Mindfulness

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Wonderlands by Johanna Basford – A Review

Ever since I found Johanna’s first colouring book, Secret Garden, I’ve been on a mission to have copies of all of the books and formats that get published of her work. A quick google search alerted me to an elusive book called Wonderlands which was the first book published in her name but this was either out of stock, unavailable or selling for crazy amounts of money for a used copy on Amazon or Ebay because it’s now out of print, with no plans to re-publish. I had pretty much given up hope of ever getting a copy unless I won the lottery. That was until a week ago when I saw that a few people in the colouring community had suddenly managed to find copies and that they weren’t having to re-mortgage their homes in order to get them. I contacted two of them straight away and both got back to me and were really helpful in showing me how to find the book on the publisher’s website (it’s very well hidden, even googling numerous times and trying different search terms didn’t come up with the ability to buy it) and I got ordering. I ordered it last week and just 7 days later I had a copy in my hands and wowee was it worth the 2 year wait and countless hours trying to hunt a copy down in that time.

Wonderlands is not a colouring book and was never designed to be one. The paper is white and thick though subsequent designs can be seen through it and it has a visible horizontal grain, a small section of pages (16 sides) are black paper with a vertical grain with white line drawings printed on them. I have not tested the paper with any colouring mediums as this book is now my pride and joy and I won’t be going near it with pencils or pens so if you wish to colour it you will need to test your mediums on an inconspicuous area but do bear in mind that paper with grain can bleed badly with any type of liquid and it may therefore only be suitable for pencils rather than pens. The content of the book is mostly from Johanna’s Wonderlands art exhibition which was displayed at Dundee Contemporary Arts from the 4th of May to 7th of July 2013. As such, the illustrations are some of the most detailed I’ve ever seen and have not been designed with colouring in mind and are therefore very black-heavy with much less white space left than we’re used to in Johanna’s work. Many of these illustrations have been shrunk down from much larger depictions in order to fit the book’s pages and therefore the intricacy and detail levels are second-to-none. I can only imagine how wonderful it would have been to see the original exhibition but luckily we are able to take our own mini tour within the pages of this book.

Looking through the book feels almost like you’re looking into Johanna’s mind, you can see her creative process working and there are hints and precursors to all of her colouring books and projects. I studied Creative Textiles for GCSE and therefore love seeing the process from initial ideas and mood boards all the way through to the finished display pieces and this book really feels like you’re able to go on that journey and you can see the first glimpses of certain pages from the colouring books we know and love from the owl tree and lily pond in Secret Garden to the monkeys of Magical Jungle. The content of this book is much more wide-ranging and less specific and is also more jumbled up within each page with one page containing objects ranging from an octopus to a cactus, a dustbin to a whale, a playing card to a ladder and even a lightbulb. This book is honestly spectacular and while it’s not for colouring, anyone who’s a fan of Johanna’s work will find that this book is an absolute must-have. Not every page has a design on it but the ordering of these blank pages is quite random throughout, there are a few single-sided pages but the majority are double-sided. The image styles range from ribbons across the page with vast blank spaces around them to repeating patterns like we saw in Lost Ocean, centralised images of trees and other objects to centralised mirror image designs and some lovely two-page spreads where the original image is shown in its entirety on one side and a section zoomed into on the other so you can see some of the wonderful detail more closely. The illustrations cover such an expanse of content from alphabets drawn in flowers and leaves and another in robots and machinery, to people ranging from Sumo wrestlers to Beefeaters, Royal Guards and little ballerinas, there’s a whole page dedicated to junk food including gingerbread men and burgers and others just consisting of butterflies, moths, or pyramids of animals. As with all of Johanna’s work, each illustration is stunning and one of the best features of this book is the section of photographs at the back which shows the exhibition itself and shows the scale of some of the pieces she created, we’ve seen sneaky peeks of some of these in newspaper articles and in her studio videos where we’ve seen her beautifully doodled dog statue and framed cuckoo clock designs and it’s wonderful seeing them in situ in the book, my personal favourite being the beautiful sailboat with seaweed imagery which clearly inspired Lost Ocean. The black pages are different again with the images all printed in a slightly greyish white and looking a little less crisp than the black-lined illustrations do, they look a tad more smudgy and as if they were created with paint or screen-printing rather than a pen but nevertheless they’re beautiful and the content here is very natural and nature-based from Oriental-style motifs to a beautiful double-page spread of peacocks, a floral heart very similar to the one in Secret Garden, to a beautiful pond and rainforest ribbon. The book feels quite sectioned off with it starting with black on white illustrations, then moving to white on black, then back to black on white and finally ending with 16 pages of photographs from the exhibit, despite this sectioning, the book feels really cohesive and does feel like a journey through the exhibition itself and Johanna’s mind and creative process. At the very back of the book all of the works of art are titled and information about the commissions and exhibit is given which gives great context for where the pieces are from and why they were created.

In terms of mental health, this book has certainly been fantastic for my own and has already given me hours of enjoyment and calm. Looking through the pages has really opened up a new world for  me and I’ve loved looking at all of the different aspects and details and each time I look through I see something new because it’s just so jam-packed with content. The paper has a lovely feel to it and it’s just a really tactile book with plenty to keep you occupied for hours. The spine is glue-bound so you’ll need to be a little careful not to break it by opening the pages too far. I’ve really loved adding this book to my Johanna Basford collection and it’s possibly my favourite book because it’s just so beautiful and wide-ranging. The cover has a black and white illustrated removable dust jacket with full French flaps and this could be completely coloured if you wish though I shall be leaving mine as is, the black and white is just so striking and the paper it’s printed on has a lovely soft feel.

Overall, I can’t recommend this book highly enough, if you’re looking for a colouring book then this isn’t for you as many of the details and designs are impossibly small and wouldn’t be colourable but for fans of Johanna’s work who want to see more of her art and discover where the books we colour have come from this book is ideal. The production of the book is wonderful and while it may seem a little pricey at £20 + £5 postage (more for International deliveries) it’s truly a beautiful book that I think is worth every penny, it’s becoming harder and harder to find and I have no idea how much stock the publisher has left (it currently states Low Stock on the site) so I certainly wouldn’t put off ordering it if you’re desperate for a copy, you won’t be disappointed and it really is a very special creation.

If you’d like to purchase a copy of the book it’s available here: Dundee Contemporary Arts

For a silent full video flick-through of the book, please click here.

Po Drugiej Stronie Snu (On the Other Side of Sleep) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Po Drugiej Stronie Snu is a Polish colouring book illustrated by the very talented Karolina Kubisowska who kindly sent me a copy to review. This book is periodically on Amazon UK though it’s currently very expensive there (I’m not sure why as it hasn’t always been) and Book Depository (links below, above the photos). The title translates as On the Other Side of Sleep which I’ve guessed to mean that it’s showing a dreamy fantasy land and that’s exactly what you get inside, surreal, weird, wonderful and ethereal images that would fit right in to a dream land.

The book itself is 22cm square, paperback with flexible card covers with a partially coloured image from inside the book, the inside covers are a sage green colour. The spine is glue-bound and you will need to be a little careful with it to avoid loosening the pages over time. The images are printed double-sided and are a mixture of single and double-page spreads with the majority being single pages, they are all full-page designs that reach the edges so a little of some of the images can be lost into the spine. The paper is bright white, medium/thick and smooth but not shiny, though, in most of the images the paper looks a little grey due to the printing (this isn’t a negative, more on this later). Water-based pens don’t bleed or shadow and pencils work well on the paper despite it not having much texture, I used Derwent Inktense Pencils activated with water and the paper held up very well with almost no warping or buckling and any that did occur was because of my inexperience and lack of ability to be sparing enough with water!

The artwork is really unusual, in fact everything about the content and style of this book is unlike anything else I’ve seen hence the whole paragraph dedicated to it. Karolina’s art is a cross between normal line art and greyscale, it’s not fully shaded or photographic but it does have heavy black shading which makes the illustrations really dramatic and really easy to make look amazing with little to no knowledge of blending or shading. In addition to this some of the pencil lines are left showing and the pen lines aren’t pristinely, accurately drawn, they feel more chaotic and haphazard but you can see that they’re all meticulously placed to give a sketched look and this creates a real feeling of movement rather than a flat, static drawing.  The backgrounds aren’t left plain, they mostly show some sort of texture from canvas-like texture to toothy watercolour paper and plenty of others, hardly any have totally white backgrounds. This book is very much like looking through an artist’s sketchbook, it isn’t perfect, it’s not polished but that’s what’s so good about it, it feels inviting, less intimidating and all it needs is some vibrant colour to finish it off. Interspersed through the colouring pages are a number of pages with text written on them, sadly this is written in Polish so I have no idea what it says but I understand that it tells the story of the dreamy land that Karolina has created. Some of these pages are black and white and others are printed in full colour. The last two colouring pages have some splashes of colour added around the edges but these aren’t intrusive to the main designs; a few of the images have black backgrounds. The image content is very wide-ranging and contains some realistic images and others which are much more imaginary, there are lots of mushrooms and gems, plants and animals as well as dolls, three-eyed girls, crying unicorns and even a haunted-looking house, there’s nothing particularly horror-themed or grotesque, but there is a little of the dark and bizarre which could be the subject of bad dreams but not nightmares.

In terms of mental health, this book is ideal, at first it appears really intimidating because the artwork is different from anything you’ll have seen before and the dark lines and shading can be off-putting but as soon as you put colour on the paper your fears will melt away and you’ll realise just how easy it is to bring Karolina’s art to life. This would be an ideal book for beginners because the shading is already added for you so you can learn about light and shade and add your darker colours where the heaviest lines are and your lightest colours in the emptier spaces but it’s also easy enough for advanced colourists to challenge themselves and make their own mark on the pages. The line thickness is varied throughout the book and each page, and ranges from medium/thin to very thick. The intricacy and detail levels also vary throughout from large open spaces to much smaller sections and everything in between meaning this book would be suitable for most people with most levels of vision and fine motor control, those with poor levels of either may struggle with a few of the images but this isn’t a book where you need to stick rigidly to colouring between the lines, Karolina’s beautiful haphazard drawing style will be very forgiving of any slips or spills so if you like the artwork then take the plunge and get a copy! The content of the images is very unusual and while none of it is nightmareish or horror-themed, some of it is quite dark and a little eerie so do check the images below if you can be affected by dark themes to ensure that it won’t negatively affect you. In terms of concentration level, this book will adapt to those with good or poor concentration, there are plenty of natural stopping points and if using watercolours you can use sweeping strokes to colour quite quickly if you so choose, you certainly don’t need to spend hours and hours on each page unless you wish to.

Overall, I would highly recommend this book, it contains a huge variety of images and they’re really fun to colour and let loose your wildest colour schemes on, it’s great for pencils, pens and watercolours and ideal for those who want to learn more about light and shade or who don’t want to be restricted by “perfect” drawings where you have to stay inside the lines, this book is really freeing, even for those of us who are anxious and perfectionists and the finished pages look amazing!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – Po Drugiej Stronie Snu
Book Depository Worldwide – https://www.bookdepository.com/Po-drugiej-stronie-snu-Karolin-Kubikowsk/9788379452040/?a_aid=colouringitmom
Karolina’s Website – http://www.karolinakubikowska.pl/po-drugiej-stronie-snu-karolina-kubikowska-prod258962.htm

Karolina has also recently published a second book called Ticket to Dreams which is spiral-bound and available to purchase here – http://www.radostpromaminku.cz/product/omalovanky-pro-dospele/ticket-to-dreams—karolina-kubikowska/927

The image below was coloured using Derwent Inktense Pencils activated with minimal amounts of water.

Press Out and Colour: Butterflies – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Press Out and Colour: Butterflies, is published and very kindly sent to me to review by Nosy Crow. This book is aimed at children but actually, it’s ideal for anyone who’s young at heart and I really enjoyed colouring my butterfly ready for the review. This book is hardback, a little larger than A5 and spiral-bound. The covers are bright blue and the spine is pink with silver foiling on the spine and the front cover. On the inside covers are white line drawings on a pink background showing 5 of the butterflies fully assembled and named on each. The book contains 10 models of butterflies which you can press out (before or after colouring), colour and assemble and then hang around the house. The pages are made of very thick card/hardboard and are covered in silver foil throughout. The butterflies are white with silver line-drawn patterns all over them which you colour within and these catch the light beautifully when you hang up your assembled butterfly and it moves against the light. The butterflies are printed double-sided, they’re designed to look like real butterflies so some have the same design printed on the top and underside and others have different tops and undersides like their real counterparts thus making them look more realistic when hung up. The cuts around the little sections that need to be removed in order to slot the butterfly together and hang it up are really well cut so that you can push the unneeded bits out with your fingers or something a bit pointier if needed. The pieces slot together really well and are very sturdy and will remain so if you don’t disassemble and reassemble them a lot so they won’t fall apart by accident and they shouldn’t need gluing. Each butterfly has a small hole in the centre of each wing so that you can tie some thread through (the hole is a little small for string) and you could either hang the butterflies separately or together, or even create a mobile or ceiling centrepiece. If you don’t want to keep the butterflies hung up then they can be disassembled and the pieces can be popped back into the guides in the book for safekeeping. The guides can also be used as stencils to draw within (or you could draw around the pieces but be careful to only use pencil so you don’t accidentally damage your finished butterfly) so that you can create kaleidoscopes more than the original 10 you’re getting. Simply draw within the slots and holes on the pieces to make sure it’ll slot together just like the original or, if you’re using thinner card, make them thinner and adjust with scissors as you go if it’s a bit too tight a fit! The butterflies included are: Blue Morpho, Buckeye, Lime, Monarch, Painted Lady, Peacock, Pearl-Bordered Fritillary, Red Admiral, Tiger Swallowtail, and Zebra Longwing.

As mentioned before, the card is very thick hardboard and therefore you can use whatever mediums you fancy. I used alcohol markers on mine as they’re much more fade-resistant than water-based pens and they didn’t shadow at all. The patterns are quite detailed so you may struggle with pencils and little people almost certainly would so I’d stick to pens for this (do put down some protective stuff on the table if letting your child loose with Sharpies or it may not just be the butterfly that gets permanently subjected to their creative flair). These butterflies would make a perfect family project, you could do one each or even do a piece each and see what you come out with, I’m sure you could create some stunning butterflies! It would be a lovely activity to do for or with your children and once you’ve completed all 10 you could hang them at different heights in their bedroom so that you and they are constantly reminded of the fun you had creating them together. The hardboard is really durable and will hold up to a fair bit of bashing, scrubbing, and over-colouring (children can get a little over-enthusiastic with pens sometimes) so these butterflies would be ideal for children of almost any age, if they can hold a pen and colour, they can colour these butterflies! The parts are all fairly big so it’s advised on the book that you don’t give it to a child under the age of 36 months but above that you’ll be good to go!

In terms of mental health, what could be better than an activity that you can share with your children? The process of colouring them together will be sure to lift your mood and if you’re ever having a bad day or feeling anxious, go and check out your handiwork and lie on the floor gazing up at the masterpieces you and your children have created and imagine you’re a butterfly fluttering through the sky and away from your problems; it can’t just be me who’s always wished they could fly?! The intricacy and detail level is surprisingly high for a book that’s aimed at children but the silver lines can either be coloured within by adults, or over by children, it really won’t matter either way and you’ll get some very unique butterflies regardless of the way you colour them. If you want the butterflies to look realistic then you could find some images of the butterfly to show your child so they can have a go at matching it or you can let their creativity loose and have a multitude of rainbow butterflies. All of the butterflies are made of 2 pieces so they’re really easy to assemble and they don’t take hours and hours to colour, even if you do colour each section separately (like I did) so they’re a great quick project to create something beautiful and displayable for your home!

I would highly recommend this book to those with children, or the young at heart. These butterflies are super cute and great fun to colour and they look even better once assembled, a fully coloured kaleidoscope of them hung up in a room will look fabulous and be sure to delight your child and brighten up the darkest of days be those due to weather or mental health. Get colouring yourself a kaleidoscope of butterflies!

If you’d like to purchase a copy it’s available to pre-order here:
Amazon UK – Press Out and Colour: Butterflies
Book Depository Worldwide – https://www.bookdepository.com/Press-Out-and-Colour–Butterflies/9780857638755/?a_aid=colouringitmom

The butterfly below was coloured using Sharpies.

Press Out and Colour: Easter Eggs – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Press Out and Colour: Easter Eggs, is published and very kindly sent to me to review by Nosy Crow. This book is aimed at children but actually, it’s ideal for anyone who’s young at heart and I really enjoyed colouring my Easter Eggs ready for the review. This book is hardback, a little larger than A5 and spiral-bound. The covers are bright yellow and the spine is pale blue with gold foiling on the spine and the front cover. On the inside covers are white line drawings on a bright blue background of Easter egg decorations hung on branches. The book contains 20 different sizes of Easter eggs, some of which are flat and some of which slot together to make a 3D shape all of which you can press out (before or after colouring), colour and assemble and then hang around the house. The pages are made of very thick card/hardboard and are covered in gold foil throughout. The Easter eggs are white with gold line-drawn patterns all over them which you colour within and these catch the light beautifully when you hang up your assembled egg and it moves against the light. The eggs are printed double-sided with the same design on both sides so that you can colour it identically and have a 3D egg at the end. The cuts around the little sections that need to be removed in order to slot the egg shapes together and hang it up are really well cut so that you can push the unneeded bits out with your fingers or something a bit pointier if needed. The pieces slot together really well and are very sturdy and will remain so if you don’t disassemble and reassemble them a lot so they won’t fall apart by accident and they shouldn’t need gluing. Each egg has small holes that you can tie some thread through (the holes are a little small for string) and you could either hang the eggs separately or together, or even create an Easter tree out of foraged branches. You may not want to keep these egg decorations up all year round and if that’s the case then they can be disassembled and the pieces can be popped back into the guides in the book for safekeeping. The guides can also be used as stencils to draw within (or you could draw around the pieces but be careful to only use pencil so you don’t accidentally damage your finished piece) so that you can create lots more eggs than the original 20 you’re getting. Simply draw within the slots and holes on the pieces to make sure it’ll slot together just like the original or, if you’re using thinner card, make them thinner and adjust with scissors as you go if it’s a bit too tight a fit! The eggs are in 4 different sizes: 6 of the largest which are all 3D; 2 of the second largest which are also both 3D; 8 of the second smallest which are flat in design and 4 of the smallest which are also flat in design. Once they’re all coloured, assembled, and displayed together they’ll look fabulous and you’ll be all set for the Easter Bunny’s arrival in April.

As mentioned before, the card is very thick hardboard and therefore you can use whatever mediums you fancy. I used alcohol markers on mine as they’re much more fade-resistant than water-based pens and they didn’t shadow at all. The patterns are quite detailed so you may struggle with pencils and little people almost certainly would so I’d stick to pens for this (do put down some protective stuff on the table if letting your child loose with Sharpies or it may not just be the egg that gets permanently subjected to their creative flair). These egg decorations would make a perfect family project, you could do one each or even do a piece each and see what you come out with, I’m sure you could create some really wonderful decorations! It would be a lovely activity to do for or with your children and once you’ve completed all 20, or just a few, you could hang them around the house or on an Easter tree in pride of place so that you and they are constantly reminded of the fun you had creating them together. The hardboard is really durable and will hold up to a fair bit of bashing, scrubbing, and over-colouring (children can get a little over-enthusiastic with pens sometimes) so these eggs would be ideal for children of almost any age, if they can hold a pen and colour, they can colour these decorations! The parts are all fairly big so it’s advised on the book that you don’t give it to a child under the age of 36 months but above that you’ll be good to go!

In terms of mental health, what could be better than an activity that you can share with your children? The process of colouring them together will be sure to lift your mood and if you’re ever having a bad day or feeling anxious, go and check out your handiwork and marvel at the gorgeous colours and look forward to the chocolate treats you’ll be sharing with each other soon! The intricacy and detail level is surprisingly high for a book that’s aimed at children but the gold lines can either be coloured within by adults, or over by children, it really won’t matter either way and you’ll get some very unique egg decorations regardless of the way you colour them. Each egg either has a pattern or Spring-themed scene on it so none of it needs to be coloured realistically and you could either theme them all with a Spring palette or just let loose with ALL the colours! Each egg is either made of one or two pieces so some need no assembly and those that do just require slotting one piece into the other so they’re really easy to assemble and they don’t take hours and hours to colour, even if you do colour each section separately (like I did) so they’re a great quick project to create something beautiful and displayable for your home!

I would highly recommend this book to those with children, or the young at heart. These egg decorations are super cute and great fun to colour and they look even better once assembled, a fully coloured set will look “eggcellent” (not even sorry!) hung up in a room or adorning an Easter tree and they’ll be sure to delight your child and brighten up the darkest of days be those due to weather or mental health. Get colouring yourself some “eggstra”-special egg decorations!

If you’d like to purchase a copy it’s available here:
Amazon UK – Press Out and Colour: Easter Eggs
Book Depository Worldwide – https://www.bookdepository.com/Press-Out-and-Colour–Easter-Eggs/9780857638694/?a_aid=colouringitmom

The eggs below were coloured using Sharpies.

Gift Boxes to Colour and Make: Birds and Blossom – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Gift Boxes to Colour and Make: Birds and Blossom is published and was very kindly sent to me to review by Nosy Crow Publishing. This book is unlike any other because it’s not a normal colouring book, each page is a gift box which can be removed and folded into a box to gift to friends and family, this is the second in the series with a Christmas-themed one available HERE. The book itself is paperback with flexible card covers, it’s just under 30cm square and has a mid-pink cover with splashes of pinks and blues and mint green foil accents. On the inside cover are diagrams and written instructions about how to remove and fold the boxes and on the back inside cover are three recipes so you can create Easter treats to go in your boxes – Chocolate Nests, Easter Egg Biscuits, and Butterfly Cakes. The spine is glue and string-bound making it durable but it’s all quite easy to press flat so that you can colour the whole box, or remove it via the perforations before colouring if you find that easier. Each of the 24 pages contains one double-sided box with different matching designs for each of the sides and the inside base and then a small repeating pattern on all of the other edges, there’s heaps to colour in on each one! The card is medium thickness, bright white and lightly textured so it’s perfect for pencils and water-based pens which didn’t bleed and only slightly shadowed with the darkest colours; alcohol markers will bleed so I’d avoid using these. The perforations are well-made and the parts do mostly come out easily, I would advise caution as a very small section of my actual box started splitting so you may prefer to use the perforations as a guide for scissors or just work slowly, a few of the parts have quite large perforations which do leave large bumps rather than smooth edges on the box but again, these could be tidied up with scissors if you wish. The boxes are individually designed and contain themed illustrations from garden birds to swans, butterflies to bird houses, Easter eggs to dragonflies, kingfishers to bunnies, bunting to bee hives, Easter baskets to owls, and lots more Spring and Easter-themed imagery. The images are very cute and have a naïve quality to them which makes them look really charming and they’ll look lovely coloured by adults or children and gifted to others. At the back of the book is a page of mint green foiled stickers each with lines on where you can write names to and from, and each with a small Spring-themed motif. The set is really well-made and thought out, this book is produced by the same publishing company who created the Colouring Book of Cards and Envelopes so you can be assured it’s good quality though the illustrations are created by a different artist (Felicity French) from those (Rebecca Jones) and the other colouring gift box book (Sarah Walsh).

In terms of mental health, I think this book of gift boxes is pretty great because it offers up a project with a very clear purpose and end point, ideal for those of us who struggle to get motivated or see the point in things sometimes. Sharing is always good fun and when colouring these boxes you know you’ll be sharing the love with someone you care about and that’s a great thing to be able to do! The line thickness is consistent throughout and is thin. The intricacy and detail levels are pretty high with lots of small sections so these boxes will only really be suited to those of you with good vision and fine motor control. The boxes take ages to colour so you’re certainly getting lots of colouring hours for your money, however, each box consists of lots of small colourable parts which is ideal for any level of concentration or amount of symptoms, you can colour for 20 seconds doing just one or two flowers, or hours and hours doing the whole internal repeating pattern or somewhere in between. The images on the box are sure to get you in the mood for Spring and remind you that Easter and yummy chocolate eggs are on their way! These boxes will be perfect for sharing Easter treats with family and friends and they can be filled with small gifts or sweets or chocolates and they’ll be the perfect packaging for anything handmade, the possibilities are endless!

Overall, I would highly recommend these colourable gift boxes, there’s loads to colour on each one and they’re sure to get you and your recipient in the mood of Spring and Easter and they give a wonderful personal touch to whatever gifts you decide to put inside them.

If you’d like to purchase a set, the book is available here:
Amazon UK – Gift Boxes to Colour and Make: Birds and Blossom
Book Depository Worldwide – https://www.bookdepository.com/The-Gift-Boxes-to-Colour-and-Make–Birds-and-Blossom/9780857638687/?a_aid=colouringitmom

You can find the Christmas Gift Box book here.

The box below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.

Time of Memory: A Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Time of Memory: A Coloring Book is published and kindly sent to me to review by St Martin’s Griffin. It was originally published in Korea and has been translated into English, this is one of a series of three books, the other two can be found reviewed by me here: The Story of Pandora, The Land of Dreams. All of them are written by Kim Sun Huyn and Time of Memory is also illustrated by her, whereas the other two are illustrated by Song Geum Jin so their illustration style and content is very different. Just bear this in mind and check out reviews of all three to ensure you like them all.

This book is 25cm square, paperback, with soft feel flexible card covers with beautiful coloured imagery from inside the book and half page French flaps which are left blank on the insides. The spine is glue-bound which makes it fairly durable but does mean that you’ll lose a little of each image into it unless you crack the spine which will give you better access to the centre but could eventually lead to pages falling out so do be careful. The images are printed double-sided and are a mixture of single and double page spreads, a large number of them do enter the spine. The paper is bright white, medium thickness and lightly textured, water-based pens ever so slightly shadowed when using dark colours but didn’t bleed at all, alcohol markers will bleed through, pencils layer and blend well as there’s a little bit of tooth. The images themselves are a very different style from the other two books in this series on account of them being drawn by a different illustrator, the cover image is included inside but is not indicative of the majority of the images which are more basic and open-spaced. The book is split into the four seasons with the pages each including scenes, objects, and imagery indicative of that season in a Northern hemisphere country. The images include: Spring flowers, butterflies, berries, goslings, fans, umbrellas, a beach, acorns, pine cones, Winter clothing, snow scenes, and a Christmas tree. Each season is titled and a short paragraph is written about what that season means to Kim and some of her memories from childhood. At the back of the book is advice written by Kim, an Art Therapist, where she describes ways in which art therapy can be used, and the effects of different colours and what they can be used to elicit. Following this are thumbnails of each image along with the title of the spread, and a double-page spread where you can create your own illustrations.

In terms of mental health, this book is good for a whole range of conditions or symptoms, the content is wide-ranging and very natural so it’s calming and soothing to colour. The line thickness varies from thin to medium thickness and the intricacy and detail levels vary hugely from large open spaces in quite blocky designs to much more detailed pictures on a level with the cover image and everything in between. This book would suit colourists with most levels of vision and fine motor control, neither will need to be perfect for you to enjoy this book. The season theme gives this book a great level of continuity and the written childhood memories as well as pictured scenes offer a good level of nostalgia for childhood holidays at the beach, rainy summer holidays and snowy Christmasses. Many of the pages have great natural stopping points so it’s well suited to good and bad days where you want to colour just one item or section, or a whole page. You won’t need high levels of concentration to enjoy this book and while it is distracting and absorbing, it’s not hugely mentally taxing so it’s good for a range of abilities. I personally found the art a little basic, particularly when compared to the other two books in the series and it feels like a slightly adult version of a children’s book, however, that might just be me, having reviewed over 200 books you do get picky and this isn’t one of my favourites though I’m sure it would be some people’s.

Overall, I would recommend this book to those who don’t have perfect vision or fine motor control who want to colour natural images. The content is well-suited to pen or pencil colourists and is nostalgic both for childhood memories and for its similarities with children’s colouring book art.

If you’d like to purchase a copy it’s available here:
Amazon UK – Time of Memory: A Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Time-of-Memory/9781250112477/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tip Pens and Staedtler Triplus Fineliners.