30 Days of Creativity

Johanna Basford 2022 Weekly Colouring Planner – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

Johanna Basford 2022 Weekly Colouring Planner is published and was very kindly sent to me to review by Andrews McMeel Publishing. This planner is the perfect combination of organisation and colouring with space to write plans, appointments and notes, whilst also having weeks and weeks of colouring for you to do too. This planner is paperback with flexible pale cream card covers which have a beautiful black line-drawn flower, leaf and butterfly design on the front and back with it printed in reverse, white on black, on the inside covers, the front cover has gold foiling accents and the front and back cover have removable lilac card strips with the information about the planner and the barcode etc printed on them. The planner is spiral-bound and measures 21.6 x 19.6cm, the covers aren’t especially sturdy so I’d be careful about travelling with it much and you’ll want to keep it safe somewhere rather than stuffing it in a bag or it’ll get damaged very quickly. This isn’t the best planner I’ve seen in terms of features and organisation, but for the combination of colouring and organising, it’s perfect and strikes a really good balance.

This planner runs for 12 months, from 27^th of December 2021 to the 1^st of January 2023. The planner is printed double-sided and starts with a one-page overview of the year 2022 and then the planner itself starts with an image on the left of each double-page spread from one of Johanna’s first eight books, images from all eight (Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, Johanna’s Christmas, Ivy and the Inky Butterfly, World of Flowers, and How to Draw Inky Wonderlands) are included, and the week’s days and dates with writing space for each on the right (this is in the same style as normal planners with added leafy accents and leafy lettering for the month title at the top). Each week runs from Monday to Sunday with equal space to write for each day, the dates are on the right and important festivals and bank holidays etc are written in small text on the left of the page, as well as the country it’s celebrated in. After the planner pages, which make up the vast majority of the book, there is a double-page spread with sections for each month of 2023 for you to add your advance plans to. Following this is a full page of 2021 dates and a full page of 2023 dates, followed by 5 lined pages where you can write notes (all with added leaf accents) and the final page is a colouring test page where you can test out your mediums to check for bleed through.

The paper is pale cream rather than bright white (it is the same paper as the last 2 planners and it’s less yellow than the Secret Garden book paper and more cream than the ivory paper in World of Flowers), lightly textured and medium thickness, sadly it does shadow a fair bit with water-based pens but it doesn’t bleed through; I’d strongly advise writing in pencil throughout or you’ll ruin the image on the reverse either with shadowing or indentation from ballpoint pens. Pencils work well on this paper so I’d suggest mostly colouring with pencils and using water-based pens if you don’t mind the shadowing showing through on the planner pages. A great selection of images from Johanna’s books are included with some being sections of original images at the original size, some being sections zoomed in, printed larger, and others being the whole page shrunk down to fit on the planner page so some of the illustrations are quite tricky to colour neatly but almost none look impossible as long as you use a good set of fineliners or sharp pencils. I found that there was a good selection of images included, with a fair few pages from World of Flowers which are really lovely. We all have different preferences so do check out my video flip through of the whole planner below to check that you’re happy with the selection but I personally think it’s a really good range.

In terms of mental health, this colouring planner is ideal. It gives you a manageable goal of colouring one page per week which could either be next week’s page so that it’s coloured ready for that week or this week’s page so you can colour as you plan. You could even colour it ahead for the whole year. The pages are a great size to practice colour schemes for your copy of the actual books, or even to try out colouring mediums on a smaller page. The spiral-binding makes it easy to access the whole page and none of the images go into the spine, it’s also ideal because once you’ve finished using the planner at the end of 2022, the pages are easy to remove for framing or gifting if you want to get more use out of your works of art. There isn’t a treasure hunt element in this planner and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This planner is perfect for fans of Johanna’s work and it is a beautiful way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are higher than in the books because some of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this planner if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order but a few have been cleverly chosen to fit celebrations like a heart for the week of Valentine’s Day and images from Johanna’s Christmas through December. There is no skull for Halloween this year. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are quicker to finish and likely to cause less frustration.

I would highly recommend this colouring planner to fans of Johanna’s work and to those who love to be organised. It’s a great combination of planner and colouring pages and the size and format is ideal for those who find the full-size book pages too daunting. It’s great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the year it runs for; you can even remove the images afterwards and frame or gift them.

If you’d like to purchase a copy it’s available below:
Amazon UK – Johanna Basford 2022 Weekly Coloring Planner
Book Depository Worldwide – https://tidd.ly/3FqdHjE

30 Days of Creativity – A Comparison between the UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

30 Days of Creativity is the latest book by Johanna Basford, it’s being published imminently and I have been lucky enough to be sent a copy of the UK and US edition by Johanna Basford in order to write this comparison post for you all. Every time Johanna releases a new book there are huge online debates about which edition is ‘best’ to buy, what the similarities will be and what will be different and so I’m here to tell you about each and every difference so that you can make an informed choice. I have reviewed the UK edition here and the US edition here.

This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible. If you’d prefer to watch a video where I talk through and show all of the differences then scroll all the way to the bottom of the post where it’s embedded. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those, they’re summarised at the bottom. Some of the very noticeable differences include the cover design, book size, binding and paper type, so here goes with the most comprehensive list of similarities and differences that you’re likely to find online!

If you want to just skip ahead to the most crucial differences then look at points 1, 7, 9, 10, 17, 27, and 29, and the summary section at the bottom.

Book Size – Both books are rectangular and not square (the same size as How to Draw Inky Wonderlands and Ivy and the Inky Butterfly), they are each the same height as all of Johanna’s other titles published in the same country. The UK edition is almost half a centimetre smaller in both directions than the US edition.
Cover Design – Both editions have the same floral pattern with art supplies interspersed centrally but the UK edition has much more empty space around the corners and edges whereas the US edition has more floral pattern filling these gaps. This also means that 2 of the butterflies are placed slightly differently on the covers.
Cover Colour – The books are both a beautiful pale blue colour but they’re not exactly the same, the UK edition is a slightly purer blue and the US edition is a slightly purpler blue.
Penguin Logo – The US edition has the Penguin Publishing logo subtly placed on the left in the middle. The US edition is published by Penguin, the UK edition is published by Ebury Press.
Foiling Colour – The foil colour is gold on both but it’s ever so slightly yellower on the US copy.
Foiling Aspects/Amount – Both editions have the same aspects foiled apart from at the very bottom where on the US edition a flower on the left is foiled and on the UK edition a flower on the right is foiled.
Spelling – As ever, this is one of the most noticeable differences and it’s a really easy way to identify which edition you’re looking at because of the spelling of the word “colour” in the subtitle. Throughout the book there are various different spellings between the US and UK editions including favorite/favourite.
Blurb – The UK and US editions have very slightly different blurbs with half a sentence extra on the US edition compared to the UK edition. The text is formatted into more paragraphs on the UK edition.
Spine – Usually the book spines are black in the UK and white in the US. This time (as with Ivy and the Inky Butterfly and How to Draw Inky Wonderlands), both are white with black text, it’s printed a little blacker on the US edition. The fonts for the text are different on each and the US title is written in capitals whereas the UK edition has capitalised words. The UK edition has the subtitle written on the spine too but the US edition doesn’t. The text is much larger on the US edition than the UK and the font remains consistent throughout the spine on the US edition whereas the subtitle is written in italics on the UK edition. Finally, the UK edition has the Ebury Press logo and the US edition has the Penguin Books logo.
Binding – The UK edition is stitched and glue-bound whereas the US edition is only glue-bound. This makes the US edition less durable and can lead to pages falling out. The spine of both editions has to be worked in order to get the book to lie flat and if you work the spine too much, the US edition may fall apart whereas the UK edition will be much more durable.
Thickness – Due to the paper in the US edition being thicker (see point number 17), the book is thicker overall too.
Weight – The UK edition weighs less than the US edition at 402g vs 432g. A 30g difference.
Dust Jacket – This is usually one of the biggest differences between the editions, with the UK edition usually having a removable dust jacket and the US edition having it attached. This time (as with Johanna’s Christmas, Ivy and the Inky Butterfly, How to Draw Inky Wonderlands, and Worlds of Wonder), neither of them have removable dust jackets. This is probably a very sensible choice as they’re prone to getting damaged and with this being an activity book that’s meant to be worked in, you need to be able to work in it unhindered, however, I’m personally a little sad because I do really love the removable dust jackets but at least it’s one fewer thing to have to choose between when deciding which edition you want to purchase. The covers are made of thick card folded into ½ French Flaps inside. The card used for the UK cover is a little thicker and less bendy than the card used for the US cover.
French Flaps – Both editions have ½ size French Flaps, they have the same illustrations at the front and both have pictures of Johanna’s previous titles on the back flap but these are printed fully black and white in the US edition and with colour where the gold foil accents are in the UK edition.
Cover Attachment – The covers are attached to a little more of the first and last page on the UK edition compared to the US edition, this makes it a little harder to get the UK edition to lie flat at first but this eases up over time.
Inside Cover Images – The illustration on the inside covers is printed the same size on both editions so there is a little extra shown on the US edition than the UK edition.
Paper – This is one of the biggest differences between the two editions. The paper is not identical and is unique to each country. Johanna changed papers when Magical Jungle was published and her specially created ivory paper that was named after her is in all US copies of Magical Jungle, Johanna’s Christmas, Ivy and the Inky Butterfly, World of Flowers, How to Draw Inky Wonderlands, Worlds of Wonder, and now 30 Days of Creativity. In the UK we have a whiter ivory paper which Johanna and her team scoured the globe for and this is in all UK editions of the books previously listed. The UK paper is a similar thickness to the paper in Secret Garden and Enchanted Forest and significantly thicker than the paper in Lost Ocean, it has a little tooth but does burnish after a few layers of Polychromos and Prismacolor Premiers. The US paper is ivory but a more cream colour though it’s still paler than the cream colour of Secret Garden and Enchanted Forest. The paper is the thickest yet and has a more visible tooth, it takes far more layers for blending. In both editions water-based pens behave the same way and the paper in both is beautiful to colour on with pens as they glide really well with no feathering or spreading at all. For drawing, I tested out the Staedtler Pigment Liners that Johanna recommends and uses herself. They worked well on both papers however they seemed to spread a little on the US paper. My partner and I tried it in case it was user error on my part and we both experienced the same thing. Pencil erased well in both books but was significantly easier to erase in the US edition.
Title Page Image Size – The floral border in the US edition is 0.5cm larger than the UK edition.
Copyright Page Information – There is different information on the copyright pages in each of the editions and they have different ISBNs. This information is also laid out differently.
Printing Location – The UK edition is printed in China, the US edition is printed in the USA.
Language Differences – A few words are written differently across the editions e.g. popsicles (US) vs ice lollies (UK), cup measurements (US) vs grams (UK), self-rising flour (US) vs self-raising flour (UK).
Tips Bee/Butterfly – The bullet point illustrations are identical in each edition apart from point 4 where in the UK edition the bee picture is repeated whereas in the US edition there is a butterfly.
Image Size – Some of the images are printed larger in the US edition than the UK edition but the amount of variance isn’t consistent throughout and only ranges up to a maximum of 1cm in each direction. Many are just a few millimetres if that.
Happy Quote Page – In the text in the US edition on this page the word ‘like’ is missing from the sentence “If it feels ‘like’ trudging through honey, stop.” It isn’t missing in the UK edition.
Every Child is an Artist Quote Page – On the UK edition quote page, the quote is attributed to Picasso and his name is there and able to be coloured. It is not present on the quote page in the US edition.
Pencils page – In the UK edition this page has a much larger space for the gutter of the book, than the US edition which therefore shows a little more of the repeating pencil pattern.
Page Ink Permanency – The ink is pretty permanent on both books. There was no movement of pigment in the UK edition with a Caran d’Ache Blender Pencil but there was a little movement using the same on the US edition so do be a little careful on the colouring pages.
Publication Date – The US edition publishes on Tuesday the 26^th of October, the UK edition publishes on Thursday the 28^th of October.
Availability – Normally it’s very easy to get hold of whichever of these editions you wish to purchase and I’m hoping that will return to being the case. However, currently, at least in the UK it’s only possible to get the UK edition because the US edition isn’t listed on Amazon UK and it’s currently unavailable on Book Depository here. I’m hoping that this will change soon and if it does, I’ll be sure to update this post but currently the US edition is proving difficult to get hold of outside America and Canada.
Treasure Hunt – This isn’t a difference between the books but it is different from Johanna’s earlier titles. There is no treasure hunt contained within this book. Though of course you could create your own with the drawing skills that you’ll have learnt!

Although there are a lot of differences, the ones that will affect your enjoyment and therefore impact your decision are the paper, the binding and having a matching set. This book matches the previous titles less than usual and so it will stick out a little on the shelf anyway as it’ll only directly match Ivy and the Inky Butterfly and How to Draw Inky Wonderlands. I think both papers are equally lovely but because of my issues with slight spreading of ink on the US edition, I would recommend the UK edition. I would also highly recommend the UK edition for the binding after numerous reports of US editions of previous titles falling apart. Mostly though, I’d advise getting whichever copy is easiest to get hold of because very few of these differences will hinder enjoyment or use enough that you wouldn’t want a copy.

Please do let me know in the comments section below which edition you’ll be purchasing and why!

UK Edition
Amazon UK – 30 Days of Creativity
Book Depository Worldwide – https://tidd.ly/2YV2lVE

US Edition
Amazon UK –
Book Depository Worldwide – https://tidd.ly/3vRrhJJ

Video Comparison

30 Days of Creativity (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
30 Days of Creativity is by Johanna Basford who very kindly sent me a UK and US edition to review. This review is of the US edition, (my UK review can be found here) which is published by Penguin. I have also written a comparison post which can be found here, or the video comparison post can be found here.

This book is most similar to How to Draw Inky Wonderlands but it’s also largely different from anything previously produced by Johanna and in fact, anything else I’ve seen on the market. This book was born during the Covid-19 pandemic and Johanna created it to help instil creative habits in us all. I’ll be completely honest, when she first announced the theme of the book, I was disappointed because I’m not such a huge fan of books where I need to add anything myself other than colour because drawing isn’t my forte (despite the fantastic lessons Johanna gave us) and my imagination isn’t so up to scratch with working out what to add. However, I have learnt that Johanna is always to be trusted and as ever, she’s created a truly beautiful book, way beyond my expectations based on the title and it’s honestly really lovely! While there are a lot of activity pages, they mostly don’t feel overwhelming or unachievable, at least not to me and there are plenty of colouring pages for those traditional creative days that are what so many of us were drawn into this hobby by. The pages consist of 30 double page spreads of activities and 5 double pages of colourable quotes interspersed within these. The activities include 18 colouring tasks (this is mostly based on explicit instruction to colour as really the whole book can be coloured), 11 drawing tasks, 7 doodling, 1 recipe and as previously mentioned, 5 colourable quotes.

The book itself is paperback and unlike the majority of Johanna’s colouring books, it’s rectangular, not square and measures 21.5 by 25.5cm, making it the same size as Ivy and the Inky Butterfly and How to Draw Inky Wonderlands and the same height as all of the US editions of Johanna’s colouring books. As with all US editions, there is no removable dust cover (nor is there on the UK edition this time), instead having flexible card covers with ½ French flaps which open out front and back to reveal a beautiful design of all sorts of objects including cakes, flowers, fish and utensils that is fully colourable; it isn’t waxy and is very smooth meaning most mediums will be suitable for colouring it, just be careful with alcohol markers in case they bleed through to the external covers. The covers are a beautiful pale blue and the front cover has gold foiling accents. The spine is white with black text and is glue bound which has caused issues in the past for colourists and without very careful handling can lead to pages falling out. Little to none of the content enters the spine and therefore you don’t lose much in the gutter. The pages are printed double-sided. The paper is the same as that used in previous US editions of Johanna’s titles from Magical Jungle onwards, this paper was created and named after Johanna and it’s beautiful. It’s not the same paper as used in the UK editions. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils. It has a good level of tooth so it can cope with pencil lines being drawn and erased and the Staedtler Pigment Liners that Johanna uses herself and recommends drawing with work beautifully on the paper with a light touch but can lead to feathering and spreading due to the tooth of the paper. Using the Staedtler Pigment Liners means that your drawings will match Johanna’s and blend in really well with the printed artwork so your drawings won’t stand out as “different” from the content that’s already on the page. The paper is ideal for pencils and water-based pens and you only need to avoid alcohol makers or particularly wet media. As ever, there’s a test page at the back of the book where you can check out how each of your tools and mediums behaves.

This is very much an activity book but with a real grown-up feel to it and it’s a great way to start a creative habit. It begins with an introduction and tips page and follows on to a habit tracker so that you can mark off each day when you’ve done your allotted 10 minutes of creativity. There are no page numbers and each double-page spread stands alone so you can work through the book in order, work through the same page on consecutive days until it’s finished or work through at random, picking and choosing what you fancy as you go, it’s entirely up to you. There are no rules and no rights or wrongs. If you’re getting stuck about where to start then Johanna is running a 30 day free course of videos and you can follow along with her in your book to get the habit embedded and also to experience being part of a huge group of people all over the world who’ll all be doing the same thing. If you’re interested in joining the course or participating later then all of the information about it can be found on her website and social media pages and it begins on the 1^st of November.

The colouring pages and sections in this book are, as ever, really lovely and encompass a wide range of subjects including baking ingredients and equipment, robots, art supplies, all sorts of food, flowers, underwater creatures and more. Many of the drawing tasks can be avoided if you wish but it’s always worth pushing yourself a little out of your comfort zone and having a go if you can; Johanna is such a good teacher and you might just surprise yourself! These tasks include doodling as well as actual drawing but they’re mostly pretty small projects so not too challenging.

In terms of mental health, it’s really good. Personally it’s not my favourite book because I am and always will be a die hard colouring fan and drawing and activities, as well as having text on the page just isn’t so up my street. However, I can absolutely appreciate the benefits of this book for many of the more adventurous among you who want to create and keep a new creative habit and need a little nudge to get there. This book eases you in gently and feels like a friend guiding you through the tasks and offering words of encouragement and tips and tricks where needed. It isn’t overwhelming and the tasks are all a manageable level and there are very few nearly empty pages to contend with. There is a good range of difficulty within the activities and they’ll all take totally different lengths of time to complete too which is ideal for adapting to your schedule. There are pages where you can colour or draw a full spread as well as small drawings where you can complete a single one really quickly and get a lovely sense of achievement from doing so.

Overall, I would highly recommend this book, while it’s not my favourite, it’s a really lovely addition to anyone’s collection and it’s a great book to dip in and out of as well as to help you begin a creative habit, something that is known to reduce anxiety and stress levels and promote calmness. The activities are well-described and easy to follow and the colouring pages are beautiful and this will be the perfect accompaniment to the video series Johanna has created to get your habit kick-started.

If you’d like to purchase a copy it’s available here:
Amazon UK –
Book Depository Worldwide – https://tidd.ly/3vRrhJJ

Video Review

30 Days of Creativity (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
30 Days of Creativity is by Johanna Basford who very kindly sent me a UK and US edition to review. This review is of the UK edition, (my US review can be found here) which is published by Ebury press. I have also written a comparison post which can be found here, or the video comparison post can be found here.

The book itself is paperback and unlike the majority of Johanna’s colouring books, it’s rectangular, not square and measures 21 by 25cm, making it the same size as Ivy and the Inky Butterfly and How to Draw Inky Wonderlands and the same height as all of the UK editions of Johanna’s colouring books. There is no removable dust cover this time, instead having flexible card covers with ½ French flaps which open out front and back to reveal a beautiful design of all sorts of objects including cakes, flowers, fish and utensils that is fully colourable; it isn’t waxy and is very smooth meaning most mediums will be suitable for colouring it, just be careful with alcohol markers in case they bleed through to the external covers. The covers are a beautiful pale blue and the front cover has gold foiling accents. The spine is white with black text and is glue and string-bound which makes it very durable but a little tricky to get it to lie flat for drawing in, however, little to none of the content enters the spine and therefore you don’t lose much in the gutter. The pages are printed double-sided. The paper is the same as that used in previous UK editions of Johanna’s titles from Magical Jungle onwards, this paper was found through a global hunt and it’s beautiful, it’s not the same paper as used in the US editions. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils. It has a good level of tooth so it can cope with pencil lines being drawn and erased and the Staedtler Pigment Liners that Johanna uses herself and recommends drawing with work beautifully and seamlessly on the paper with no feathering, spreading, shadowing or bleeding and they blend in beautifully with the printed artwork so your drawings won’t stand out as “different” from the content that’s already on the page. The paper is ideal for pencils and water-based pens and you only need to avoid alcohol makers or particularly wet media. As ever, there’s a test page at the back of the book where you can check out how each of your tools and mediums behaves.

If you’d like to purchase a copy it’s available here:

Amazon UK – 30 Days of Creativity

Book Depository Worldwide – https://tidd.ly/2YV2lVE

Video Review