Johanna Basford

World of Flowers: A Colouring Book & Floral Adventure (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers is the 7th book brought to us by colouring queen, Johanna Basford. She very kindly sent me the most wonderful box of goodies including the UK and US edition of World of Flowers so that I could review and compare the two, you can see my unboxing video and flip-through of the US edition here. This review is of the UK edition. You can find the US edition review here. I have compared the two in detail both via video and in a written post including photos, there are a lot of differences, most of which don’t affect enjoyment of the book but a few of which do including the cover/dust jacket, paper, image size, and whether they match your previous editions so do check out that post so that you purchase the right edition for you. The UK edition publishes on the 25th of October.

World of Flowers is a paperback, square book (25cm x 25cm) which is exactly the same size as the UK editions of Johanna’s previous square titles, Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle and Johanna’s Christmas. It has a black spine with white text, the same as the UK editions of previous titles and it looks beautiful with the other books on the shelf (see photo below). The UK edition has a removable dust jacket which has rose-gold foiling accents on the front, really adding to the luxurious feel of this book. The jacket is made of thick paper which you can colour and the inside of it is covered with a beautiful array of flowers and plants which has a waxy finish and can be coloured but only with certain mediums because most pens and pencils are repelled by the shine (alcohol markers are best for this and don’t bleed). Previous dust jackets have been a little loose but this one fits perfectly and looks really smart. It’s an off-white colour but much closer to white than cream, it’s the same colour as the Magical Jungle UK cover. Under the dust jacket, the book is paperback with pale pink card covers which have an inky black flower design on the outside and inside covers that can also be found inside the book. The spine is glue and string-bound which makes it very durable and easier to open out flat so you can reach the majority of the gutter and colour it. The paper is the same as that used in UK editions of Magical Jungle, Johanna’s Christmas, and Ivy and the Inky Butterfly, this paper was found through a global hunt and it’s beautiful, it is not the same paper as used in the US editions of these books which was created specifically for Johanna’s books and named after her. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how they behave.

Upon opening the book, you find the beautiful title page and then a “This book belongs to …” page where you can add your name, there is then an introduction and colouring tips from Johanna and then 80 pages of beautiful flower illustrations. There is no treasure hunt in this book and so there is also no key of images at the back either. The images are printed double-sided with no border, normally this would mean a little of each image was lost into it but Johanna has taken on board the concerns of us colourists and has deliberately left the spine as clear as possible in the vast majority of the images so this frustration is mostly gone! The book contains 80 pages of stunning images, the same number as in Lost Ocean and Magical Jungle, fewer than Johanna’s first two books (96 Secret Garden, 84 Enchanted Forest) but I have to say, I didn’t notice this at all until I looked at the specs on Amazon. This book is every flower-lover’s dream. If you don’t like flowers or aren’t that keen on them or leaves then this book is absolutely not for you because it really does what the title suggests and is jam-packed with large blooms, tiny blossoms, seedlings, potted plants, cut flowers, perfumeries, ponds, gardens, potting sheds, and visitors to flowers including bees, butterflies, beetles, snails and more. The designs range from patterns and mandalas to circular and wreath designs, ribbons and banners to single and double-page scenes, centred images with large open backgrounds and pages crammed with content where you couldn’t squeeze any more on if you tried. There isn’t a story feel to this book, it doesn’t create such a vivid sense of place like so many of Johanna’s previous books have done but it does very much take you to a garden and so although it doesn’t feel to me like a journey, it is much like visiting a garden, it’s filled with variety and will look truly incredible filled with colour. The detail and intricacy that we’re so familiar with is well and truly back. I was slightly disappointed with the lack of detail in Magical Jungle and a few of the images in Ivy and so I’m really glad to see it back because that’s what I’ve always loved so much about Johanna’s work. At the very end of the book is a double-sided fold-out poster with two different floral garden scenes to colour. This can be detached from the book as it is perforated but it seems quite well attached and therefore won’t accidentally fall out from the book as long as you’re careful with it. A number of the images in the book have large blank spaces where you can add your own inky leaves and creatures or just leave them blank if drawing isn’t your forte and unlike in Secret Garden there are no written hints so you’re free to create whatever your imagination can conjure up. If you need inspiration then head online to google, pinterest and Facebook colouring groups where there will be finished pages cropping up daily from people worldwide who are venturing into this garden of delights.

In terms of mental health, this book is brilliant because of its content and how beautifully the images are drawn. The line thickness is consistent throughout and is very thin so you will need very good vision and fine motor control to get the most out of this book. The images are drawn with a range of intricacy and detail levels but mostly this remains high so again, you need good vision and dexterity. The nature of the imagery in this book is superb for calming you down and helping you to zone out. I find nature scenes the best thing for calming down my anxious racing mind and this book really does that. It’s great for keeping you occupied and distracted and because of the variety of image styles, it means that there is something for every concentration level as well as good and bad days of symptoms. There are ribbon images which could take you just a couple of hours to colour, centralised single images which will take a few hours, all the way up to jam-packed double-page spreads depicting perfumeries and potting shed shelves which will take days or even weeks depending on what mediums and techniques you use to colour them.

Overall, I would highly recommend this book. A few comments I’ve seen online have criticised this book for being samey and unoriginal but I can’t agree. I’ve gone back through Secret Garden and although World of Flowers does remind me of it, the imagery really isn’t similar other than being drawn by the same person. Johanna has really developed her style since the first book, all of the spaces and designs are colourable for the majority of us whereas the intricacy level in Secret Garden is exceptionally high for most images and therefore quite a challenge to colour. There are many more types of designs in this new title and therefore much more variety even though the theme is more limited than any previous book has been. This book is certainly geared up for those who love colouring flowers and leaves and if that isn’t your thing then it absolutely isn’t for you but for those of us who do, it’s just perfect and stunningly beautiful!

If you’d like to purchase a copy, it’s available below. Do bear in mind that there are some significant publishing differences between this and the US edition and therefore you may want to read or view my comparison post/video before ordering if you haven’t already.
Amazon UK – World of Flowers
Book Depository Worldwide – https://www.bookdepository.com/World-Flowers-Johanna-Basford/9780753553183

The image below was coloured with Faber-Castell Polychromos Pencils.

Video Review

Video Flick Through

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World of Flowers: A Coloring Book & Floral Adventure (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers is the 7th book brought to us by colouring queen, Johanna Basford. She very kindly sent me the most wonderful box of goodies including the UK and US edition of World of Flowers so that I could review and compare the two, you can see my unboxing video and flip-through of the US edition here. This review is of the US edition. You can find the UK edition review here. I have compared the two in detail both via video and in a written post including photos, there are a lot of differences, most of which don’t affect enjoyment of the book but a few of which do including the cover/dust jacket, paper, image size, and whether they match your previous editions so do check out that post so that you purchase the right edition for you. The US edition publishes on the 23rd of October.

World of Flowers is a paperback, square book (25.5cm x 25.5cm) which is exactly the same size as the US editions of Johanna’s previous square titles, Lost Ocean, Magical Jungle and Johanna’s Christmas. It has a white spine with black text, the same as the US editions of previous titles and it looks beautiful with the other books on the shelf (see photo below). The US edition doesn’t have a removable dust jacket and instead has card covers with rose-gold foiling accents on the front, really adding to the luxurious feel of this book. The card covers open out to reveal French flaps with a fully colourable floral design spanning the interior, this card is matte and therefore colourable with almost any medium you choose. The spine is glue-bound which isn’t ideal as these aren’t overly durable and often cause the pages to fall out as the spine breaks quite easily; it takes a bit of work to get the spine to lie flat but you can reach the majority of the gutter and colour it. The paper is a pale ivory colour (it’s Johanna’s new signature paper), and is exactly the same as that found in the US edition of Magical Jungle, Johanna’s Christmas, and Ivy and the Inky Butterfly, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly though they do spread sideways ever so slightly as the paper is a little absorbent so just mind that, they don’t bleed through unless you use alcohol markers and they only shadow if you colour too much in one spot. It is not the same paper as used in the UK editions of these books.

Upon opening the book, you find the beautiful title page and then a “This book belongs to …” page where you can add your name, there is then an introduction and colouring tips from Johanna and then 80 pages of beautiful flower illustrations. There is no treasure hunt in this book and so there is also no key of images at the back either. The images are printed double-sided with no border, normally this would mean a little of each image was lost into it but Johanna has taken on board the concerns of us colourists and has deliberately left the spine as clear as possible in the vast majority of the images so this frustration is mostly gone! The book contains 80 pages of stunning images, the same number as in Lost Ocean and Magical Jungle, fewer than Johanna’s first two books (96 Secret Garden, 84 Enchanted Forest) but I have to say, I didn’t notice this at all until I looked at the specs on Amazon. This book is every flower-lover’s dream. If you don’t like flowers or aren’t that keen on them or leaves then this book is absolutely not for you because it really does what the title suggests and is jam-packed with large blooms, tiny blossoms, seedlings, potted plants, cut flowers, perfumeries, ponds, gardens, potting sheds, and visitors to flowers including bees, butterflies, beetles, snails and more. The designs range from patterns and mandalas to circular and wreath designs, ribbons and banners to single and double-page scenes, centred images with large open backgrounds and pages crammed with content where you couldn’t squeeze any more on if you tried. There isn’t a story feel to this book, it doesn’t create such a vivid sense of place like so many of Johanna’s previous books have done but it does very much take you to a garden and so although it doesn’t feel to me like a journey, it is much like visiting a garden, it’s filled with variety and will look truly incredible filled with colour. The detail and intricacy that we’re so familiar with is well and truly back. I was slightly disappointed with the lack of detail in Magical Jungle and a few of the images in Ivy and so I’m really glad to see it back because that’s what I’ve always loved so much about Johanna’s work. At the very end of the book is a double-sided fold-out poster with two different floral garden scenes to colour. This can be detached from the book as it is perforated but it seems quite well attached and therefore won’t accidentally fall out from the book as long as you’re careful with it. A number of the images in the book have large blank spaces where you can add your own inky leaves and creatures or just leave them blank if drawing isn’t your forte and unlike in Secret Garden there are no written hints so you’re free to create whatever your imagination can conjure up. If you need inspiration then head online to google, pinterest and Facebook colouring groups where there will be finished pages cropping up daily from people worldwide who are venturing into this garden of delights.

In terms of mental health, this book is brilliant because of its content and how beautifully the images are drawn. The line thickness is consistent throughout and is very thin so you will need very good vision and fine motor control to get the most out of this book. The images are drawn with a range of intricacy and detail levels but mostly this remains high so again, you need good vision and dexterity. The nature of the imagery in this book is superb for calming you down and helping you to zone out. I find nature scenes the best thing for calming down my anxious racing mind and this book really does that. It’s great for keeping you occupied and distracted and because of the variety of image styles, it means that there is something for every concentration level as well as good and bad days of symptoms. There are ribbon images which could take you just a couple of hours to colour, centralised single images which will take a few hours, all the way up to jam-packed double-page spreads depicting perfumeries and potting shed shelves which will take days or even weeks depending on what mediums and techniques you use to colour them.

Overall, I would highly recommend this book. A few comments I’ve seen online have criticised this book for being samey and unoriginal but I can’t agree. I’ve gone back through Secret Garden and although World of Flowers does remind me of it, the imagery really isn’t similar other than being drawn by the same person. Johanna has really developed her style since the first book, all of the spaces and designs are colourable for the majority of us whereas the intricacy level in Secret Garden is exceptionally high for most images and therefore quite a challenge to colour. There are many more types of designs in this new title and therefore much more variety even though the theme is more limited than any previous book has been. This book is certainly geared up for those who love colouring flowers and leaves and if that isn’t your thing then it absolutely isn’t for you but for those of us who do, it’s just perfect and stunningly beautiful!

If you’d like to purchase a copy, it’s available below. Do bear in mind that there are some significant publishing differences between this and the UK edition and therefore you may want to read or view my comparison post/video before ordering if you haven’t already.
Amazon UK – World of Flowers
Book Depository Worldwide – https://www.bookdepository.com/World-of-Flowers/9780143133827/?a_aid=colouringitmom

Video Review

Unboxing and Flip Through

World of Flowers – A Comparison between the UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers will be released worldwide in just one week and I have been lucky enough to be sent a copy of the UK and US editions by Johanna Basford in order to write this comparison post for you all. Every time Johanna releases a new book there are huge online debates about which edition is “best” to buy, what the similarities will be and what will be different so I’m here to hopefully clear up any questions and queries you may have after the success of my comparison posts of the last 4 titles – Ivy and the Inky Butterfly, Johanna’s Christmas, Magical Jungle, and Lost Ocean. I have reviewed the UK edition here and the US edition here.

This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those, they’re summarised at the bottom. Some of the very noticeable differences include the cover format, size and paper type so here goes with the most comprehensive list of similarities and differences that you’re likely to find online! If you’d rather watch a video of this then click here.

If you just want to skip ahead to the most crucial differences then look at points 1, 12, 15, 17, 26, 28, and 37, and the summary section at the bottom.

  1. Book Size – Each edition is the same size as the previous titles from the same country but they are not the same size as each other. The UK edition is 25cm square, the US edition is 25.5cm square making it half a centimetre taller and wider.
      
  2. Cover Design – The cover design is very slightly zoomed in on the UK edition so the US edition has a little extra detail around the very edges that isn’t included on the UK copies.
     
  3. Penguin Logo – On the cover of the US edition, the Penguin publishing logo has been subtly placed in a tulip at the top right. There is no publishing logo on the UK edition cover.
  4. Cover Colour – Both editions have off-white covers, the UK edition has a whiter cover than the US edition.
     
  5. Foiling Colour – Both editions have a different colour foil on the cover and these are both different from any foils seen before on Johanna’s books. The UK edition has a very coppery colour rose-gold foil. The US edition has a pinker but still quite bronze rose-gold foil. Both are really pretty! The US foil is significantly shinier than the UK foil.
      
  6. Foiling Aspects/Amount – There is much more foiling on the US edition, both larger numbers of parts and larger areas are covered in foil. The UK edition has lots of teeny tiny sections foiled. The US title is entirely foiled, the UK title is partially foiled and also has some shiny but not foiled black accents too.
        
  7. Colour Splashes – The US edition has a pale pink splash of colour behind the title. The UK edition doesn’t have this but does have subtle pale pink accents added to the cover image in random places.
  8. Title Size – The title text is printed larger on the US edition than the UK edition, the Of is floral and the same size text as the rest of the title in the US edition, but not the UK edition.
      
  9. Spelling – As you’d expect, the UK edition has British spellings throughout and the US edition has American English spellings. The easiest way to tell which edition you’re looking at is to check the spelling of “Colouring Book” on the cover, if the ‘U’ is missing then it’s the US edition.
     
  10. Butterfly Placement – There is a little butterfly on both covers but it’s in a different place on each, it’s to the right of World on the UK edition and next to Of on the US edition.
     
  11. Blurb – The UK and US editions have completely different blurbs. There is far more text and information on the reverse of the US book than the UK. The barcode is contained within this section on the US edition but is covering part of the floral cover design on the UK edition.
      
  12. Spine – The UK edition has a black spine with white writing (the same as almost all of the previous UK edition titles) and the US edition has a white spine with black writing. The UK edition has the Virgin Books symbol and the US has the Penguin Publishing logo. The text is written in a different order on each but this matches the previous editions from each country. The UK spine has a flower added one third up from the bottom and the US has an orchid one third down from the top.
          
  13. Thickness – Due to the paper in the US edition being thicker (see point number 26), the book is thicker overall too.
     
  14. Weight – The UK edition weighs less than the US edition at 518g vs 542g. A 24g difference.
     
  15. Binding – The UK edition is stitched and glue-bound whereas the US edition is only glue-bound which will make it less durable and can lead to pages falling out. Because of the fixed cover, the binding is much tighter in the US edition, this will ease up with use, especially if you crack or break the spine (I always find this heartbreaking to do), but initially the US edition is much tighter and opens less flat than the UK edition.
  16. Cover Attachment to Front and Back Pages – The US cover is attached to a thicker strip of the front and back pages than the UK cover so it doesn’t open as easily or as widely as the UK edition which opens much flatter.
       
  17. Dust Jacket – This is one of the biggest differences between the editions. The UK edition has a removable dust jacket just like the UK editions of the first four books by Johanna Basford. It is a very pale ivory colour. The book itself has pale pink card covers with a black floral design (contained within the book) on the outside and inside covers. The US edition has a fully attached cover made of card with French flaps. The covers on both editions are fully colourable and matte in texture apart from the inside of the UK dust jacket which is waxy to the touch, this can be coloured with alcohol markers but water-based pens are repelled and some pencils don’t ‘stick’ to the surface either.
        
  18. French Flaps – The US edition has a card cover with two third French flaps. The UK edition’s removable dust jacket also has two third French flaps and both editions have the same design on these flaps but this is printed a bit differently on each with more or less showing when comparing the editions.
  19. Inside Cover Design – Again, the design is printed differently in both editions with a larger amount of the image showing on the UK dust jacket than the US inside cover.
      
  20. Title Page Size – The title page in the US edition is printed larger than the UK edition, it measures 23cm square instead of 22.5cm square in the UK.
       
  21. Butterfly and Of on Title Page – As with the covers, on the title page there is a butterfly that is differently positioned on the page, in the UK edition it’s next to World and in the US edition it’s next to Of. Also, as with the covers, the Of is floral and the same size as the rest of the text on the US edition title page but small and simple in the UK edition.
     
  22. Copyright Page Information – On the Copyright page there is far more information in the US edition than the UK edition, it is also laid out differently and takes up far more space on the page in the US edition.
  23. Copyright Page Design – The copyright page layout is also different with much more of the imagery showing in the US edition and a larger printed smaller section of flowers printed in the UK edition. The UK edition also has 4 butterflies added that don’t appear on the US copyright page.
  24. Printing Location – The UK edition is printed in China, the US edition is printed in the USA.
  25. Introduction and Tips for Colouring Pages – The text on the Introduction and Tips for Colouring pages is justified differently in each edition so the lines begin and end on different words. Apart from spelling, the text is exactly the same.
  26. Paper – This is one of the biggest differences between the two editions. The paper is not identical and is unique to each country. Johanna changed papers when Magical Jungle was published and her specially created ivory paper that was named after her is in all US copies of Magical Jungle, Johanna’s Christmas, Ivy and the Inky Butterfly and now World of Flowers. In the UK we have a whiter ivory paper which Johanna and her team scoured the globe for and this is in all UK editions of Magical Jungle, Johanna’s Christmas, Ivy and the Inky Butterfly and World of Flowers. The UK paper is equal in thickness to Secret Garden and Enchanted Forest and significantly thicker than Lost Ocean, it has a little tooth but does burnish after a few layers of Polychromos and Prismacolor Premiers. The US paper is ivory but a more cream colour though it’s still paler than the cream colour of Secret Garden and Enchanted Forest. The paper is the thickest yet and has a more visible tooth, it takes far more layers for blending. In both editions water-based pens behave the same way and the paper in both is beautiful to colour on with pens as they glide really well with no feathering or spreading at all. The UK paper seems like it will shadow faster and more easily than the US edition and while I didn’t experience any shadowing in either, the UK paper did seem like it might with very dark colours if not using a light touch. I personally prefer the colour of the UK paper but the US paper is much easier to use pencils on and is less likely to bleed with water-based pens so I have to recommend that one.
     
  27. Image Quality – Previously, there have sometimes been slight issues with UK editions having pixelation of images. There are no such issues in either edition of this book. Hoorah!
  28. Image Size – Some, but by no means all, of the images in the US edition are up to 1cm larger than in the UK edition. Examples of these include the Succulent Page, Perfume Bottle, and Bell Jar. Not all of the images are larger and it appears to be quite random as to which images are larger and which are the same size but if you have any vision or fine motor control impairments then I’d suggest purchasing the US edition. Some of the pages in the UK edition have larger borders around the image due to them bring printed slightly smaller.
  29. Image Orientation – On some of the full double-page scenes, the image is shifted slightly showing a sliver more or less in one of the editions. This can be on any external edge of the image. In some UK pages the image is slightly zoomed in so a little is lost off all edges (a millimetre or two usually). Examples of this are the beetles being more centralised in the UK edition and the Flower Pattern as pictured below.
  30. Colour Palette Test Page Title – The title is centralised and placed at the very top of the page in the US edition and lower down the page in the UK edition.
  31. Page Ink Permanency – This is fairly similar in both, I tested the ink on the colour palette page with a Derwent Blender, a Derwent Burnisher and a Caran d’Ache Blender Pencil, the Derwent Blender did drag some ink pigment in both editions, more so on the US edition, the other two types of pencil didn’t move much pigment at all. You will need to be a little careful if using a hard blender pencil like the Derwent one and also, when pressing hard with any pencils you may experience image transfer on subsequent pages (this is erasable) so pop a sheet or two of paper behind your work to avoid this.
  32. Poster Page Size – The page size for the poster differs between the editions with the US edition being larger at 23.5cm x 25.3cm and the UK being 22.9cm x 25cm.
  33. Poster Image Size – The image on the reverse of the poster pull-out with the border is smaller in the UK edition measuring 20.7cm tall and 22cm tall in the US edition. The image on the inside of the poster is printed pretty much the same size in both editions.
  34. Poster Image Orientation – The image orientation is different in both editions but in slightly strange ways. The bottom of both pages is exactly the same. The left side where the perforations are has much more image showing on the poster in the US edition, the image is shifted right by just over half a cm. Because of this, the right side is cut off earlier in the image on the US edition than the UK edition. At the top, the image is fully shown in the UK edition but the lines run out on the US edition and there is a small gap at the top of some sections between them and the edge of the page.
  35. Poster Perforations – The perforations are cut completely differently on the two editions, they’re much larger and closer together in the US edition and much smaller and further apart in the UK edition. I’ve not tried to remove either of them but it looks like it’ll be easier to remove the US poster however, with both of them I’d exercise caution and possibly have a pair of scissors to hand to avoid any mishaps.
  36. Treasure Hunt – Unlike most of Johanna’s previous book, there is no treasure hunt this time.
  37. Publication Dates – The UK edition is due out on the 25th of October, the US edition is due out on the 23rd of October.

In Summary, the only differences between the two that will affect enjoyment are the dust jacket (or lack of in the US edition), binding, paper, image size and spine/book size matching your previous editions on the shelf. If you’re a fan of the dust jackets of previous editions, then you’ll be wanting the UK edition. A number of my followers have reported issues with the purely glue-bound US edition spines of previous titles so if you’ve previously had issues with pages loosening or falling out and you want to ensure that your book remains intact then I would definitely recommend the UK edition. The paper is lovely in both but if you’re wanting to really go to town with blending and shading pencils or using wet media then I’d suggest the US copy as the paper is thicker and holds up better to these types of colouring. The image size in some images is larger in the US edition and therefore anyone with any visual or fine motor control issues will be best purchasing the US edition so you’ve got that bit more wiggle-room. Finally, the spines and book size match the previous editions from each country so if them matching on the shelf matters to you then go with the same country’s edition that you’ve previously purchased.

Everything else I’ve listed is not a criticism and doesn’t impact use or enjoyment, I’ve just listed all of the differences to make people aware of what they are and to make it easy to identify which copy is which when looking at pictures of it online and elsewhere. In my opinion, the US edition offers a slightly superior colouring experience to the UK edition and if you’re going to purchase just one copy then I’d possibly suggest it be that one though the UK edition really is lovely and I’m ever so glad to have both, I would also really miss the dust jacket if I didn’t have the UK edition, I’ve always had a soft spot for those. If you notice any other differences then please do get in touch and I’ll add them to the list! Happy Colouring – You’ve definitely earnt it!

Please do let me know in the comments section below which edition you’ll be purchasing and why!

UK Edition
Amazon UK – World of Flowers
Book Depository Worldwide – https://www.bookdepository.com/World-Flowers-Johanna-Basford/9780753553183?/?a_aid=colouringitmom

US Edition
Amazon UK – World of Flowers
Book Depository Worldwide – https://www.bookdepository.com/World-of-Flowers/9780143133827/?a_aid=colouringitmom

Video Comparison

Johanna Basford 2019 Colouring Day-To-Day Calendar in a Keepsake Box – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2019 Colouring Day-To-Day Calendar in a Keepsake Box is published and was very kindly sent to me to review by Andrews McMeel Publishing. This page-a-day calendar arrives in shrink-wrapped plastic which keeps the keepsake box clean and free from damage. The keepsake box is made of thick ivory card which is covered all over (including the bottom) with a black-heavy flower and leaf design that almost looks like it is drawn in white rather than black. The pattern is most similar to designs from Enchanted Forest and the top and all four sides of the box have gold foiling accents. The box opens with a hinge-style (the lid remains attached at the top) with two pieces of black ribbon holding it open at a >90degree angle; the inside of the lid and the box are lined with black paper with white flower and foliage designs drawn in Johanna’s signature style; the box is fully colourable if you wish. A black ribbon allows easy access to lift out all of the loose calendar pages which aren’t bound in any way so it’s easy to pick out which ones to colour, move them around, leave them out to dry if using wet media and so on. The pages are the same size and format as any other page-a-day calendar, the illustration is on the left and takes up two thirds of the page and on the right at the top is a leafy-lettered title of the month and at the bottom is the date and day, above this in small text are written the important festivals and celebrations and the country they’re celebrated in; as with all others, Saturday and Sunday share a page so there are approximately 313 pages of colouring for you to complete over the year. The pages are pale cream (just like the 2018 edition) rather than bright white (they are less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle and Ivy and the Inky Butterfly; see photo below of the different paper colours), thin (slightly thicker than copier paper), and lightly textured, pencils don’t build up many layers on this paper but I’m sure those of you who are more talented than me will have more luck with this and create wonderful masterpieces; water-based pens do heavily shadow and may bleed through if you’re particularly heavy-handed but the images are printed single-sided so really you can use whatever mediums you like, these pages would be ideal for testing out new mediums or trialling colour schemes.

The illustrations themselves are all taken from Johanna Basford’s six currently published colouring books, Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, Johanna’s Christmas, and Ivy and the Inky Butterfly, I have carefully looked through all of the images and there are no new images, all are directly from the original books. Some of them are the whole page scaled down, others are sections of the page printed at the original size, others are zoomed in sections which are printed larger than the original so there is a really good mix of detailed sections, larger spaced illustrations to practice blending and shading on, and whole pages which you’ll need your finest of fineliners and sharpest of pencils to colour accurately. The lid is designed to display the current day’s page in but it will hold plenty more pages than this so you could easily place a month’s worth in there before having to move them under the proceeding days’ pages.

In terms of mental health, this page-a-day calendar is fantastic because it provides you with a manageable size of project to attempt each day, you could colour the page in a few minutes or really take your time to try out new techniques and spend much longer, it’s entirely up to you. You could colour the day’s page ahead of time or on the day itself, you could even spend the next few months colouring the whole thing ready to look at your beautiful work throughout the coming year, or even to gift to someone else (what a labour of love that would be and it would make an incredible present if you could bear to part with your work, perhaps you could start if off for them to finish?). The pages are a great size to practice colour schemes for your copies of the actual books, or even to try out colouring mediums on a smaller page. The loose pages make it easy to access the page you need without having to move the whole block around all the time and it means you don’t have to worry at all about bleed through. At the end of the year you could even cut out all of the images and create collages, small framed pictures or gifts or even add them to cards or craft projects so this is a really versatile product that goes way beyond just being a calendar! There isn’t a treasure hunt element in this calendar and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This page-a-day calendar is perfect for fans of Johanna’s work and it is a beautiful new way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are often much higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this calendar if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order and there are no duplicates, a number of the calendar pages show parts of the same original image but these are all of different aspects of it, with varying size or depicting different areas (see images below) and this is by no means the majority of the pages, most are of entirely separate illustrations or aspects within them, they also don’t appear to duplicate the images used in the 2017 or 2018 edition of this calendar so those of you who already have that won’t be disappointed by duplicates. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are much quicker to finish and likely to cause less frustration, they’re also fantastic for trying out new things without worrying about ruining a whole page in your books.

I would highly recommend this page-a-day calendar to fans of Johanna’s work and to those who love to be organised. It’s a great size and format, ideal for those who find the full-size book pages too daunting. It’s also great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the year it runs for; you can even remove the images afterwards and frame or gift them or even use them in craft projects and the box will make a wonderful keepsake.

If you’d like to purchase a copy of this page-a-day colouring calendar, it’s available here:
Amazon UK – Johanna Basford 2019 Colouring Day-To-Day Calendar in a Keepsake Box
Book Depository Worldwide – https://www.bookdepository.com/Johanna-Basford-2019-Coloring-Day-Day-Calendar-Johanna-Basford/9781449492434/?a_aid=colouringitmom

Can’t get enough of Johanna’s images? Below are my reviews of her new colouring planner and wall calendar so you can be fully organised and colour to your heart’s content for the coming year!
Ivy and the Inky Butterfly 2019 Colouring Wall Calendar
Johanna Basford 2018-2019 16-Month Weekly Colouring Planner

Video Review and Flip Through

The page below was coloured using Faber Castell Pitt Pens.

Johanna Basford 16 Month Weekly Colouring Planner 2018-19 Written Review, Photos, Video Review and Flip Through

Johanna Basford 2018-19 16-Month Weekly Colouring Planner – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2018-19 16-Month Weekly Colouring Planner is published and was very kindly sent to me to review by Andrews McMeel Publishing. This planner is the perfect combination of organisation and colouring with space to write plans, appointments and notes, whilst also having weeks and weeks of colouring for you to do too. This planner is paperback with flexible pale cream card covers which have a beautiful black-heavy floral and foliage design on the front and back with a white floral design drawn on black on the insides of the covers, the front cover has gold foiling accents and the front and back cover have removable brown card strips with the information about the planner and the barcode etc printed on them. The planner is spiral-bound and measures 21.6 x 19.6cm, the covers aren’t especially sturdy so I’d be careful about travelling with it much and you’ll want to keep it safe somewhere rather than stuffing it in a bag or it’ll get damaged very quickly. This isn’t the best planner I’ve seen in terms of features and organisation, but for the combination of colouring and organising, it’s perfect and strikes a really good balance. The planner runs for 16 months and starts from the 27th of August 2018 all the way to the 5th of January 2019. The planner is printed double-sided and starts with a one-page overview of the year 2019 and then the planner itself starts with an image on the left of each double-page spread from one of Johanna’s six colouring books, images from all six (Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, Johanna’s Christmas, and Ivy and the Inky Butterfly) are included, and the week’s days and dates with writing space for each on the right (this is in the same style as normal planners with added leafy accents and leafy lettering for the month title at the top). Each week runs from Monday to Sunday with equal space to write for each day, the dates are on the right and important festivals and bank holidays etc are written in small text on the left of the page, as well as the country it’s celebrated in. After the planner pages, which make up the vast majority of the book, there is a double-page spread with sections for each month of 2020 for you to add your advance plans to. Following this is a full page of 2018 dates and a full page of 2020 dates, followed by 5 lined pages where you can write notes (all with added leaf accents) and the final page is a colouring test page where you can test out your mediums to check for bleed through.

The paper this time is pale cream rather than bright white (it is the same paper as last time and it’s less yellow than the Secret Garden book paper and more cream than the new ivory paper in Ivy and the Inky Butterfly; see photo below of the different paper colours), lightly textured and medium thickness, sadly it does shadow a fair bit with water-based pens but it doesn’t bleed through; I’d strongly advise writing in pencil throughout or you’ll ruin the image on the reverse either with shadowing or indentation from ballpoint pens. Pencils work well on this paper so I’d suggest mostly colouring with pencils and using water-based pens if you don’t mind the shadowing showing through on the planner pages. A great selection of images from Johanna’s books are included with some being sections of original images at the original size and others being the whole page shrunk down to fit on the planner page so some of the illustrations are quite tricky to colour neatly but almost none look impossible as long as you use a good set of fineliners or sharp pencils. Because this is the third planner and the publisher has tried not to duplicate images it means that a number of my favourite images from her first few colouring books haven’t been included as they were in the first two planners, however, we’ve got new images from those as well as from the newest book, Ivy and the Inky Butterfly, and there are some lovely inclusions so there’s no disappointment to be had with this planner and it really is a great mix between organisation and colouring (two of my favourite things)!

In terms of mental health, this colouring planner is ideal. It gives you a manageable goal of colouring one page per week which could either be next week’s page so that it’s coloured ready for that week or this week’s page so you can colour as you plan. You could even colour it ahead if you’re quick but you’ll need to get a wriggle on! The pages are a great size to practice colour schemes for your copy of the actual books, or even to try out colouring mediums on a smaller page. The spiral-binding makes it easy to access the whole page and none of the images go into the spine, it’s also ideal because once you’ve finished using the planner at the end of 2019, the pages are easy to remove for framing or gifting if you want to get more use out of your works of art. There isn’t a treasure hunt element in this planner and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This planner is perfect for fans of Johanna’s work and it is a beautiful way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this planner if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order but a few have been cleverly chosen to fit celebrations like a heart for the week of Valentine’s Day and images from Johanna’s Christmas through December. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are quicker to finish and likely to cause less frustration.

I would highly recommend this colouring planner to fans of Johanna’s work and to those who love to be organised. It’s a great combination of planner and colouring pages and the size and format is ideal for those who find the full-size book pages too daunting. It’s great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the 16 months it runs for; you can even remove the images afterwards and frame or gift them.

If you’d like to purchase a copy it’s available below:
Amazon UK – Johanna Basford 2018-19 16-Month Weekly Colouring Planner
Book Depository Worldwide – https://www.bookdepository.com/Johanna-Basford-2018-2019-16-Month-Coloring-Weekly-Planner-Calendar-Johanna-Basford/9781449492441/?a_aid=colouringitmom

Can’t get enough of Johanna’s illustrations and the ability to organise your life? Then check out the following reviews for the Ivy and the Inky Butterfly 2019 Wall Calendar and the 2019 Page-a-Day Calendar.

Video Review and Flip Through

The image below was coloured using Caran d’Ache Luminance Pencils and a Caran d’Ache Blender Pencil.

Ivy and the Inky Butterfly 2019 Colouring Wall Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly 2019 Colouring Wall Calendar is published and was very kindly sent to me to review by Andrews McMeel Publishing. This calendar is beautiful and is the same format as the previous JB wall calendars. The calendar itself is the same size as most others at 12 inches square, making it significantly larger than Johanna’s books. It includes 13 of Johanna’s signature and most well-known designs from her sixth colouring book, Ivy and the Inky Butterfly (this calendar doesn’t include any new images), an illustration for each month of the year and one at the beginning for a 4-month overview of September to December 2018. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar size. The whole calendar, including the covers, is made of thick pale cream paper which is good quality (it is less yellow than the Secret Garden book paper and more cream than the new ivory paper in Ivy and the Inky Butterfly; see photo below of the different paper colours) – I thought it was going to bleed with water-based pens but there was no bleed-through at all and only some shadowing when using my darker fineliners. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The images are printed much larger in the calendar than in the book so this is a great purchase for those of you who found Johanna’s books just a little too detailed and small. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The paper is quite smooth but has a little tooth and I didn’t have any issues with getting a few layers built up with my Caran d’Ache Luminance pencils. The dragon image below was coloured with Derwent Inktense pencils, activated with water and I experienced no bleed-through and only minimal buckling when I used a bit too much water. The calendar is spiral-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a small hole at the top, this is smaller than on normal calendars and doesn’t fit a nail through it so you’ll have to very carefully hang it up with string (be careful so you don’t rip the pages). The cover has signature gold foil accents and is fully colourable, as always, and each calendar page has lots of tiny leaf accents and each month has a leafy lettering title.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The much larger image size means it’s far more suitable for those of you who don’t have perfect vision or fine motor control. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. This time, there isn’t an inky treasure hunt. The book of Ivy and the Inky Butterfly is very significantly smaller than the calendar so the images have been increased a lot in size so the intricacy and detail levels are very much reduced. This is a bit of a shame for people who love Johanna’s work for its detail, but for those who prefer larger images and space to really go to town with blending and shading, it’s absolutely perfect and I think it’s my favourite calendar of Johanna’s to date! There is a really good variety of images, needing varying levels of concentration which can be used to keep you occupied and distracted when you’re feeling anxious or low, or requiring less focus if you need a more relaxing colouring experience. Johanna’s images are really good for practising mindfulness techniques because many require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is medium/thin throughout so there some leeway when colouring.

I would highly recommend this for any colouring fan who needs a calendar in their life. Johanna fans won’t be disappointed with this calendar, it’s beautiful with a lovely selection of designs and great paper quality and it will brighten up the darkest of rooms and moods. It would make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Ivy and the Inky Butterfly 2019 Colouring Wall Calendar
Book Depository Worldwide – https://www.bookdepository.com/Ivy-Inky-Butterfly-2019-Coloring-Wall-Calendar-Johanna-Basford/9781449492458/?a_aid=colouringitmom

Video Flip Through and Review

The magpie image below was coloured with Caran d’Ache Luminance pencils (my video tutorial showing how to ‘cheat’ at blending that I used throughout the image can be found here) and the dragon image was coloured with Derwent Inktense Pencils activated with water.

Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.

Ivy and the Inky Butterfly: A Comparison between the UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly will be released worldwide in just one week and I have been lucky enough to be sent a copy of the UK and US editions by Johanna Basford in order to write this comparison post for you all. Every time Johanna releases a new book there are huge online debates about which edition is “best” to buy, what the similarities will be and what will be different so I’m here to hopefully clear up any questions and queries you may have after the success of my comparison posts of the last 3 titles – Johanna’s Christmas, Magical Jungle, and Lost Ocean.

This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible, if you’d prefer to watch a video where I talk through and show all of the differences then scroll all the way down to the bottom of the post. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those, they’re summarised at the bottom. Some of the very noticeable differences include size, image size and paper type so here goes with the most comprehensive list of similarities and differences that you’re likely to find online!

  1. Book Size – Both books are rectangular and not square, they are each the same height as their country’s other Johanna titles but both are 4cms narrower at the side. The UK edition is almost half a centimetre smaller in both directions than the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  2. Cover Design – The cover design is very slightly zoomed in on the UK edition so the US edition has a little extra detail around the very edges that isn’t included on the UK copies.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  3. Penguin Logo – The US edition has the Penguin Publishing logo subtly placed in the top right corner, the UK edition has a star in this space instead.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  4. Cover Colour – The UK edition has a bright white cover, the US edition is slightly off-white though this is only noticeable when placed next to something truly white or the UK copy of the book.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  5. Foiling Colour – The UK foiling is a subtle coppery/bronze colour, it’s not gold like previous titles or as shiny. The US foiling is in gold and green and is very bright and shiny (try to avoid scratching it as it does come off and it appears that the green is underlain with gold).
     Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  6. Foiling Aspects/Amount – There is much more foiling on the US edition than the UK edition, the foiling on the UK edition is quite subtle due to not being so shiny, bright, or abundant. The US edition has a lot of foiling and many more aspects are foiled including whole sections rather than hints.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  7. Colour Splashes – The title and subtitle on the cover of the US edition have a mint green background. The UK cover has no colour added.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  8. Capitalisation of Text on Cover – The subtitle on the UK cover is capitalised, the US subtitle is all lower case apart from the first A.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  9. Spine – Usually the book spines are black in the UK and white in the US. This time, both are white with black text, it’s printed a little blacker on the US edition. The UK spine has little bronze foil star accents, there is no foiling on the US spine. The motif between Johanna’s name and the book title differs with a butterfly on the UK edition and a side portrait of Ivy on the US edition. The US edition has the subtitle printed, the UK has replaced this with a key motif and foiled stars. Finally, the UK edition has the Virgin Books logo and the US has the Penguin Books logo.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  10. Thickness – The US edition is significantly thicker than the UK edition due to the paper being thicker, more on this later.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  11. Weight – The US edition weighs significantly more than the UK edition at 627g vs 564g.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  12. Blurb – The blurbs on both books are totally different. There is more text in the US edition, less in the UK edition. Info about Johanna and where to find her on social media is written on the US copy. The barcode is included in the space on the US edition but printed over some of the design on the UK edition. The design is printed exactly the same size on both books despite the difference in book size, therefore there is a larger border around the image on the US edition. NB The colour on the back of the US cover has been added by me when I was testing alcohol marker, the back cover of both editions arrives blank.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  13. Spelling – The UK edition uses British spelling throughout, including on the cover in the spelling of colour. The US edition uses American spellings throughout (I didn’t realise how many different spellings there were between the two versions of English until paying close attention to the text in this book!).
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  14. Dust Jacket – This is usually one of the biggest differences between the editions, with the UK version usually having a removable dust jacket and the US edition having it attached. Johanna’s Christmas broke with convention and neither edition had a removable dust jacket and this has remained the case, it’s probably sensible as they’re prone to getting damaged but I’m a little sad inside because I’ve always loved them, but there you go, neither has one this time. The covers are made of thick card folded into 1/2 French Flaps inside, the card used for the UK cover is significantly thicker and less bendy than the card used for the US cover.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  15. Cover Attachment to Front and Back Pages – The US cover is attached to a thicker strip of the front and back pages of the book than the UK cover and it also isn’t pre-folded meaning it doesn’t open as easily or as widely as the UK edition which opens much flatter.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  16. Binding – The UK edition is stitched and glue-bound whereas the US edition is only glue-bound which will make it less durable and can lead to pages falling out. Because of the fixed cover being attached to more of the book, the binding is much tighter in the US edition, this will ease up with use, especially if you crack or break the spine (I always find this heartbreaking to do), but initially the US edition is much tighter and opens less flat than the UK edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  17. French Flaps – Both editions have ½ size French Flaps, they have the same design but the US design is printed a little larger and is also taken from a slightly different section of the original illustration from the UK edition. On the back inside flap of both books is information, the US copy has images of 6 of Johanna’s books and on the UK copy is information about Johanna herself.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  18. Title Page Size – The title page in the US edition is much larger than in the UK edition, 24.1 x 19.1cm vs 22.9 x 18.1cm.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  19. Emblem on Title Page – Possibly the most pedantic difference I found; the leaf emblem underneath Johanna’s name on the title page is much bigger in the US edition than the UK edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  20. Paper – This is one of the biggest differences between the two editions. The paper is not identical and is unique to each country. Johanna changed papers when Magical Jungle was published and her specially created ivory paper that was named after her is in all US copies of Magical Jungle, Johanna’s Chirstmas, and now Ivy and the Inky Butterfly. In the UK we have a whiter ivory paper which Johanna and her team scoured the globe for and this is in all UK editions of Magical Jungle, Johanna’s Christmas and Ivy and the Inky Butterfly. The UK paper is equal in thickness to Secret Garden and Enchanted Forest and significantly thicker than Lost Ocean, it has a little tooth but does burnish after a few layers of Polychromos and Prismacolor Premiers. The US paper is ivory but a more cream colour though it’s still paler than the cream colour of Secret Garden and Enchanted Forest. The paper is the thickest yet and has a more visible tooth, it takes far more layers for blending. In both editions water-based pens behave the same way and the paper in both is beautiful to colour on with pens as they glide really well with no feathering or spreading at all. The UK paper seems like it will shadow faster and more easily than the US edition and while I didn’t experience any shadowing in either, the UK paper did seem like it might with very dark colours if not using a light touch. I personally prefer the colour of the UK paper but the US paper is much easier to use pencils on and is less likely to bleed with water-based pens so I have to recommend that one.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  21. Introduction – The introduction and Johanna’s signature in the UK edition are aligned centrally, the introduction in the US edition is aligned centrally and justified, Johanna’s signature is off to the right.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  22. Icons for Colouring Tips – The UK edition has leaves as bullet points and the US edition has flowers. The text is also larger on this page in the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  23. Text Layout – The text in both books appears to be the same font and size. Due to the difference in the size of the overall book and the sizing of some images (see point 25), the gaps for the text in the UK edition are sometimes smaller and therefore, while the text in both editions is always in the same spaces, it’s sometimes laid out a bit differently either starting or ending lines on a different word or sometimes taking up more or less space on the page. Some of the UK text is justified like a newspaper with varying space sizes between the words, this is much less obvious in the US edition, if it has in fact been justified in that edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  24. Image Quality – Previously, there have been slight issues with UK editions having pixelation of images (see third photo below of a section in UK Magical Jungle). There are no such issues in either edition of this book. Hoorah!
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  25. Image Size/Spacing – The US images are up to 1cm larger than those in the UK edition. Not all of the images are larger by any means and it appears to be quite random as to which images are larger and which are the same size but if you have any vision or fine motor control impairments then I’d suggest purchasing the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  26. Image Orientation – On some of the full double-page scenes, the image is shifted slightly showing a sliver more or less in one of the editions. This can be on any external edge of the image. Sometimes the UK page is slightly zoomed in and other times the US page is slightly zoomed in so that a little is lost off all edges, usually only a millimetre or two.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  27. Text Alterations – Very occasionally there are alterations to the text with a word added, removed or altered e.g. spring-clean/spring-cleaning. The most notable example is on the page below with two paragraphs beginning with “then” in the UK edition and not in the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  28. Typos – Sorry to be pointing these out, I did a lot of searching to find these so they’re not exactly noticeable, I only found them because I was looking for text differences. In the UK edition cloths has been replaced with clothes and in the US edition, cord has been replaced with chord. Apart from that, I’ve not noticed any others which is pretty impressive.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  29. Printing Location – The UK edition is printed in China and the US edition is printed in the USA.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  30. Page Ink Permanency – This is fairly similar in both, I tested the ink on the colour palette page with a Derwent Blender, a Derwent Burnisher and a Caran d’Ache Blender Pencil, the Derwent Blender did drag some ink pigment in both editions, more so on the US edition, the other two types of pencil didn’t move much pigment at all. You will need to be a little careful if using a hard blender pencil like the Derwent one and also, when pressing hard with any pencils you may experience image transfer on subsequent pages (this is erasable) so pop a sheet or two of paper behind your work to avoid this.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  31. Publication dates – The US edition releases on the 10th of October and the UK edition on the 12th of October.

To sum up, if you’ve managed to make it this far, the biggest factors affecting your decisions are spelling, paper and image size. As a perfectionist, I would always want a copy with the correct spellings for the country I’m from and therefore when reading the book, I’ll be reading my UK copy. The paper is lovely in both but if you’re wanting to really go to town with blending and shading pencils or using wet media then I’d suggest the US copy as the paper is thicker and holds up better to these types of colouring. The image size in some images is larger in the US edition and therefore anyone with any visual or fine motor control issues will be best purchasing the US edition so you’ve got that bit more wiggle-room.

Everything else I’ve listed is not a criticism and doesn’t impact use or enjoyment, I’ve just listed all of the differences to make people aware of what they are and to make it easy to identify which copy is which when looking at pictures of it online and elsewhere. In my opinion, the US edition offers a slightly superior colouring experience to the UK edition and if you’re going to purchase just one copy then I’d suggest it be that one though the UK edition really is lovely and I’m ever so glad to have both. If you notice any other differences then please do get in touch and I’ll add them to the list! Happy Colouring – You’ve definitely earnt it!

Please do let me know in the comments section below which edition you’ll be purchasing and why!

You can read my review of the contents of Ivy and the Inky Butterfly, including my mental health recommendations here for the UK and here for the US edition. You can find my Unboxing videos for both books and silent video flick-throughs on my YouTube Channel here.

If you’d like to purchase a copy of Ivy and the Inky Butterfly it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925?ref=grid-view&qid=1507078323619&sr=1-2/?a_aid=colouringitmom