Nature

The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds is illustrated by Rachel Cloyne and published and kindly sent to me to review by Nosy Crow. This book is the latest in a huge series of Colouring Books of Cards and Envelopes, the others have all been illustrated by Rebecca Jones and had nature and animal themed cards, this new book is one of two which have been created in partnership with the British Museum and while the production quality and style is identical, the content is quite different, to read more about that skip to the third paragraph.

The book itself is large at 28cm square, it’s paperback with a flexible card cover with gold foiling lettering and detail. Inside the front cover are instructions detailing how to fold the envelopes for the cards. Following this are pages of colourable cards with two on each page connected by tabs on perforated pages which are very easy to remove from the book with no issues or bending and a thin strip that the perforation is attached to that you can cut off with scissors to neaten up the card edges. There are 24 cards, each with a unique design, and all 4 sides of the cards have illustrations on that you can colour including a “Coloured For You By…” section on the back, they measure 13.5cm square when folded. Following the card pages are 24 unique envelope designs that match the cards perfectly and are printed in the same order as the cards so it’s very easy to match up the paired cards and envelopes together. The envelopes have illustrations on the front, each of the four flaps, and the whole of the back of the page which makes up the inside of the envelope has a repeating design on it that can be coloured if you wish. The folding instructions are very clear and easy to follow and the pre-scored lines on the cards and envelopes allow for a perfect fold every time. On the very last page of the book are 24 circular stickers with matching designs to seal the envelopes with. One small gripe I have is that these stickers are arranged in a random order and it’s not clear which card many of them are designed for, with many being suitable for a number of cards which just irks the perfectionist in me.

The card itself is bright white, medium thickness and lightly textured. I experienced absolutely no bleeding and very minimal shadowing when using water-based pens; alcohol markers will bleed through. Pencils would be ideal for these cards if you’re wanting more subtle colours, or wanting to blend and shade. The envelopes are printed onto bright white, thick paper which I didn’t experience any bleed through of water-based pens on but did get the lightest of shadowing when I coloured too slowly and the ink saturated the paper a bit much so do be careful if you’re wanting the inside of your envelopes to remain pristine for colouring too. Sadly, the space left on the front of a few of the envelopes is pretty small and not exactly suitable for a normal length postal address and there is also no space for a postage stamp. You could add an address label, and simply stick the postage stamp over the design but for perfectionists like me this isn’t an option and it is a shame this wasn’t quite thought through. When posting these cards to friends and family I will be popping the whole thing inside a normal envelope so that I can keep the envelope design intact.

The content is unusual to say the least, the artist took inspiration from objects from the British Museum’s collections and so rather than showing scenes or the objects themselves each card shows a pattern inspired by the original object. The theme is animals and birds and each card has an animal or bird themed pattern or scene on it, similar to that found on the original object. I wasn’t a fan of how the patterns translated into cards in the other title Fabulous Flowers and Perfect Patterns, but these animal cards have actually worked quite well, there is a good level of interest and the scenes and patterns are nicely drawn and seem a bit less random. I still don’t like these cards as much as the original sets created in conjunction with the National Trust as they were cuter and more fun to colour but these are nice nonetheless. The artwork in this book is much more polished than that in the other British Museum title and there are no issues with varying line thicknesses or pale print, these lines are a consistent size and properly black. There is a good variety of images inspired by all sorts of different objects, each one handily noted on the back of the card so you can research each object to find out what it looks like and use the original colours or your own imagination if you choose. On the inside of the back cover are small photographs, each shown in order and labelled, of the objects the cards are based on, these are a bit small to see for giving proper inspiration but it’s nice to know what you’re looking for when researching the objects online if you wish. The animals and birds include all sorts from camels to dragons, peacocks to horses, elephants to tigers and rabbits to hippopotami, there’s a great range of animals included and all sorts of types of images including mosaics, patterns and scenes.

In terms of mental health, this book is pretty good, it’s got loads to colour and makes a great project, it’s always nice to colour something with a purpose and you could either display the cards yourself once they’re finished, or send them coloured or uncoloured to family and friends, they could be a great way of getting non-colourers started! The line thickness is consistent throughout and remains thin but not spindly thin. The intricacy and detail levels vary with the envelopes being less intricate than the cards which are highly detailed and intricate, therefore, you’ll need pretty good vision and fine motor control to enjoy these cards. You will need good levels of concentration but the cards do have lots of component parts so you can always colour a small section on a bad day or a full card and envelope on days when you’re feeling more capable. These cards take a surprisingly long time to colour so you’re really getting good value for money with these sets as you’ve got hours and hours of colouring time as well as something really useful and usable that can then be sent to others to share the colouring joy! The content is nature-inspired and quite cute, not as cute as the original titles but pleasing to colour nonetheless.

Overall, these cards are nice, I’m not wowed by the content but they’re a clever idea and they’re cute designs, certainly unlike any I’ve seen in any other book. They are a good combination of history, antiques and colouring and would make a great quirky present for someone. The production quality, as always, is outstanding and I’m sure these cards will appeal to many.

If you’d like to purchase a copy, it’s available here:
Amazon UK – The Colouring Book of Cards and Envelopes: Amazing Animals and Beautiful Birds
Book Depository Worldwide – https://www.bookdepository.com/British-Museum-The-Colouring-Book-of-Cards-and-Envelopes-Amazing-Animals-and-Beautiful-Birds-Rachel-Cloyne/9781788000017/?a_aid=colouringitmom

The card below was coloured with Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns is illustrated by Rachel Cloyne and published and kindly sent to me to review by Nosy Crow. This book is the latest in a huge series of Colouring Books of Cards and Envelopes, the others have all been illustrated by Rebecca Jones and had nature and animal themed cards, this new book is one of two which have been created in partnership with the British Museum and while the production quality and style is identical, the content is quite different, to read more about that skip to the third paragraph.

The book itself is large at 28cm square, it’s paperback with a flexible card cover with gold foiling lettering and detail. Inside the front cover are instructions detailing how to fold the envelopes for the cards. Following this are pages of colourable cards with two on each page connected by tabs on perforated pages which are very easy to remove from the book with no issues or bending and a thin strip that the perforation is attached to that you can cut off with scissors to neaten up the card edges. There are 24 cards, each with a unique design, and all 4 sides of the cards have illustrations on that you can colour including a “Coloured For You By…” section on the back, they measure 13.5cm square when folded. Following the card pages are 24 unique envelope designs that match the cards perfectly and are printed in the same order as the cards so it’s very easy to match up the paired cards and envelopes together. The envelopes have illustrations on the front, each of the four flaps, and the whole of the back of the page which makes up the inside of the envelope has a repeating design on it that can be coloured if you wish. The folding instructions are very clear and easy to follow and the pre-scored lines on the cards and envelopes allow for a perfect fold every time. On the very last page of the book are 24 circular stickers with matching designs to seal the envelopes with. One small gripe I have is that these stickers are arranged in a random order and it’s not clear which card many of them are designed for, with many being suitable for a number of cards which just irks the perfectionist in me.

The card itself is bright white, medium thickness and lightly textured. I experienced absolutely no bleeding and very minimal shadowing when using water-based pens; alcohol markers will bleed through. Pencils would be ideal for these cards if you’re wanting more subtle colours, or wanting to blend and shade. The envelopes are printed onto bright white, thick paper which I didn’t experience any bleed through of water-based pens on but did get the lightest of shadowing when I coloured too slowly and the ink saturated the paper a bit much so do be careful if you’re wanting the inside of your envelopes to remain pristine for colouring too. Sadly, the space left on the front of a few of the envelopes is pretty small and not exactly suitable for a normal length postal address and there is also no space for a postage stamp. You could add an address label, and simply stick the postage stamp over the design but for perfectionists like me this isn’t an option and it is a shame this wasn’t quite thought through. When posting these cards to friends and family I will be popping the whole thing inside a normal envelope so that I can keep the envelope design intact.

The content is unusual to say the least, the artist took inspiration from objects from the British Museum’s collections and so rather than showing scenes or the objects themselves each card shows a pattern inspired by the original object. While this was a clever idea, I’m not personally convinced that it’s translated very well, the cards just seem a bit random with no specific theme and the illustrations aren’t very pretty. As with all artwork, it’s very subjective and I’m sure that some people will love these cards but sadly, I’m not one of them and I’m not sure any recipients I might send them to would really understand the imagery. That being said, they’re nicely drawn and contain a good variety of images inspired by all sorts of different objects, each one handily noted on the back of the card so you may be able to research each object to find out what it looks like and use the original colours or your own imagination if you choose. On the inside of the back cover are small photographs, each shown in order and labelled, of the objects the cards are based on, these are a bit small to see for giving proper inspiration but it’s nice to know what you’re looking for when researching the objects online if you wish. The lines the cards are drawn in are a little strange, in previous titles they have been perfectly black but a number of these aren’t truly black and are a little faded, they also vary in thickness a bit as if they’ve been drawn with a fountain pen rather than a specific sized nib, this gives the images a slightly sketchy feel.

In terms of mental health, this book is quite niche, for those who like history, antiques, and quirky patterns, this book would be ideal, there’s loads to colour in it and it’ll keep you occupied for hours, however, I do think the imagery is a little dull and won’t appeal to the majority of people. The line thickness whilst a little varying as described above is consistent throughout and is thin and spindly thin. The intricacy and detail levels are very high throughout, significantly higher than previous titles in the series and therefore you’ll need very good, near perfect, vision and fine motor control to avoid going over the lines. You will also need very high levels of concentration or to colour for short periods of time as the designs can be difficult to decipher when tired or symptomatic. I wouldn’t advise these cards for days when you’re feeling anxious as the level of focus required is likely to be too high and you might find yourself feeling more on edge rather than calmer. The content is nature-inspired and non-geometric so it’s quite pleasing to the eye and has an obviously hand-drawn quality which is always nicer to colour than computer-generated “perfect” images.

Overall, I’m personally not a fan of these cards but for those with an interest in British Museum artefacts, this book may well be perfect and the content is certainly unlike any other book I’ve seen. It would possibly be the perfect book for the history student or fan who has everything. The production quality, as always, is outstanding and I’m sure these cards will appeal to some.

If you’d like to purchase a copy, it’s available here:
Amazon UK – The Colouring Book of Cards and Envelopes: Fabulous Flowers and Perfect Patterns
Book Depository Worldwide – https://www.bookdepository.com/British-Museum-The-Colouring-Book-of-Cards-and-Envelopes-Fabulous-Flowers-and-Perfect-Patterns-Rachel-Cloyne/9780857638625/?a_aid=colouringitmom

The card below was coloured with Stabilo Point 88 Fineliners.

Magnificent Animals: A Coloring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magnificent Animals: A Coloring Book is published and kindly sent to me to review by National Geographic. The book is 24 cm square, paperback with flexible card covers with 1/3 French flaps, the cover has green foiling embellishments and the inside covers and first and last page have a continuous pattern and animal image that is fully colourable. The spine of the book is glue bound and fairly stiff to begin with, the images are printed single-sided and are perforated so none of the images enter the spine. All of the images are single-page spreads printed on the righthand page. The paper is bright white, medium thickness with a small amount of texture allowing a few layers of pencil to be built up for blending and shading; water-based pens shadow but don’t bleed, alcohol markers will bleed through so put some protective paper behind your work to protect the next page. The images themselves are each of a different animal and are hugely wide-ranging including a: horse, peacock, koala, seahorse, armadillo, mandarin duck, sheep, preying mantis, meerkats, zebra, heron, bears, ants, scorpion, panda, stag beetle, cow, butterflies and so many more creatures. The image style varies hugely and while the cover states that it was created by one illustrator, these images don’t look hand-drawn and my guess is that they were created digitally as a number of them have the same patterns or backgrounds as each other. The illustrations are very similar in style to many of the Shutterstock images that we’ve seen and while none of them are the same as any I’ve seen before, they do feel quite similar to a number of books I’ve seen in the past. Sadly, I’m disappointed by the artwork, I expected the illustrations to be very realistic due to being published by National Geographic but only the outlines are realistic, the majority of the animals have patterns added to them which don’t look remotely like the texture of their fur, feathers or skin and I’m guessing have been added for interest and extra colouring space, normally I don’t mind this but it seems like a wasted opportunity when we could have had a realistically drawn book with such a wealth of different animals pictured, many of which I’ve never seen in a colouring book before. Many of the backgrounds aren’t remotely related to the content especially the peacock with snowflakes and it just seems a bit haphazard and thrown together, the only continuity seems to be the animal theme as the way the animals are drawn as well as their patterns and backgrounds is so varied. I do think I’d have been much more keen on the content if I hadn’t known who the publisher was and imagined the type of content first so others may well be much happier with the contents than I am.

In terms of mental health, this book offers a lot of distraction, there is heaps to colour in each image and the patterns add a lot of extra spaces if you want to colour each section separately, there’s plenty to keep you absorbed and focused which is great for those with an anxious or racing mind. The line thickness is fairly consistent throughout and remains thin, the intricacy and detail levels are high in the majority of images and therefore you’ll need pretty good vision and fine motor control to enjoy this book and get the most out of it. You will also need a very good level of concentration for the vast majority of these images as there are a lot of component parts to identify and lots of fiddly bits to colour so you’ll probably want to save it for your better days rather than getting frustrated by it on days where you can’t properly focus. There is a huge variety of imagery and some really quirky and unusual animal choices which is a nice change from a lot of animal-themed books which tend to stick to the cute, fluffy, cuddly types, it’s nice to see a good range or insects, reptiles and wacky mammals. The single-sided printing means you can use any medium you fancy and the perforations make the pages easy to remove to stick up and brighten your walls or frame for your kids’ bedrooms if you like.

Overall, I was disappointed by the lack of realism in the images but the content is very wide-ranging, quirky and fun and you’re getting a lot of images for your money. The production quality is good and very useful for those who like to use wet media and alcohol markers, it’s certainly a book that’s grown on me but it does still feel quite generic and haphazard.

If you’d like to purchase a copy it’s available here:
Amazon UK – Magnificent Animals: A Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/National-Geographic-Magnificent-Animals-An-Adult-Coloring-Book-Hayrullah-Kay/9781426218156/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tips.

Fantasia – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fantasia is illustrated by Nicholas F. Chandrawienata and published and kindly sent to me to review by Phoenix Amulet Publishing. This book is one of the most talked about in the colouring groups on Facebook and has been one of the most difficult to get hold of after early US editions were printed with very disappointing paper quality, however, these issues have now been rectified and the book is produced to an extremely high standard and is readily available on Amazon US (details about International purchase at the bottom of the review above the photos). The book itself is 27.4 x 25.4cm, landscape orientation, paperback with flexible card covers with a fully coloured image from inside on the front. The book is spiral-bound on the left side and the pages are perforated but don’t come loose unless deliberately detached from the book. The 61 images are printed double-sided onto thick white paper, it’s not bright white but not off white either, it has a great amount of tooth (see photos below) and is ideal for layering and blending pencils and it doesn’t bleed or shadow with water-based pens when used carefully; alcohol markers will bleed through and you should always test any pens including water-based markers in an inconspicuous area to ensure you don’t ruin any reverse images as everyone colours differently. The images are all contained to a single page, none of them are spreads. The illustrations are really varied in content and while the majority are of people including their faces, upper bodies and whole bodies, a number of them are quite random too and include Easter eggs, a dinosaur, dragons, koi carp, roses, snowflakes, skulls and all sorts more. The most iconic images from this book and the ones that really sell it and look most spectacular when coloured are the images of people and these truly are transformed with colour, whether you use realistic flesh tones or go all out with green or purple tones instead, these images look unbelievable! Nicholas is an extremely talented illustrator and his work really is perfect, it’s beautiful, and really detailed and due to him being from Indonesia, there is a real Asian influence on his work which we don’t often see in colouring books and is a really fresh thing to see and colour. His work really does have to be seen to be believed so do check out the images below so you can see some of the variety and wide-ranging content as well as the beauty of his drawings.

In terms of mental health, this book is great, it’s so distracting and unusual and on one page you’re transported into prehistoric times where dinosaurs roamed the earth and on another you’re face to face with a mermaid, pirate, or even death. The illustrations are realistically drawn but much of the content is mythical or fantastical so there are no “correct” colour schemes and this book is definitely one to push you out of your comfort zone and get you trying new colour schemes and learning to colour flesh, fur or metal accurately. This book isn’t for the faint-hearted but if you’re brave you’ll really reap the rewards because it looks just incredible when coloured! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels do vary throughout each picture with most containing some large and some small spaces, for example a large open space of a face with much more detailed flowers around the edge; none of the spaces are particularly tiny apart from on the odd occasion so this book would be suitable for most levels of vision and fine motor control but do check the pictures of the pages below in order to ensure suitability. Three of the images have small text on them suggesting for you to add detail to a named section of the image which has been left uncharacteristically simple, these aren’t overly intrusive and you can always ignore the instructions like I did and just colour the image as it is. This book does mostly require a fairly high level of concentration but there are a few images that are made up of component parts which you could focus on when you’re feeling poorly and leave the full page portraits for day when you’re feeling better and up for a challenge. I really can’t rave about this book enough, it’s stunning and even though a lot of the content isn’t stuff I’d normally choose to colour, I can’t wait to work my way through every page in this book because the artwork is just so beautiful!

Overall, I can’t recommend this book highly enough, it’s absolutely gorgeous and a great challenge to get you out of your comfort zone, the paper is fantastic for pencil-lovers and the illustrations are incredible. It’s ideal for those with mental or physical health problems as it’s so distracting and isn’t ridiculously intricate so it’s accessible and if you’re prepared to sacrifice the reverse image, or you want to buy two copies so you don’t have to, then you can even remove your finished pieces and frame them to brighten up your darker days and remind yourself of all that you can achieve!

If you’d like to purchase a copy it’s currently available on Amazon US and for those of you in the UK and elsewhere don’t despair as they do ship to other countries though I’m not sure exactly where they do and don’t ship to. I tried checking out to my address in West Sussex, UK and they do allow it and including shipping the book costs just £17 or thereabouts which is a steal so do check it out! International group orders are often set up and run through a dedicated Facebook Group which can be found here and they also share their finished pages from the book so it’s a great place to start if you need inspiration!

The image below was coloured using Holbein Artists’ Coloured Pencils and blended with a Caran d’Ache Blender Pencil. 

Mythomorphia: An Extreme Colouring and Search Challenge – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

Mythomorphia is illustrated by Kerby Rosanes, and published and kindly sent to me to review by Michael O’Mara Books. This is the third and final book in the series after Animorphia and Imagimorphia. This book has a mythical theme and is a bit less intricate and less morphing than the first two books and contains fewer alien creatures than Animorphia too, that being said, it’s still incredible and really has to be seen to be believed, it’s probably the best book on the market with a mythological theme because of the sheer variety of creatures pictured.

The book is 25cm square, the same size as Animorphia and other bestsellers by JB and MM, it’s paperback with a black card cover with bright red lettering and a dragon (UK copy: other countries’ editions have different coloured lettering but the content is the same in all of the books titled Mythomorphia) in Kerby’s signature style which hints at what’s inside. The paper is bright white, very lightly textured and medium thickness, it doesn’t appear to shadow with water-based fineliners as long as you’re careful but do always check your pens somewhere inconspicuous to make sure you don’t ruin any reverse images. The paper is good for pencils and allows for a few layers for blending and shading. The ink does transfer a little when pressure is applied so when you’re using pencils pop a scrap piece of paper behind to avoid transfer. The book contains 80 images which are printed double-sided and include single (18) and double-page spreads (including 7 paired images which don’t enter the spine and have separate but similar designs on each page, and 24 traditional double-page spreads which do enter the spine and aren’t stand-alone images). The book has a glue- and stitch-bound spine which is fairly tight on arrival and the images are borderless so you do lose a strip of each image into the spine and unfortunately a number of the double-page spreads do have large sections of the creature’s body which enter the gutter however these are accessible if you break the spine. The content itself is all based around mythology and mythological creatures and a truly huge range are pictured from unicorns to mermaids, a hydra to a phoenix, different types of dragons and loads of hybrid creatures including a basilisk, manticore, cockatrice, faun, griffin and many, many more. While many of these creatures are drawn in Kerby’s typical morphine style, a number of them are drawn without morphs and simply as scenes. The morphing parts consist of all sorts of things from rock, flames and waves to smoke, flowers, bats and trees as well as a couple in Kerby’s most well-known style including lots of random objects, plants and swirls. The images are incredible and as always, they’re packed with content to look at and colour, the range of mythological creatures is astounding and a number of them were beasts I’d never heard of so I’ve had a great time researching them and the stories behind them!

In terms of mental health, this is one book that’s absolutely fantastic for distraction! It takes quite a lot of concentration to identify all of the parts of the picture let alone start choosing colours so this really is a book that will help you get through the days when your mind is racing and you need to be able to switch off. It’s not a book for the faint-hearted because each image takes a very long time and a lot of work but it’s so worth it and the effects you can create are amazing! This book doesn’t have any pages where you need to add your own doodles, I’m really pleased about this because I can’t draw at all so I’m glad that all of them are finished this time and ready to colour! The images are very cohesive and they contain such a variety of creatures, most of the images have some shading and texture drawn in but not loads (check out the pictures below to decide if you like this feature or not). The line thickness varies throughout but mainly sticks around the thin mark so you need fairly good vision and fine motor control, but definitely not perfect to enjoy this book! There is also a treasure hunt with 3 pages at the back of the book showing all of the items you can hunt for within the images, followed by thumbnails showing the answers. This book is ideal for those of you who have a fairly good attention span so that you can really get involved in the images and the content is so absorbing that you really do get out of your head and away from your thoughts and become immersed in what you’re colouring. The images have a variety of intricacy and detail levels so you can use simpler images on bad days and more detailed images on days where you’re able to focus better so it’s a great book for those of you with fluctuating conditions. Because the beasts are mythological there are no “correct” colour schemes so you can really go to town with your outlandish colour schemes or if you need a bit of help then have a quick Google, you’re sure to find film or art representations of most of them that you can use as inspiration for your colour choices.

I would highly recommend this book for male and female colourers who love all things weird, wonderful, and mythological. This book is packed with amazing images that are great fun to colour, it’s stunning, overwhelming at times and one that really gets your creative juices flowing so grab your pencils and get colouring mythology!

If you’d like to purchase a copy of the book it’s available here:
Amazon UK – Mythomorphia
Book Depository Worldwide – https://www.bookdepository.com/Mythomorphi-Kerby-Rosanes/9781910552261/?a_aid=colouringitmom

If you’d like a copy of either of Kerby’s previous books then they can be found here:
Animorphia
Amazon UK – Animorphia
Book Depository Worldwide – https://www.bookdepository.com/Animorphi-Kerby-Rosanes/9781910552070/?a_aid=colouringitmom

Imagimorphia
Amazon UK – Imagimorphia
Book Depository Worldwide – https://www.bookdepository.com/Imagimorphi-Kerby-Rosanes/9781910552148/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils.

My Colorful Town: A Coloring Tour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
My Colorful Town: A Coloring Tour is illustrated by Chiaki Ida, a Japanese illustrator, and published and kindly sent to me to review by Get Creative 6. This book is pretty similar in style to the Romantic Country series by Eriy (reviewed by me here) and if you liked those books, you’re likely to be a fan of this too. This book was originally published in Japan and was somewhat different in format with it being larger, and including a few extra pages and some postcards. This edition has been translated into English.

This book is 22.4cm square, paperback, with flexible card covers and partially coloured images from inside the book. The spine is glue and string-bound and eases up with use, some of the images do reach the centre of the spine and therefore a little is lost but the majority of the images aren’t full-page and have a border so the spine isn’t an issue for most of the pages. The images are printed double-sided and are a mixture of double and single-page spreads. The paper is cream, medium thickness and smooth with very little tooth, it coped well with my Prismacolor Premiers but may not cope so well with oil-based pencils which you’ll possibly struggle to layer; water-based pens shadow but don’t bleed so you’ll probably want to avoid using these. The images themselves are all of shop exteriors, interiors and produce, at the back of the book is a double-page spread depicting a map of the street. The shops include a book shop, bakery, patisserie, dress shop, shoe shop, clock shop, art shop, antique shop, café, flower shop, fruit and veg market and food stalls. There is a real variety of things to colour from shop fronts and brickwork to furniture, cakes, fruit and veg and flowers, there are outfits, metalwork, wood, and so much more so there are plenty of techniques to perfect to make this book look amazing. There is a little girl who you follow through the book into the shops, she isn’t named or mentioned in the book so I’m guessing it’s meant to be Chiaki Ida herself, taking us on a childhood walk through the town.

In terms of mental health, this book is lovely, it has a very charming feel to it and the imagery feels really nostalgic and heartwarming and takes you back to simpler times where you don’t have a care in the world. The line thickness is consistent throughout and is thin, verging on spindly thin. The intricacy and detail levels vary somewhat with the majority of the pages being very intricate and detailed with a few having larger open spaces and less detailed imagery. You’ll need pretty good vision and fine motor control to enjoy this book. The majority of the images will be best kept for your good days because they’re just packed full with content and in a number of the pages there aren’t overly obvious stopping points, however, if you’re really keen to colour this on a day when you’re quite symptomatic, you could pick one of the pages filled with collection images and colour just one cake or clock rather than a whole shop front. You will need very good concentration levels to complete most of the pages but you can always colour in sections so that it’s easier to focus. You can use realistic colour schemes if you wish, or go more outlandish, bricks can always be blue and wood doesn’t have to be brown so spice things up if you fancy, these images will look amazing no matter what colours you choose!

Overall, I would highly recommend this book to those of you who liked Romantic Country and those looking for a nostalgic, warm, characterful colouring book. The illustrations are meticulously drawn, realistic but also slightly cartoony and therefore they’re not so perfect that they feel intimidating to start. It’s yet another beautiful Japanese colouring book, filled with charm!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – My Colorful Town: A Coloring Tour
Book Depository Worldwide – https://www.bookdepository.com/My-Colorful-Town-Chiaki-Id/9781942021599/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premiers and blended with a Caran d’Ache Blender Pencil.

Romantic Country: The Third Tale – A Review

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Romantic Country: The Third Tale is published and kindly sent to me to review by St Martin’s Griffin. I’ve been looking forward to this book being published for such a long time and I was delighted when it arrived just a few days ago and I was able to complete my Romantic Country collection. I think that the second book is my personal favourite, it seems the most cohesive and most exciting in terms of content, however, this third instalment is beautiful too though the story does jump around from us being shown Elena meeting Joset the duck in Chapter 4 to seeing new scenes of shops and places we’ve seen in previous books as well as visiting new islands and areas. The book is illustrated by Eriy, a Japanese artist who creates her work using a toothpick dipped in ink. This whole book took approximately 900 toothpicks and because of the way the lines are created they’re not a uniform thickness and aren’t a stark black colour (more on this later). This series was the series I’ve been hoping would be made, with its childlike charm but with adult levels of intricacy, it’s what I always felt was missing for me in JB’s books, don’t get me wrong, hers are stunningly beautiful, I really love them, but they’re a little too perfect for my imagined perfect series. Eriy’s books are utterly charming, not quite perfect, and truly heart-warming and that’s what makes them so wonderful.

This book is square, the same size as the bestsellers, paperback, with a removable paper dust jacket with partially coloured images from the book on the front and back. The book itself has brown card covers with two line drawings from inside the book and blank covers on the inside. The paper is a lovely rich creamy colour (it’s hard to describe but it’s a little warmer in colour than the paper in Johanna’s first two books but not yellowy and it’s the same as in the previous Romantic Country titles), and it’s thick and doesn’t bleed or shadow with water-based pens when used carefully, it also holds up well to water and doesn’t bleed through with Derwent Inktense pencils. The paper is lightly textured and while you can’t get loads of layers, pencils do lay down well on it and it’s perfectly possible to get some lovely blending and layering. The spine is glue and stitch-bound so it’s durable but a little difficult to get to the centre of each spread, however, spines of this type do ease up with use so do persevere. The images are printed double-sided and borderless and are a mixture of single and double-page spreads so a little of each image is lost into the spine to begin with.

The images themselves are beautiful, charming, and begging to be coloured and are split into the following 5 chapters: 1. Peaceful Days in the North; 2. Peaceful Days in the South; 3. Beautiful Island Scenes; 4. Good Times for Elena and Joset; 5. The Passage of Time in the Secret Forest. The book starts with a single page spread showing a map of the islands of Cocot (the name of the land in which the first two books are set, which was dreamt up in the imagination of Eriy when she was a child), depicting the landmarks introduced in this book. Following this, are two double-page spreads showing mapped scenes of Sarryska Island and Cocot North, and Uisce and Melati Islands and their landmarks which are pictured in more detail later in the book so you can clearly see where they’re situated in relation to each other. Following the maps, the images show beautiful scenes of children posting letters to Santa Claus, vegetable carts, snow-capped castles, farmyard scenes, cutlery and crockery, a library, Island traditional dress, a lamp shop, inside a boat, a picnic, fairies, mermaids, a dragon receiving healthcare, a witch’s hat shop, and so much more. Each image is shown as a thumbnail at the back of the book too with a short description telling you more about each place and life there. At the back of the book are two fully colourable pages with single-sided scenes to cut out and assemble into a 3D shop that Elena and her duck friend Joset, are visiting.

In terms of mental health, I doubt there’s a book (or series) that’s better for it in all honesty! Certainly for mine anyway! The illustrations are so charming and because they have a beautiful childlike quality to them they really have a nostalgic aspect which will remind you of colouring books you used as a child but with so much more detail and intricacy that it’s still very entertaining as an adult. The content is wonderful because it whisks you off to a simpler, happier, gentler place where there is a slower pace of life and mythical creatures live alongside people and even witches are good. The line thickness varies throughout because Eriy draws with a toothpick and so it naturally varies however the majority of the lines are thin but not spindly so they’re perfectly colourable with moderate vision and fine motor control. The lines themselves are not a stark black, they’re an uneven brown because they’re drawn in dipping ink and while this may not sound great and does take a little getting used to, it truly adds so much charm to the drawings and these illustrations just wouldn’t look right drawn in harsh, black, perfect lines. The images range in intricacy and detail from large open spaces in some of the landscape pages, to small intricate details of vegetables, books and leaves, and everything in between, it’s very wide-ranging but the intricacy level in this book is significantly higher in most images than in Romantic Country though most of the images would still be suitable for those with moderate, or higher, vision or fine motor control so this is a great book for nearly anybody! The images are detailed and contain lots of things to look at and colour but most are not so overwhelming that you don’t know where or how to start and because they’re all depicting real things like buildings, plants, and food, they’re easy to work out colour schemes for whether that be subtle pastels, realistic browns and greys, or bright fantastical colours, this book isn’t so perfect that you don’t want to touch it which is part of its huge appeal. The images are less cohesive in this book and don’t tell a chronological story, however, they do create a wonderful sense of place and they offer great escapism as you walk through the streets, castles, countryside and shops, by the end of the book you really feel like you’ve visited the fantastical lands and you’ll be planning your next visit as soon as you can!

I would highly recommend this book to anyone who likes to colour scenes, landscapes, shops, food and flowers. This is one of the most beautiful books I’ve ever seen, it’s cute, pretty, whimsical, magical and charming and it truly is the book of my dreams, and hopefully of yours. If you don’t already have the first two Romantic Country titles then get them too, this series is truly perfect!

If you’d like to purchase a copy of this gorgeous book then it’s available here:
Amazon UK – Romantic Country: The Third Tale
Book Depository Worldwide – https://www.bookdepository.com/Romantic-Country-The-Third-Tale-Eriy/9781250133830/?a_aid=colouringitmom

Book 1 and 2 are available here.

The image below was coloured using Holbein Artist’s Colored Pencils and blended using a Caran d’Ache Blender Pencil.