to re-publish. I had pretty much given up hope of ever getting a copy unless I won the lottery. That was until a week ago when I saw that a few people in the colouring community had suddenly managed to find copies and that they weren’t having to re-mortgage their homes in order to get them. I contacted two of them straight away and both got back to me and were really helpful in showing me how to find the book on the publisher’s website (it’s very well hidden, even googling numerous times and trying different search terms didn’t come up with the ability to buy it) and I got ordering. I ordered it last week and just 7 days later I had a copy in my hands and wowee was it worth the 2 year wait and countless hours trying to hunt a copy down in that time.

Wonderlands is not a colouring book and was never designed to be one. The paper is white and thick though subsequent designs can be seen through it and it has a visible horizontal grain, a small section of pages (16 sides) are black paper with a vertical grain with white line drawings printed on them. I have not tested the paper with any colouring mediums as this book is now my pride and joy and I won’t be going near it with pencils or pens so if you wish to colour it you will need to test your mediums on an inconspicuous area but do bear in mind that paper with grain can bleed badly with any type of liquid and it may therefore only be suitable for pencils rather than pens. The content of the book is mostly from Johanna’s Wonderlands art exhibition which was displayed at Dundee Contemporary Arts from the 4th of May to 7th of July 2013. As such, the illustrations are some of the most detailed I’ve ever seen and have not been designed with colouring in mind and are therefore very black-heavy with much less white space left than we’re used to in Johanna’s work. Many of these illustrations have been shrunk down from much larger depictions in order to fit the book’s pages and therefore the intricacy and detail levels are second-to-none. I can only imagine how wonderful it would have been to see the original exhibition but luckily we are able to take our own mini tour within the pages of this book.

Looking through the book feels almost like you’re looking into Johanna’s mind, you can see her creative process working and there are hints and precursors to all of her colouring books and projects. I studied Creative Textiles for GCSE and therefore love seeing the process from initial ideas and mood boards all the way through to the finished display pieces and this book really feels like you’re able to go on that journey and you can see the first glimpses of certain pages from the colouring books we know and love from the owl tree and lily pond in Secret Garden to the monkeys of Magical Jungle. The content of this book is much more wide-ranging and less specific and is also more jumbled up within each page with one page containing objects ranging from an octopus to a cactus, a dustbin to a whale, a playing card to a ladder and even a lightbulb. This book is honestly spectacular and while it’s not for colouring, anyone who’s a fan of Johanna’s work will find that this book is an absolute must-have. Not every page has a design on it but the ordering of these blank pages is quite random throughout, there are a few single-sided pages but the majority are double-sided. The image styles range from ribbons across the page with vast blank spaces around them to repeating patterns like we saw in Lost Ocean, centralised images of trees and other objects to centralised mirror image designs and some lovely two-page spreads where the original image is shown in its entirety on one side and a section zoomed into on the other so you can see some of the wonderful detail more closely. The illustrations cover such an expanse of content from alphabets drawn in flowers and leaves and another in robots and machinery, to people ranging from Sumo wrestlers to Beefeaters, Royal Guards and little ballerinas, there’s a whole page dedicated to junk food including gingerbread men and burgers and others just consisting of butterflies, moths, or pyramids of animals. As with all of Johanna’s work, each illustration is stunning and one of the best features of this book is the section of photographs at the back which shows the exhibition itself and shows the scale of some of the pieces she created, we’ve seen sneaky peeks of some of these in newspaper articles and in her studio videos where we’ve seen her beautifully doodled dog statue and framed cuckoo clock designs and it’s wonderful seeing them in situ in the book, my personal favourite being the beautiful sailboat with seaweed imagery which clearly inspired Lost Ocean. The black pages are different again with the images all printed in a slightly greyish white and looking a little less crisp than the black-lined illustrations do, they look a tad more smudgy and as if they were created with paint or screen-printing rather than a pen but nevertheless they’re beautiful and the content here is very natural and nature-based from Oriental-style motifs to a beautiful double-page spread of peacocks, a floral heart very similar to the one in Secret Garden, to a beautiful pond and rainforest ribbon. The book feels quite sectioned off with it starting with black on white illustrations, then moving to white on black, then back to black on white and finally ending with 16 pages of photographs from the exhibit, despite this sectioning, the book feels really cohesive and does feel like a journey through the exhibition itself and Johanna’s mind and creative process. At the very back of the book all of the works of art are titled and information about the commissions and exhibit is given which gives great context for where the pieces are from and why they were created.

In terms of mental health, this book has certainly been fantastic for my own and has already given me hours of enjoyment and calm. Looking through the pages has really opened up a new world for  me and I’ve loved looking at all of the different aspects and details and each time I look through I see something new because it’s just so jam-packed with content. The paper has a lovely feel to it and it’s just a really tactile book with plenty to keep you occupied for hours. The spine is glue-bound so you’ll need to be a little careful not to break it by opening the pages too far. I’ve really loved adding this book to my Johanna Basford collection and it’s possibly my favourite book because it’s just so beautiful and wide-ranging. The cover has a black and white illustrated removable dust jacket with full French flaps and this could be completely coloured if you wish though I shall be leaving mine as is, the black and white is just so striking and the paper it’s printed on has a lovely soft feel.

Overall, I can’t recommend this book highly enough, if you’re looking for a colouring book then this isn’t for you as many of the details and designs are impossibly small and wouldn’t be colourable but for fans of Johanna’s work who want to see more of her art and discover where the books we colour have come from this book is ideal. The production of the book is wonderful and while it may seem a little pricey at £20 + £5 postage (more for International deliveries) it’s truly a beautiful book that I think is worth every penny, it’s becoming harder and harder to find and I have no idea how much stock the publisher has left (it currently states Low Stock on the site) so I certainly wouldn’t put off ordering it if you’re desperate for a copy, you won’t be disappointed and it really is a very special creation.

If you’d like to purchase a copy of the book it’s available here: Dundee Contemporary Arts

For a silent full video flick-through of the book, please click here.

UK Giveaway and Review – Colour Serene: Adult Art Therapy Colouring to Calm and Relax

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Colour Serene is illustrated and self-published by Faunia Smith who kindly sent me a copy to review and a copy to give away (UK giveaway instructions at the bottom, directly above the photos). Faunia is a Naturopath from Australia who strongly recommends art therapy for relaxation and to reduce stress and it was just this that she created her book Colour Serene for. This book is A4, landscape and paperback with flexible card covers with a partially coloured image from inside the book. The spine is glue-bound and all of the illustrations are bordered and don’t reach the page edges. The pages are all printed single-sided and the book contains 24 images, 13 are landscape, 11 are portrait and all are perforated so that you can remove them from the book if you wish to display or gift them. The paper is bright white, thick, and lightly textured, the paper isn’t card-like but it is thick and didn’t bleed or shadow with my water-based pens; pencils blend and shade well and alcohol markers will be fine to use as long as you pop a protective sheet behind your work as the pages are single-sided. The illustrations themselves are very varied, from landscapes to abstract, patterned to nature and more. Some of the images show scenes, others are more random and none are particularly similar to each other. You can find photos from inside below the review.

In terms of mental health, this book is lovely, it contains such variety that you’re sure to find something to suit any mood, any symptom level and any difficulty you fancy. The line thickness is varied from medium to spindly thin and the intricacy and detail levels vary hugely from large open spaces to teeny tiny ones, generally these variances are between pictures rather than within them so there is a good range of difficulties for different levels of concentration or symptoms. Many of the images will be fine for those with moderate levels of vision or fine motor control with a few most suited to those with good or very good levels. The range of images will be ideal to cover those with fluctuating conditions who like to colour variety of content as well as a range of difficulty levels, there are illustrations suited to days where you can’t focus well and might want to block colour and others where you’ll need to be having a good day so that you can really focus on colouring within all of the teeny tiny sections of an abstract page, or others where you can really keep your hands and mind busy with meticulous blending and shading. The hand-drawn images have a calm feel to them and aren’t perfect so they don’t feel intimidating to start, some of the more realistic scenes have ready-made colour schemes that would suit them so you can colour trees in green in brown and the sun in yellow if you’re feeling anxious and unable to make decisions, on better days you can craft your own colour scheme for some of the abstract pages where you can really go all out with your choices.

I would recommend this book for those who like variety and those who like to use alcohol markers as the single-sided perforated pages are ideal for this medium. The illustrations are wide-ranging in content and feel calm and not so perfect that they’re intimidating to colour.

If you’d like to purchase a copy, it’s available here.

The image below was coloured using Stabilo 68 Fibre-Tip Pens.

UK Giveaway – Faunia very kindly sent me a second copy of her book in order to run a competition so you can win a free copy. This giveaway will run Wednesday the 29th of March at 8pm GMT. Please enter via this Facebook post, full instructions can be found there. Good luck!

H for Horatio’s Garden – A Review

Following on from my review of The Horatio’s Garden Colouring Book, I bring you a review of a second book, the first created by the hugely talented, Catalina Willis. This book isn’t a colouring book but please don’t stop reading, this book is very small but very mighty and those of you who read my review of her colouring book will know that these books are being sold for a truly wonderful and worthwhile cause. For those not already aware, Catalina was inspired to create the books in memory of her Godmother’s son, Horatio, who very sadly died in 2011, aged 17, killed by a polar bear on an expedition to Svalbard. Horatio had planned to be a doctor and did voluntary work in a spinal treatment centre where his father worked, he realised there was a need for accessible gardens and set about helping create these, three have already been created in his memory with a further eight planned so that all 11 NHS spinal injury centres will have one, the proceeds from sales of this book will go directly towards this worthy cause.

This book is small at 15cm square, paperback, and has a yellowy-green cover. The book is printed double-sided, in full colour and is very high quality throughout. The content is described as “A whimsical romp around the 27 letters of the English alphabet, through the eyes of Catalina Willis” and the book does exactly what it says on the tin, each double-page spread is dedicated to a letter of the alphabet, each symbolising something beginning with that letter e.g. O for Outer Space, T for Togetherness, and most importantly, H for Horatio’s Garden. The pages are filled with quirky drawings, fun characters, whimsy, and lots of humour. It’s honestly a delight to look through and will make children and adults laugh as they journey through the alphabet. As for mental health benefits, what could be better than something that makes you laugh and smile? Catalina’s drawings are charming, characterful and they have a lovely naïve and child-like quality but with a true artist’s finesse added to them so fantastic for cheering you up and brightening your day, especially with all of the bright and vivid colours she’s used.

Overall, this is a lovely book, ideal for children and adults, and being sold for a truly fantastic cause, what have you got to lose? I can’t recommend it highly enough, it’s super cute, funny, and just adorable.

If you’d like to purchase a copy, it’s available on the Horatio’s Garden charity website here.

Can’t get enough of Catalina’s artwork? Check out my review of her gorgeous colouring book which you can bring to life with your own beautiful colours.

The Horatio’s Garden Colouring Book – A Review

Today I bring you a review, quite different from any other, I’ve had this book for months and just haven’t quite known how to review it because it’s been created for such a wonderful cause and has such an important message, I really wanted to be able to do it justice. The book was created by Catalina Willis, a young, and extremely talented illustrator who was just 15 at the time, not that you’d know it from the professional look of her drawings. She was inspired to create the book in memory of her Godmother’s son, Horatio, who very sadly died in 2011, aged 17, killed by a polar bear on an expedition to Svalbard. Horatio had planned to be a doctor and did voluntary work in a spinal treatment centre where his father worked, he realised there was a need for accessible gardens and set about helping create these, three have already been created in his memory with a further eight planned so that all 11 NHS spinal injury centres will have one, the proceeds from sales of this book will go directly towards this worthy cause.

The book itself is small at 20cm square, perfectly formed, and the ideal size to take on your travels and pop in your bag for colouring on the go. It’s paperback with flexible card covers with a lovely dark blue front and one of Catalina’s cute birds trudging his way across the cover. The spine is glue and string-bound and very durable but also easy enough to open the book fully and access the centre of each spread. The illustrations are printed double-sided and are a mixture of single and double-page spreads with the majority being single page images. The paper is bright white, thick and lightly textured, it doesn’t bleed or shadow with water-based pens and pencils blend and shade nicely. The images themselves are a real mixture of content and style but all are very cute, quirky and whimsical. The book is arranged into 10 chapters: 1. The Gardens, 2. Activities, 3. British Animals, 4. The Sea, 5. Sleepy Animals, 6. People, 7. Sensible Animals, 8. Pangrams, 9. Silly Animals, 10. Patterns. The images are roughly arranged into these themes and include styles from normal black and white line drawings to greyscale type images, some with realistic greyscale photo backgrounds and even patterned or black backgrounds. The images vary from large drawings with thick lines drawn in a blocky style, to much more detailed images with much thinner linework and teeny tiny spaces and a huge range of everything in between. The majority of the images are animal-based and contain lots of anthropomorphic animal characters from poorly donkeys to nursing geese, dinosaurs offering rides to fez-wearing creatures and lots more. Some of the pages contain lots of random objects, others include food, some contain text and some of the loveliest images are of the current spinal injury gardens being enjoyed by poorly animals. Catalina’s illustration style is beautiful, hugely varied and much more mature than you’d expect from a 15-year-old, with a huge dollop of humour, whimsy and cuteness added into the mix. There is even a game of hide and seek going on through the book with Kit the fly hiding on each double-page spread.

In terms of mental health, this book has got everything needed to make it perfect for helping mental illnesses, it’s being sold in aid of a fantastic cause, it’s got a huge variety of content and style and it’s wonderfully light-hearted, making it ideal for children, adults, and the young at heart. As mentioned before, the linework is varied throughout from spindly thin to really thick and chunky and the intricacy and detail levels also vary hugely from teeny tiny spaces to much larger open spaces so the majority of the pages would be suitable for all levels of vision and fine motor control. The variety in content and style will also be ideal for those of you with varying conditions and symptom levels as you’ll always find something suitable for how you’re feeling on any given day and the pages are a really manageable size with many taking an hour or so if you want to block colour, or much longer if you want to take your time with blending and shading. There are lots of really natural stopping points so you can colour one animal or creature if you wish, rather than a full page. A number of them have printed backgrounds which really help to finish off the page but there are also plenty that have blank backgrounds where you could add your own imagery if you fancy though there’s no need to do so if you don’t want to.

Overall, I can’t recommend this book highly enough, it’s so cute and it’s been created for such a worthy cause. It would be a wonderful gift that’s sure to put a smile on the face of any child, or adult, receiving it. You’ll also be doing your bit to help those with spinal injuries be able to visit accessible gardens whilst in hospital and that can only be a good thing! Catalina’s illustrations are gorgeous, very cute and often funny and they’re sure to be a hit with the whole family, she’s clearly poured so much love and passion into her work and I really hope it’ll continue to raise much-needed funds for this cause.

If you’d like to purchase a copy of this book, it’s available here, where all proceeds will go directly to the charity.

The image below was coloured using Stabilo 68 Fibre-tip Pens.

Fairy Tales Coloring Book (Sagolikt) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fairy Tales Coloring Book is a Swedish book illustrated by Emelie Lidehall Oberg, originally published with the title Sagolikt and published and kindly sent to me to review by Gibbs Smith. I reviewed the original book, Sagolikt, HERE and this English language edition is identical in all respects apart from the language it’s written in and very subtle cosmetic differences with slightly different colour shades used on the covers for example but nothing that affects the use or enjoyment of the book, therefore the rest of my review is identical.

The book is 25cm square, paperback with flexible card covers that are cream with mint green and pale pink coloured illustrations with gold foiling accents on the front and back making it a really pretty and luxurious looking book. The covers have ¾ flaps which both have fully colourable black line drawings from within the book. The spine is glue and string-bound so it’s fairly durable but this does mean a little of each image is lost into it. The paper is cream, thick and lightly textured, it doesn’t bleed or shadow with water-based pens unless you press too hard in one spot, it works well with pencils and you can build up a good number of layers for blending and shading. The book contains 96 pages of double-sided images which are all single page spreads. The image content is really varied and contains all sorts of aspects from different fairy tales without being specific or telling any stories, each picture is a stand-alone piece though some content is similar. So many different things are pictured from all sorts of furry animals and birds to doll-like people and treehouses, gramophones and teapots to cupcakes and bunting, glass jars and flowers to tepees and underwater scenes. Some of the images are of more realistic scenes and others are purely fantasy-based from a tea party scene with cuddly toys to a family of clothed rabbits moving house; a glass fish bowl to a teacup village; and a beautiful country house to a city contained within a lightbulb. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The images are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together.

In terms of mental health, this book is lovely because it’s based around fairy tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of pages with jewels on for those of you who are currently obsessed with the gem-colouring that has swept through the colouring groups. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like fairy tales, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to pre-order a copy it’s available here:
Amazon UK – Fairy Tales Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Fairy-Tales-Coloring-Book/9781423646624/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tips and Stabilo Point 88 Fineliners.

Magical Dawn Artist’s Edition (Magisk Gryning Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Dawn Artist’s Edition is illustrated by Hanna Karlzon and published and kindly sent to me to review by Gibbs Smith. This book was originally published in Sweden under the title Magisk Gryning Tavelbok and this book is identical, apart from the language. This Artist’s Edition is also identical in format to those published for Hanna’s other books, Daydreams, and Summer Nights and therefore my review is mostly identical apart from the content section and the photos. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale mauve colour (not identical to the book which is paler and more lilac) with black and white line drawings of Hanna’s flowers and a beetle with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The 20 illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The illustrations chosen are a really good cross-section of images from the Magical Dawn colouring book, there’s a huge range of content, all with a magical theme, including moths, a regal swan, a crown, birds, potion bottles, animal portraits, lanterns, crystal mushrooms and finally, a whopping four of Hanna’s signature female illustrations, the most ever included in an Artist’s Edition. The images are all printed the same size as the original colouring book so if you’re able to colour that, you’ll also be able to colour these with no difficulty and Hanna’s chosen a lovely range that will look incredible finished and framed or gifted to others. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing as well as a little bit magical! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one tiny potion bottle or moth on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful, a wonderful cross-section and very calming.

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Magical Dawn Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Magical-Dawn-Hann-Karlzon/9781423646600/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.