Important – Please Read – GDPR Privacy Policy Info

Dear Readers,

Apologies for me sending this a second time, it wasn’t showing up correctly the first time.

You are receiving this post via email because you have signed up to follow my blog at some point. In accordance with the new GDPR laws affecting the data regulation of EU members’ I have done a number of things which are listed below. As far as I’m aware, I’m not legally allowed to email you all directly because that’s not what you signed up for, you signed up to be automatically sent my new blog posts by WordPress each time I upload one. Therefore, I’m doing my very best to comply with the new GDPR laws whilst not being able to actually get your active consent to keeping your email address. Please read the whole of this post.

  1. I have written a privacy policy which can be found HERE which clearly states what data of yours I have access to and how and where it’s stored as well as what I do with it. This policy also lists what third parties I use on my blog who may also have access to this data and suggests that you seek out their privacy policies too so that you’re aware of what data they’re collecting and storing.
  2. I have written this post which will be automatically emailed to all of my blog followers to inform you about these changes and what I’m doing to try to comply with the new law.
  3. By law I have to offer to remove your data if you wish and I would also like to remind you that if at any point you wish to stop following my blog you can do this by clicking the unsubscribe button at the bottom of every email you receive from my blog which will remove you from the mailing list for all of my upcoming posts.
  4. I want to reassure you that although all of these emails you’ll be receiving sound really scary as they’re talking about “data”, this can be anything as simple as your name or email address and isn’t always “sensitive data”. I’ve been unable to find a definition of sensitive data but as far as I’m aware, I don’t hold any for any of my blog followers. I want to reassure you that your data is held securely and only used for the purposes of being able to automatically send you an email each time I post a new blog, as well as recording basic statistics of locations of blog readers and what posts have been read and how many times, this data isn’t identifiable by me and isn’t attributed to single readers, I just get numbers and graphs of it all collated.
  5. Giveaway winners can be assured that as soon as their prize arrives with them and I’ve had this confirmed, all emails containing their postal address are deleted and that is the only place those details are kept so I keep that data for as short a time as possible. I checked my email account this week for any emails that had escaped my attention and all those containing winners’ addresses are permanently deleted. This policy will continue for any future giveaways.

Finally, a quick thank you to all of you who’ve followed my blog and who read my posts, it’s great to have you here and there will be more exciting posts to read in the near future!

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Treasured Alps, Threatened Alps - Click through to read my review, see photos and watch my video flick through

Treasured Alps, Threatened Alps: Colour, Explore, Protect – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Treasured Alps, Threatened Alps is illustrated by Claire Scully of The Menagerie series, written by Jacopo Pasotti and published by Bergli Books, it is from my personal collection. This book has been created to highlight the plight of a number of endangered species of animals, plants and landmarks in the alps and a portion of the purchase price is donated to the World Wildlife Fund though sadly it doesn’t state how much from each book is donated. The book is expensive compared to most and therefore a considered purchase but I can honestly tell you that it’s worth the price. I’ve been umming and ahhing over purchasing it since it was published in November and I finally bit the bullet a few weeks ago and I truly love it. It’s absolutely huge at nearly 30cm square and it’s really thick due to the paper used. The book is paperback with flexible card covers with a beautiful wolf image on the front that is indicative of the content but not actually included inside the book. The spine is glue and string bound and very sturdy and durable, it’s a little tricky to get the book to lie flat due to it’s thickness but some careful pressure will help this. The 50 images of plants, animals and landscapes are all printed single-sided with information about each one on the opposite page written in English, German, French, and Italian. Each is numbered and named with a brief description of them, their habitat and the reason they’re endangered so you get to learn about each one as you colour it. The paper is bright white, thick and lightly textured, it’s really nice to colour on with pencils, water-based pens don’t bleed or shadow and I’ve even used watercolour paints with a sparing amount of water with great success as you can see in the photos below so you can use any medium you fancy, even alcohol markers if you put protective sheets behind your work and don’t mind bleed-through onto the proceeding page’s information. The image content is mostly animals but also contains 9 images of plants and 4 images of landscapes. These illustrations range from insects including various beetles and butterflies to small mammals and birds including the dormouse and kingfisher all the way up to much larger mammals including wolves and bears. There are recognisable animals that you’ll already know about as well as much less known animals, beautiful images of plants showing them like wildlife guides do or in situ as well as a few landscape images of specific areas that are under threat. None of the images in this book are duplicated in any others, although a few of the animals have been previously illustrated in other books (e.g. bear, wolf, owl), all of this artwork is original so even if you have all of Claire’s books like I do, you won’t be getting repeats!

In terms of mental health, this book is great, it’s really absorbing and all of the images are nature-based which is inherently very calming. All of the illustrations are drawn in Claire’s beautiful signature style, this is very detailed and intricate but don’t be put off, you can always colour over the sections rather than within each one separately and this makes the images much easier to colour. The animals images are by far the most detailed, but the plant images are a fair bit less intricate with far fewer details so there is some range in these levels for your good and bad days. The line thickness is thin throughout, just like always with her art so you will need pretty good vision and fine motor control but not perfect if you’re happy to colour over sections. The artwork is all very natural and really beautiful to look at, even uncoloured it’s just stunning and I’ve spent more time than I care to admit just poring over the pages. The pictures are huge and can take ages to colour if you wish so you can really take your time over them; many have natural stopping points for those with concentration issues who like to finish sections but on the whole these images do require a fair bit of concentration and focus. They look equally amazing coloured in realistic or outlandish colour schemes so you don’t need to feel restricted just because they’re drawn quite realistically. Because the images are printed single-sided, you can really branch out with using mediums you might otherwise struggle to use in books, the paper is really good quality and can take a lot more than most and you can easily use mixed media too with some really great effects and to top it all off, you could carefully remove your finished pages and frame them to gift or display if you wish. The images are beautiful and they really do transport you to the alps, you can practically feel the chill in the air and hear the ringing of cow bells and if you want to fully immerse yourself and gorge on Swiss chocolate whilst colouring then I’d highly recommend that too, it’s all part of the experience!

Overall, I would highly recommend this book, the artwork is beautiful, the cause is really important and best of all the production quality of the book is really high so although it’s expensive, you’re still getting a lot of book for your money and not once have I regretted the cost. If you like Claire’s work then this book is an absolute must-have!

If you’d like to purchase a copy it’s available here:
Amazon UK – Treasured Alps, Threatened Alps
Book Depository Worldwide – https://www.bookdepository.com/Treasured-Alps–Threatened-Alps/9783038690276/?a_aid=colouringitmom

Video Flick-Through

The image below was coloured with Faber-Castell Polychromos Pencils, Staedtler Triplus Fineliners, and the metallic areas were coloured with Kuretake Gansai Tambi “Starry Colors” metallic watercolour paints using very fine brushes for the honeycomb.

Vilin San (Fairy's Dream) by Tomislav Tomic click through to read my review, see photos, see my video flip through and enter a giveaway for a copy!

Vilin San (Fairy’s Dream) – A Review and WORLDWIDE GIVEAWAY

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Vilin San is published and very kindly sent to me to review by Fokus, they have also sent me a second copy to give away and you can enter my Worldwide Giveaway until 23.59 GMT on the 31st of January by clicking this link and following the instructions. Vilin San is a Croatian book and the title translates to Fairy’s Dream, it’s illustrated by Tomislav Tomic, the illustrator of hugely popular Zemlja Snova (Dreamland) and the Dutch edition, Dromenvanger. This book sadly only has half the number of pages but it does come with an exciting added extra and is equally if not even more beautiful than Zemlja Snova. It arrives wrapped in plastic to keep it protected from damage and to keep all parts together (more on this later). The book itself is 25cm square, paperback with flexible card covers, (these are a little thinner and much bendier than Zemlja Snova’s covers) and two-third French flaps which open out to reveal a white line drawing on a blue/purple background, the cover shows a partially coloured image from inside the book. The spine is glue and string-bound and seems quite sturdy and durable and with a bit of work it’ll open up pretty flat, especially over time. The book only has 40 pages, Zemlja Snova had 84, oddly, it’s less than half the thickness, the publishers have said that the paper is identical in both books however it does seem a little whiter, especially than my original edition of Zemlja Snova (the one with the pages out of order) but paper stocks do visually differ sometimes and it does feel and behave the same way so I’m fairly confident in saying the paper is identical. The paper is bright white, thick and lightly textured, water-based pens shadow heavily and may even bleed through so I’d steer clear of these and stick to watercolours with very sparing amounts of water and mostly pastels and pencils which work really well on this paper. The pages are printed double-sided and are a mixture of single (23) and double-page spreads (7 = 14 pages) and also contained is a loose 4 page fold-out poster which is the same size as 2 double-page spreads joined together end to end (see photos below). The images themselves are very similar to those found in Zemlja Snova so if you liked that book then you’ll love this one too, all of the artwork is original and new to this book though it feels familiar because of the content being similar. The illustrations contain fairies, dragons, mushrooms, butterflies, gnomes, birds, sea creatures, mice, palaces and more. The pages are all drawn as scenes and range from underwater scenes to dragons flying, fairies sleeping to hedgehogs being led through a mushroom-lined path, palace scenescapes to fantastical flying birds and so much more. Tomislav has created the drawings very considerately by leaving borders around many and those spanning a double-page having little content near the spine making it much easier to fully colour the page without any frustration of trying to access imagery in the book gutter. The illustrations are all very ornate and really beautiful to look at, this illustrator’s work really is some of the best in the world! For those who are wondering about the image order, there was an issue with 3 double-page spreads being split up in the first edition of Zemlja Snova, this has since been corrected in subsequent editions and I’m pleased to confirm that there are no issues with image order in Vilin San, all of the double-page spreads are matched up as they should be so there’s no need to worry.

In terms of mental health, this book is great for those with a good attention span. If you get overwhelmed by busy or intricate images then this won’t be for you but if you love immersive imagery that truly transports you to another place then look no further, this book is absolutely perfect. It offers so much to look at that it’s the perfect distraction for even the most persistent symptoms and it just draws you in to a magical fantastical world filled with mythical creatures, princes and princesses, castles, fairies and more. This book will be ideal for those of you who love fantasy colouring and also nature because so much of it is animal and scene-based so it’s combined 2 of our favourite things into one incredible book! The smaller number of pages means that it’s less daunting for those wanting to complete a whole book and the poster is great for those who like to work on a much larger project and display it afterwards as it would look fabulous framed once finished and it easily folds away to be tucked into the back of the book away from any damage which is really handy whilst you’re working on it! The line thickness is consistent throughout and remains thin with some spindly thin details. The intricacy and detail levels remain very high throughout so you will certainly need very good vision and fine motor control to enjoy this book if you’re wanting to colour within each outlined section though it won’t need to be quite so good if you’re wanting to colour over some areas and leave the lines underneath as texture. I would highly recommend investing in a T’Gaal sharpener so that you can keep your pencils as sharp as possible! The illustrations are absolutely packed with detail and things to look at and notice, despite having Zemlja Snova for over a year now, I’m still noticing new things and spot things I’ve never seen before when looking at other people’s finished pages and I’m absolutely certain this will be the case with Vilin San too. The imagery is honestly spectacular, there aren’t many books I’m blown away by now but this one really is incredible, each image is a work of art, there are no filler pages, no random half-finished art, each page has clearly been painstakingly created and each will take hours if not days to complete. The pages in this book aren’t quick to finish but there are lots of natural stopping points within each image so that you still get a sense of accomplishment without managing to finish a page in one sitting and these all range in size from a tiny bird or gnome all the way up to a forest of trees or giant dragon so you can pick a project of the right size for each colouring session! I adore this book, even just flicking through the pages gets me out of my head and calms my anxiety down and colouring it is just so much fun because you can use any colours you fancy from more natural colours to fantastical colours like blue for tree trunks and oranges or purples for leaves, in a fantasy world the only limit is your imagination and these images will look amazing no matter what colours you choose!

Overall, I can’t recommend this book highly enough, it’s a shame that it’s half the number of pages and even more of a shame that the price doesn’t reflect this and is the same as Zemlja Snova but those criticisms aside, the book and the artwork itself is truly perfect and gorgeous in every way. Tomislav’s artwork is some of the best I’ve ever seen and I really hope he’ll continue to make many more books because no matter how many times I flip through the same pages, I’m still as drawn in and transported as I was the first time I saw each illustration and that’s a really impressive feat!

If you’d like to purchase a copy then you can order it from the publisher’s site here. I would strongly advise against ordering from Etsy or third-party Amazon sellers because the prices there seem to be extortionate. The easiest and cheapest way of getting hold of a copy is to join a group order as this reduces the cost of shipping per book to a more reasonable level. I run a FB fan group for Tomislav’s work and there we also organise a lot of group orders to various countries worldwide including the UK, many other European countries, the US, Australia, Canada, and New Zealand, please do join the group if you’d like to sign up to one of these orders or just to share your coloured pages or look for inspiration, we’d love to have you!

Don’t forget, I’m currently running a Worldwide Giveaway for a copy of this book, to enter click here and follow the instructions before it closes at 23.59 GMT on the 31st of January.

Photos of the book can be found directly below the videos.

Unboxing, Flip Through and Review

Silent Flip Through

Mysterious Planets - Click through to see photos, video and read my written review.

Mysterious Planets Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Mysterious Planets Coloring Book is illustrated by Ai Kohno and published and kindly sent to me to review by St Martin’s Press. This book is paperback with flexible card covers and a glossy paper dustjacket which can be removed to prevent damage or scuffing and reveals black line drawings of the planets from inside the book on the brown card covers. The book measures 25cm square and the images are printed double-sided. The spine is glue and string-bound making it durable and strong. The images are a mixture of single and double-page spreads so some do enter the spine but the majority of the image can be reached once the spine has eased up a little. The paper is bright white, medium/thick and lightly textured, it doesn’t bleed but does shadow a little with water-based pens though this is very minimal but do be careful; pencils work well on the paper and layer and blend well. The illustrations are separated into chapters which are each dedicated to a type of planet, there are 7 chapters in total, 6 different planets (Forests, Sea, Snow, Flowers, Sweets, and Magic) and the final chapter is back in the little girl’s bedroom. At the back of the book are 7 pages of illustrated letters printed with a pale peach background, all of which are fully colourable. The images contain all manner of things from forest scenes, animals, buildings, ocean scenes, realistic imagery, outlandish scenes, fish and sea creatures, a Christmas sleigh, snowflakes, vases of flowers, cupcakes, gingerbread houses, slices of pie, portraits, a dinner party, and one page is printed on vellum-style paper which is translucent and has a jewelled frame and crown printed on it that when laid on either side perfectly frames the left and right image of a goose and a girl which is very clever and extremely unique, I’ve never seen anything like this in a colouring book before.

In terms of mental health, this book is pretty good, it’s not realistic or based on reality and so it offers a good level of escapism and is ideal for those who feel required to colour realistically because you can really go to town with your colours and use whatever scheme you fancy. The line thickness is consistent throughout and remains thin, it’s not quite black and is more of a dark grey though it’s still very visible but contrasts a bit less than normal colouring books do. The intricacy and detail levels vary a little but mostly remain at a moderate level, none of the images are hugely intricate but they’re not full of large open spaces either, it’s a very good intermediate sort of level and therefore the book would suit those with moderate to good vision and fine motor control. The content is lovely and very whimsical, older children would surely like it and it’s quite child-friendly but not childish. It would be a great book for those with a good imagination who like to have prompts for escapism, you can easily imagine yourself travelling to each of these planets and lands and this is sure to help you forget about your symptoms and feel just a little bit happier and calmer for a while. Books like this are great for reminding us of carefree days as children, it certainly reminded me of many happy times reading the Enid Blyton Faraway Tree stories and my particular favourite land there, The Land of Take What You Want and I would always imagine sweets and chocolates and all of my favourite things. There is space where you can add your own backgrounds and imagery if you wish but this is by no means compulsory and the images will certainly look finished without any additions besides colour.

Overall, this is a lovely book, the content is wide-ranging and interesting and ideal for both children and adult colourists. You can really go to town with outlandish colour schemes and let your imagination run wild.

If you’d like to purchase a copy it’s available here:
Amazon UK – Mysterious Planets Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Mysterious-Planets-Ai-Kohno/9781250117274/?a_aid=colouringitmom

The image below was coloured with Stabilo 68 Fibre-Tip Pens.

Gift Boxes to Colour and Make: A Year of Celebrations – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Gift Boxes to Colour and Make: A Year of Celebrations is published and was very kindly sent to me to review by Nosy Crow Publishing. This book is unlike any other because it’s not a normal colouring book, each page is a gift box which can be removed and folded into a box to gift to friends and family, this is the third in the series with a Christmas-themed one available HERE and a Birds and Blossoms one HERE. The book itself is paperback with flexible card covers, it’s just under 30cm square and has a pale blue cover with splashes of pinks and dark blue, and gold foil accents. On the inside cover are diagrams and written instructions about how to remove and fold the boxes and on the back inside cover are three recipes so you can create edible treats to go in your boxes – Peppermint Chocolate Truffles, Gingerbread Men, and Coconut Macaroons. The spine is glue and string-bound making it durable but it’s also quite easy to press flat so that you can colour the whole box, or remove it via the perforations before colouring if you find that easier. Each of the 24 pages contains one double-sided box with different matching designs for each of the sides and the inside base and then a small repeating pattern on all of the other edges, there’s heaps to colour in on each one! The card is medium thickness, bright white and lightly textured so it’s perfect for pencils and water-based pens which didn’t bleed and only slightly shadowed with the darkest colours; alcohol markers will bleed so I’d avoid using these. The perforations are well-made and the parts do mostly come out easily, I would advise caution as a very small section of my actual box started splitting so you may prefer to use the perforations as a guide for scissors or just work slowly, a few of the parts have quite large perforations which do leave large bumps rather than smooth edges on the box but again, these could be tidied up with scissors if you wish. The boxes are individually designed and contain themed illustrations to celebrate various celebrations as well as some more generic designs that could be used for any sort of gift, the themes include – Valentine’s Day/Anniversary, Easter, male and female themed cards, birthday, and Christmas. The content is very wide ranging from cars to swans, snowmen to deer, balloons to cakes, kites to flowers, Christmas trees to shells, stars to boats and so much more, this is by far the widest ranging content of any of the three gift box books now published. The images are very cute and have a naïve quality to them which makes them look really charming and they’ll look lovely coloured by adults or children and gifted to others. At the back of the book is a page of gold foiled stickers each with lines on where you can write names to and from, and each with a small celebration-themed motif. The set is really well-made and thought out, this book is produced by the same publishing company who created the Colouring Books of Cards and Envelopes so you can be assured it’s good quality though the illustrations are created by a different artist (Eilidh Muldoon) from those (Rebecca Jones) and the other colouring gift box books (Sarah Walsh and Felicity French).

In terms of mental health, I think this book of gift boxes is pretty great because it offers up a project with a very clear purpose and end point, ideal for those of us who struggle to get motivated or see the point in things sometimes. Sharing is always good fun and when colouring these boxes you know you’ll be sharing the love with someone you care about and that’s a great thing to be able to do! The line thickness is consistent throughout and is thin. The intricacy and detail levels are pretty high with lots of small sections so these boxes will only really be suited to those of you with good vision and fine motor control. The boxes take ages to colour so you’re certainly getting lots of colouring hours for your money, however, each box consists of lots of small colourable parts which is ideal for any level of concentration or amount of symptoms, you can colour for 20 seconds doing just one or two flowers, or hours and hours doing the whole internal repeating pattern or somewhere in between. The images on the boxes are sure to get you in the mood for any celebration. These boxes will be perfect for sharing treats with family and friends and they can be filled with small gifts or sweets or chocolates and they’ll be the perfect packaging for anything handmade, the possibilities are endless!

Overall, I would highly recommend these colourable gift boxes, there’s loads to colour on each one and they’re sure to be received well, they give a wonderful personal touch to whatever gifts you decide to put inside them.

If you’d like to purchase a set, the book is available here:
Amazon UK – Gift Boxes to Colour and Make: A Year of Celebrations
Book Depository Worldwide – https://www.bookdepository.com/Gift-Boxes-Colour-and-Make-Year-of-Celebrations-Eilidh-Muldoon/9781788000093/?a_aid=colouringitmom

You can find the other two gift box books here.

The box below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.

Christmas Tree Time Lapse 2017

Christmas Tree Decorating Time Lapse 2017 – Video Post

As some of you know, I’m well known for my obsession with Christmas and in particular, Christmas decorations, my partner and I decorated the tree together this year and recorded a time lapse video of the process. Please do check us out building and decorating it at 64x speed, Merry Christmas!

Die Welt Unter Der Lupe zu Lande click through to read my review, see a video flick through and photos of inside

Die Welt unter der Lupe – Zu Lande (The World Under the Magnifying Glass – Land) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Die Welt unter der Lupe – Zu Lande (The World Under the Magnifying Glass – Land) is published and kindly sent to me to review by Bastei Lübbe. This book is the sixth illustrated by Rita Berman, a highly talented German illustrator, she previously brought us the hugely successful and utterly beautiful series of season colouring books, reviewed by me here, and the first in this new series, Die Welt unter der Lupe – Zu Wasser. I had high hopes for this new book after the previous one was so utterly beautiful and I didn’t think that one could be beaten but I think I’ve fallen in love with this one just a little more because the content is so wonderfully wide-ranging and just a little more free because of the topic being land rather than water, it’s just exquisite. As with all of her books, I was absolutely blown away by its beauty, I can’t enthuse enough about it, it’s beautiful! It is identical in format to her previous books and therefore my review of each is the same, as are the mental health benefits, skip straight to the second paragraph about content and photos at the end to see what’s inside this title.

The book itself is slightly smaller than most at 20cm square, it’s paperback with a partially coloured image from inside the book on the front cover and a hole in the centre of the magnifying glass which gives a very clever 3D effect of looking at a bee printed on the inside of the full size French flaps. Both covers have fully illustrated French flaps with colour added to the external covers and the internal front flap but none add to the back one so it’s fully colourable with alcohol markers if you wish. The spine is glue and string-bound so it’s durable and strong and will ease up with use; many of the images are full page designs and therefore a number of them do reach or span the gutter however as the spine becomes more supple, you’ll be able to reach almost all areas of the page. The images are printed double-sided and are a mixture of single and double-page spreads, the book contains 72 pages of images, at the back of the book are three pages showing the book covers of the previous titles. The paper is bright white, medium/thick and lightly textured, water-based pens didn’t bleed or shadow when I tested them but dark colours or colouring the same spot may cause shadowing so do ensure that you test them yourself in an inconspicuous area; coloured pencils blend and shade well. The images themselves are where these books really come into their own, there are similar style images in each of Rita’s books but they’re beautifully tailored to the specific theme of the title, previously seasons or underwater and this time land, and it’s very clear from looking through each book what it’s dedicated to.

The drawings are incredible, as with all of Rita’s books, each time I look through the book I see new things that I didn’t notice before. The content this time is even more varied and ranges from double-page spreads of forest scenes and cities within birds’ wings, to branches of acorn houses and desert cactus landscapes. There are small centralised images of cornflowers and poppies, larger single-page images of beetles, flamingos, birds’ nests and mouse houses and a few pages showing a scene on one page and a corresponding pattern on the other. There are so many different things pictured including foxes, hedgehogs, bees, flowers, deer, snails, rabbits, birds, butterflies, insects, beehives, leaves, fruit, elephants, lizards, monkeys, parrots, and so much more. The illustrations are all drawn quite realistically but each is filled with patterns and small sections to colour which really opens up the possibilities of how to colour them. The pages are filled with cute, whimsical and friendly-feeling images, none are intimidating, they just welcome you in to fill them with colour.

In terms of mental health, each of Rita’s books is just wonderful, the images are really natural and the content is very cute and packed with details so each time you flick through the book you notice more in the images. Because of how the illustrations are drawn, with mostly realistic outlines of obviously recognisable things but filled in with patterns and whimsical doodles, you can either colour the pages realistically, or in outlandish colour schemes and either will look totally fabulous as you’ll see from completed pages on social media. The line thickness is consistently variable throughout, each image is outlined in a medium/thin line with thin-lined details. The intricacy and detail level varies across the images from low-ish to very high, however, don’t despair if your vision or fine motor control aren’t perfect, they don’t need to be, none of the parts are impossibly tiny to colour and many of the images can be simplified by colouring over the internal patterns rather than within them which instantly reduces the intricacy to a much lower level for almost all of the images. The size of the book is ideal because it’s smaller than most and therefore doesn’t require quite so much time to complete each page, the content varies from full double-page spreads depicting scenes to much smaller images so it’s ideal for those with fluctuating conditions or poor concentration as you can colour one object or group of objects on a bad day, or colour a full double-page spread when you’re feeling focused and well. There are also a number of pages that have large open spaces where you could add your own backgrounds or imagery if you wish, this is by no means a necessity but the option is there if you want it. The illustrations create a wonderful sense of place and offer great escapism, they really transport you into Rita’s super cute world filled with charming animals and beautiful plants and away from any difficulties or symptoms you might be experiencing.

Overall, I would highly recommend this book and all of the other titles by Rita, they complement each other beautifully and really transport you into a whimsical world. The pages offer a manageable project for any level of functioning and they are just gorgeous when finished.

If you’d like to purchase a copy it’s available here:
Amazon UK – Die Welt unter der Lupe – Zu Lande
Amazon US – Die Welt unter der Lupe – Zu Lande
Book Depository Worldwide – https://www.bookdepository.com/Die-Welt-unter-der-Lupe—zu-Lande-Rita-Berman/9783404609482/?a_aid=colouringitmom

You can read my reviews of Rita’s other books here.

The image below was coloured using Faber-Castell Polychromos Pencils.

Hem Ljuva Hem (Home Sweet Home) by Emelie Lidehall Oberg, click through to read my review, see a flick through and photos

Hem Ljuva Hem (Home Sweet Home) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Hem Ljuva Hem (Home Sweet Home) is illustrated by Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. This book is only available in this format and is similar to the Swedish Artist’s Editions (Tavelboks), it measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are white with green imagery from inside the book. The book has a green tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through and mine didn’t even shadow when colouring the black sections of the image. The 20 illustrations are all posters, 19 contain text, 7 are written in Swedish, 12 are written in English, two of them include swearing (one English and one Swedish). The posters contain varying amounts of imagery and text with some just being beautifully drawn text and others just having a subtle message placed within a large colourable image. The phrases range from romantic to funny, exclamations to sayings, you can see them all in the images below. The illustrations also vary a lot from animals to flowers, objects to houses, scenes to collections and more, they are all drawn beautifully and are each packed with content so there’s loads to colour in each one. The posters would be ideal to remove and frame either for your own home or to give as gifts.

In terms of mental health, this book is great, I’m always a huge fan of books that offer a project that can be gifted or displayed because these are fantastic for showing us what we can achieve and for giving us a goal to work towards and afterwards, a reminder of what we can do. You could easily colour them to match the theme of a room or to stand out a look fabulous and I can’t wait to frame my finished page and brighten up my walls with it! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels vary a little within each image with most being fairly intricate but having a few places with larger open spaces, therefore this book would be ideal for most levels of vision and fine motor control. The content is pretty uplifting and positive and sure to make you smile or laugh, even on your worst days and it looks even more fabulous once you’ve filled it with colour! The images are all a manageable size and will take varying amounts of time to colour depending on what mediums you use and how much blending and shading you want to do but none are overwhelming or likely to require weeks of dedication! Most of them consist of lots of component parts so you can colour them in sections if you wish, particularly useful if you’re having a bad day.

Overall, this is a fab book, it’s filled with beautiful artwork just begging to be coloured and displayed and it’s sure to perk up even the most symptom-filled days. The card is ideal for all mediums and the posters lend themselves to all types of colouring styles.

If you’d like to purchase a copy, it’s available here: https://www.printworksmarket.com/p/shop/books/all-books/hem-ljuva-hem-20-posters-to-color-and-frame.html

I run a fan group for the artwork of Emelie, please do join us and share your work.

The image below was coloured with Holbein Artist’s Colored Pencils, Faber-Castell Polychromos Pencils and a black Sharpie.

WORLDWIDE GIVEAWAY and Review – Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen (Winter Colour Cards: 20 Postcards and Envelopes) by Julia Woning

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen (Winter Colour Cards: 20 Postcards and Envelopes) are published and very kindly sent to me to review by BBNC Utigevers. They have also very kindly provided me with an extra set which I’m currently running a Worldwide Giveaway for on my FB page until 23.59 GMT on the 29th of November, and you can also win a copy of the Tiffany Glass Coloring Book, to enter please click here. This set of cards is illustrated by Julia Woning, a talented Dutch illustrator who’s previously published a number of books in the Netherlands. These cards arrive in a red card box with an image adapted from one of the cards on the front, this box is a little bit flimsy but does prevent the cards from getting damaged or lost. The box contains 20 cards, these are not greetings cards, they are square postcards that are single-sided with a design illustrated on the front, and text at the top on the back saying Merry Christmas and a Happy New Year in Dutch, along with the copyright information at the bottom. The 20 plain white envelopes fit the cards perfectly and will be ideal for giving or sending the cards to others. The cards are made of bright white, lightly textured, medium thickness card, it doesn’t bleed or shadow with water-based pens but will with alcohol markers so do be aware of this, pencils, especially oil-based ones or those with harder leads, are very difficult to colour with on this card and require a lot of patience as the lack of tooth makes it difficult to layer or blend, my Prismacolor Premiers worked pretty well but I really struggled with Holbeins which seemed to clump and not colour evenly. The images themselves are all drawn in Julia’s signature style which is often out of proportion with people having very large rounded bodies and very small faces with exaggerated features. The content is really varied but all is heavily winter and Christmas themed and include all sorts from snowflakes to Santa, robins to reindeer, candles to baubles, cocoa, to polar bears, stocking, angels and so much more, there is even a jumper-wearing elephant! Each picture is packed with imagery and many of them have spaces to write your own messages if you wish. Most of the cards contain scenes or snapshots of Christmas celebrations and each is different from the next from a woman drinking cocoa to Santa riding his sleigh, snowmen in a garden to a decorated Christmas tree and more. The cards are really beautiful and will be ideal for challenging yourself to try out new techniques including colouring skin, snow, shiny objects, glowing backgrounds and even glass. They’re all really beautiful and sure to spread some Christmas cheer whether you keep them yourself or gift them to others.

In terms of mental health, these cards offer a great, manageable project, they’re small enough not to be overwhelming, but large enough that they’re not coloured in seconds and you can take your time colouring each section without needing days to do so. The line thickness is consistent throughout and is thin. The intricacy and detail levels do vary across and within each card but mainly remain low to moderate so anyone with moderate vision or fine motor control will be able to enjoy these cards. You won’t need especially good concentration levels and will be able to colour these cards on good and bad days which is great! Colouring cards are a great project because not only do you get to enjoy colouring them, you can then send them to others and share the joy or even send them uncoloured to a friend who might need a little push to start colouring, they’re great for spreading some happiness and colouring love! The shape of them would make them ideal to frame if you wish, they could be a lovely added extra to your Christmas decorations or a really personal touch for your loved ones. They’re also the perfect project to start trying out some new colouring techniques without having to worry about ruining a whole page and you can use any medium you fancy because they’re single-sided.

Overall, I would highly recommend these colouring cards, they’re beautifully drawn and really varied in content and they’re a lot of fun to colour, you can try out new techniques or just enjoy getting in the festive spirit. These will appeal to colourist’s of all ages and be sure to get you feeling Christmassy!

If you’d like to purchase a set, they’re currently unavailable on the usual sites though they are listed there so do sign up for email alerts and they’ll tell you when they have them in stock, hopefully it’ll be soon!
Amazon UK – Winterkleurkaarten: 20 Ansichtkaarten & Enveloppen
Book Depository Worldwide – https://www.bookdepository.com/Winterkleurkaarten-Julia-Woning/9789045321851/?a_aid=colouringitmom
BBNC (Publisher site with very reasonable International Shipping) – http://www.bbnc.nl/kleurboeken/julia-woning-winterkleurkaarten

I’m currently running a Worldwide Giveaway for a set of these cards on my FB page until 23.59 GMT on the 29th of November, and you can also win a copy of the Tiffany Glass Coloring Book, to enter please click here.

The card below was coloured with Stabilo 68 Fibre-Tip Pens.

The Tiffany Glass Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Tiffany Glass Coloring Book is published by Rizzoli and illustrated and very kindly sent to me to review by Jessica Palmer. Jessica has also sent me a second copy in order to run a giveaway, this is currently running on my FB page and you can win a copy of this book and a set of 20 Winterkleurkaarten by Julia Woning; you have until midnight on the 29th of November 2017 to enter here. This book is a new format, design and style from what we’ve come to know for Jessica’s art in the Tangle book series but it is no less beautiful, it’s just different. The book itself is 23.1 x 25.4cm, paperback with flexible card covers and a partially coloured black and white design from inside the book. The spine is glue and string-bound and can be a little tricky to get completely flat but with perseverance this will become easier. The pages are a mixture of single-sided (25 images) and double-sided printing (42 images) and it seems quite random as to where these are placed, the images are also a mixture of single (63) and double-page spreads (4 comprising of 2 spreads) and many have black backgrounds (23 ish). The paper is bright white, lightly texture and medium thickness, it worked well with my Derwent Inktense Pencils and didn’t overly warp when activated with water and this didn’t shadow or bleed. Water-based pens don’t seem to bleed or shadow and pencils work well for blending and layering, alcohol markers can be used on the single-sided images as long as you place a protective sheet behind to catch any bleed-through. The images themselves are all inspired by Tiffany lamps and therefore have a real stained glass feel as they’re designed to have light displayed through them to show each section, therefore the images are mostly quite heavily lined with lots of sections making up each design. Each of the designs contains at least one dragonfly for you to find, sometimes these are the centre of the image and other times they’re hidden, they give a really cohesive feel to the book because even though each page is filled with different content, it’s still tied together with the Tiffany lamp and dragonfly theme. The designs vary a lot in size and content and Jessica explains in the introduction that she has deliberately created illustrations with much simpler designs for children or beginners and all different levels in between up to very complex detailed designs. There is a really good mixture of designs and pretty much all of them are heavily nature-inspired, just like the real Tiffany lamps. The images don’t contain actual lamps with fixtures and stands, they’re all designs inspired by lamps and therefore the artwork has been altered and adapted to fit a flat page rather than all of them being circular or curved which is nice.

In terms of mental health, this book is lovely, the natural images are great for calming you down and helping you zone out. The different levels of difficulty are ideal for those of us with fluctuating conditions because you can do simpler images on your worse days and more complex images on your better days when you can focus. The line thickness varies throughout and ranges from spindly thin to thick and mostly stays around the thin range. The intricacy and detail levels also vary hugely from large open spaces to much smaller, finer details and again, it remains mostly around the quite detailed level and therefore you’ll need fairly good vision and fine motor control to enjoy the majority of the images. The printing is ideal for those who like to use wet media or mixed media as you can colour the double-sided pages with pencil or carefully with water-based pens and the single-sided pages with watercolours, alcohol markers and paints if you wish. You can really challenge yourself to work on making the images look like sections of lamps with light shining through them if you wish or you can just colour them as normal colouring images, either option will look equally beautiful. The single-sided images could even be carefully removed from the book once coloured and framed or gifted if you wanted.

Overall, this is a lovely book, it’s not as niche as you might expect and the illustrations are all drawn in Jessica’s beautiful signature style and will look incredible once splashed with colour, whatever medium you fancy using!

If you’d like to purchase a copy it’s available here:
Amazon UK – The Tiffany Glass Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Tiffany-Glass-Coloring-Book/9780847860708/?a_aid=colouringitmom

Jessica has also sent me a second copy in order to run a giveaway, this is currently running on my FB page and you can win a copy of this book and a set of 20 Winterkleurkaarten by Julia Woning; you have until midnight on the 29th of November 2017 to enter here.

The image below was coloured with Derwent Inktense Pencils and activated with water.

Colorist's Special Effects - Click through to see photos and read my written review.

Colorist’s Special Effects: Colour Interior Version – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Colorist’s Special Effects is illustrated, self-published and very kindly sent to me to review by Helen Elliston. This book is A4, paperback and is available in a greyscale or colour interior version (the greyscale version is cheaper and they both say on the front and on the online listings which they are, I’d personally recommend the colour version, I can’t imagine trying to follow the instructions without the colours there to see). The spine is glue-bound and seems pretty durable so far, the tutorials are printed double-sided and some of the practice sheets are printed single-sided but none of the content spans the spine so none of it is lost into it and all parts are accessible, it’s a little tricky to get the book to lie flat but this will ease up over time. The book is self-published through Createspace and therefore has standard medium/thin paper which is white and lightly textured, it’s not perfect for pencils or pens but it works fine and bearing in mind this is a techniques book, used to practice, it doesn’t need to be perfect to gain all of the knowledge you need to make your colouring pages really improve. The book begins with a contents page listing all of the techniques that you’ll learn within the book, they’re split into chapters of similar techniques so that you can work on a specific type of colouring at once if you wish. These chapters are Hair, Lips and Skin; Nature; 3D shapes and Objects; Gems; and Backgrounds. Within each of these chapters are a long list of specific techniques that can be used alone or in conjunction with each other, these include brown hair, metals, water droplets, faceted gems, woodgrain, pearls, fish scales, sunglasses, bubbles, 3D fabric and lots, lots more. The tutorials themselves are very clearly laid out with numbered diagrams all pictured in colour, each shows a coloured picture of the step you’re completing alongside short written instructions detailing what colour and where you’re using it. There is an absolute wealth of information in the book and Helen covers everything from simple techniques like a shiny fish all the way up to realistic eyes, hair and skin tones and everything in between. There are lots and lots of chances to practice and many of the practice pages are printed single-sided so that you can use any mediums you wish, there are multiple opportunities to attempt each technique so you don’t need to worry if you don’t perfect it first time. At the back of the book are a colour wheel that you can fill in yourself, lots of colour charts, first double-sided for use with pencils and then single-sided for use with wet media that might bleed through, these are all in four different shapes each with plenty of space to write down the colour/colours and brand that you’ve used for easy identification later. There is also a page of 12 signature cards, each with an image (2 of each design) that you can use a technique from the book on that can then be cut out and placed on pages instead of a watermark when photographing and sharing your work. There really is so much content that I can’t possibly talk about all of it here, every time I look through the book I find techniques that I’ve somehow not noticed before, there are loads of different skills to learn from colouring objects to scenes to backgrounds, you can use a huge variety of media and this book is probably the best techniques guide on the market because of the sheer breadth of coverage, it’s honestly astounding!

In terms of mental health, this book is hugely useful and very exciting but can be quite overwhelming and challenging too, this is in no way Helen’s fault and it isn’t a criticism of this specific book, it’s more something that I’ve really noticed for myself when using techniques books, it can be really tough to get started, to follow and to have the confidence to give it a go or apply to other things and this is very much the fault of our conditions and symptoms rather than the books themselves. All of this being said, Helen has made the instructions and diagrams as clear as possible, it can be quite overwhelming when first looking at the page but if you can focus just on the first instruction and slowly move your way through them then before you know it, you’ve coloured a whole object and it looks amazing! The techniques are mostly laid out in one of two ways, either, each colour is shown separately in each diagram and described in the instructions so that you know what order to place the layers, or each diagram is cumulative with colour showing each new layer on top of the previous ones, I personally prefer the first type as it’s much clearer and easier to focus on for anxious, over-stimulated eyes, others may well prefer the second type because it’s clearer what the whole thing should look like throughout each stage because the images mimic what you’re actually doing rather than just the one layer each step is focusing on. It was a clever move on Helen’s part to use both types of diagram and these are all created in paint to clearly show the layers and differences between colours with a colour photograph of Helen’s finished piece in pen or pencil at the end so that you know exactly what you’re working towards. The line thickness on the practice drawings is pretty consistent throughout and remains thin. The intricacy and detail levels vary depending on what you’re learning to colour, almost none of it is particularly intricate or detailed because the techniques are very much about learning to blend, layer and build colour and 3D shape which usually requires a fair bit of space to work within so this book is definitely suitable for those with normal levels of vision and fine motor control.

All in all, I can’t praise this book highly enough, nor can I fully describe it without possibly writing dissertation length post about it, there is just so much content and it really is like an encyclopaedia of colouring techniques from small objects, people, and animals, all the way up to metal, and backgrounds. No matter what level of colourist you are, you’re sure to find something useful and inspirational to improve your colouring.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Colorist’s Special Effects
Book Depository Worldwide – https://www.bookdepository.com/Colorist-s-Special-Effects—Color-Interior/9781546646594/?a_aid=colouringitmom

Helen has also just released a second book, Colorist’s Special Effects 2, I have just received a copy and will be reviewing it soon, suffice to say, it’s incredible and an absolute must-have so if you’d like to order a copy, you can purchase it here.
Amazon UK – Colorist’s Special Effects 2 

The images below were coloured using Faber-Castell Polychromos Pencils and a Caran d’Ache Blender Pencil.

Color Workshop: A Step-by-Step Guide to Creating Artistic Effects – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Color Workshop: A Step-by-Step Guide to Creating Artistic Effects is illustrated and written by Rachel Reinert and published and very kindly sent to me to review by Get Creative 6. This book is A4, paperback, with flexible card covers. The spine is glue and string-bound and very durable. The content is printed double-sided throughout. The paper consists of two different types, the tutorial section is printed on glossy white paper and the colouring practice pages are printed on bright white, matt paper that is medium thickness and lightly textured. The book is split into two sections, tutorials for the first two thirds of the book and illustrations to practice your colouring techniques on for the last third. The information and tutorials are very comprehensive and cover a wide range of topics from colour theory and detailed descriptions of different colouring mediums to basic colouring techniques, ways to choose colours and use mediums in new and different ways, and then moves onto how to create artistic effects like blending, highlights, adding backgrounds, water droplets, auras/glows, a basic tutorial for colouring skin and hair (better ones can be found but this is a good start), crystals and lots more. Rachel uses different mediums for each technique so you’re sure to find one that you already own the tools to create and she names each colour she uses so you can match it either identically or by finding close matches within the mediums you already have. You can learn to use a huge number of mediums from coloured pencils to watercolour pencils and paints, alcohol markers, gel pens, pastels and mixed media. The colouring pages exactly match each technique so you can directly copy the instructions without having to first work out how to apply them to a different image. The colouring pages are perforated and can therefore be removed before colouring so that you’re not constantly having to flick to the tutorial and then to the page to colour, it also means you can copy them (for personal use) to print onto the paper of your choice so you can practice multiple times to really perfect each technique or to try out different mediums. The images are all very natural and mostly include plants and flowers. The techniques are all written in clear, plain language with any specialised terms explained so that anyone of any level will understand them. They are all illustrated with full colour photographs and laid out neatly and numbered so they’re very easy to follow. There are helpful tips written in coloured circles throughout the book so they’re easy to find and the contents page clearly lists all of the techniques and page numbers.

In terms of mental health, this book is great but you will need to be aware of a few things. The premise is ideal for perfectionists, you can learn all sorts of techniques that you’ve wondered about for ages and practice them in a dedicated space and build up your confidence before being let loose on your actual colouring pages, following written instructions means that you don’t have to keep pausing or rewinding a video if it’s going too fast for you and you can read all of the instructions before starting if you’re worried about making mistakes or if you don’t quite understand a section. Each technique is broken down into small sections with each focusing on one or two colours so they’re manageable to work on over time if you don’t want to complete a whole technique all at once. All of these are great positives and particularly good for those of us who like things to be perfect, realistic, and who struggle to follow videos. However, you will need good concentration, I don’t know about you but now that I’m ill I really struggle to read and concentrate for any length of time and therefore following instructions is extremely difficult for me. I often get easily overwhelmed by the sight of lists of things to do and find it very challenging to follow them. However, I have found that if you can possibly not skip ahead and just focus on each instruction one by one then it’s much more manageable and able to be followed because you’re just using one colour in one or two places at once before then moving onto the next. I have also found it helpful to read the whole technique a few times and study the accompanying pictures before starting to follow it. Many of the techniques can be mixed and matched and also swapped across mediums too so they’re far more versatile than you might first assume. The illustrations used to practice on are varying sizes with some pages containing a few smaller drawings and others containing one centralised image. None are huge and none are tiny, they’re all quite a middling size and very manageable to colour in one sitting if you wish and can concentrate on the techniques and instructions for long enough. The line thickness is pretty consistent and remains thin with some medium thickness sections or outlines. The intricacy and detail levels vary and range from quite detailed to much less so, none of the images are hugely intricate because you have to be able to apply the techniques to each one and there’s not a lot you can do with very intricate images so these illustrations will suit most levels of vision and fine motor control apart from those who have particularly poor levels of either.

Overall, this is a great book that’s ideal for any level of colourist to learn something new from, the practice sheets are perforated which is ideal so you can see the instructions at the same time as colouring and also for making personal copies and the techniques are explained in clear, simple language with lots of colour photographs which add clarity. I’d highly recommend this book, it’s written in an interesting and accessible way and broken up into concise sections that are easy to navigate and roughly run in order of difficulty.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Color Workshop: A Step-by-Step Guide to Creating Artistic Effects
Book Depository Worldwide – https://www.bookdepository.com/Color-Workshop-Rachel-Reinert/9781942021575/?a_aid=colouringitmom

The images below were coloured with: Poppy – Prismacolor Premier Colored Pencils; Leaf – Faber-Castell Polychromos Pencils and blended with Zest-It and a Blending Stump.

From Holland with Love - Click through to read my review, see photos of inside and watch a video flick through

From Holland With Love – A Review

From Holland With Love is illustrated and kindly sent to me to review by Masja van den Berg and is published by Pepper Books. This book is the sixth book published by Masja and her five previous titles were all variations of paisley-filled designs under the title of Mijn Wonderlijke Wereld (My Wondrous World). This sixth book is a little different and is more like a love letter, or love drawing if you will, from Masja to and about Holland. The book itself is 25.5cm square, it’s hardback this time with a beautiful glowing orange cover and a compilation image of various illustrations contained within the book in blue and white. The spine is glue and string bound and relatively difficult to get it to lie flat due to it being hardback. The pages are printed single-sided and are perforated meaning you don’t have to contend with the page gutter and try to colour into it and that you can remove the pages before or after colouring in order to frame or gift them. The paper is bright white, thick and lightly textured, pencils blend and layer beautifully and water-based pens shadow but don’t bleed through, alcohol markers will bleed through so do put a protective sheet behind your work to protect the next page. The illustrations contain lots of typically Dutch objects and scenery from clogs to windmills, tulips to traditional dress and a bicycle amongst other beautiful floral patterns, drawings of women and some lovely birds. The imagery is really varied and far less paisley-filled than the previous titles but don’t despair if you love those, they don’t feel like they’re missing from this work and the illustrations are really lovely and very pretty. At the back of the book are three pages of images that can be cut out for projects, a page of card toppers, a page of social media tags where you can add your name instead of having to watermark your photos and a page including 2 small postcard style designs all of which are illustrated and colourable.

In terms of mental health, this book is great, it’s not overwhelming to colour and has enough detail to be interesting and absorbing, without being overly complex or over-stimulating. The content is familiar, fun and cute and much of it could be coloured in any palette you choose and look equally fabulous. The line thickness is mostly consistent and remains thin with a few images drawn in a spindly thin line. The intricacy and detail levels vary and range from very intricate on some of the postcard size images and social media tags to larger, more open spaces in some of the colouring pages and everything in between, you’ll need moderately good vision and fine motor control for the majority of the images and better levels for a few of the most intricate pages. A few of the pages will require a high level of concentration but many won’t need you to be at your best and require less focus so this is a good book for those of you with varying concentration levels. The pages also consist of varying amounts of content which means they take differing lengths of time to complete and there are natural stopping points if you just want to colour one section. These images would look really beautiful framed and this book would be an ideal gift for those who live in Holland, are from there, or who just love all things Dutch, it’s so representative and beautiful, I’m sure it would be a very well-received gift!

Overall, I would highly recommend this book, it’s beautiful for those who love all things Dutch and those just wanting to colour more of Masja’s gorgeous illustrations. The production quality is very high and the images are really lovely to colour.

If you’d like to purchase a copy, it’s available to buy here:
Amazon UK – From Holland with Love
Masja’s Website – https://www.masjaswebshop.nl/

The image below was coloured with a single Prismacolor Premier Pencil and a Caran d’Ache Blender Pencil.

Mijn Wonderlijke Wereld Part 5 - Click through to read my review, watch my flick through and see internal photos

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 5

Mijn Wonderlijke Wereld Part 5 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 4 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fifth in her series of books and my reviews of her other titles can be found HERE and she’s already created 2 more books with different titles since these. Part 5 ventures further afield than the first three books and takes us on an exotic journey through the Orient with Chinese and Japanese art and animals featured. The book itself is paperback, nearly 24.5cm square, with a gorgeous turquoise cover with beautiful gold foiled accents on a Chinese dragon image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening, however the pages this time are perforated which is ideal if you want to remove them for colouring or framing. The images are printed single-sided this time and all of the images are therefore single page designs. The paper is white, thick (thicker than all of her previous books) and lightly textured, it provides a good surface for blending and shading pencils, it doesn’t bleed or shadow with water-based pens and alcohol markers will be fine to use as long as you pop some protective sheets behind your work. The content is all drawn in Masja’s signature paisley style so while the images are Oriental themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from Chinese dragons, koi carp, ornaments, mandalas, patterns, cranes, cherry blossom, ponds, and more. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex spread when you’re feeling well, none of the images are overwhelming as they’re all contained to one side so the book feels very accessible. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Mijn Wonderlijke Wereld Part 4 - Click through to read my review, see photos and watch my video flick through

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 4

Mijn Wonderlijke Wereld Part 4 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 5 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fourth in her series of books and my reviews of her other titles can be found HERE as well as my review of Part 5 HERE and she’s already created 2 more books with different titles since these. Part 4 ventures further afield than the first three books and takes us on an exotic journey through India and its animals. The book itself is paperback, nearly 24.5cm square, with a bright yellow cover with beautiful blue foiled accents on a peacock image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening. The images are printed double-sided and are a mixture of single and double-page spreads. The paper is white, thick and lightly textured, it doesn’t bleed and only very minimally shadows with the darkest water-based pens and provides a good surface for blending and shading with pencils; alcohol markers should be avoided as they’ll ruin the reverse image and bleed through. The content is all drawn in Masja’s signature paisley style so while the images are Indian themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from giraffes and peacocks, to scarabs and elephants, scorpions and florals to parakeets and ponds. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex double-page spread when you’re feeling well. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.

Hello! My First Video in Front of the Camera!

Hello lovelies, friends and family have been suggesting to me for the last 3.5 years to do Vlogs and I’ve never felt confident enough or had any particular desire to do it so I’ve always stuck to just blogging. However, I’m getting a bit bored currently and really want to branch out and get my voice heard just that little bit more and video posts seemed like the best way of doing this and after a fabulous pep talk on the phone with a Uni friend today, I decided to bite the bullet and record something. It was meant to be 2 minutes of me just saying Hi, but it turned into something a lot longer and a bit more informative. Please do give it a watch and let me know what you think of it. I’m hoping to use these videos to expand more on my blog posts, to reach a wider audience and to help you see the face behind mental illness and invisible conditions. The link to the post about Trichotillomania that I mention in the video can be found here.

Tillsammans Målarbok (Together Colouring Book) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tillsammans Målarbok (Together Colouring Book) is illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. This book is in an artist’s edition format but this is the only format it’s available in, it’s not a full-size colouring book or postcard book. It is identical in format to the artist’s editions (tavelboks) of Hanna’s other books, Daydreams (Dagdrommar), Summer Nights (Sommarnatt) and Magical Dawn (Magisk Gryning) and therefore my review is mostly identical apart from the content section and the photos, skip to paragraph 2 for information about the content. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale lemon colour with a black and white line drawing of one of the portraits (found inside) with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The 20 illustrations are all portraits of women and 15 of these have been chosen from Hanna’s 4 previous colouring books and 5 have been newly created for this book specifically. The images Hanna has chosen are a really good cross-section and seem to be some of the favourites of the colouring community, none of the previously published images have been printed in artist’s edition format so while it’s not all new content, it is all newly published in the single-sided format printed on card. There are a range of different portraits from two women together to single women face on, some in side profile and others showing a whole person. Each image contains various different objects and accessories including gems, metal, jewellery, mushrooms, flowers, birds, shells, moths, crowns, and candles, there is a really good variety despite them all being portraits of women. Those images taken from previous colouring books are all printed the same size as the originals so if you’re able to colour those, you’ll also be able to colour these with no difficulty. The pictures would all look amazing framed for yourself or gifted to others and because the faces are mostly quite large they’re great to practice skin tone colouring on and really push yourself out of your comfort zone. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is great, it’s very absorbing and ideal for those who want to colour realistically and learn how to colour people. The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and objects makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty but unlike many of Hanna’s images that consist of lots of component parts, these are all portraits and scenes and therefore they don’t have such natural stopping points for those wanting to just colour in short bursts, you can still colour just one flower or just the eyes but it’s not so easy to come to an obvious point to stop, however, if you don’t mind stopping part-way through an image then this book would be ideal for using on good and bad days. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have her previous books and really want to colour more people, while 75% of the artwork can be found in Hanna’s previous books, this gives you the opportunity to colour those pages again and use different colour schemes or wetter media without ruining a reverse image and you can also frame them for wonderful gifts or beautiful decoration for your own home. This book is ideal for those who use wet media and alcohol markers and the illustrations are a great cross-section of Hanna’s portraits.

If you’d like to purchase a copy, it’s available from Printworks. A Dutch edition will be published in March 2018 by BBNC Uitgevers and it will be called Karakter.

The image below was coloured using Faber-Castell Polychromos Pencils and a White Sakuara Gelly Roll Gel Pen.I used the skin tone tutorial from Colorist’s Special Effects by Helen Elliston.
Buy on Amazon UK – Colorist’s Special Effects
Buy on Book Depository – goo.gl/CrS7DU

The Book of Prehistoric Beasts – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Book of Prehistoric Beasts is illustrated by Angela Rizza, published and kindly sent to me to review by Buster Books. This book is enormous, at a whopping 29cm square, it’s hardback with gorgeous deep green covers and all printing on both covers is silver foiled so it’s a really luxurious feeling book! The spine is glue and string-bound and very durable, it’s a little tricky to get to the very centre of the images but this is only a few millimetres. The images are printed single sided and on the back of each page is lots of information about each creature that is pictured including its name, size, diet, what it looked like, when it lived and facts about its environment. The paper is bright white, medium thickness and smooth, it takes soft pencils well but harder pencils may be a struggle to build up layers for blending due to the lack of tooth; alcohol makers will bleed through the page which you may not mind if you don’t wish to read the information on the back, and water-based pens don’t bleed or shadow, though do test them in an inconspicuous area to check. The book starts with a double-page spread showing the timeline of creatures and they’re shown in this order through the book from the earliest period, Devonian, 419.2 million years ago, all the way up to Quaternary, 2.6 million years ago. The images are split into 4 chapters including different time periods: Devonian, Carboniferous and Permian; Triassic and Jurassic; Cretaceous; and Tertiary and Quaternary. The images themselves are all full page spreads, each containing a few prehistoric creatures. A huge number of creatures are pictured, 87 in fact, and these mainly consist of dinosaurs but do include other, older creatures (I’m not sure if these class as dinosaurs) and younger creatures; the beasts include: gigantoscorpio, dimetrodon, ammonite, icthyosaurus, brachiosaurus, archaeopteryx, microraptor, tyrannosaurus, quetzalcoatlus, mononykus, triceratops, basilosaurus, megalodon, glyptodon, mammuthus, smilodon and gigantopithecus, and so many more, all of the creatures are pictured on the double-page timeline at the beginning of the book and then shown drawn in their habitats and to scale in the colouring pages. This book is every dinosaur-lovers’ dream, my brother was obsessed with dinosaurs growing up and I was therefore forced into knowing an awful lot more about them than I wanted to at the time, knowledge that has come in handy for many random reasons since and this book definitely covers all of the most well-known dinosaurs and prehistoric creatures, as well as others that you may never have heard of and can start to research if you wish.

In terms of mental health, you’re unlikely to find a more distracting book. The production quality is very high and from the cover and the very first page, you’re transported back in time to millions of years ago where gigantic beasts roamed the land and the landscape was unrecognisable, you instantly become immersed in this world as you learn facts about the animals and start to colour them and their habitats. It’s not calming as such, not in the same was as colouring landscapes and more familiar animals, but it’s really is very distracting and absorbing which is great for those of us with anxious, racing minds. The line thickness is consistent throughout and remains medium and thin. The intricacy and detail levels are quite variable depending on the creature and its landscape but there are a lot of details drawn in as well as a lot of dotted shading (ideal for beginner colourists who want to learn more about colouring realistically and learning where light and shade should be), therefore you will need moderate to good levels of vision and fine motor control to enjoy this book. This book is actually published with kids in mind though they’ll need to be quite mature and artistic to get the most out of it and have a good reading age as there are a lot of tricky animal names to contend with, at a guess, I’d suggest this book for kids aged 8 and above and I’d highly recommend it for big kids (adults!) too because we could all do with learning just a little bit more about the fascinating world of dinosaurs. The illustrations have been very cleverly curated to mostly include more than one creature and sometimes all of them are land or sea creatures and other time part of the image is above ground and other sections are underwater. None of the images feel random, haphazard or badly staged, they’re all really well-drawn and feel quite like uncoloured versions of the images found in regular dinosaur fact books and encyclopaedias. The scenes and animals are drawn pretty realistically and mostly don’t have patterns added to them unless it’s assumed they had those in real life, obviously there may be some inaccuracies as with most historic representations of velociraptors which show them featherless and significantly larger than they possibly could have been, but the artist has clearly worked hard to make these look as realistic as possible within the confines of the majority only being found as fossilised skeletons and a lot of guesswork having to be done about their external features, colouring and patterns.

Overall, this is a great book for those who already love prehistoric beasts, and those wanting to know more. The book is ideal for children and adults and the pages look amazing once coloured and you could even remove them from the book and frame them for you dinosaur-fanatic children (or yourself) if you wish, they’d look great as a series on the wall in a bedroom or playroom or even a classroom! The paper is pretty good and the facts and information about each beast is a huge added bonus.

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK- The Book of Prehistoric Beasts
Book Depository Worldwide – https://www.bookdepository.com/The-Book-of-Prehistoric-Beasts-Jonny-Marx-Angela-Rizza/9781780554976/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Colored Pencils.

Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!

Dromenvanger vs Zemlja Snova – A Comparison of the Dutch and Croatian Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Zemlja Snova was published in 2016 and illustrated by Tomislav Tomic, it’s one of the most beautiful colouring books I’ve ever seen and still vies for the title of my most favourite colouring book ever. It was published in Croatia by Fokus and has been notoriously difficult to get hold of after it was quickly taken off Amazon and has almost exclusively been acquired since then through the publisher’s website which my Facebook fan group runs international group orders from. This is no longer necessary for this book because Dromenvanger will (hopefully) be available worldwide at a really reasonable price (around £12 or $15) with free worldwide delivery from Book Depository, when I originally wrote this post two days ago it was available for pre-order there, it’s currently showing as unavailable however, I’m hoping that this might just be a stock issue and that it will be rectified soon. The website allows you to sign up for email alerts of stock so do click through and sign up to be the first to hear when it’s available to order. The artwork is the same in both books but there are a number of subtle publication differences between the two editions which I’ve listed and detailed below. If you’d rather watch a video version then scroll all the way to the bottom where the video is embedded at the end of this post. This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those. The publisher has very kindly provided me with an extra copy of Dromenvanger which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 31st of October, to enter please click here.

  1. Covers – Zemlja Snova has a soft-feel cover with glossy accents on the title and subtext. Dromenvanger also has a soft-feel cover with glossy accents on the title and all of the stars.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  2. Cover Image – The cover images are totally different, Zemlja Snova has a partially coloured image on the front that is similar to the art in the book but isn’t a direct copy of a page. Dromenvanger has a partially coloured image from inside the book.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  3. Publishing Logo – The publishing logo is bottom centre on the cover of Dromenvanger and at the bottom right on Zemlja Snova.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  4. Cover Card – Both books are paperback and both have equally thick card covers.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  5. Inside Covers – Zemlja Snova has French Flaps with black and white artwork and these open out to reveal a purple and white line drawn illustration front and back. Dromenvanger doesn’t have French Flaps, and the inside covers are blank white.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  6. Back Cover – The back cover of Dromenvanger is partially coloured and shows a reverse version of the front cover image. The back cover of Zemlja Snova is completely black and white and the blurb is bordered by a frame from inside the book.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  7. Spine – The illustrator name and book title are differently ordered on the spines of the different editions. They both use completely different fonts. The Publisher logos at the bottom of the spine differ too.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences! Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  8. Book Size – Dromenvanger is slightly smaller than Zemlja Snova. The pages in both copies are the same width (the Zemlja Snova covers extend further), but not the same height with Dromenvanger being approximately 5mm shorter, possibly less.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences! Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  9. Thickness – Dromenvanger is thicker than Zemlja Snova due to having thicker paper (more on this later).
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  10. Binding – Both editions are glue and string-bound, Zemlja Snova is more heavily glued than Dromenvanger.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  11. Language – Zemlja Snova is written in Croatian and Dromenvanger in Dutch. I don’t read either of these languages so I’m therefore unable to comment on whether the text in each book translates the same, or whether it differs in meaning.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  12. Title – Obviously the titles differ due to language but they also slightly differ in meaning. Dromenvanger translates as Dream Catcher and Zemlja Snova translates as Dreamland or Land of Dreams.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  13. Publisher – Both editions have been published by different publishing companies (hence all of these subtle differences), Zemlja Snova is published by Fokus Na Hit and Dromenvanger is published by BBNC Utigevers.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  14. Paper Colour – The paper in Zemlja Snova is bright white, the paper in Dromenvanger is cream.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  15. Paper Thickness – The paper in both is quite thick but it’s definitely thicker in Dromenvanger. Water-based pens heavily shadow in Zemlja Snova but don’t shadow at all in Dromenvanger. The paper used in Dromenvanger is, as far as I’m aware, the same paper that BBNC Utigevers use in all of their colouring books, it’s a little temperamental with oil-based pencils (though others have had great results with these so it may well be my technique or lack of patience) and beautiful for pens and soft pencils like Prismacolor Premiers.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  16. Copyright Page – The information is much more spread out on the page in Zemlja Snova and is contained to the bottom half of the page in Dromenvanger.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  17. Image Order – The pages in Dromenvanger are identically ordered to the correct, later editions of Zemlja Snova, the original editions had three double-page spreads that were split in the book, this issue has been rectified in later printings and in Dromenvanger.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  18. Image Size – Oddly, the first few frames on the ancillary pages at the beginning are larger in Zemlja Snova than Dromenvanger but the actual illustrations of the book are identical sizes on the many images I measured to check.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  19. Image Orientation – The images are spaced slightly differently between the books with a little more or less of the image shown at some edges on some pages when compared to each other, see photos for clarification.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  20. Weight – Zemlja Snova weighs less than Dromenvanger, it weighs 527g compared to 561g (ish, one of my copies was 565g).
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  21. Availability – Zemlja Snova is extremely difficult to get hold of outside Croatia and is one of the hardest colouring books on the market to obtain. We have run international group orders through the publisher’s site for the last year but this isn’t easy. It was looking very hopeful that Dromenvanger was going to be much easier to access because it was listed on Book Depository, however, yesterday it changed to saying it was currently unavailable and some people who’ve pre-ordered it have been given refunds because Book Depository don’t know when they’ll get stock in. I’m really hoping that this issue will be resolved quickly and I will be sure to update this post asap when I know more. You can sign up for email updates about stock at the link below to book depository so that you’re the first to know when it’s back and if you can’t wait it’s available from Dutch site Bol. It’s definitely worth the wait for a copy because Book Depository will have free worldwide delivery and were charging a fraction of the price compared to getting a copy of Zelmja Snova out of Croatia and to your front door. We will still be running group orders for the new book (title unknown currently) and if you’d like to join these and know more then please do join my FB fan group where we will post any information as soon as we know it.

As you’ll have seen, there are a lot of subtle differences between the editions but hardly any of them affect use, in fact the only one that really does is the paper. It’s a shame in some ways that it’s cream, I know a lot of people love crisp, white paper, but this paper is thicker and ideal for water-based pens and pencils and with the (hopefully) increased accessibility, I will now forever be suggesting that people get a copy of Dromenvanger. My fingers are now very tightly crossed hoping that BBNC Utigevers will acquire the rights to the next book by Tomislav Tomic so that it too becomes easily accessible. This new edition is beautiful and for those of you who already have Zemlja Snova and are wondering about getting this new edition, or a second copy, I’d say definitely get a copy of Dromenvanger, it’s beautifully produced, the illustrations look lovely on the new paper and it’s so much easier to get hold of and if you’re anything like me, you’ll want a copy of the new edition just because it’s a bit different, I truly am a colouring book hoarder!

Amazon UK – Dromenvanger 
Book Depository Worldwide – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom
Bol.com – https://www.bol.com/nl/p/dromenvanger/9200000080026444/?suggestionType=typedsearch#modal_open

You can see my videos of unboxing the book, and a silent flick-through of the book if you click on the relevant words.

Don’t forget, I’m running a Worldwide giveaway to win a copy of Dromenvanger by Tomislav Tomic, to enter click here by 23.59 GMT on October the 31st.

Dromenvanger (Dream Catcher - Dutch edition of Zemlja Snova) click through to read the review, see photos, a video flick-through and my comparison to Zemlja Snova!

WORLDWIDE GIVEAWAY and Review – Dromenvanger (Dutch edition of Zemlja Snova)

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Dromenvanger is published and kindly sent to me to review by BBNC Utigevers and illustrated by Tomislav Tomic. They have also very kindly provided me with an extra copy which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 31st of October, to enter please click here Dromenvanger is the Dutch edition of the original Croatian book, Zemlja Snova, the titles translate slightly differently with Dromenvanger meaning Dream Catcher and Zemlja Snova meaning Dreamland/Land of Dreams. There have been huge debates online ever since Dromenvanger was announced about whether it was the same book or a new one and I can categorically state that it is the same book with the same artwork, however, there will be a new book by Tomislav Tomic later in the year, due out in December, it currently doesn’t have an announced title but I will update you all as soon as I know anything further and if you join my Fan group for the artist then you’ll be the first to know as we have reps from the publisher in our group who make announcements from time to time. I have written a comparison post and recorded a comparison video detailing the 21 differences between Dromenvanger and Zemlja Snova, the written post can be found here and the video comparison here.

This book is one of the best I’ve ever seen. After reviewing over 300 books, there aren’t that many that manage to take my breath away, but this one still does, it’s stunning and the illustrations are just incredible! The book is just over 25cm square, the same size as the UK bestsellers, paperback, with flexible card covers and a partially coloured image from inside the book on the front cover and blank inside covers. The spine is lightly glue and string-bound and the binding is fairly tight on arrival meaning that it’s durable and hard-wearing but also a bit tricky to get to the very centre of some of the images. The images are a mixture of single and double-page spreads and are printed double-sided. The paper is cream, thick and lightly textured, as far as I can see it’s the same paper as is used in all Dutch edition colouring books published by this company, it’s great for pencils though it can be a bit tricky with oil-based pencils like Faber-Castell Polychromos and Holbeins but Prismacolor Premiers work brilliantly. Water-based pens don’t shadow or bleed though do test in an inconspicuous area because we all colour differently and you don’t want to ruin a picture, fear not if your pens do shadow or bleed because the illustrations certainly lend themselves well to beautiful blending and shading of pencils. The book contains 81 pages of illustrations and they are genuinely incredible! The images are all fantasy-based and include lots of dragons, mermaids, unicorns, fairies, tree-men, and so much more. Over half of the spreads are double-page designs which are either scenes, depicting all manner of things from castles to sea voyages, gnome villages to woodland, dragons to underwater scenes, or paired images that can be coloured separately but are strongly linked with the opposite page (see photos below). I could go on for days describing the imagery, there is just so much to look at, when you first look at each image you start to get a feel for the general theme of the spread whether it be a castle, village or underwater scene, but as you look closer you discover lots of hidden things from gnomes to mermaid tails, working animals or birds’ nests, flowers growing off dragons and even hidden villages. The illustrations are just packed full with details and stories and they will take you ages to colour so this book is certainly good value for money! The ink is very permanent and doesn’t transfer even with very hard pressure from pencils and the paper doesn’t dent or curl either so it’s very good quality. The line print quality is good too with smooth lines throughout and no pixelation to be found! While a few of the spreads do enter the spine, care has been taken in the majority for them to not enter it, or for there to not be much detail there which is ideal for people who can’t bear to break the spine in order to colour the entire page.

In terms of mental health, wowee, I found this book exceptional! It offers so much to look at that it’s the perfect distraction for even the most persistent symptoms and it just draws you in to a magical fantastical world filled with mythical creatures, princes and princesses, castles, fairies and more. The more you look at the images, the more you see and the more you get drawn in and it’s done wonders for my anxiety during what has been a very challenging and anxiety-filled week. This book will be ideal for those of you who love fantasy colouring and also nature because so much of it is animal and scene-based so it’s combined 2 of our favourite things into one incredible book! The line thickness is consistent throughout and is thin with spindly thin details (it’s pretty similar to the linework in Johanna Basford’s books), the illustrations are very detailed and intricate so there are lots of tiny spaces which you can colour within or colour over if you prefer to use them as texture underneath your colour. You will need pretty good vision and fine motor control in order to enjoy this book and you’ll need some good sharp pencils so that you don’t go over the lines too much. I would highly recommend investing in a T’Gaal sharpener so that you can keep your pencils as sharp as possible! There are plenty of natural stopping points so this book is ideal for those with fluctuating conditions or concentration levels as you can colour one flower, all of the bricks or an entire dragon, you can also focus on a single page or go all out on a double-page spread. The pages for the most part are pretty busy and there’s loads to see so it can be a little tricky at times to identify all of the parts and sections so you will need good concentration for that part to ensure that you’re colouring a petal and not a foot accidentally! The content of the illustrations is totally absorbing and this book will look just incredible when it’s finished cover to cover. I adore this book, even just flicking through the pages gets me out of my head and calms my anxiety down and colouring it is just so much fun because you can use any colours you fancy from more natural colours to fantastical colours like blue for tree trunks and oranges or purples for leaves, in a fantasy world the only limit is your imagination and these images will look amazing no matter what colours you choose!

Overall, I can’t recommend this book highly enough, it’s a genuine work of art and the new paper means that you can use pens or pencils with beautiful effects. The artwork would appeal to male and female colourists and is highly fantasy-based with a strong storybook theme and lots of natural imagery. The drawings are incredible and you’ll be hooked once you’ve seen inside! I’ve included lots of images from inside below as usual but this book really has to be seen to be believed so do check out my flick-through video below.

If you’d like to purchase a copy, it’s currently unavailable on Book Depository and Amazon UK but you can sign up for email alerts from Book Depository via the link below to be informed when it’s back in stock. Alternatively, you can order through Bol, a Dutch site which can be translated if accessed through Google Chrome. I will update details about availability as soon as I know more and the quickest and easiest way of finding out this information will be to join my fan group where 1500 avid fans of the book are eagerly awaiting its sale on Book Depository and will be sure to post as soon as they see it is.
Amazon UK – Dromenvanger 
Book Depository Worldwide – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom
Bol.com – https://www.bol.com/nl/p/dromenvanger/9200000080026444/?suggestionType=typedsearch#modal_open

Join my Fans of Zemlja Snova Facebook Group here.

You can see my videos of unboxing the book, a silent flick-through and my comparison to Zemlja Snova if you click on the relevant word.

Don’t forget, I’m running a Worldwide giveaway to win a copy of Dromenvanger by Tomislav Tomic, to enter click here by 23.59 GMT on October the 31st.