Mindfulness

Vilin San (Fairy's Dream) by Tomislav Tomic click through to read my review, see photos, see my video flip through and enter a giveaway for a copy!

Vilin San (Fairy’s Dream) – A Review and WORLDWIDE GIVEAWAY

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Vilin San is published and very kindly sent to me to review by Fokus, they have also sent me a second copy to give away and you can enter my Worldwide Giveaway until 23.59 GMT on the 31st of January by clicking this link and following the instructions. Vilin San is a Croatian book and the title translates to Fairy’s Dream, it’s illustrated by Tomislav Tomic, the illustrator of hugely popular Zemlja Snova (Dreamland) and the Dutch edition, Dromenvanger. This book sadly only has half the number of pages but it does come with an exciting added extra and is equally if not even more beautiful than Zemlja Snova. It arrives wrapped in plastic to keep it protected from damage and to keep all parts together (more on this later). The book itself is 25cm square, paperback with flexible card covers, (these are a little thinner and much bendier than Zemlja Snova’s covers) and two-third French flaps which open out to reveal a white line drawing on a blue/purple background, the cover shows a partially coloured image from inside the book. The spine is glue and string-bound and seems quite sturdy and durable and with a bit of work it’ll open up pretty flat, especially over time. The book only has 40 pages, Zemlja Snova had 84, oddly, it’s less than half the thickness, the publishers have said that the paper is identical in both books however it does seem a little whiter, especially than my original edition of Zemlja Snova (the one with the pages out of order) but paper stocks do visually differ sometimes and it does feel and behave the same way so I’m fairly confident in saying the paper is identical. The paper is bright white, thick and lightly textured, water-based pens shadow heavily and may even bleed through so I’d steer clear of these and stick to watercolours with very sparing amounts of water and mostly pastels and pencils which work really well on this paper. The pages are printed double-sided and are a mixture of single (23) and double-page spreads (7 = 14 pages) and also contained is a loose 4 page fold-out poster which is the same size as 2 double-page spreads joined together end to end (see photos below). The images themselves are very similar to those found in Zemlja Snova so if you liked that book then you’ll love this one too, all of the artwork is original and new to this book though it feels familiar because of the content being similar. The illustrations contain fairies, dragons, mushrooms, butterflies, gnomes, birds, sea creatures, mice, palaces and more. The pages are all drawn as scenes and range from underwater scenes to dragons flying, fairies sleeping to hedgehogs being led through a mushroom-lined path, palace scenescapes to fantastical flying birds and so much more. Tomislav has created the drawings very considerately by leaving borders around many and those spanning a double-page having little content near the spine making it much easier to fully colour the page without any frustration of trying to access imagery in the book gutter. The illustrations are all very ornate and really beautiful to look at, this illustrator’s work really is some of the best in the world! For those who are wondering about the image order, there was an issue with 3 double-page spreads being split up in the first edition of Zemlja Snova, this has since been corrected in subsequent editions and I’m pleased to confirm that there are no issues with image order in Vilin San, all of the double-page spreads are matched up as they should be so there’s no need to worry.

In terms of mental health, this book is great for those with a good attention span. If you get overwhelmed by busy or intricate images then this won’t be for you but if you love immersive imagery that truly transports you to another place then look no further, this book is absolutely perfect. It offers so much to look at that it’s the perfect distraction for even the most persistent symptoms and it just draws you in to a magical fantastical world filled with mythical creatures, princes and princesses, castles, fairies and more. This book will be ideal for those of you who love fantasy colouring and also nature because so much of it is animal and scene-based so it’s combined 2 of our favourite things into one incredible book! The smaller number of pages means that it’s less daunting for those wanting to complete a whole book and the poster is great for those who like to work on a much larger project and display it afterwards as it would look fabulous framed once finished and it easily folds away to be tucked into the back of the book away from any damage which is really handy whilst you’re working on it! The line thickness is consistent throughout and remains thin with some spindly thin details. The intricacy and detail levels remain very high throughout so you will certainly need very good vision and fine motor control to enjoy this book if you’re wanting to colour within each outlined section though it won’t need to be quite so good if you’re wanting to colour over some areas and leave the lines underneath as texture. I would highly recommend investing in a T’Gaal sharpener so that you can keep your pencils as sharp as possible! The illustrations are absolutely packed with detail and things to look at and notice, despite having Zemlja Snova for over a year now, I’m still noticing new things and spot things I’ve never seen before when looking at other people’s finished pages and I’m absolutely certain this will be the case with Vilin San too. The imagery is honestly spectacular, there aren’t many books I’m blown away by now but this one really is incredible, each image is a work of art, there are no filler pages, no random half-finished art, each page has clearly been painstakingly created and each will take hours if not days to complete. The pages in this book aren’t quick to finish but there are lots of natural stopping points within each image so that you still get a sense of accomplishment without managing to finish a page in one sitting and these all range in size from a tiny bird or gnome all the way up to a forest of trees or giant dragon so you can pick a project of the right size for each colouring session! I adore this book, even just flicking through the pages gets me out of my head and calms my anxiety down and colouring it is just so much fun because you can use any colours you fancy from more natural colours to fantastical colours like blue for tree trunks and oranges or purples for leaves, in a fantasy world the only limit is your imagination and these images will look amazing no matter what colours you choose!

Overall, I can’t recommend this book highly enough, it’s a shame that it’s half the number of pages and even more of a shame that the price doesn’t reflect this and is the same as Zemlja Snova but those criticisms aside, the book and the artwork itself is truly perfect and gorgeous in every way. Tomislav’s artwork is some of the best I’ve ever seen and I really hope he’ll continue to make many more books because no matter how many times I flip through the same pages, I’m still as drawn in and transported as I was the first time I saw each illustration and that’s a really impressive feat!

If you’d like to purchase a copy then you can order it from the publisher’s site here. I would strongly advise against ordering from Etsy or third-party Amazon sellers because the prices there seem to be extortionate. The easiest and cheapest way of getting hold of a copy is to join a group order as this reduces the cost of shipping per book to a more reasonable level. I run a FB fan group for Tomislav’s work and there we also organise a lot of group orders to various countries worldwide including the UK, many other European countries, the US, Australia, Canada, and New Zealand, please do join the group if you’d like to sign up to one of these orders or just to share your coloured pages or look for inspiration, we’d love to have you!

Don’t forget, I’m currently running a Worldwide Giveaway for a copy of this book, to enter click here and follow the instructions before it closes at 23.59 GMT on the 31st of January.

Photos of the book can be found directly below the videos.

Unboxing, Flip Through and Review

Silent Flip Through

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Gift Boxes to Colour and Make: A Year of Celebrations – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Gift Boxes to Colour and Make: A Year of Celebrations is published and was very kindly sent to me to review by Nosy Crow Publishing. This book is unlike any other because it’s not a normal colouring book, each page is a gift box which can be removed and folded into a box to gift to friends and family, this is the third in the series with a Christmas-themed one available HERE and a Birds and Blossoms one HERE. The book itself is paperback with flexible card covers, it’s just under 30cm square and has a pale blue cover with splashes of pinks and dark blue, and gold foil accents. On the inside cover are diagrams and written instructions about how to remove and fold the boxes and on the back inside cover are three recipes so you can create edible treats to go in your boxes – Peppermint Chocolate Truffles, Gingerbread Men, and Coconut Macaroons. The spine is glue and string-bound making it durable but it’s also quite easy to press flat so that you can colour the whole box, or remove it via the perforations before colouring if you find that easier. Each of the 24 pages contains one double-sided box with different matching designs for each of the sides and the inside base and then a small repeating pattern on all of the other edges, there’s heaps to colour in on each one! The card is medium thickness, bright white and lightly textured so it’s perfect for pencils and water-based pens which didn’t bleed and only slightly shadowed with the darkest colours; alcohol markers will bleed so I’d avoid using these. The perforations are well-made and the parts do mostly come out easily, I would advise caution as a very small section of my actual box started splitting so you may prefer to use the perforations as a guide for scissors or just work slowly, a few of the parts have quite large perforations which do leave large bumps rather than smooth edges on the box but again, these could be tidied up with scissors if you wish. The boxes are individually designed and contain themed illustrations to celebrate various celebrations as well as some more generic designs that could be used for any sort of gift, the themes include – Valentine’s Day/Anniversary, Easter, male and female themed cards, birthday, and Christmas. The content is very wide ranging from cars to swans, snowmen to deer, balloons to cakes, kites to flowers, Christmas trees to shells, stars to boats and so much more, this is by far the widest ranging content of any of the three gift box books now published. The images are very cute and have a naïve quality to them which makes them look really charming and they’ll look lovely coloured by adults or children and gifted to others. At the back of the book is a page of gold foiled stickers each with lines on where you can write names to and from, and each with a small celebration-themed motif. The set is really well-made and thought out, this book is produced by the same publishing company who created the Colouring Books of Cards and Envelopes so you can be assured it’s good quality though the illustrations are created by a different artist (Eilidh Muldoon) from those (Rebecca Jones) and the other colouring gift box books (Sarah Walsh and Felicity French).

In terms of mental health, I think this book of gift boxes is pretty great because it offers up a project with a very clear purpose and end point, ideal for those of us who struggle to get motivated or see the point in things sometimes. Sharing is always good fun and when colouring these boxes you know you’ll be sharing the love with someone you care about and that’s a great thing to be able to do! The line thickness is consistent throughout and is thin. The intricacy and detail levels are pretty high with lots of small sections so these boxes will only really be suited to those of you with good vision and fine motor control. The boxes take ages to colour so you’re certainly getting lots of colouring hours for your money, however, each box consists of lots of small colourable parts which is ideal for any level of concentration or amount of symptoms, you can colour for 20 seconds doing just one or two flowers, or hours and hours doing the whole internal repeating pattern or somewhere in between. The images on the boxes are sure to get you in the mood for any celebration. These boxes will be perfect for sharing treats with family and friends and they can be filled with small gifts or sweets or chocolates and they’ll be the perfect packaging for anything handmade, the possibilities are endless!

Overall, I would highly recommend these colourable gift boxes, there’s loads to colour on each one and they’re sure to be received well, they give a wonderful personal touch to whatever gifts you decide to put inside them.

If you’d like to purchase a set, the book is available here:
Amazon UK – Gift Boxes to Colour and Make: A Year of Celebrations
Book Depository Worldwide – https://www.bookdepository.com/Gift-Boxes-Colour-and-Make-Year-of-Celebrations-Eilidh-Muldoon/9781788000093/?a_aid=colouringitmom

You can find the other two gift box books here.

The box below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.

The Tiffany Glass Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Tiffany Glass Coloring Book is published by Rizzoli and illustrated and very kindly sent to me to review by Jessica Palmer. Jessica has also sent me a second copy in order to run a giveaway, this is currently running on my FB page and you can win a copy of this book and a set of 20 Winterkleurkaarten by Julia Woning; you have until midnight on the 29th of November 2017 to enter here. This book is a new format, design and style from what we’ve come to know for Jessica’s art in the Tangle book series but it is no less beautiful, it’s just different. The book itself is 23.1 x 25.4cm, paperback with flexible card covers and a partially coloured black and white design from inside the book. The spine is glue and string-bound and can be a little tricky to get completely flat but with perseverance this will become easier. The pages are a mixture of single-sided (25 images) and double-sided printing (42 images) and it seems quite random as to where these are placed, the images are also a mixture of single (63) and double-page spreads (4 comprising of 2 spreads) and many have black backgrounds (23 ish). The paper is bright white, lightly texture and medium thickness, it worked well with my Derwent Inktense Pencils and didn’t overly warp when activated with water and this didn’t shadow or bleed. Water-based pens don’t seem to bleed or shadow and pencils work well for blending and layering, alcohol markers can be used on the single-sided images as long as you place a protective sheet behind to catch any bleed-through. The images themselves are all inspired by Tiffany lamps and therefore have a real stained glass feel as they’re designed to have light displayed through them to show each section, therefore the images are mostly quite heavily lined with lots of sections making up each design. Each of the designs contains at least one dragonfly for you to find, sometimes these are the centre of the image and other times they’re hidden, they give a really cohesive feel to the book because even though each page is filled with different content, it’s still tied together with the Tiffany lamp and dragonfly theme. The designs vary a lot in size and content and Jessica explains in the introduction that she has deliberately created illustrations with much simpler designs for children or beginners and all different levels in between up to very complex detailed designs. There is a really good mixture of designs and pretty much all of them are heavily nature-inspired, just like the real Tiffany lamps. The images don’t contain actual lamps with fixtures and stands, they’re all designs inspired by lamps and therefore the artwork has been altered and adapted to fit a flat page rather than all of them being circular or curved which is nice.

In terms of mental health, this book is lovely, the natural images are great for calming you down and helping you zone out. The different levels of difficulty are ideal for those of us with fluctuating conditions because you can do simpler images on your worse days and more complex images on your better days when you can focus. The line thickness varies throughout and ranges from spindly thin to thick and mostly stays around the thin range. The intricacy and detail levels also vary hugely from large open spaces to much smaller, finer details and again, it remains mostly around the quite detailed level and therefore you’ll need fairly good vision and fine motor control to enjoy the majority of the images. The printing is ideal for those who like to use wet media or mixed media as you can colour the double-sided pages with pencil or carefully with water-based pens and the single-sided pages with watercolours, alcohol markers and paints if you wish. You can really challenge yourself to work on making the images look like sections of lamps with light shining through them if you wish or you can just colour them as normal colouring images, either option will look equally beautiful. The single-sided images could even be carefully removed from the book once coloured and framed or gifted if you wanted.

Overall, this is a lovely book, it’s not as niche as you might expect and the illustrations are all drawn in Jessica’s beautiful signature style and will look incredible once splashed with colour, whatever medium you fancy using!

If you’d like to purchase a copy it’s available here:
Amazon UK – The Tiffany Glass Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Tiffany-Glass-Coloring-Book/9780847860708/?a_aid=colouringitmom

Jessica has also sent me a second copy in order to run a giveaway, this is currently running on my FB page and you can win a copy of this book and a set of 20 Winterkleurkaarten by Julia Woning; you have until midnight on the 29th of November 2017 to enter here.

The image below was coloured with Derwent Inktense Pencils and activated with water.

Colorist's Special Effects - Click through to see photos and read my written review.

Colorist’s Special Effects: Colour Interior Version – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Colorist’s Special Effects is illustrated, self-published and very kindly sent to me to review by Helen Elliston. This book is A4, paperback and is available in a greyscale or colour interior version (the greyscale version is cheaper and they both say on the front and on the online listings which they are, I’d personally recommend the colour version, I can’t imagine trying to follow the instructions without the colours there to see). The spine is glue-bound and seems pretty durable so far, the tutorials are printed double-sided and some of the practice sheets are printed single-sided but none of the content spans the spine so none of it is lost into it and all parts are accessible, it’s a little tricky to get the book to lie flat but this will ease up over time. The book is self-published through Createspace and therefore has standard medium/thin paper which is white and lightly textured, it’s not perfect for pencils or pens but it works fine and bearing in mind this is a techniques book, used to practice, it doesn’t need to be perfect to gain all of the knowledge you need to make your colouring pages really improve. The book begins with a contents page listing all of the techniques that you’ll learn within the book, they’re split into chapters of similar techniques so that you can work on a specific type of colouring at once if you wish. These chapters are Hair, Lips and Skin; Nature; 3D shapes and Objects; Gems; and Backgrounds. Within each of these chapters are a long list of specific techniques that can be used alone or in conjunction with each other, these include brown hair, metals, water droplets, faceted gems, woodgrain, pearls, fish scales, sunglasses, bubbles, 3D fabric and lots, lots more. The tutorials themselves are very clearly laid out with numbered diagrams all pictured in colour, each shows a coloured picture of the step you’re completing alongside short written instructions detailing what colour and where you’re using it. There is an absolute wealth of information in the book and Helen covers everything from simple techniques like a shiny fish all the way up to realistic eyes, hair and skin tones and everything in between. There are lots and lots of chances to practice and many of the practice pages are printed single-sided so that you can use any mediums you wish, there are multiple opportunities to attempt each technique so you don’t need to worry if you don’t perfect it first time. At the back of the book are a colour wheel that you can fill in yourself, lots of colour charts, first double-sided for use with pencils and then single-sided for use with wet media that might bleed through, these are all in four different shapes each with plenty of space to write down the colour/colours and brand that you’ve used for easy identification later. There is also a page of 12 signature cards, each with an image (2 of each design) that you can use a technique from the book on that can then be cut out and placed on pages instead of a watermark when photographing and sharing your work. There really is so much content that I can’t possibly talk about all of it here, every time I look through the book I find techniques that I’ve somehow not noticed before, there are loads of different skills to learn from colouring objects to scenes to backgrounds, you can use a huge variety of media and this book is probably the best techniques guide on the market because of the sheer breadth of coverage, it’s honestly astounding!

In terms of mental health, this book is hugely useful and very exciting but can be quite overwhelming and challenging too, this is in no way Helen’s fault and it isn’t a criticism of this specific book, it’s more something that I’ve really noticed for myself when using techniques books, it can be really tough to get started, to follow and to have the confidence to give it a go or apply to other things and this is very much the fault of our conditions and symptoms rather than the books themselves. All of this being said, Helen has made the instructions and diagrams as clear as possible, it can be quite overwhelming when first looking at the page but if you can focus just on the first instruction and slowly move your way through them then before you know it, you’ve coloured a whole object and it looks amazing! The techniques are mostly laid out in one of two ways, either, each colour is shown separately in each diagram and described in the instructions so that you know what order to place the layers, or each diagram is cumulative with colour showing each new layer on top of the previous ones, I personally prefer the first type as it’s much clearer and easier to focus on for anxious, over-stimulated eyes, others may well prefer the second type because it’s clearer what the whole thing should look like throughout each stage because the images mimic what you’re actually doing rather than just the one layer each step is focusing on. It was a clever move on Helen’s part to use both types of diagram and these are all created in paint to clearly show the layers and differences between colours with a colour photograph of Helen’s finished piece in pen or pencil at the end so that you know exactly what you’re working towards. The line thickness on the practice drawings is pretty consistent throughout and remains thin. The intricacy and detail levels vary depending on what you’re learning to colour, almost none of it is particularly intricate or detailed because the techniques are very much about learning to blend, layer and build colour and 3D shape which usually requires a fair bit of space to work within so this book is definitely suitable for those with normal levels of vision and fine motor control.

All in all, I can’t praise this book highly enough, nor can I fully describe it without possibly writing dissertation length post about it, there is just so much content and it really is like an encyclopaedia of colouring techniques from small objects, people, and animals, all the way up to metal, and backgrounds. No matter what level of colourist you are, you’re sure to find something useful and inspirational to improve your colouring.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Colorist’s Special Effects
Book Depository Worldwide – https://www.bookdepository.com/Colorist-s-Special-Effects—Color-Interior/9781546646594/?a_aid=colouringitmom

Helen has also just released a second book, Colorist’s Special Effects 2, I have just received a copy and will be reviewing it soon, suffice to say, it’s incredible and an absolute must-have so if you’d like to order a copy, you can purchase it here.
Amazon UK – Colorist’s Special Effects 2 

The images below were coloured using Faber-Castell Polychromos Pencils and a Caran d’Ache Blender Pencil.

Color Workshop: A Step-by-Step Guide to Creating Artistic Effects – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Color Workshop: A Step-by-Step Guide to Creating Artistic Effects is illustrated and written by Rachel Reinert and published and very kindly sent to me to review by Get Creative 6. This book is A4, paperback, with flexible card covers. The spine is glue and string-bound and very durable. The content is printed double-sided throughout. The paper consists of two different types, the tutorial section is printed on glossy white paper and the colouring practice pages are printed on bright white, matt paper that is medium thickness and lightly textured. The book is split into two sections, tutorials for the first two thirds of the book and illustrations to practice your colouring techniques on for the last third. The information and tutorials are very comprehensive and cover a wide range of topics from colour theory and detailed descriptions of different colouring mediums to basic colouring techniques, ways to choose colours and use mediums in new and different ways, and then moves onto how to create artistic effects like blending, highlights, adding backgrounds, water droplets, auras/glows, a basic tutorial for colouring skin and hair (better ones can be found but this is a good start), crystals and lots more. Rachel uses different mediums for each technique so you’re sure to find one that you already own the tools to create and she names each colour she uses so you can match it either identically or by finding close matches within the mediums you already have. You can learn to use a huge number of mediums from coloured pencils to watercolour pencils and paints, alcohol markers, gel pens, pastels and mixed media. The colouring pages exactly match each technique so you can directly copy the instructions without having to first work out how to apply them to a different image. The colouring pages are perforated and can therefore be removed before colouring so that you’re not constantly having to flick to the tutorial and then to the page to colour, it also means you can copy them (for personal use) to print onto the paper of your choice so you can practice multiple times to really perfect each technique or to try out different mediums. The images are all very natural and mostly include plants and flowers. The techniques are all written in clear, plain language with any specialised terms explained so that anyone of any level will understand them. They are all illustrated with full colour photographs and laid out neatly and numbered so they’re very easy to follow. There are helpful tips written in coloured circles throughout the book so they’re easy to find and the contents page clearly lists all of the techniques and page numbers.

In terms of mental health, this book is great but you will need to be aware of a few things. The premise is ideal for perfectionists, you can learn all sorts of techniques that you’ve wondered about for ages and practice them in a dedicated space and build up your confidence before being let loose on your actual colouring pages, following written instructions means that you don’t have to keep pausing or rewinding a video if it’s going too fast for you and you can read all of the instructions before starting if you’re worried about making mistakes or if you don’t quite understand a section. Each technique is broken down into small sections with each focusing on one or two colours so they’re manageable to work on over time if you don’t want to complete a whole technique all at once. All of these are great positives and particularly good for those of us who like things to be perfect, realistic, and who struggle to follow videos. However, you will need good concentration, I don’t know about you but now that I’m ill I really struggle to read and concentrate for any length of time and therefore following instructions is extremely difficult for me. I often get easily overwhelmed by the sight of lists of things to do and find it very challenging to follow them. However, I have found that if you can possibly not skip ahead and just focus on each instruction one by one then it’s much more manageable and able to be followed because you’re just using one colour in one or two places at once before then moving onto the next. I have also found it helpful to read the whole technique a few times and study the accompanying pictures before starting to follow it. Many of the techniques can be mixed and matched and also swapped across mediums too so they’re far more versatile than you might first assume. The illustrations used to practice on are varying sizes with some pages containing a few smaller drawings and others containing one centralised image. None are huge and none are tiny, they’re all quite a middling size and very manageable to colour in one sitting if you wish and can concentrate on the techniques and instructions for long enough. The line thickness is pretty consistent and remains thin with some medium thickness sections or outlines. The intricacy and detail levels vary and range from quite detailed to much less so, none of the images are hugely intricate because you have to be able to apply the techniques to each one and there’s not a lot you can do with very intricate images so these illustrations will suit most levels of vision and fine motor control apart from those who have particularly poor levels of either.

Overall, this is a great book that’s ideal for any level of colourist to learn something new from, the practice sheets are perforated which is ideal so you can see the instructions at the same time as colouring and also for making personal copies and the techniques are explained in clear, simple language with lots of colour photographs which add clarity. I’d highly recommend this book, it’s written in an interesting and accessible way and broken up into concise sections that are easy to navigate and roughly run in order of difficulty.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Color Workshop: A Step-by-Step Guide to Creating Artistic Effects
Book Depository Worldwide – https://www.bookdepository.com/Color-Workshop-Rachel-Reinert/9781942021575/?a_aid=colouringitmom

The images below were coloured with: Poppy – Prismacolor Premier Colored Pencils; Leaf – Faber-Castell Polychromos Pencils and blended with Zest-It and a Blending Stump.

From Holland with Love - Click through to read my review, see photos of inside and watch a video flick through

From Holland With Love – A Review

From Holland With Love is illustrated and kindly sent to me to review by Masja van den Berg and is published by Pepper Books. This book is the sixth book published by Masja and her five previous titles were all variations of paisley-filled designs under the title of Mijn Wonderlijke Wereld (My Wondrous World). This sixth book is a little different and is more like a love letter, or love drawing if you will, from Masja to and about Holland. The book itself is 25.5cm square, it’s hardback this time with a beautiful glowing orange cover and a compilation image of various illustrations contained within the book in blue and white. The spine is glue and string bound and relatively difficult to get it to lie flat due to it being hardback. The pages are printed single-sided and are perforated meaning you don’t have to contend with the page gutter and try to colour into it and that you can remove the pages before or after colouring in order to frame or gift them. The paper is bright white, thick and lightly textured, pencils blend and layer beautifully and water-based pens shadow but don’t bleed through, alcohol markers will bleed through so do put a protective sheet behind your work to protect the next page. The illustrations contain lots of typically Dutch objects and scenery from clogs to windmills, tulips to traditional dress and a bicycle amongst other beautiful floral patterns, drawings of women and some lovely birds. The imagery is really varied and far less paisley-filled than the previous titles but don’t despair if you love those, they don’t feel like they’re missing from this work and the illustrations are really lovely and very pretty. At the back of the book are three pages of images that can be cut out for projects, a page of card toppers, a page of social media tags where you can add your name instead of having to watermark your photos and a page including 2 small postcard style designs all of which are illustrated and colourable.

In terms of mental health, this book is great, it’s not overwhelming to colour and has enough detail to be interesting and absorbing, without being overly complex or over-stimulating. The content is familiar, fun and cute and much of it could be coloured in any palette you choose and look equally fabulous. The line thickness is mostly consistent and remains thin with a few images drawn in a spindly thin line. The intricacy and detail levels vary and range from very intricate on some of the postcard size images and social media tags to larger, more open spaces in some of the colouring pages and everything in between, you’ll need moderately good vision and fine motor control for the majority of the images and better levels for a few of the most intricate pages. A few of the pages will require a high level of concentration but many won’t need you to be at your best and require less focus so this is a good book for those of you with varying concentration levels. The pages also consist of varying amounts of content which means they take differing lengths of time to complete and there are natural stopping points if you just want to colour one section. These images would look really beautiful framed and this book would be an ideal gift for those who live in Holland, are from there, or who just love all things Dutch, it’s so representative and beautiful, I’m sure it would be a very well-received gift!

Overall, I would highly recommend this book, it’s beautiful for those who love all things Dutch and those just wanting to colour more of Masja’s gorgeous illustrations. The production quality is very high and the images are really lovely to colour.

If you’d like to purchase a copy, it’s available to buy here:
Amazon UK – From Holland with Love
Masja’s Website – https://www.masjaswebshop.nl/

The image below was coloured with a single Prismacolor Premier Pencil and a Caran d’Ache Blender Pencil.

Mijn Wonderlijke Wereld Part 5 - Click through to read my review, watch my flick through and see internal photos

Worldwide Giveaway and Review – Mijn Wonderlijke Wereld (My Wondrous World) Part 5

Mijn Wonderlijke Wereld Part 5 was illustrated and kindly sent to me to review by Masja van den Berg. Masja has very kindly sent me an extra copy of this title and part 4 and I’m currently running a Worldwide giveaway for them both over on my FB page, click here to enter by midnight GMT on the 11th of November. This book is the fifth in her series of books and my reviews of her other titles can be found HERE and she’s already created 2 more books with different titles since these. Part 5 ventures further afield than the first three books and takes us on an exotic journey through the Orient with Chinese and Japanese art and animals featured. The book itself is paperback, nearly 24.5cm square, with a gorgeous turquoise cover with beautiful gold foiled accents on a Chinese dragon image found inside the book. The spine of the book is glue-bound and therefore a little tricky to get it to lie flat unless you break the spine which could eventually lead to pages loosening, however the pages this time are perforated which is ideal if you want to remove them for colouring or framing. The images are printed single-sided this time and all of the images are therefore single page designs. The paper is white, thick (thicker than all of her previous books) and lightly textured, it provides a good surface for blending and shading pencils, it doesn’t bleed or shadow with water-based pens and alcohol markers will be fine to use as long as you pop some protective sheets behind your work. The content is all drawn in Masja’s signature paisley style so while the images are Oriental themed, they’re very similar to the previous books and existing fans of her work won’t be disappointed. The images contain all manner of things from Chinese dragons, koi carp, ornaments, mandalas, patterns, cranes, cherry blossom, ponds, and more. The illustrations are very floral and delicate and contain a mixture of scenes and patterns, full page designs and centralised images.

In terms of mental health, this book is lovely, it’s very calming and absorbing without requiring too much concentration so it’s a great book for good and bad days. There’s a real variety in the amount of content on each page so you can easily choose a smaller, simpler design to focus on when you’re having a bad day, or a much more complex spread when you’re feeling well, none of the images are overwhelming as they’re all contained to one side so the book feels very accessible. The line thickness is pretty consistent throughout and is thin but not spindly thin so you’ll need fairly good vision and fine motor control but certainly not perfect. The intricacy and detail level varies a lot from larger open spaces to much smaller spaces where Masja has filled the creatures and designs with patterns though of course you can always colour over these small sections rather than within each one if you prefer to colour larger areas. There are plenty of spaces where you can create your own backgrounds or add your own imagery if you wish but this is by no means a requirement and the pages will look lovely regardless. Masja’s work is very soft and flowing, there aren’t any straight lines and this really helps to create a natural, calming world that you can escape into whilst colouring. The images have a great mixture of realism and imagination added to them so they look equally good coloured realistically or outlandishly and you could even mix the two throughout the book.

Overall, I would highly recommend this book to anyone who’s already a fan of the series, and those who are intrigued and new to it, the images are lovely, very cohesive, and really natural and calming and they look beautiful once splashed with realistic or imaginative colour schemes.

If you’d like to purchase a copy of this book, it’s available here: https://www.masjaswebshop.nl/

I’m also currently running a giveaway for a UK resident to win a copy of this, and book 5 in the series. The competition runs until midnight GMT on the 11th of November and can be entered here.

The image below was coloured using Stabilo 68 Fibre-Tips.