Laurence King Publishing

Nordic Wilderness – A Review and Comparison to the German Edition, Nordische Wildnis

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Nordic Wilderness is illustrated by Claire Scully who co-illustrated The Menagerie, The Aviary, and The Aquarium, and is published and very kindly sent to me to review by Laurence King Publishing. This book was originally published in Germany under the title Nordische Wildnis, you can find my review of that edition here, I expected the UK publication to be identical but I couldn’t have been more wrong, despite the content being almost identical, almost all aspects of the publication are different including the image order, formatting, paper colour and book size to name a few, therefore I will first review the UK edition here and then go on to compare the UK and German editions so that you know which to purchase if you want just one, or whether to buy this UK copy if you already have a German copy so buckle up, this is a long one folks!


Nordic Wilderness brings us exactly the content you’d expect, beautiful images of animals and scenery from the Nordic countries, it’s gorgeous, drawn in Claire’s signature intricate style and really lovely! The book is just under 25cm square, paperback with flexible grey card covers with images from inside the book and silver foiled text, the spine is a dark teal/blue colour and the inside covers are also this colour. The spine is glue and string-bound and fairly strong but also pliable so you can get the book to lie quite flat. The pages are mostly printed double-sided but the book contains 9 fold-out pages each containing a single-sided double-page spread which is a fantastic feature as the spine doesn’t get in the way of colouring the centre of these pages and they could also be carefully removed to frame if you wish. On the backs of the fold-out pages are a unique small motif so there are no truly blank pages in the book. The paper is thick, cream and lightly textured, I’ve tested it with pencils and these blend and layer nicely and I coloured my double-page spread with water-based pens which didn’t bleed or shadow at all; alcohol markers will bleed through so either keep these to the fold-out spreads or avoid using them in this book. The images are a mixture of single and double-page spreads and those that are most affected by the spine being down the centre have been printed on the 9 fold-out pages so you can finally colour the beaks of the two owls which disappeared into the spine in the German edition.

The images are beautiful and so cohesive! The illustrations are all of things you’d expect to find in Nordic countries from polar bears to pine martens, various species of owl to wolves, whales to horses, and squirrels to salmon. There are also a number of beautiful scenic images of fjords, log cabins, lots of trees, underwater creatures and even a stunning double-page spread of the Northern Lights over some icebergs which I can’t wait to get blending pinks and greens on to really make the scene come to life. Some of the images are animals on their own, others have backgrounds or objects with them, some are shown in groups and there are also a few double-page spreads of collections of natural items including lots of mushrooms, pine needles and pine cones, palm fronds, feathers, snowflakes and leaves. There are no filler images in this book and each illustration has absolutely earned its place, Claire’s style is beautiful and her hyper-detailed drawings of nature are just perfect to be coloured with pencils or fineliners. A fantastic new feature of the UK edition is that it contains an image key at the front, annoyingly this isn’t printed in the same order as the images in the book but it’s easy enough to find the picture you’re wanting to colour and find out what type of bear or fish it is you’re embarking on colouring, this is ideal for those of us who like to colour things realistically as it really aids with searching for the right colour schemes!

In terms of mental health, this book is wonderful, it’s absolutely jam-packed with nature imagery and so it’s really calming and grounding. It also offers wonderful escapism as it creates a real sense of place from the first page and truly does transport you to the Nordic countries where it’s cold and snowy and bears and furry creatures are everywhere. Claire’s illustration style is very realistic so it’s well suited to colourers who like to stick to realistic colour schemes but equally, her images look fabulous in neon colours, metallics, or rainbows for those with an adventurous streak! The line thickness is consistently thin throughout but it’s not particularly difficult to stay within the lines as long as you have moderate to good vision and fine motor control. The images are highly detailed and intricate (on a par with Millie Marotta’s and Johanna Basford’s books) and there are lots of tiny spaces making up each image whether it be hundreds of leaves, or blades of grass, or feathers, fur or scales, there is a huge amount of detail in these illustrations which makes them so beautiful and a joy to colour but this does mean it’s not so suitable for people who don’t have good vision or fine motor control. However, while the images are really intricate and detailed, most of this detail is drawn into much larger spaces including landscapes and animals so you could very easily colour over these details with pens or pencils so that the linework shows up as texture rather than having to colour each tiny section separately so there is scope for most ability levels to really enjoy this book. There are also a number of larger spaces in some of the images that will be really well suited to using your pencils for blending and shading to really bring the animals and landscapes to life. There aren’t any designs for you to finish drawing but there are natural spaces left in a few of the designs where you could add your own creatures, foliage, scenery and backgrounds, this is a happy compromise for those who can and can’t draw because there is space to draw if you want it, without any written hints.  You will need a fair amount of concentration to really get the most out of this book as each image will take a good long while to colour but because of the subject matter you can always colour a few leaves or a flower to get your quick colouring fix on a bad day and tackle a whole image on days when you can cope with colouring for longer. I really can’t express how beautiful this book is or how amazing the production is. You’ll get absolutely lost in the Nordic Wilderness and if you like The Menagerie, you’re sure to love this book filled with Claire’s beautiful illustrations, the German edition made its way straight onto my list of favourites and this new formatting has possibly made me love it even more!

I would highly recommend this book to anyone who loves colouring natural images of plants, animals and scenery, this book is beautiful and the added features of removable card pages, bookmarks and postcards is such a wonderful touch. The paper is great quality and If you love detail, intricacy and realistic images then this book will be perfect for you.


  1. German edition has covers that open out revealing a colourable design, the UK edition has blue coloured inside covers and no design to colour.
  2. The covers are totally different between the editions.
  3. The UK book is almost 2cms larger in both dimensions than the German edition.
  4. The paper colour is very different, it’s bright white in the German edition and cream in the UK edition, it seems to be equal thickness and similar texture, neither bleed with water-based pens but pencils blend and layer better on the UK edition.
  5. The UK edition has a key at the front of the book with a thumbnail of most of the images and a written description of what they depict, there is no key in the German edition.
  6. In the UK edition many of the double-page spreads are printed on fold-out pages, especially those most affected by the spine in the German edition. The German book has no fold-out pages.
  7. The German edition contains postcards and 4 perforated card pages with single-sided images to colour. The UK edition does contain the images of 3 of these but there are no postcards or perforated pages in it.
  8. The images are either the same size of a little larger in the UK edition due to the larger size of the book, this isn’t a huge difference but if you have slightly poorer vision or fine motor control then you’d be best getting the UK edition rather than the German.
  9. The image order is completely different in each edition.
  10. The UK book is missing about 3 single pages of artwork compared to the original German edition, these include the twigs next to the beaver page and the fox tail but I’m yet to discover the third page that hasn’t been included, it’s not an obvious one though.
  11. The whale is printed totally differently, in the German edition it’s a double-page spread showing just half of the whale, in the UK edition it’s a triple-page spread spanning a single page and a double-page fold-out and it shows the whale in its entirety so it’s printed a fair bit smaller in terms of the detail and intricacy.
  12. The cover image of the German edition is a colourable page in the UK edition with the title removed, in the German edition is has the title intact and is the title page of the book.

If you’d like to purchase a copy of either of the books then they’re available here:

Amazon UK
UK – Nordic Wilderness
German – Nordische Wildnis

Book Depository Worldwide
UK –
German –

If you’re a fan of Claire Scully’s artwork then please join my new fan group and share your coloured pages from her book – The Menagerie and More

The image below was coloured using Stabilo 68 Fibre-Tip Pens.

Enchanted Forest Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

Enchanted Forest Journal is illustrated by Johanna Basford and published and kindly sent to me to review by Laurence King Publishing. I will freely admit to being a total stationery addict – I love nothing more than a brand new pen or notebook, so when I saw that our colouring Queen Johanna Basford had released another colouring journal, I had to have a copy, her first colouring journal Secret Garden can be found reviewed by me here. This journal comes shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you won’t be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect. It’s really luxurious from its hardback cover with a beautiful woodland scene from the book and gold foiling accents, to the black linen-style spine and beautiful gold-edged pages, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! The journal is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy cream ribbon bookmark so you can easily find your place each time and on every double-page is a small image from Johanna’s Enchanted Forest colouring book. The 72 illustrations include loads of different leaves, fish, birds, owls, feathers and more, and they look stunning on each double-page spread either left uncoloured or brightening it up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers are cream with black line drawings of Johanna’s flower patterns which can be coloured and the first page of the book has space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink does transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is fantastic because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are intricate and detailed, some at the same level as contained in the original book and others are much smaller and therefore more intricate and detailed so if you’re wanting to colour these images you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. I found that the illustrations are ideal for testing out colour schemes and techniques ready for doing my ‘best’ version in my copy of Enchanted Forest but this is also a great stand-alone journal.

I would highly recommend this journal for Johanna Basford fans, stationery addicts, and those who love to write and ‘need’ a new notebook. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is a sprig of leaves or a little fox. This journal is gorgeous and certainly the best I’ve seen and its gold-edged pages are a lovely addition.

You can purchase a copy here:
Amazon UK – Enchanted Forest Journal
Book Depository Worldwide (cover shown is incorrect but item is right) –

The images below were coloured using Stabilo Point 88 fineliners and Prismacolor Premier Coloured Pencils.

#OOTD (Outfit Of The Day): Fashion Flat Lay Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
#OOTD Colouring Book is published and kindly sent to me to review by Laurence King Publishing. This book is based on the hugely successful hashtag that has swept its way through Instagram and Twitter – #OOTD which stands for Outfit Of The Day where users lay out their day’s clothing on the floor or a pretty or striking background and upload it for all to see. This is a BIG thing with almost 96 million posts on Instagram alone! With that in mind, illustrator Laura Hickman decided to bring the insanely successful hashtag and theme to the colouring book world and create a book filled with themed flat lays for you to customise, spruce up and personalise. The book is 24cm square, paperback, with a pale pink flexible card cover, a striking black spine and copper coloured foiling, the insides of both covers are filled with black outlines of clothing which are fully colourable. The spine is glue and string-bound and therefore it’s very durable, none of the images enter the spine because they are each contained to one page and all have a small border around them so you’re able to colour the full image on each page. The illustrations are printed single-sided with a flat lay on the right side, on the opposite page is a small colourable design with a one or two-word description/title for the opposite illustration. The paper is bright white, lightly textured and medium/thick, water-based pens don’t bleed or shadow and pencils blend and shade beautifully on it. The images themselves are of a mixture of different outfits, garments, objects, and accessories. They include heaps of clothing from tops to jackets, jeans to bikinis, skirts to pyjamas and even a Christmas jumper! The accessories range from sunglasses to jewellery, hats to scarves, handbags to make-up and so much more! The objects are the most wide-ranging from fruit to phones, macarons to incense, pencils to flowers and even a retro Walkman and a French Bulldog, there’s heaps and heaps of content!

In terms of mental health, this book doesn’t have a lot of impact on it but it certainly won’t exacerbate any of your symptoms. The line thickness is consistent throughout with thin outlines and some spindly thin details and patterns. The intricacy and detail levels are fairly similar throughout though there is a bit of variance and mostly it’s a moderate level of detail with some more intricate parts dotted throughout. The images have very natural stopping points which is really helpful for those of you with fluctuating symptoms or concentration. You can easily colour one garment or a pair of shoes or the whole page if you’re feeling up to it. There’s huge scope for adding your own patterns or embellishments, making the items look really realistic, or creating your dream outfit, you can use any colours you fancy and really go all out with your colour schemes and mediums, it’ll suit pastels, pencils, pens, paints, gel pens, glitter, you name it, it’ll work on this subject matter. The images are very neutral and therefore won’t negatively affect your mood though if you’re a fashion-lover then I’m sure it may well cheer you up and get your imagination going.

Overall, I would highly recommend this book for fashion-lovers. It seems to be aimed at Instagram users, fashionistas, teenagers and the young at heart. It’s a good, fun book with heaps of stuff to colour, it might even inspire some outfit choices for you!

If you’d like to purchase a copy it’s available here:
Amazon UK – #OOTD Colouring Book
Book Depository Worldwide –

The image below was coloured using Stabilo 68 Fibre-Tip Pens.

The Great British Colouring Map: A Colouring Journey Around Britain – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Great British Colouring Map: A Colouring Journey Around Britain is published and kindly sent to me to review by Laurence King Publishing. LKP have teamed up with Ordnance Survey, historic map creators and producers of the UK, to produce this wonderful colourable map book. Ordnance Survey was established in 1791 and they have been creating detailed maps ever since, these were originally produced in black and white and colour wasn’t added until 1887. While their mapping processes have altered and become digitised over the decades, their maps are still known, used, and well-regarded all over the world and now we’ve been offered the chance to colour them ourselves.

This book is huge (the second largest colouring book I’ve seen) at 34.9 x 26.8cm. It’s paperback with thick flexible card covers with three-quarter French flaps. The cover of the book depicts a map of London which continues over the inside flaps with the front flap having a list of all of the towns and cities which are depicted within, and an outline of Great Britain. The flaps open out to reveal a red lined interior, I personally feel this space could have been better utilised and would have been lovely with an added map. The spine of the book is not attached to the cover and is supposedly lay-flat, it’s glue and string-bound and while you can get to the centre of the majority of the images, it’s a bit of a challenge on a few so I wouldn’t describe it as truly lay-flat binding but it’s not far off. The spine of the book is bound with green tape so your pages should remain secure and aren’t removable unless you use a blade of some sort. The pages are printed double-sided and contain a mixture of single and double-page spreads. The paper is a pale cream colour, similar to Secret Garden, it is very lightly textured which gives a smooth surface to colour on but there’s not a lot of tooth for building up pencil layers. Water-based pens don’t bleed or shadow but do always test them somewhere inconspicuous first! The images are all as you’d expect, black and white line drawings of maps just waiting to be coloured. There is no key in the book so some of the symbols are a little confusing however a quick google search should help you identify any you’re stuck on. Nothing is named or labelled on the maps so the images are all text-free apart from a red outlined box that tells you what town or city the map is depicting, the source, location and a little information about the place and its most famous areas or landmarks. The maps show a really good cross-section of locations from coastal to inner cities, piers to stations, rivers to mountains. The book is split into sections, the largest of which is dedicated to England, followed by Scotland, and Wales. Heaps of places are mapped from Brighton to Loch Ness, Norwich to Aberystwyth, York to Lerwick and Blackpool to Margate. In the centre of the book is a single-sided 4-page fold out spread of Thames Valley, London showing the River Thames in the centre and spanning from Belgravia to the O2 Arena. This spread could easily be removed and would look stunning framed before or after being coloured.

In terms of mental health, this book doesn’t have much of an impact, the content is just as you’d expect and maps aren’t known for being calming or soothing. Due to lack of any writing on the maps, I found it quite difficult to identify what the map was specifically showing and what each section was meant to be. As a perfectionist, I wanted to colour my map in the correct colours and it took a surprisingly long time to find exactly where on the map I was looking at and what colour each section should be so this book certainly can’t be used for a quick colouring fix. The line thickness is pretty consistent throughout and thin with spindly thin details and bolder accents here and there. The levels of detail and intricacy varies throughout from large open spaces of fields or sea, to teeny tiny spaces showing residential areas and country roads. I would recommend this book for those of you with pretty good vision and fine motor control and I’d advise using fineliners or sharp pencils so that you can get into the details. This book requires a huge amount of concentration to identify each part and colour within some of the small sections so it’s definitely one to keep for your better days when you can focus well and not get frustrated by the process. Once you have managed to identify the sections, if you’re wanting to colour the map realistically it’s very easy and you don’t have to spend ages narrowing down your colour choices, you can just get going which may be useful for anxious colourers though I personally found this book quite stressful due to the sheer amount of difficulty I had with identifying symbols and areas. The pages are huge, especially the double-page spreads and centre fold-out so this book will certainly keep you distracted and occupied for long periods of time if you’re able to concentrate on it, progress is quite slow because there is so much detail included in each but this could be a real labour of love and for anyone who managed to finish colouring it cover to cover, I’m sure it will look truly fantastic! This book is pretty niche and I’ve realised that despite being interested in looking at maps, colouring them is not my forte, but for keen cartographers who fancy having a go, this is the best book to go for. The paper colour offers a real vintage feel and once finished, the maps do look beautiful!

Overall, I would highly recommend this book to those with a keen interest in maps but for those, who like me, sort of like them, this book is just a bit too challenging to get started with. The production of it can’t be faulted and I truly believe it’ll look incredible when finished if you have the determination to persevere!

If you’d like to purchase a copy it’s available here:
Amazon UK – The Great British Colouring Map: A Colouring Journey Around Britain
Book Depository Worldwide –

The image below was coloured using Prismacolor Premier Coloured Pencils.

Matthew Williamson: Fashion, Print & Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Matthew Williamson: Fashion, Print & Colouring Book is published and very kindly sent to me to review by Laurence King Publishing. This book is really unusual and different from any other I’ve seen which after reviewing over 200 colouring books is quite a feat! It combines colouring, fashion and creative inspiration all into one book so it has far less colouring in than usual, but you also get loads of added extras.  This book is an absolute whopper at 33.1 x 25.3cm. It’s paperback with a beautiful partially coloured image which combines aspects from many of the patterns found inside the book. The spine is a glowing pink colour and the book is very thick and fairly heavy with a medium thickness card back and a thinner front cover. The spine is lay-flat meaning you can access the whole image and can easily remove pages from the book if you wish. You could create your own fashion-filled room by removing some or even all of the pages and putting them up on the wall or framing them for future inspiration and to add wonderful splashes of colour to your surroundings. The paper varies throughout the book, the non-colouring pages are medium thickness, smooth, slightly shiny paper which almost feels like the pages of a fashion magazine; the colouring pages are printed single-sided onto medium thickness card with a coloured back so there are no blank pages in the book but you can use whatever mediums you like on the colouring pages without fear of ruining anything on the reverse. The card the colouring pages are printed on is very lightly textured and while you can layer with pencils a little, it does burnish quickly, it’s perfect for pens, both water-based and alcohol-based and the patterns really lend themselves to bright popping colour which pens will bring fabulously! All of the pages within the book are single-pages and each chapter consists of 5 themed pages followed by one block coloured page which is the back of the colouring page each time. The book only contains 16 colourable images (plus a repeat on the back cover and another printed on paper at the back too), so if you’re wanting this just as a colouring book then it’s probably not for you as it’s a pretty pricey book for just 16 usable pages; however, if you’re interested in fashion, particularly Matthew Williamson’s work, then you’ll love this and it’ll be a must-have for your collection as it shows his creative process from the conception mood board all the way through to the finished print being strutted down the catwalk cut into a stunning and eye-catching garment.

The content of the book is split into themed chapters, each has a title page with the real life inspiration for the print, following this are full single-page spreads of the mood board used as well as a short piece of written commentary from Matthew, the studio drawing, photograph of the catwalk/illustration of a model in the outfit, and finally the colouring page so you can become a fashion designer yourself and splash your colours in whatever way you see fit. The patterns and prints are very varied and most are nature-inspired, the content includes heaps of animals including butterflies, dragonflies, leopards, parrots, flamingos and more, plants, flowers and even fruit! There are also patterns inspired by places Matthew’s travelled to including Ibiza, the Bahamas, India, Costa Rica, Morocco and even the English countryside. This book contains something for everyone and if you’re a fan of Matthew Williamson’s work then you’ll love it because he’s chosen these prints himself due to each of them being most iconic of his brand or a personal favourite.

In terms of mental health, this book offers heaps of distraction and is packed full with bright colours which are great for lifting the mood and cheering up the darkest of days. There isn’t a lot of colouring to do though each pages is huge and therefore does take a long while to colour, even when block colouring with pens! The line thickness is consistent throughout and is spindly thin, the intricacy and detail levels vary hugely but there are intricate sections on the majority of the images so you’ll need very good vision and fine motor control to get the most out of this book and not keep colouring over the lines. The size of the spaces does vary throughout so you can pick out some of the larger spaced designs for days when your concentration is poor and you want to colour larger sections, or on better days you can colour the more detailed illustrations and patterns. There is huge variety of content but most of the artwork is grounded in nature so it feels quite calming though it’ll be pretty energising too if you colour it in your brightest shades! While this book isn’t ideal just as a colouring book, as a one-stop-shop for fans of Matthew Williamson’s work, it’s fantastic; it’s fascinating to see and read about his creative process and the chapter layout works really well for showing the development of ideas and colour schemes from the mood board to the finished fabric. This is a must-have for any fashionistas!

Overall, I would highly recommend this book for fashion-lovers and specifically fans of Matthew Williamson’s work. There aren’t a huge number of colouring pages for such a long book, but this is so much more than a colouring book and is much more like a guide to fashion with added colouring pages to customise yourself.

You can purchase a copy of this book here:
Amazon UK – Matthew Williamson: Fashion, Print & Colouring Book
Book Depository Worldwide –

The image below was coloured using Sharpie Fine Point Permanent Markers.

If you’d like to see more or Matthew Williamson’s work, as well as download a free colouring page, click here.

Birdtopia Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia: Colouring Book (Colouring Books) is published and was kindly sent to me to review by Laurence King Publishing; it’s illustrated by Daisy Fletcher. This book is one of the most unusually formatted books I’ve seen during my time reviewing and the content isn’t quite as I’d expected – to illustrate this I’ve recorded a video flick-through which can be found HERE as well as a full written review and photographs as usual. This book is a little larger than A4 at 23.5 by 31cm, paperback with sturdy card covers with a gold foiled title. The paper is bright white, thick and lightly textured, the paper takes pencil very well and allows for lots of light layers which makes blending a breeze and even better, there’s absolutely no shadowing or bleed-through with water-based pens which is a huge bonus! The really strange part of the formatting is that the paper is white and the colouring spaces are left white but all of the backgrounds are printed in a strong cream colour. These background don’t feel printed and there isn’t a weird surface to the paper so you can still add your own background with pencil or pastel or any other mediums you normally use, but it means the uncoloured pages look quite strange and different from any other book I’ve seen. The images are printed double-sided and some are full page images and others are small illustrations somewhere in the middle of the page. There is a mixture of single page and double-page spreads and the spine is glue and string bound and is very durable but a little of many of the images is lost into it though with some bending it does loosen up a lot.

The book starts with a This Book Belongs To… page and then contains 76 images of birds, flowers, and other wildlife. The images contain a huge number of different birds from blue tits to birds of paradise, eagles to hummingbirds, flamingos to swallows and flocks more! Some of the images are drawn to scale with the birds and flowers drawn in a realistic scale and others have varied scale with birds being the same size as rabbits and foxes and flowers being much larger. Each double-page spread includes at least one bird, usually many more, and at the back of the book there are thumbnail pictures of each image with the names of each of the birds and few other animals included which makes them easy to identify and research to discover realistic colour schemes for them. In addition to the line drawings, there are also a few, quite strange, greyscale and sometimes fully coloured animals and a couple of flowers which almost look photoshopped into the images (see photos below), the greyscale creatures could be coloured over but the others are already finished for you. These certainly aren’t on the majority of images but there are a fair few and some of the collections of things on a page are quite oddly arranged, such as a hare sat on a pine cone, or a barn owl perched on a poppy. In the centre of the book are 3 double-page spreads of fully coloured images and while sections of these are found uncoloured throughout the book, the exact arrangements are unique to these pages. None of this is a criticism, and I don’t dislike it, it’s just very unusual and different from anything I’ve seen before and therefore worth commenting on.

In terms of mental health, this book is pretty good because of the information at the back of the book identifying what each animal is so that you can head to google and get searching for the accurate colour schemes if you wish. This means that colouring can be very relaxing and thought-free as you’ve got a ready created colour scheme that nature has handed you on a plate that can be found with a quick internet search. The natural images are lovely and relaxing and are sure to ground you and calm you down. The sometimes unusual arrangements are quirky and intriguing and these are almost energising as you ponder the surrealism of them. The line thickness is consistent throughout and is spindly thin so you will need very good fine motor control to enjoy and fully utilise this book. The intricacy and detail level varies throughout from large open spaces to teeny tiny sections so this book will only really suit those of you with good vision. The images themselves vary in size hugely so this a great book for those of you with fluctuating conditions because you can do some of the smaller images on your bad days or tackle a full double-page spread on your good days and everything in between. There are lots of large open spaces around the images where you could add your own drawings or backgrounds and there are no drawing hints to these images look and feel finished but you can add to them if you wish.

I would highly recommend this book to bird-lovers and those who love to colour nature and natural images, who don’t mind a bit of the surreal. This book is beautifully drawn and if the cream background don’t bother you then this book is sure to be a winner and the paper quality is fabulous!

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK – Birdtopia: Colouring Book (Colouring Books)
Book Depository Worldwide –

The image below was coloured using Faber-Castell Polychromos Pencils.

Enchanted Forest: 12 Colour-in Notecards – A Review

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Enchanted Forest: 12 Colour-in Notecards (Colouring Notecards) is published and kindly sent to me to review by Laurence King Publishing. This beautiful set of notecards is housed in a sturdy, thick card box which is cream with gold foil accents. It’s fully colourable and shows on the back what images are on the 12 cards (all are pictured below). The box has a little cardboard platform inside with a beautiful black and white leaf print which the cards and envelopes are sat on top of so that they don’t move around in the box. The 12 cards each contain a different scaled down image from Johanna Basford’s original Enchanted Forest colouring book and this means that the images are very intricate and detailed. The cards themselves are made from cream card which is a similar colour to the paper in her first two books, and the postcards so they match well as a set for those of you who like to collect things. The card is a medium weight, very similar to other colouring cards that are currently on the market, and it doesn’t bleed through or shadow at all with water-based pens however, I did have a very small issue with the ink occasionally spreading slightly sideways and going over the lines, this was a very minor issue but one that’s worth mentioning. The card is very lightly textured so would work fine with pencils though you won’t be able to build up lots of layers so you’ll have to blend carefully. The cards are 12.5 x 16.5cm so they’re between A6 and A5 size, and 9 of the cards have centralised circular or individual images and 3 have full page images which reach the edges of the cards, obviously there is no spine so there’s no issue in reaching all of these parts. The images are of course beautifully cohesive and are exact scaled down copies of the images in the books and a fairly good selection is included from the compass to the leaf boat, the dragonfly to the castle, the gate to the circular framed owl and squirrel. Almost all of the images on these cards were featured in the set of 20 postcards which you can read my review of here. The illustrations are all printed in a portrait orientation which is ideal because it means the cards will stay standing when displayed, landscape cards often slip and won’t stand after a few days. The cards are left blank inside for you to write your own messages and the back has a small dandelion motif and publishing information at the bottom. The set comes with 12 identical cream envelopes which have a small leafy design indicating where to put the postage stamp, and a little acorn drawing on the flap on the back.

In terms of mental health, these cards are lovely because not only do they give a wonderful small colouring project, you can also share the colouring love, either by colouring them and sending them to friends and family, or by sending the uncoloured cards so the recipient can colour it themselves (this would be a great way to convert newbies to colouring)! As with all of Johanna’s artwork, the illustrations are beautiful and have all been scaled down from the original images in order to make them fit on the cards, this means that they are much smaller than the original versions and are therefore only suitable for those of you with good vision and fine motor control. I was very disappointed with the Enchanted Forest Postcards because the designs were so small that they’re almost impossible to colour however, these cards are, luckily, a little larger (see comparison photos below). They’re still quite tricky to colour and do have a lot of very small and intricate details so fineliners and very sharp pencils are an absolute must! Although the images are small, they do require a lot of concentration so these cards are a project for your better days when you can focus well. The images are ideal for all sorts of mental and physical illnesses because they’re all grounded in nature which is great for calming you down, helping you zone out and lifting your mood. The line thickness is consistent throughout and is spindly thin so it’s pretty difficult to stay within the lines and you really will need very good vision for these. Unlike the Secret Garden notecards which I’ve not reviewed, but have seen online, these notecards don’t have any foiling added to them and are fully colourable which I personally think is much nicer. There is a fair amount of space on the majority of the cards to be able to add your own backgrounds or doodles if you wish, but they don’t look unfinished at all as they are because each image is a finished page, rather than an add your own drawing page from the book, but you have the option to add your own personal touches if you wish.

I would highly recommend these notecards to collectors of Johanna’s work, those of you with very good vision and fine motor control who would like beautiful, delicate cards to colour and send, and those who want an easy way of spreading the colouring love in order to convert non-colourers!

If you’d like to purchase a set they’re available here:
Amazon UK – Enchanted Forest: 12 Colour-in Notecards (Colouring Notecards)

If you can’t get enough of Enchanted Forest then check out my reviews below:
Enchanted Forest Postcards
Enchanted Forest Artist’s Edition

The image below was coloured using Stabilo Point 88 Fineliners and the unicorns were coloured over with Clear Glitter Stardust Sakura Gelly Roll Gel Pens.