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The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Twilight Garden Artist’s Edition (Blomstermandala Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Twilight Garden Artist’s Edition is published and very kindly sent to me to review by Gibbs Smith Publishing. Twilight Garden is the English title of the hugely successful series of colouring books called Blomstermandala by Swedish artist, Maria Trolle. I have previously reviewed the Blomstermandala Colouring Book HERE and this is the Artist’s Edition of that book, it’s identical in format to other Artist’s Editions published by Gibbs Smith and Pagina (the Swedish publisher of all of these books) and therefore much of my review is identical to those, this Artist’s Edition is also identical to the Swedish version of it apart from the language. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are black with muted coloured flowers from inside the book and gold foiled text on the front, back, and spine. The book has a matte gold tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. For my page I used Derwent Inktense Pencils activated with minimal water which worked brilliantly with absolutely no buckling or warping at all. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The content is a little strange, the book contains 20 pages, 16 of which are illustrations from the original book, 1 is a floral alphabet where each letter shape consists of a single flower (oddly the letter W is missing), and 3 of which are black-background images with full colour printing of what look to be photographed petals, leaves and flowers so these 3 pages are unable to be coloured, a strange choice I feel. However, the other 17 images are lovely choices and are all single-page spreads from the book printed either the same size as the originals or a little larger. 7 of the images have white backgrounds and 10 have black backgrounds (some of these were printed with white backgrounds in the original book). The images are all of flowers and plants and none contain any animals, birds or objects so if those were you favourites then this Artist’s Edition may not be for you. A huge range of flowers are included from daffodils to tulips, lupins to forget-me-nots, foxgloves to grape hyacinths, and fuchsias to peonies and so many more! I’ve included photos of all of the pages below so that you can see the range and make an informed choice. None of the images reach the edges of the page and those with a white background have space where you could add your own backgrounds or imagery if you wish, though this is by no means a requirement, and this will make all of them very easy to frame for yourself or to gift to others.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing and very realistic and details have been added to these that weren’t in the original illustrations (see photo comparisons below). The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout from medium to high and this is higher than the original book due to the added details in the larger spaces of each section, these are easily coloured over if you prefer larger sections to colour or they’re manageable to colour within so this book is good for a range of levels of vision and fine motor control depending on how you want to use it. I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different flowers and leaves made me feel calmer and the images are just beautiful so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one tiny flower or leaf on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book (despite the inclusion of three uncolourable images) to those of you who like to colour flowers and plants, those who have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful and very calming.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Twilight Garden Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Twilight-Garden-Mari-Trolle/9781423647072/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with water.

Lost Ocean Artist’s Edition: 24 Illustrations to Colour and Frame – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Lost Ocean Artist’s Edition is illustrated by Johanna Basford and published and kindly sent to me to review by Virgin Books. This book contains 24 of the original images from the Lost Ocean colouring book all printed single-sided. The book is 25x33cm, paperback with thick card covers with beautiful gold foiling accents on the cover and blue text on the spine. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but they’re not stuck very strongly and in the process of colouring my page I’ve managed to detach nearly half of the pages so this book won’t stay together unless you’re extremely careful with it. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits. The pages are made of thick card which will hold up to just about any colouring medium (this is the same card as used in the Secret Garden and Enchanted Forest Artist’s Editions). I tested my Stabilo Point 88 Fineliners and they didn’t even shadow onto the back and they also didn’t bleed sideways or into the card, they seemed to glide on top instead of saturating the paper like so often happens with thick pages. The card is cream which I know isn’t everyone’s favourite, however, I love it because it makes it feel like a classic book with age and luxury. It also means there’s a less harsh contrast between the colouring and the background if you leave the background uncoloured and also allows you to easily add white as highlights or as a colour where white paper simply doesn’t.

The images included are from the original Lost Ocean book and I think they’re a really good selection. There aren’t any pattern or filler images this time and they’re all definitely frame-worthy. Of the 24 illustrations, 5 are landscape and the others are portrait orientation, 3 are printed smaller than the original illustrations but the others are all printed larger to varying degrees from 4mm to the largest being the skull at an extra 7cm larger, 5 of the images are taken from double-page spreads where a section has generally been enlarged (a couple have been shrunk but not drastically so) and the rest are from single page spreads. Because the majority of the images have been enlarged, at least a little bit, they mostly have larger spaces to colour which allows you to really go to town and the possibilities for blending and shading are increased. If you’re new to using pencils and want to learn about blending and shading then the slightly larger print would be ideal for practising these techniques.

As with all of the Artist’s Editions, this book doesn’t have a treasure hunt aspect. The Secret Garden Artist’s Edition arrived wrapped in thin plastic film, but this one didn’t, however that may be because it’s a review copy so do be aware that it may have plastic film on it in the shop and you may not be able to look through it in stores, this means that the cover is well protected and won’t be at risk of staining or marking which I personally think is pretty sensible, though it’s a shame they didn’t do a preview on the back of what images are included. Because of this, I have included pictures of all of the images from inside the book below so that you can “see inside” before you buy it, as well as comparing the size to the original images.

In terms of mental health, this book is wonderful. Colouring this book ready to review it has provided countless hours of calming distraction and the card is such a joy to colour that I’ve enjoyed every moment of colouring it and was almost disappointed when I finally finished my picture and had to move onto another review. This is a book where you really don’t notice the hours passing because you’re so engrossed and focused on colouring each section. Johanna’s books are not for the faint-hearted and are quite an undertaking and they’re not for those of you with poor eyesight or challenged fine motor control. However, for anyone who is mentally ill and doesn’t have poor eyesight, this book is ideal because not only are the images stunning but they’re also completely grounded in nature which is perfect for calming you down and relaxing you. When colouring these images, it feels like you’re going on a wonderful adventure into Johanna’s Lost Ocean, the journey is less obvious but the images are printed in the same order as they appear in the book so it does have a feeling of flow. It’s sure to lift your mood and focus your thoughts so that even the most racing of minds will be quietened, at least for a short while. The details and intricacies force you to concentrate and become immersed in a watery world filled with brightly coloured fish and enchanting sea creatures and you’re sure to feel your anxiety lessen and your dark thoughts soften a little. It’s by no means a cure, but this is a fabulous book for distraction and the fact that you can remove the pages and display them means that all of your hard work and creativity can be prominently displayed and used to brighten up your darker days and remind you that you can create beautiful things which I often find gives me a huge self-esteem boost.

I can’t recommend this book highly enough. If you liked Johanna’s original books or want to delve into her inky world for the first time then I’d strongly recommend purchasing it. With the best paper quality that I’ve come across in a colouring book, it contains the most stunning images and the feature of removable pages is one that I personally love because it means you can decorate your walls with your work or give wonderful, thoughtful presents to family and friends. This book exudes quality and luxuriousness from its thick card pages, to the signature gold foil accents on the front cover and the small selection of shells printed on the reverse of each picture, it is a work of art in itself and will be transformed into a masterpiece once you unleash your creativity upon it. I truly can’t enthuse enough about this book, it is a must-have and one that if you have been umming and ahhing about whether you should purchase it should be bought at once because I can just about guarantee that you won’t regret it. This book is ideal for anyone who is struggling with their mental health and anyone who just wants something truly beautiful to colour. Do check the images below to ensure the selection is one that you’re happy with and then get ordering because this is a book you definitely need in your collection, it’s gorgeous and one I can’t wait to get working on again!

If you’d like to purchase a copy of this book, it’s available here:
Amazon UK – Lost Ocean Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Lost-Ocean-Artists-Edition-Johann-Basford/9780753548134?ref=grid-view&qid=1491572389812&sr=1-1/?a_aid=colouringitmom

The image below was coloured using Prismacolor Premier Coloured Pencils and blended with a Caran d’Ache blender pencil.

H for Horatio’s Garden – A Review

Following on from my review of The Horatio’s Garden Colouring Book, I bring you a review of a second book, the first created by the hugely talented, Catalina Willis. This book isn’t a colouring book but please don’t stop reading, this book is very small but very mighty and those of you who read my review of her colouring book will know that these books are being sold for a truly wonderful and worthwhile cause. For those not already aware, Catalina was inspired to create the books in memory of her Godmother’s son, Horatio, who very sadly died in 2011, aged 17, killed by a polar bear on an expedition to Svalbard. Horatio had planned to be a doctor and did voluntary work in a spinal treatment centre where his father worked, he realised there was a need for accessible gardens and set about helping create these, three have already been created in his memory with a further eight planned so that all 11 NHS spinal injury centres will have one, the proceeds from sales of this book will go directly towards this worthy cause.

This book is small at 15cm square, paperback, and has a yellowy-green cover. The book is printed double-sided, in full colour and is very high quality throughout. The content is described as “A whimsical romp around the 27 letters of the English alphabet, through the eyes of Catalina Willis” and the book does exactly what it says on the tin, each double-page spread is dedicated to a letter of the alphabet, each symbolising something beginning with that letter e.g. O for Outer Space, T for Togetherness, and most importantly, H for Horatio’s Garden. The pages are filled with quirky drawings, fun characters, whimsy, and lots of humour. It’s honestly a delight to look through and will make children and adults laugh as they journey through the alphabet. As for mental health benefits, what could be better than something that makes you laugh and smile? Catalina’s drawings are charming, characterful and they have a lovely naïve and child-like quality but with a true artist’s finesse added to them so fantastic for cheering you up and brightening your day, especially with all of the bright and vivid colours she’s used.

Overall, this is a lovely book, ideal for children and adults, and being sold for a truly fantastic cause, what have you got to lose? I can’t recommend it highly enough, it’s super cute, funny, and just adorable.

If you’d like to purchase a copy, it’s available on the Horatio’s Garden charity website here.

Can’t get enough of Catalina’s artwork? Check out my review of her gorgeous colouring book which you can bring to life with your own beautiful colours.

The Horatio’s Garden Colouring Book – A Review

Today I bring you a review, quite different from any other, I’ve had this book for months and just haven’t quite known how to review it because it’s been created for such a wonderful cause and has such an important message, I really wanted to be able to do it justice. The book was created by Catalina Willis, a young, and extremely talented illustrator who was just 15 at the time, not that you’d know it from the professional look of her drawings. She was inspired to create the book in memory of her Godmother’s son, Horatio, who very sadly died in 2011, aged 17, killed by a polar bear on an expedition to Svalbard. Horatio had planned to be a doctor and did voluntary work in a spinal treatment centre where his father worked, he realised there was a need for accessible gardens and set about helping create these, three have already been created in his memory with a further eight planned so that all 11 NHS spinal injury centres will have one, the proceeds from sales of this book will go directly towards this worthy cause.

The book itself is small at 20cm square, perfectly formed, and the ideal size to take on your travels and pop in your bag for colouring on the go. It’s paperback with flexible card covers with a lovely dark blue front and one of Catalina’s cute birds trudging his way across the cover. The spine is glue and string-bound and very durable but also easy enough to open the book fully and access the centre of each spread. The illustrations are printed double-sided and are a mixture of single and double-page spreads with the majority being single page images. The paper is bright white, thick and lightly textured, it doesn’t bleed or shadow with water-based pens and pencils blend and shade nicely. The images themselves are a real mixture of content and style but all are very cute, quirky and whimsical. The book is arranged into 10 chapters: 1. The Gardens, 2. Activities, 3. British Animals, 4. The Sea, 5. Sleepy Animals, 6. People, 7. Sensible Animals, 8. Pangrams, 9. Silly Animals, 10. Patterns. The images are roughly arranged into these themes and include styles from normal black and white line drawings to greyscale type images, some with realistic greyscale photo backgrounds and even patterned or black backgrounds. The images vary from large drawings with thick lines drawn in a blocky style, to much more detailed images with much thinner linework and teeny tiny spaces and a huge range of everything in between. The majority of the images are animal-based and contain lots of anthropomorphic animal characters from poorly donkeys to nursing geese, dinosaurs offering rides to fez-wearing creatures and lots more. Some of the pages contain lots of random objects, others include food, some contain text and some of the loveliest images are of the current spinal injury gardens being enjoyed by poorly animals. Catalina’s illustration style is beautiful, hugely varied and much more mature than you’d expect from a 15-year-old, with a huge dollop of humour, whimsy and cuteness added into the mix. There is even a game of hide and seek going on through the book with Kit the fly hiding on each double-page spread.

In terms of mental health, this book has got everything needed to make it perfect for helping mental illnesses, it’s being sold in aid of a fantastic cause, it’s got a huge variety of content and style and it’s wonderfully light-hearted, making it ideal for children, adults, and the young at heart. As mentioned before, the linework is varied throughout from spindly thin to really thick and chunky and the intricacy and detail levels also vary hugely from teeny tiny spaces to much larger open spaces so the majority of the pages would be suitable for all levels of vision and fine motor control. The variety in content and style will also be ideal for those of you with varying conditions and symptom levels as you’ll always find something suitable for how you’re feeling on any given day and the pages are a really manageable size with many taking an hour or so if you want to block colour, or much longer if you want to take your time with blending and shading. There are lots of really natural stopping points so you can colour one animal or creature if you wish, rather than a full page. A number of them have printed backgrounds which really help to finish off the page but there are also plenty that have blank backgrounds where you could add your own imagery if you fancy though there’s no need to do so if you don’t want to.

Overall, I can’t recommend this book highly enough, it’s so cute and it’s been created for such a worthy cause. It would be a wonderful gift that’s sure to put a smile on the face of any child, or adult, receiving it. You’ll also be doing your bit to help those with spinal injuries be able to visit accessible gardens whilst in hospital and that can only be a good thing! Catalina’s illustrations are gorgeous, very cute and often funny and they’re sure to be a hit with the whole family, she’s clearly poured so much love and passion into her work and I really hope it’ll continue to raise much-needed funds for this cause.

If you’d like to purchase a copy of this book, it’s available here, where all proceeds will go directly to the charity.

The image below was coloured using Stabilo 68 Fibre-tip Pens.

Fairy Tales Coloring Book (Sagolikt) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Fairy Tales Coloring Book is a Swedish book illustrated by Emelie Lidehall Oberg, originally published with the title Sagolikt and published and kindly sent to me to review by Gibbs Smith. I reviewed the original book, Sagolikt, HERE and this English language edition is identical in all respects apart from the language it’s written in and very subtle cosmetic differences with slightly different colour shades used on the covers for example but nothing that affects the use or enjoyment of the book, therefore the rest of my review is identical.

The book is 25cm square, paperback with flexible card covers that are cream with mint green and pale pink coloured illustrations with gold foiling accents on the front and back making it a really pretty and luxurious looking book. The covers have ¾ flaps which both have fully colourable black line drawings from within the book. The spine is glue and string-bound so it’s fairly durable but this does mean a little of each image is lost into it. The paper is cream, thick and lightly textured, it doesn’t bleed or shadow with water-based pens unless you press too hard in one spot, it works well with pencils and you can build up a good number of layers for blending and shading. The book contains 96 pages of double-sided images which are all single page spreads. The image content is really varied and contains all sorts of aspects from different fairy tales without being specific or telling any stories, each picture is a stand-alone piece though some content is similar. So many different things are pictured from all sorts of furry animals and birds to doll-like people and treehouses, gramophones and teapots to cupcakes and bunting, glass jars and flowers to tepees and underwater scenes. Some of the images are of more realistic scenes and others are purely fantasy-based from a tea party scene with cuddly toys to a family of clothed rabbits moving house; a glass fish bowl to a teacup village; and a beautiful country house to a city contained within a lightbulb. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The images are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together.

In terms of mental health, this book is lovely because it’s based around fairy tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of pages with jewels on for those of you who are currently obsessed with the gem-colouring that has swept through the colouring groups. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like fairy tales, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to pre-order a copy it’s available here:
Amazon UK – Fairy Tales Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Fairy-Tales-Coloring-Book/9781423646624/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tips and Stabilo Point 88 Fineliners.

Magical Dawn Artist’s Edition (Magisk Gryning Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Magical Dawn Artist’s Edition is illustrated by Hanna Karlzon and published and kindly sent to me to review by Gibbs Smith. This book was originally published in Sweden under the title Magisk Gryning Tavelbok and this book is identical, apart from the language. This Artist’s Edition is also identical in format to those published for Hanna’s other books, Daydreams, and Summer Nights and therefore my review is mostly identical apart from the content section and the photos. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale mauve colour (not identical to the book which is paler and more lilac) with black and white line drawings of Hanna’s flowers and a beetle with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The 20 illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The illustrations chosen are a really good cross-section of images from the Magical Dawn colouring book, there’s a huge range of content, all with a magical theme, including moths, a regal swan, a crown, birds, potion bottles, animal portraits, lanterns, crystal mushrooms and finally, a whopping four of Hanna’s signature female illustrations, the most ever included in an Artist’s Edition. The images are all printed the same size as the original colouring book so if you’re able to colour that, you’ll also be able to colour these with no difficulty and Hanna’s chosen a lovely range that will look incredible finished and framed or gifted to others. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing as well as a little bit magical! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one tiny potion bottle or moth on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful, a wonderful cross-section and very calming.

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Magical Dawn Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Magical-Dawn-Hann-Karlzon/9781423646600/?a_aid=colouringitmom

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-Tip Pens.