Stabilo Point 88 fineliners

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.

Jane Foster’s Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Jane Foster’s Colouring Book is published and kindly sent to me to review by Pavilion. Jane Foster is best known for her range of screenprinted toys and homeware products which are inspired by Scandinavian art from the 50s and 60s, this colouring book offers fans, new and old, the opportunity to bring her illustrations to life with their own colour schemes. The book itself is 20cm square with rounded corners, paperback with a thin card cover with a partially coloured illustration from inside the book, and a thick piece of hardboard-style card at the back which offers a great surface to colour on. The spine is not attached to the spine of the book cover and is lightly glue-bound meaning that the book opens completely flat and the pages can be easily removed but will also fall out easily when colouring the pages towards the back of the book so do be very careful if you’re wanting your book to remain intact. The images are all printed single-sided. The paper is bright white, thick and lightly textured, it’s perfect for water-based pens which didn’t bleed or shadow but would work equally well with pencils for blending and shading or alcohol markers as long as you put some protective sheets behind your work to prevent bleed-through. The illustrations themselves are lovely and very cheerful, they’re mostly flowers, leaves, fish and birds and all have patterns within them. They’re drawn in quite a simplistic, naïve style and are quite childlike and would certainly appeal to children as well as adults. The designs are mostly Scandinavian-inspired and if you liked the book Scandia, you may well like this as it’s quite similar. The content is wide-ranging consisting of everything from flowers to peapods, bouquets to cacti, fish to feathers and chickens to mushrooms. The images are all in large print, contained within the page without reaching the edges, and quick and easy to colour.

In terms of mental health, this book is lovely to just zone out with and not have to think hard about the colouring experience. The images are all of real things but are not drawn at all realistically meaning they’ll look equally good coloured in real colour schemes as they will coloured in rainbows or neons. The images are all small and blocky and therefore quick to colour so this is ideal for anxious or low mood days when you don’t think you’ll be able to concentrate for long and can’t cope with blending and shading, the art really lends itself to block colouring in your brightest colours and after 20 minutes of that you’re sure to feel calmer and more able to face the world. The line thickness is consistent throughout with each image being outlined in an extremely thick line and then details added within in medium and thin lines. The illustrations are all centralised objects or groups of objects and therefore none are scenes in need of backgrounds though you could still add some if you wish. The intricacy and detail levels vary throughout each image with the majority having one or two very large spaces and then other areas that are made smaller by internalised patterns which can either be coloured within or over for texture. None of the spaces are teeny tiny and this book would be suitable for almost any level of vision or fine motor control including most children. The content is cute and quirky and sure to put a smile on your face, especially once you’ve filled it with bright colours and made it your own.

I would recommend this book to those who like Scandinavian art, those who liked Scandia and those who want quick and easy designs to colour on days when their mental health is poor, this book is filled with cute and quirky designs that look great no matter what colours you choose so grab a pen and get colouring!

If you’d like to purchase a copy of this book it’s available here:
Amazon UK – Jane Foster’s Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Jane-Fosters-Colouring-Book-Jane-Foster/9781911216155/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tip Pens.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

Magical Dawn Artist’s Edition (Magisk Gryning Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Dawn Artist’s Edition is illustrated by Hanna Karlzon and published and kindly sent to me to review by Gibbs Smith. This book was originally published in Sweden under the title Magisk Gryning Tavelbok and this book is identical, apart from the language. This Artist’s Edition is also identical in format to those published for Hanna’s other books, Daydreams, and Summer Nights and therefore my review is mostly identical apart from the content section and the photos. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale mauve colour (not identical to the book which is paler and more lilac) with black and white line drawings of Hanna’s flowers and a beetle with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The 20 illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The illustrations chosen are a really good cross-section of images from the Magical Dawn colouring book, there’s a huge range of content, all with a magical theme, including moths, a regal swan, a crown, birds, potion bottles, animal portraits, lanterns, crystal mushrooms and finally, a whopping four of Hanna’s signature female illustrations, the most ever included in an Artist’s Edition. The images are all printed the same size as the original colouring book so if you’re able to colour that, you’ll also be able to colour these with no difficulty and Hanna’s chosen a lovely range that will look incredible finished and framed or gifted to others. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing as well as a little bit magical! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one tiny potion bottle or moth on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful, a wonderful cross-section and very calming.

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Magical Dawn Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Magical-Dawn-Hann-Karlzon/9781423646600/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.

Millie Marotta’s Animal Kingdom Book of Prints – A Review and Comparison of UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Millie Marotta’s Animal Kingdom Book of Prints is published in the UK by Batsford Books who kindly sent me a copy to review, and is published by Lark crafts in the US and I purchased a copy of this edition myself.

Comparison

  • The US edition contains 18 prints and the UK edition contains 20, the additional images are the octopus and the lobster.
  • The card in the US edition is MUCH thinner than the UK edition, it feels like school card and is very flexible whereas the card in the UK edition is thick and much less bendy, similar in thickness to the card used in Johanna Basford’s Artist’s Editions.
  • The spine on my US edition broke really quickly because it’s only very lightly glued and the pages are already completely loose from the book covers despite very careful handling, the pages in the UK edition are glued more strongly.

The book itself is 25 x 33cm, paperback with flexible card covers that have a re-jigged version of the Animal Kingdom book cover on the front. The book has a lay-flat binding which is quite stiff to begin with but loosens up over time, each card page is glued onto the spine and it’s therefore easy to remove them for framing or gifting so do be careful not to twist the spine if you wish for your pages to remain in the book. The images are each printed single-sided and are mostly portrait with 4 landscape images (2 in the US edition). The card is thick, white, lightly textured and lovely to use with any medium, my pencils were a dream to blend and shade with, water-based pens don’t bleed, shadow or spread and alcohol markers will work well too, just make sure you pop a protective sheet behind to ensure no bleed-through. The images are all taken from Millie Marotta’s debut colouring book, Animal Kingdom, and all are printed the same size as the originals. No text is added to any of the pages and the majority of them contain large open spaces around them so you’re free to add your own imagery or backgrounds if you wish but this certainly isn’t a requirement and with or without, the pages will look incredible. I’ve included photos below of all of the illustrations including the two additional images in the UK edition of the octopus and lobster. The images contain a good range of animals from the book and a really good range of Millie’s different illustration styles including full page designs, floral component parts, and centralised single animals.

In terms of mental health, this book is great because it offers a manageable project which you can frame or gift once finished, this is ideal for cheering up dark days or for boosting your confidence and self-esteem because you’ll have evidence and proof on your walls of just what you can create and achieve; the colouring projects I have displayed in my flat never fail to make me smile, even on really bad days. The line thickness, as with all of Millie’s work, is spindly thin and the images all contain really high levels of intricacy and detail so it’s really geared up for those of us with very good vision and fine motor control. The pages contain a range of amounts of content from a centralised animal to a page filled with leaves and a bird so there are some pages that will take much less time than others. Millie’s work has very natural stopping points but does require a lot of concentration so this is a book to either colour in small chunks or to save for your good days when you can focus well. While the images are all filled with huge amounts of detail, these sections don’t all have to be coloured individually and can easily be coloured over so that they show up as texture underneath (see my lobster below). The nature-themed imagery is very calming and distracting because there’s so much to look at on each page and Millie’s work is some of the best I’ve found to work on when I’m feeling anxious and need to really focus on something other than the thoughts swirling round my head.

Overall, I would highly recommend this book to fans of Millie’s work and those who want to be able to frame or gift their finished pages. I would recommend the UK edition over the US edition as the card is much thicker, the binding is more sturdy and you get 2 extra images to colour. This is a lovely new format for Millie’s images and one that I hope will be reproduced for all of her other titles.

If you’d like to purchase a copy of either edition of the book, they’re available here:
UK Edition
Amazon UK – Millie Marotta’s Animal Kingdom Book of Prints
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotts-Animal-Kingdom-Book-of-Prints-Millie-Marott/9781849944014/?a_aid=colouringitmom
US Edition
Amazon UK – Millie Marotta’s Animal Kingdom Book of Prints to Color
Book Depository Worldwide – https://www.bookdepository.com/Millie-Marotts-Animal-Kingdom-Millie-Marott/9781454710318/?a_aid=colouringitmom

If you’d like to frame your work, you can find frames of the correct size here on Amazon.

The images below are coloured using Stabilo Point 88 Fineliners (Giraffes), and Prismacolor Premier Pencils (Lobster).

Gift Boxes to Colour and Make: Birds and Blossom – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Gift Boxes to Colour and Make: Birds and Blossom is published and was very kindly sent to me to review by Nosy Crow Publishing. This book is unlike any other because it’s not a normal colouring book, each page is a gift box which can be removed and folded into a box to gift to friends and family, this is the second in the series with a Christmas-themed one available HERE. The book itself is paperback with flexible card covers, it’s just under 30cm square and has a mid-pink cover with splashes of pinks and blues and mint green foil accents. On the inside cover are diagrams and written instructions about how to remove and fold the boxes and on the back inside cover are three recipes so you can create Easter treats to go in your boxes – Chocolate Nests, Easter Egg Biscuits, and Butterfly Cakes. The spine is glue and string-bound making it durable but it’s all quite easy to press flat so that you can colour the whole box, or remove it via the perforations before colouring if you find that easier. Each of the 24 pages contains one double-sided box with different matching designs for each of the sides and the inside base and then a small repeating pattern on all of the other edges, there’s heaps to colour in on each one! The card is medium thickness, bright white and lightly textured so it’s perfect for pencils and water-based pens which didn’t bleed and only slightly shadowed with the darkest colours; alcohol markers will bleed so I’d avoid using these. The perforations are well-made and the parts do mostly come out easily, I would advise caution as a very small section of my actual box started splitting so you may prefer to use the perforations as a guide for scissors or just work slowly, a few of the parts have quite large perforations which do leave large bumps rather than smooth edges on the box but again, these could be tidied up with scissors if you wish. The boxes are individually designed and contain themed illustrations from garden birds to swans, butterflies to bird houses, Easter eggs to dragonflies, kingfishers to bunnies, bunting to bee hives, Easter baskets to owls, and lots more Spring and Easter-themed imagery. The images are very cute and have a naïve quality to them which makes them look really charming and they’ll look lovely coloured by adults or children and gifted to others. At the back of the book is a page of mint green foiled stickers each with lines on where you can write names to and from, and each with a small Spring-themed motif. The set is really well-made and thought out, this book is produced by the same publishing company who created the Colouring Book of Cards and Envelopes so you can be assured it’s good quality though the illustrations are created by a different artist (Felicity French) from those (Rebecca Jones) and the other colouring gift box book (Sarah Walsh).

In terms of mental health, I think this book of gift boxes is pretty great because it offers up a project with a very clear purpose and end point, ideal for those of us who struggle to get motivated or see the point in things sometimes. Sharing is always good fun and when colouring these boxes you know you’ll be sharing the love with someone you care about and that’s a great thing to be able to do! The line thickness is consistent throughout and is thin. The intricacy and detail levels are pretty high with lots of small sections so these boxes will only really be suited to those of you with good vision and fine motor control. The boxes take ages to colour so you’re certainly getting lots of colouring hours for your money, however, each box consists of lots of small colourable parts which is ideal for any level of concentration or amount of symptoms, you can colour for 20 seconds doing just one or two flowers, or hours and hours doing the whole internal repeating pattern or somewhere in between. The images on the box are sure to get you in the mood for Spring and remind you that Easter and yummy chocolate eggs are on their way! These boxes will be perfect for sharing Easter treats with family and friends and they can be filled with small gifts or sweets or chocolates and they’ll be the perfect packaging for anything handmade, the possibilities are endless!

Overall, I would highly recommend these colourable gift boxes, there’s loads to colour on each one and they’re sure to get you and your recipient in the mood of Spring and Easter and they give a wonderful personal touch to whatever gifts you decide to put inside them.

If you’d like to purchase a set, the book is available here:
Amazon UK – Gift Boxes to Colour and Make: Birds and Blossom
Book Depository Worldwide – https://www.bookdepository.com/The-Gift-Boxes-to-Colour-and-Make–Birds-and-Blossom/9780857638687/?a_aid=colouringitmom

You can find the Christmas Gift Box book here.

The box below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.

Nordic Wilderness – A Review and Comparison to the German Edition, Nordische Wildnis

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Nordic Wilderness is illustrated by Claire Scully who co-illustrated The Menagerie, The Aviary, and The Aquarium, and is published and very kindly sent to me to review by Laurence King Publishing. This book was originally published in Germany under the title Nordische Wildnis, you can find my review of that edition here, I expected the UK publication to be identical but I couldn’t have been more wrong, despite the content being almost identical, almost all aspects of the publication are different including the image order, formatting, paper colour and book size to name a few, therefore I will first review the UK edition here and then go on to compare the UK and German editions so that you know which to purchase if you want just one, or whether to buy this UK copy if you already have a German copy so buckle up, this is a long one folks!

Review

Nordic Wilderness brings us exactly the content you’d expect, beautiful images of animals and scenery from the Nordic countries, it’s gorgeous, drawn in Claire’s signature intricate style and really lovely! The book is just under 25cm square, paperback with flexible grey card covers with images from inside the book and silver foiled text, the spine is a dark teal/blue colour and the inside covers are also this colour. The spine is glue and string-bound and fairly strong but also pliable so you can get the book to lie quite flat. The pages are mostly printed double-sided but the book contains 9 fold-out pages each containing a single-sided double-page spread which is a fantastic feature as the spine doesn’t get in the way of colouring the centre of these pages and they could also be carefully removed to frame if you wish. On the backs of the fold-out pages are a unique small motif so there are no truly blank pages in the book. The paper is thick, cream and lightly textured, I’ve tested it with pencils and these blend and layer nicely and I coloured my double-page spread with water-based pens which didn’t bleed or shadow at all; alcohol markers will bleed through so either keep these to the fold-out spreads or avoid using them in this book. The images are a mixture of single and double-page spreads and those that are most affected by the spine being down the centre have been printed on the 9 fold-out pages so you can finally colour the beaks of the two owls which disappeared into the spine in the German edition.

The images are beautiful and so cohesive! The illustrations are all of things you’d expect to find in Nordic countries from polar bears to pine martens, various species of owl to wolves, whales to horses, and squirrels to salmon. There are also a number of beautiful scenic images of fjords, log cabins, lots of trees, underwater creatures and even a stunning double-page spread of the Northern Lights over some icebergs which I can’t wait to get blending pinks and greens on to really make the scene come to life. Some of the images are animals on their own, others have backgrounds or objects with them, some are shown in groups and there are also a few double-page spreads of collections of natural items including lots of mushrooms, pine needles and pine cones, palm fronds, feathers, snowflakes and leaves. There are no filler images in this book and each illustration has absolutely earned its place, Claire’s style is beautiful and her hyper-detailed drawings of nature are just perfect to be coloured with pencils or fineliners. A fantastic new feature of the UK edition is that it contains an image key at the front, annoyingly this isn’t printed in the same order as the images in the book but it’s easy enough to find the picture you’re wanting to colour and find out what type of bear or fish it is you’re embarking on colouring, this is ideal for those of us who like to colour things realistically as it really aids with searching for the right colour schemes!

In terms of mental health, this book is wonderful, it’s absolutely jam-packed with nature imagery and so it’s really calming and grounding. It also offers wonderful escapism as it creates a real sense of place from the first page and truly does transport you to the Nordic countries where it’s cold and snowy and bears and furry creatures are everywhere. Claire’s illustration style is very realistic so it’s well suited to colourers who like to stick to realistic colour schemes but equally, her images look fabulous in neon colours, metallics, or rainbows for those with an adventurous streak! The line thickness is consistently thin throughout but it’s not particularly difficult to stay within the lines as long as you have moderate to good vision and fine motor control. The images are highly detailed and intricate (on a par with Millie Marotta’s and Johanna Basford’s books) and there are lots of tiny spaces making up each image whether it be hundreds of leaves, or blades of grass, or feathers, fur or scales, there is a huge amount of detail in these illustrations which makes them so beautiful and a joy to colour but this does mean it’s not so suitable for people who don’t have good vision or fine motor control. However, while the images are really intricate and detailed, most of this detail is drawn into much larger spaces including landscapes and animals so you could very easily colour over these details with pens or pencils so that the linework shows up as texture rather than having to colour each tiny section separately so there is scope for most ability levels to really enjoy this book. There are also a number of larger spaces in some of the images that will be really well suited to using your pencils for blending and shading to really bring the animals and landscapes to life. There aren’t any designs for you to finish drawing but there are natural spaces left in a few of the designs where you could add your own creatures, foliage, scenery and backgrounds, this is a happy compromise for those who can and can’t draw because there is space to draw if you want it, without any written hints.  You will need a fair amount of concentration to really get the most out of this book as each image will take a good long while to colour but because of the subject matter you can always colour a few leaves or a flower to get your quick colouring fix on a bad day and tackle a whole image on days when you can cope with colouring for longer. I really can’t express how beautiful this book is or how amazing the production is. You’ll get absolutely lost in the Nordic Wilderness and if you like The Menagerie, you’re sure to love this book filled with Claire’s beautiful illustrations, the German edition made its way straight onto my list of favourites and this new formatting has possibly made me love it even more!

I would highly recommend this book to anyone who loves colouring natural images of plants, animals and scenery, this book is beautiful and the added features of removable card pages, bookmarks and postcards is such a wonderful touch. The paper is great quality and If you love detail, intricacy and realistic images then this book will be perfect for you.

Comparison

  1. German edition has covers that open out revealing a colourable design, the UK edition has blue coloured inside covers and no design to colour.
  2. The covers are totally different between the editions.
  3. The UK book is almost 2cms larger in both dimensions than the German edition.
  4. The paper colour is very different, it’s bright white in the German edition and cream in the UK edition, it seems to be equal thickness and similar texture, neither bleed with water-based pens but pencils blend and layer better on the UK edition.
  5. The UK edition has a key at the front of the book with a thumbnail of most of the images and a written description of what they depict, there is no key in the German edition.
  6. In the UK edition many of the double-page spreads are printed on fold-out pages, especially those most affected by the spine in the German edition. The German book has no fold-out pages.
  7. The German edition contains postcards and 4 perforated card pages with single-sided images to colour. The UK edition does contain the images of 3 of these but there are no postcards or perforated pages in it.
  8. The images are either the same size of a little larger in the UK edition due to the larger size of the book, this isn’t a huge difference but if you have slightly poorer vision or fine motor control then you’d be best getting the UK edition rather than the German.
  9. The image order is completely different in each edition.
  10. The UK book is missing about 3 single pages of artwork compared to the original German edition, these include the twigs next to the beaver page and the fox tail but I’m yet to discover the third page that hasn’t been included, it’s not an obvious one though.
  11. The whale is printed totally differently, in the German edition it’s a double-page spread showing just half of the whale, in the UK edition it’s a triple-page spread spanning a single page and a double-page fold-out and it shows the whale in its entirety so it’s printed a fair bit smaller in terms of the detail and intricacy.
  12. The cover image of the German edition is a colourable page in the UK edition with the title removed, in the German edition is has the title intact and is the title page of the book.

If you’d like to purchase a copy of either of the books then they’re available here:

Amazon UK
UK – Nordic Wilderness
German – Nordische Wildnis

Book Depository Worldwide
UK – https://www.bookdepository.com/Nordic-Wilderness-Claire-Scully/9781780679099/?a_aid=colouringitmom
German – https://www.bookdepository.com/Nordische-Wildnis-Claire-Scully/9783833852626/?a_aid=colouringitmom

If you’re a fan of Claire Scully’s artwork then please join my new fan group and share your coloured pages from her book – The Menagerie and More

The image below was coloured using Stabilo 68 Fibre-Tip Pens.