Lost Ocean

How to Draw Inky Wonderlands (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
How to Draw Inky Wonderlands is by Johanna Basford who very kindly sent me a UK and US edition to review. This review is of the UK edition, (my US review can be found here) which is published by Virgin Books. I have also written a comparison post which can be found here, or the video comparison post can be found here.

This book is completely different from anything previously produced by Johanna and in fact, anything else I’ve seen on the market. Rather than being a colouring book, Johanna has welcomed us into her world to teach us her secrets in order to allow us all to be more creative and draw our own colouring pages and additions. As soon as I heard about the premise of the book I was very excited but also really nervous; I’ve always wanted to learn to draw but struggle to be patient or practice enough to actually improve. However, if anyone can teach me to draw, it’s colouring book queen, Johanna Basford, and spoiler alert, it’s actually working! Loads of people state that they can’t draw and are lying through their teeth, they normally mean that they can’t create a hyper-realistic portrait of someone that looks identical to a photograph. I, however, am serious about my lack of talent for drawing, I genuinely struggle to draw straight lines, circles or evenly-spaced stars and my sheep, age 28, are still drawn as clouds with stick legs and smiley faces. They’re adorable but no one believes anyone over the age of 8 drew them.

The book itself is paperback and unlike the majority of Johanna’s colouring books, it’s rectangular, not square and measures 21 by 25cm, making it the same size as Ivy and the Inky Butterfly and the same height as all of the UK editions of Johanna’s colouring books. There is no removable dust cover this time, instead having flexible card covers with ½ French flaps which open out front and back to reveal a beautiful flower, leaf and butterfly design that is fully colourable, it isn’t waxy and is very smooth meaning most mediums will be suitable for colouring it, just be careful with alcohol markers in case they bleed through to the external covers. The spine and covers are white with black text, the cover has gold foiling accents and the title is backed with a beautiful pink background. The spine is glue and string-bound which makes it very durable but a little tricky to get it to lie flat for drawing in however little to none of the content enters the spine and therefore you don’t lose much in the gutter. The paper is the same as that used in previous UK editions of Johanna’s titles from Magical Jungle onwards, this paper was found through a global hunt and it’s beautiful, it’s not the same paper as used in the US editions. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils. It has a good level of tooth so it can cope with pencil lines being drawn and erased and the Staedtler Pigment Liners that Johanna uses herself and recommends drawing with work beautifully and seamlessly on the paper with no feathering, spreading, shadowing or bleeding and they blend in beautifully with the printed artwork so your drawings won’t stand out as “different” from the content that’s already on the page. The paper is ideal for pencils and water-based pens and you only need to avoid alcohol makers or particularly wet media. As ever, there’s a test page at the back of the book where you can check out how each of your tools and mediums behaves.

This is very much a drawing book, it’s not a colouring book with a few drawing tips included. Upon opening the book, you find a beautiful title page, name page and introduction including tips and a materials list. The book is then split into 3 themed sections: Garden, Ocean, and Forest. There are no page numbers in the book and no contents page. The book is printed double-sided with each double page depicting at least one drawing technique, often many more. The drawings are all split up into really clear sections most of which are visually displayed in steps along with accompanying written instructions. There is a real range of different size projects included from small and simple requiring just a few very easy steps, to much more time-consuming and complicated and requiring more focus and ability to replicate well.

For the vast majority of the tutorials, each step is numbered and the step you’re currently drawing is printed in black, with the previously drawn sections in paler grey so that you can easily identify what elements you’re adding each time. Once you’ve drawn the whole image you then go over it all with pen and once dry, erase the pencil lines and voila, you’ve got your own illustration which is highly likely to surprise you, mine certainly did! There is a huge range of content for the tutorials including loads of different types of flowers and leaves, fish and other sea creatures including crabs and lobsters, ships, objects, borders, and different types of motifs including crests, symmetrical, repeating and circular. The possibilities are endless once you’ve learnt the basics and Johanna has a real knack for making it all seem very simple and easy rather than difficult and daunting so before you know it, you’re drawing things you never expected to be able to. It can be really anxiety-inducing starting something new, especially when it’s something you’ve struggled with before and find frustrating but this book is so different from any others I’ve seen and doesn’t make things just sound simpler, it actually breaks each drawing down into simpler steps so that you’re drawing very basic shapes and creating amazing things with them. There is real talent in being able to teach a skill in that way and make it so inclusive and accessible.

The tutorials are ideal for starting to learn to draw but they’re also fantastic to help you continue because once you’ve started you’ll start noticing how other images are created and what shapes they’re made up of. I often find inspiration very lacking when I try to draw and if you’re like me then I highly recommend going through Johanna’s colouring books and you’ll be absolutely inundated with ideas to the point where the only difficulty you’ll have will be choosing what to draw first! Learning to draw is apparently like exercising, it won’t come naturally or easily at first and it may feel like it’s not worth it but the more you practice, the more you’ll improve and the easier it will become and eventually you’ll be creating your own things rather than copying the original tutorials.

In terms of mental health, I’ll be completely honest and say that before receiving the book, I was dreading writing this section because I thought I was going to have to say it was bad because I’ve always found drawing stressful. However, I’m pleased to say that this isn’t the case and actually, I think this book is great for mental health as long as you have a little patience because it makes it surprisingly simple and learning to draw the few things I have with this book has been by far the least frustrating drawing experience I’ve ever had! I’m not just saying that because I’m a huge fan of Johanna, I honestly was so nervous about reviewing this book because I didn’t want to have to write a negative review or say that although it was lovely, I was still unteachable. How wrong I was! Just as Johanna has been telling us, anyone can learn to draw. I’m certainly not an artist, I’m not ever going to get paid for anything my pen puts on paper (apart from my signature on a job contract) but I can safely say that with practice, my drawings will no longer look like a child’s and people won’t laugh when I tell them I drew it rather than a small kid. For me, that’s more progress than I ever thought I’d make and it’s a huge confidence boost too. That’s one reason why this book is ideal for those of us with mental health problems because it gives you the tools you need to actually succeed at learning a new skill and that’s sure to improve your self-esteem and confidence.

I would highly recommend the Johanna Basford journals for practising your drawing in, it’s what I’m currently using and I’ve had no issues at all so far. The features I’m particularly liking about using them are the ribbon bookmark which I can use to mark my place, the paper which is lovely and thick and a great surface to draw on and takes erasing well, and the motifs already printed on each double-page spread which offer great inspiration and make the whole process much less daunting, at least for me, because I’m not starting on a completely blank page, each one has already been started for me! I intend to work through in order, dating my drawings as I go so that I can hopefully see my progress over time.

Overall, I would highly recommend this book, even to those of you who absolutely cannot draw because Johanna really will teach you! I already miss getting my yearly fix of colouring pages from her but the fact that she’s teaching us how to draw our own comes a very close second for me and seeing everyone’s versions cropping up online is definitely spurring me on to practice and learn and be more creative. This book is spreading joy, even more so than Johanna’s colouring books do, and it’s boosting confidence and self-esteem all over the world. If you weren’t sure about getting a copy then I really would suggest getting one and seeing what you think and if you need further persuading then have a go at following Johanna’s video tutorials on her Facebook page and see what you can create!

If you’d like to purchase a copy it’s available here:
Amazon UK – How to Draw Inky Wonderlands
Book Depository Worldwide – https://www.bookdepository.com/How-Draw-Inky-Wonderlands-Johanna-Basford/9780753553190/?a_aid=colouringitmom

Video Review

 

How to Draw Inky Wonderlands (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
How to Draw Inky Wonderlands is by Johanna Basford who very kindly sent me a UK and US edition to review. This review is of the US edition, (my UK review can be found here) which is published by Penguin. I have also written a comparison post which can be found here, or the video comparison post can be found here.

This book is completely different from anything previously produced by Johanna and in fact, anything else I’ve seen on the market. Rather than being a colouring book, Johanna has welcomed us into her world to teach us her secrets in order to allow us all to be more creative and draw our own colouring pages and additions. As soon as I heard about the premise of the book I was very excited but also really nervous; I’ve always wanted to learn to draw but struggle to be patient or practice enough to actually improve. However, if anyone can teach me to draw, it’s colouring book queen, Johanna Basford, and spoiler alert, it’s actually working! Loads of people state that they can’t draw and are lying through their teeth, they normally mean that they can’t create a hyper-realistic portrait of someone that looks identical to a photograph. I, however, am serious about my lack of talent for drawing, I genuinely struggle to draw straight lines, circles or evenly-spaced stars and my sheep, age 28, are still drawn as clouds with stick legs and smiley faces. They’re adorable but no one believes anyone over the age of 8 drew them.

The book itself is paperback and unlike the majority of Johanna’s colouring books, it’s rectangular, not square and measures 21.5 by 25.5cm, making it the same size as Ivy and the Inky Butterfly and the same height as all of the US editions of Johanna’s colouring books. There is no removable dust cover this time, instead having flexible card covers with ½ French flaps which open out front and back to reveal a beautiful flower, leaf and butterfly design that is fully colourable, it isn’t waxy and is very smooth meaning most mediums will be suitable for colouring it, just be careful with alcohol markers in case they bleed through to the external covers. The spine and covers are white with black text, the cover has gold foiling accents and the title is backed with a beautiful duck egg blue background. The spine is glue-bound which you’ll need to be careful with, a number of people have reported previous titles published in the US falling apart so you will need to be gentle with this edition when trying to open it flat for drawing in. The paper is the same as that used in previous US editions of Johanna’s titles from Magical Jungle onwards, this paper was created and named after Johanna it’s beautiful, it’s not the same paper as used in the UK editions. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils. It has a good level of tooth so it can cope with pencil lines being drawn and erased and the Staedtler Pigment Liners that Johanna uses herself and recommends drawing with work beautifully on the paper. The only issue I had was that my 0.2 nib pen slightly feathered and spread on the page, however, none of my other pens really did this so it may just be a dodgy pen but just bear it in mind and do check out the photos below to see what I mean. Using the Staedtler Pigment Liners means that your drawings will match Johanna’s and blend in really well with the printed artwork so your drawings won’t stand out as “different” from the content that’s already on the page. The paper is ideal for pencils and water-based pens and you only need to avoid alcohol makers or particularly wet media. As ever, there’s a test page at the back of the book where you can check out how each of your tools and mediums behaves.

This is very much a drawing book, it’s not a colouring book with a few drawing tips included. Upon opening the book, you find a beautiful title page, name page and introduction including tips and a materials list. The book is then split into 3 themed sections: Garden, Ocean, and Forest. There are no page numbers in the book and no contents page. The book is printed double-sided with each double page depicting at least one drawing technique, often many more. The drawings are all split up into really clear sections most of which are visually displayed in steps along with accompanying written instructions. There is a real range of different size projects included from small and simple requiring just a few very easy steps, to much more time-consuming and complicated and requiring more focus and ability to replicate well.

For the vast majority of the tutorials, each step is numbered and the step you’re currently drawing is printed in black, with the previously drawn sections in paler grey so that you can easily identify what elements you’re adding each time. Once you’ve drawn the whole image you then go over it all with pen and once dry, erase the pencil lines and voila, you’ve got your own illustration which is highly likely to surprise you, mine certainly did! There is a huge range of content for the tutorials including loads of different types of flowers and leaves, fish and other sea creatures including crabs and lobsters, ships, objects, borders, and different types of motifs including crests, symmetrical, repeating and circular. The possibilities are endless once you’ve learnt the basics and Johanna has a real knack for making it all seem very simple and easy rather than difficult and daunting so before you know it, you’re drawing things you never expected to be able to. It can be really anxiety-inducing starting something new, especially when it’s something you’ve struggled with before and find frustrating but this book is so different from any others I’ve seen and doesn’t make things just sound simpler, it actually breaks each drawing down into simpler steps so that you’re drawing very basic shapes and creating amazing things with them. There is real talent in being able to teach a skill in that way and make it so inclusive and accessible.

The tutorials are ideal for starting to learn to draw but they’re also fantastic to help you continue because once you’ve started you’ll start noticing how other images are created and what shapes they’re made up of. I often find inspiration very lacking when I try to draw and if you’re like me then I highly recommend going through Johanna’s colouring books and you’ll be absolutely inundated with ideas to the point where the only difficulty you’ll have will be choosing what to draw first! Learning to draw is apparently like exercising, it won’t come naturally or easily at first and it’ll often feel like it’s not worth it but the more you practice, the more you’ll improve and the easier it will become and eventually you’ll be creating your own things rather than copying the original tutorials.

In terms of mental health, I’ll be completely honest and say that before receiving the book, I was dreading writing this section because I thought I was going to have to say it was bad because I’ve always found drawing stressful. However, I’m pleased to say that this isn’t the case and actually, I think this book is great for mental health as long as you have a little patience because it makes it surprisingly simple and learning to draw the few things I have with this book has been by far the least frustrating drawing experience I’ve ever had! I’m not just saying that because I’m a huge fan of Johanna, I honestly was so nervous about reviewing this book because I didn’t want to have to write a negative review or say that although it was lovely, I was still unteachable. How wrong I was! Just as Johanna has been telling us, anyone can learn to draw. I’m certainly not an artist, I’m not ever going to get paid for anything my pen puts on paper (apart from my signature on a job contract) but I can safely say that with practice, my drawings will no longer look like a child’s and people won’t laugh when I tell them I drew it rather than a small kid. For me, that’s more progress than I ever thought I’d make and it’s a huge confidence boost too. That’s one reason why this book is ideal for those of us with mental health problems because it gives you the tools you need to actually succeed at learning a new skill and that’s sure to improve your self-esteem and confidence.

I would highly recommend the Johanna Basford journals for practising your drawing in, it’s what I’m currently using and I’ve had no issues at all with it so far. The features I’m particularly liking about using them are the ribbon bookmark which I can use to mark my place, the paper which is lovely and thick and a great surface to draw on and takes erasing well, and the motifs already printed on each double-page spread which offer great inspiration and make the whole process much less daunting, at least for me, because I’m not starting on a completely blank page, each one has already been started for me! I intend to work through in order, dating my drawings as I go so that I can hopefully see my progress over time.

Overall, I would highly recommend this book, even to those of you who absolutely cannot draw because Johanna really will teach you! I already miss getting my yearly fix of colouring pages from her but the fact that she’s teaching us how to draw our own comes a very close second for me and seeing everyone’s versions cropping up online is definitely spurring me on to practice and learn and be more creative. This book is spreading joy, even more so than Johanna’s colouring books do, and it’s boosting confidence and self-esteem all over the world. If you weren’t sure about getting a copy then I really would suggest getting one and seeing what you think and if you need further persuading then have a go at following Johanna’s video tutorials on her Facebook page and see what you can create!

If you’d like to purchase a copy it’s available here:
Book Depository Worldwide – https://www.bookdepository.com/How-Draw-Inky-Wonderlands-Johanna-Basford/9780143133940/?a_aid=colouringitmom

Video Review

World of Flowers: A Colouring Book & Floral Adventure (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers is the 7th book brought to us by colouring queen, Johanna Basford. She very kindly sent me the most wonderful box of goodies including the UK and US edition of World of Flowers so that I could review and compare the two, you can see my unboxing video and flip-through of the US edition here. This review is of the UK edition. You can find the US edition review here. I have compared the two in detail both via video and in a written post including photos, there are a lot of differences, most of which don’t affect enjoyment of the book but a few of which do including the cover/dust jacket, paper, image size, and whether they match your previous editions so do check out that post so that you purchase the right edition for you. The UK edition publishes on the 25th of October.

World of Flowers is a paperback, square book (25cm x 25cm) which is exactly the same size as the UK editions of Johanna’s previous square titles, Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle and Johanna’s Christmas. It has a black spine with white text, the same as the UK editions of previous titles and it looks beautiful with the other books on the shelf (see photo below). The UK edition has a removable dust jacket which has rose-gold foiling accents on the front, really adding to the luxurious feel of this book. The jacket is made of thick paper which you can colour and the inside of it is covered with a beautiful array of flowers and plants which has a waxy finish and can be coloured but only with certain mediums because most pens and pencils are repelled by the shine (alcohol markers are best for this and don’t bleed). Previous dust jackets have been a little loose but this one fits perfectly and looks really smart. It’s an off-white colour but much closer to white than cream, it’s the same colour as the Magical Jungle UK cover. Under the dust jacket, the book is paperback with pale pink card covers which have an inky black flower design on the outside and inside covers that can also be found inside the book. The spine is glue and string-bound which makes it very durable and easier to open out flat so you can reach the majority of the gutter and colour it. The paper is the same as that used in UK editions of Magical Jungle, Johanna’s Christmas, and Ivy and the Inky Butterfly, this paper was found through a global hunt and it’s beautiful, it is not the same paper as used in the US editions of these books which was created specifically for Johanna’s books and named after her. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how they behave.

Upon opening the book, you find the beautiful title page and then a “This book belongs to …” page where you can add your name, there is then an introduction and colouring tips from Johanna and then 80 pages of beautiful flower illustrations. There is no treasure hunt in this book and so there is also no key of images at the back either. The images are printed double-sided with no border, normally this would mean a little of each image was lost into it but Johanna has taken on board the concerns of us colourists and has deliberately left the spine as clear as possible in the vast majority of the images so this frustration is mostly gone! The book contains 80 pages of stunning images, the same number as in Lost Ocean and Magical Jungle, fewer than Johanna’s first two books (96 Secret Garden, 84 Enchanted Forest) but I have to say, I didn’t notice this at all until I looked at the specs on Amazon. This book is every flower-lover’s dream. If you don’t like flowers or aren’t that keen on them or leaves then this book is absolutely not for you because it really does what the title suggests and is jam-packed with large blooms, tiny blossoms, seedlings, potted plants, cut flowers, perfumeries, ponds, gardens, potting sheds, and visitors to flowers including bees, butterflies, beetles, snails and more. The designs range from patterns and mandalas to circular and wreath designs, ribbons and banners to single and double-page scenes, centred images with large open backgrounds and pages crammed with content where you couldn’t squeeze any more on if you tried. There isn’t a story feel to this book, it doesn’t create such a vivid sense of place like so many of Johanna’s previous books have done but it does very much take you to a garden and so although it doesn’t feel to me like a journey, it is much like visiting a garden, it’s filled with variety and will look truly incredible filled with colour. The detail and intricacy that we’re so familiar with is well and truly back. I was slightly disappointed with the lack of detail in Magical Jungle and a few of the images in Ivy and so I’m really glad to see it back because that’s what I’ve always loved so much about Johanna’s work. At the very end of the book is a double-sided fold-out poster with two different floral garden scenes to colour. This can be detached from the book as it is perforated but it seems quite well attached and therefore won’t accidentally fall out from the book as long as you’re careful with it. A number of the images in the book have large blank spaces where you can add your own inky leaves and creatures or just leave them blank if drawing isn’t your forte and unlike in Secret Garden there are no written hints so you’re free to create whatever your imagination can conjure up. If you need inspiration then head online to google, pinterest and Facebook colouring groups where there will be finished pages cropping up daily from people worldwide who are venturing into this garden of delights.

In terms of mental health, this book is brilliant because of its content and how beautifully the images are drawn. The line thickness is consistent throughout and is very thin so you will need very good vision and fine motor control to get the most out of this book. The images are drawn with a range of intricacy and detail levels but mostly this remains high so again, you need good vision and dexterity. The nature of the imagery in this book is superb for calming you down and helping you to zone out. I find nature scenes the best thing for calming down my anxious racing mind and this book really does that. It’s great for keeping you occupied and distracted and because of the variety of image styles, it means that there is something for every concentration level as well as good and bad days of symptoms. There are ribbon images which could take you just a couple of hours to colour, centralised single images which will take a few hours, all the way up to jam-packed double-page spreads depicting perfumeries and potting shed shelves which will take days or even weeks depending on what mediums and techniques you use to colour them.

Overall, I would highly recommend this book. A few comments I’ve seen online have criticised this book for being samey and unoriginal but I can’t agree. I’ve gone back through Secret Garden and although World of Flowers does remind me of it, the imagery really isn’t similar other than being drawn by the same person. Johanna has really developed her style since the first book, all of the spaces and designs are colourable for the majority of us whereas the intricacy level in Secret Garden is exceptionally high for most images and therefore quite a challenge to colour. There are many more types of designs in this new title and therefore much more variety even though the theme is more limited than any previous book has been. This book is certainly geared up for those who love colouring flowers and leaves and if that isn’t your thing then it absolutely isn’t for you but for those of us who do, it’s just perfect and stunningly beautiful!

If you’d like to purchase a copy, it’s available below. Do bear in mind that there are some significant publishing differences between this and the US edition and therefore you may want to read or view my comparison post/video before ordering if you haven’t already.
Amazon UK – World of Flowers
Book Depository Worldwide – https://www.bookdepository.com/World-Flowers-Johanna-Basford/9780753553183

The image below was coloured with Faber-Castell Polychromos Pencils.

Video Review

Video Flick Through

World of Flowers: A Coloring Book & Floral Adventure (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
World of Flowers is the 7th book brought to us by colouring queen, Johanna Basford. She very kindly sent me the most wonderful box of goodies including the UK and US edition of World of Flowers so that I could review and compare the two, you can see my unboxing video and flip-through of the US edition here. This review is of the US edition. You can find the UK edition review here. I have compared the two in detail both via video and in a written post including photos, there are a lot of differences, most of which don’t affect enjoyment of the book but a few of which do including the cover/dust jacket, paper, image size, and whether they match your previous editions so do check out that post so that you purchase the right edition for you. The US edition publishes on the 23rd of October.

World of Flowers is a paperback, square book (25.5cm x 25.5cm) which is exactly the same size as the US editions of Johanna’s previous square titles, Lost Ocean, Magical Jungle and Johanna’s Christmas. It has a white spine with black text, the same as the US editions of previous titles and it looks beautiful with the other books on the shelf (see photo below). The US edition doesn’t have a removable dust jacket and instead has card covers with rose-gold foiling accents on the front, really adding to the luxurious feel of this book. The card covers open out to reveal French flaps with a fully colourable floral design spanning the interior, this card is matte and therefore colourable with almost any medium you choose. The spine is glue-bound which isn’t ideal as these aren’t overly durable and often cause the pages to fall out as the spine breaks quite easily; it takes a bit of work to get the spine to lie flat but you can reach the majority of the gutter and colour it. The paper is a pale ivory colour (it’s Johanna’s new signature paper), and is exactly the same as that found in the US edition of Magical Jungle, Johanna’s Christmas, and Ivy and the Inky Butterfly, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly though they do spread sideways ever so slightly as the paper is a little absorbent so just mind that, they don’t bleed through unless you use alcohol markers and they only shadow if you colour too much in one spot. It is not the same paper as used in the UK editions of these books.

Upon opening the book, you find the beautiful title page and then a “This book belongs to …” page where you can add your name, there is then an introduction and colouring tips from Johanna and then 80 pages of beautiful flower illustrations. There is no treasure hunt in this book and so there is also no key of images at the back either. The images are printed double-sided with no border, normally this would mean a little of each image was lost into it but Johanna has taken on board the concerns of us colourists and has deliberately left the spine as clear as possible in the vast majority of the images so this frustration is mostly gone! The book contains 80 pages of stunning images, the same number as in Lost Ocean and Magical Jungle, fewer than Johanna’s first two books (96 Secret Garden, 84 Enchanted Forest) but I have to say, I didn’t notice this at all until I looked at the specs on Amazon. This book is every flower-lover’s dream. If you don’t like flowers or aren’t that keen on them or leaves then this book is absolutely not for you because it really does what the title suggests and is jam-packed with large blooms, tiny blossoms, seedlings, potted plants, cut flowers, perfumeries, ponds, gardens, potting sheds, and visitors to flowers including bees, butterflies, beetles, snails and more. The designs range from patterns and mandalas to circular and wreath designs, ribbons and banners to single and double-page scenes, centred images with large open backgrounds and pages crammed with content where you couldn’t squeeze any more on if you tried. There isn’t a story feel to this book, it doesn’t create such a vivid sense of place like so many of Johanna’s previous books have done but it does very much take you to a garden and so although it doesn’t feel to me like a journey, it is much like visiting a garden, it’s filled with variety and will look truly incredible filled with colour. The detail and intricacy that we’re so familiar with is well and truly back. I was slightly disappointed with the lack of detail in Magical Jungle and a few of the images in Ivy and so I’m really glad to see it back because that’s what I’ve always loved so much about Johanna’s work. At the very end of the book is a double-sided fold-out poster with two different floral garden scenes to colour. This can be detached from the book as it is perforated but it seems quite well attached and therefore won’t accidentally fall out from the book as long as you’re careful with it. A number of the images in the book have large blank spaces where you can add your own inky leaves and creatures or just leave them blank if drawing isn’t your forte and unlike in Secret Garden there are no written hints so you’re free to create whatever your imagination can conjure up. If you need inspiration then head online to google, pinterest and Facebook colouring groups where there will be finished pages cropping up daily from people worldwide who are venturing into this garden of delights.

In terms of mental health, this book is brilliant because of its content and how beautifully the images are drawn. The line thickness is consistent throughout and is very thin so you will need very good vision and fine motor control to get the most out of this book. The images are drawn with a range of intricacy and detail levels but mostly this remains high so again, you need good vision and dexterity. The nature of the imagery in this book is superb for calming you down and helping you to zone out. I find nature scenes the best thing for calming down my anxious racing mind and this book really does that. It’s great for keeping you occupied and distracted and because of the variety of image styles, it means that there is something for every concentration level as well as good and bad days of symptoms. There are ribbon images which could take you just a couple of hours to colour, centralised single images which will take a few hours, all the way up to jam-packed double-page spreads depicting perfumeries and potting shed shelves which will take days or even weeks depending on what mediums and techniques you use to colour them.

Overall, I would highly recommend this book. A few comments I’ve seen online have criticised this book for being samey and unoriginal but I can’t agree. I’ve gone back through Secret Garden and although World of Flowers does remind me of it, the imagery really isn’t similar other than being drawn by the same person. Johanna has really developed her style since the first book, all of the spaces and designs are colourable for the majority of us whereas the intricacy level in Secret Garden is exceptionally high for most images and therefore quite a challenge to colour. There are many more types of designs in this new title and therefore much more variety even though the theme is more limited than any previous book has been. This book is certainly geared up for those who love colouring flowers and leaves and if that isn’t your thing then it absolutely isn’t for you but for those of us who do, it’s just perfect and stunningly beautiful!

If you’d like to purchase a copy, it’s available below. Do bear in mind that there are some significant publishing differences between this and the UK edition and therefore you may want to read or view my comparison post/video before ordering if you haven’t already.
Amazon UK – World of Flowers
Book Depository Worldwide – https://www.bookdepository.com/World-of-Flowers/9780143133827/?a_aid=colouringitmom

Video Review

Unboxing and Flip Through

Ivy and the Inky Butterfly: A Magical Tale to Colour (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Colour is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Virgin Books. I have also been sent a US edition of the book and have written a comparison post which can be found here. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.5 x 25cm making it the same height as the UK editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has coppery/bronze foiling accents which is quite subtle and very luxurious and aids the traditional storybook feeling! The spine is glue and string-bound which makes it very durable and easier to open out flat so you can reach the majority of the gutter and colour it. The paper is the same as that used in UK editions of Magical Jungle and Johanna’s Christmas, this paper was found through a global hunt and it’s beautiful, it is not the same paper as used in the US editions of these books which was created specifically for Johanna’s books and named after her. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your mediums behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned it, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

The image below was coloured with Staedtler Ergosoft Coloured Pencils.

Ivy and the Inky Butterfly: A Magical Tale to Color (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Color is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Penguin Books. I have also been sent a UK edition of the book and have written a comparison post which can be found here. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.8 x 25.4cm making it the same height as the US editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has mint green text backgrounds and beautiful gold and green foiling which is really luxurious and aids the traditional storybook feeling! The spine is glue-bound which makes it quite stiff on opening because the covers are glued a little to the front and back pages of the book, you’re likely to need to crack the spine in order to get the book to open fully but do be very careful because pages can fall out of glue-bound spines and that would be a bit of a disaster if you want to keep the story in order! The paper is the same ‘Johanna Basford’ paper as used in the US editions of Magical Jungle and Johanna’s Christmas, this is not the same as the paper used in the UK editions of any of these books which was sourced through a global hunt to find a suitable ivory paper. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your they behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned in, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, wood, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom

The image below was coloured with Holbein Artist’s Colored Pencils.

Magical Jungle: 36 Postcards to Colour and Send – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Jungle: 36 Postcards to Colour and Send is published and was kindly sent to me to review by Virgin Books. It is with a heavy heart that I have to write a less than positive review of these postcards. I had high hopes for them after detailing my criticisms of the Lost Ocean Postcards and raising these issues with the publisher and hoped things would be changed, but when they arrived I’m afraid to say I was very disappointed. This set of postcards contains 36 scaled down images from Johanna Basford’s hugely successful Magical Jungle adult colouring book (reviewed by me here). Each postcard is printed single-sided with a leaf-outlined stamp space and space for an address (left blank with no lines) on the back so that you can send them to family, friends and loved ones. The postcards arrive in a sort of box that doesn’t have a top or bottom and opens out to reveal the postcards inside with three black images drawn in a white line from inside the book, in two designs. The cover is cream with beautiful gold accents and a scaled down version of the book cover. The postcards are attached to the inside back cover of this box and have a glue binding which isn’t attached to anything other than the cards, it’s very sticky on the outside and also not very hard or strong, after the first careful look through the postcards I had already loosened a few and by the fourth time looking through them over half had completely detached. I’ve only had this set for two days and I’ve already had to completely remove the glue binding because so many postcards had fallen out and they’re now all loose in the box-type cover which they fall out the bottom of.

This time there is only one size of set including 36 postcards rather than the 50 we were offered for Lost Ocean. Of my 36 postcards, one was duplicated meaning I got 36 postcards with 35 designs and of the duplicated cards, one had a printing error with a centimetre gap of unprinted design at the top (see photo below), I’ve been in touch with a fellow reviewer whose set also has the duplicate. Four of the postcards didn’t have the design printed centrally and were drastically shifted to one edge of the card (see photo below) and a further one had some text printing at the very top which I assume should have been cut off during manufacturing. The majority of the postcards are landscape and a few are portrait (7 including the duplicate image twice), they measure 16×11.2cm (a little smaller than the SG and EF postcards). Some are of the whole original image scaled down (8) and others are of sections of the original image that have been shrunk so there is a variety of intricacy levels from very intricate to virtually impossible to colour – the majority of the postcards are nowhere near the same size as the original illustrations with some being shrunk from 22.5cm across to just 9.5cm so you can imagine just how small these are. All but one of the designs are unique and they’re a beautiful selection of images from the book.

The postcards are made of thick, cream card which doesn’t bleed with water-based pens. The cards are a much yellower colour than the Secret Garden and Enchanted Forest Postcards and books. There were issues with white circles and patches on the Lost Ocean postcards which haven’t continued with this set, however, the card is identical and as before, water-based pens don’t colour smoothly or evenly and are repelled by the surface causing a much paler colour and a patchy appearance (see photo below – I will definitely be avoiding pens on these cards because of this). The postcards are lightly textured but don’t take pencils well, when covering larger areas the pencils almost clump and won’t apply smoothly, no matter what brand I’ve used, and it’s difficult to get smooth coverage over any size of area. I’ve found my Holbein pencils the best on this card but even they struggle and burnish quickly. There isn’t much space within the designs to blend or shade unless you want to colour over the lines. The line thickness is spindly thin, I have very good vision for small, close things, and also have very good fine motor control but many of the images on these postcards are so tiny that they’re almost impossible to colour and I went over the lines a number of times on my card which was one of the larger designs. Fineliners would be best to colour such intricate images but can’t be used due to being repelled so you’ll need some super sharp pencils and patience to colour slowly and sharpen very regularly. It’s such a shame because I’m a huge fan of Johanna’s images and I just love her books but scaling down the images to postcard size really wasn’t a sensible choice because it’s so limiting. The postcards are beautiful to look at and would be gorgeous to send or display as they are but given that they’re sold as colouring postcards, I expect to be able to colour them and I just haven’t found that possible to do as neatly as I’d like to. I had assumed that the images would include full-size zoomed in sections of the original images so that you can still blend and shade with pencils but because the images have been shrunk, many of them are just too small to colour (see the photos below where I’ve shown a 0.4mm Stabilo nib for scale).

Unfortunately, from a mental health perspective I really can’t recommend these, I really struggled to colour them and found it quite stressful because I just couldn’t get it to look right. They require a huge amount of concentration and while they’re less intricate than the majority of the Lost Ocean postcards, this is because Magical Jungle was Johanna’s least intricate and detailed book and therefore had larger spaces but when scaled down this doesn’t make a huge difference. Though they’re really interesting to look at, I would have to say that they’re really not well designed for colouring (I coloured one of the largest, least detailed images and still really struggled). All in all, I’m afraid I’m really disappointed. It’s such a shame these postcards didn’t follow the format of the Secret Garden Postcards, or those of Millie Marrotta’s Animal Kingdom and Tropical Wonderland which had very few uncolourable images due to them being zoomed in sections of the illustrations, a much more sensible and usable format. My recommendation would be to get the book of Magical Jungle instead, this is a fairly expensive set of postcards when you factor in that many of them aren’t colourable. These postcards would look beautiful framed as they are but for me, they’re just not suitable for colouring, a real shame!

If you’d still like to purchase them or view them online, they can be found here.
Amazon UK – Magical Jungle: 36 Postcards to Colour and Send
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753548158/?a_aid=colouringitmom

The book of Magical Jungle can be found here:
Review – Magical Jungle
Amazon UK – Magical Jungle
Book Depository Worldwide – https://www.bookdepository.com/Magical-Jungle-Johann-Basford/9780753557167/?a_aid=colouringitmom

The image below was coloured using Holbein Artist’s Colored Pencils and blended with a Caran d’Ache Blender Pencil.