Laurence King Publishing

Birdtopia 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Daisy Fletcher’s gorgeous colouring book, Birdtopia. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Daisy’s illustrations just a little too detailed and small, under each illustration is a small note stating what birds are drawn so that you can easily identify them and colour them realistically if you wish. The cover of the calendar is yellowy-cream card with the same images and design as the book cover, the title is printed in gold foil lettering and on the back are thumbnail pictures of all of the images inside; the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I tested Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. I completed my page using Derwent Inktense Pencils activated with minimal water and the paper held up very well to this with minimal warping or buckling. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. As with the Birdtopia book, this calendar has the quirky feature of having white colouring spaces but cream background printed throughout (except for the peacock page which is entirely white due to being a full page design), this isn’t a bad thing and many people think that this feature was one of the things that made Birdtopia so special but it’s worth mentioning and taking note of my photos below as it doesn’t suit everyone and is a bit of a surprise when you first look through the calendar.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured bird illustration, sometimes accompanied by a flower or plant. When writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. The majority of Daisy’s images are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistically drawn (though not realistically composed in terms of accurate plants or comparative sizes of things) and truly beautiful and just looking through the calendar is sure to lift your mood. These images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin and spindly thin throughout so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Daisy’s previous work, or if it’s new to you and you love birds and nature then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Birdtopia 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Birdtopi-2018-Colouring-Calendar-Daisy-Fletcher/9781786270498/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with minimal water.

Floribunda 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Leila Duly’s fabulous colouring book, Floribunda. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Leila’s illustrations just a little too detailed and small, each page has a beautifully written list of the flowers included, just like in the original book. The cover of the calendar is made of pale peachy-pink card with the same black line-drawn design as the book cover on the front, the title is in a large box at the top with pink foiled lettering and edging and on the back are thumbnail pictures of all of the images inside, the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I used Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. Do bear in mind, when writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured flower illustration from the inside covers of Floribunda.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. As with all of Leila’s images, they are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistic and truly beautiful and just looking through the calendar is sure to lift your mood. Leila’s images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is very thin throughout  so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Leila’s previous work, or if it’s new to you and you love flowers then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Floribunda 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Floribund-2018-Colouring-Calendar-Leil-Duly/9781786270474/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils and Faber-Castell Polychromos Pencils.

The Flower Year: A Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Flower Year: A Colouring Book is published and very kindly sent to me to review by Laurence King Publishing. This book is the second colouring book offering from Leila Duly who illustrated the hugely successful and utterly stunning, Floribunda, reviewed by me here. This new book is a different format, with somewhat different content and very different production however, rest assured, it’s equally beautiful and an absolute must-have! Below the review are photos of inside so you can have a sneak-peek and if you want to view the whole thing you can see my silent video flick-through here.

This book is quite small at 23 x 18cm, it’s hardback with a pale pink linen-style cover in a slightly different shade from Floribunda, with black floral line drawings on the front and back covers and beautiful moss green interior and first and last pages. The spine of the book is stitch-bound and it is glued onto a flexible fabric tape strip which makes it easier to access the gutter in the center of the pages though in some cases this is still tricky and you’ll lose a little of some of the images. The illustrations are printed double-sided and are a mixture of single and double-page spreads. The paper is medium/thick, cream and very smooth, it’s similar to the paper used in Swedish colouring books though it has less texture; it’s ideal for water-based pens which apply smoothly and don’t bleed or shadow (do always test in an inconspicuous place as we all colour differently), I coloured my page with oil-based pencils (Holbeins and Polychromos’s) and found that I struggled to get even coverage as they didn’t want to blend very well and I was left with a slightly patchy appearance, even without any visible tooth to the paper, until I used a blending pencil (see photos below), this may be user error, but as many of us know, certain papers work better with certain types of pencils and I found that it performed much better with wax-based pencils when testing my Prismacolor Premier Pencils. The book contains a sage green satin ribbon bookmark which is very handy for keeping your page and really adds an extra touch of luxury in addition to the pale pink foiling which adorns the title on the cover and the spine.

The illustrations contain images of flowers from throughout the year with a title page for each month, starting with January and ending in December, each bordered with plants and flowers from that month, following each are 7 pages of floral illustrations containing a range of content styles including double-page spreads, single page spreads, collections of individual flower images and 7 pages with a written quote and a smaller flower image. There is a huge variety of content from birds to butterflies, dragonflies to berries and of course, heaps and heaps of flowers including, a dog rose, foxglove, bluebells, fuchsia, hellebore and plants including mistletoe, holly, horse chestnut and English oak. Some of the pages show small scenes of a zoomed in flowering plant or birds perched on branches, others show a small section of a whole plant, similar to images found in spotters guides and old-fashioned nature books, these collections have the flower’s name added on the page so they’re easy to identify. One of the best things about this book is that all of the pages are shown as thumbnails in the index and underneath each is a list of all of the flowers and birds depicted meaning that those of us who wish to colour the flowers realistically can, with great ease. A number of the pages have centralized images or sweeping spreads with large spaces left where you could add your own backgrounds or imagery if you wish, however this is by no means necessary and the pages will look finished and stunning, regardless of whether you add extras or not.

In terms of mental health, this book is wonderful, just as Floribunda was. The images are so realistic and they’re just packed with detail so even just looking through the pages is very calming and it really feels like you’re taken on a journey through the flowers and plants of the British seasons. I particularly like the way the book is split into months and that all of the illustrations are grouped together in this way, it means that you could just work through it in order or even colour the pages from each month as you go through the calendar year and see if you can spot some of those flowers when you’re out and about, I’ve certainly been noticing lots of crocuses (apparently January flowers) and daffodils outside my flat recently, as well as lots of birds, though I’ve not seen any wrens which are pictured for March, maybe I’ll see one soon. Nature-themed imagery is one of the best types for mental health because it’s so innately soothing and calming, even with no colour added, Leila’s illustrations are an absolute work of art and they are truly brought to life once coloured. The line thickness is spindly thin throughout, and while this does make it quite tricky to colour the images, they just wouldn’t look right with a thicker line, their beauty is in their delicacy. The intricacy and detail levels do vary from larger open spaces on periwinkles and bindweed to much smaller spaces of berries and lily-of-the-valley, but really you will need very good vision and fine motor control to get the most out of this book; I have good levels of both and it required a lot of time and patience to stay within the lines, even whilst colouring over many of the detailed sections. You will also need a good level of concentration to enjoy this book, while it will certainly cheer you up and calm you down on your worse days, it requires a lot of focus in order to stay within the lines and identify each section so that you’re not accidentally colouring a petal in leaf colours so this book is one to keep for your better days. That being said, when you’re well enough to colour it, it offers wonderful escapism and is extremely absorbing, leafing through the pages is like taking a garden walk, it really transports you outdoors and through forests, meadows and hedgerows.

Overall, I would highly recommend this book to nature-lovers and those with very good vision and fine motor control, Leila’s illustrations are second to none and while this book is absolutely beautiful as it is, it’ll be an absolute stunner when it’s full to the brim with colour. This is one book that I really hope I can colour from cover to cover in my lifetime because the end result will be incredible. While the paper can be a bit tricky with certain pencils, do persevere, I promise it’s worth the effort!

If you’d like to purchase a copy of The Flower Year, it’s available to pre-order here:
Amazon UK – The Flower Year: A Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/The-Flower-Year/9781780679532/?a_aid=colouringitmom

If you’d like to purchase a copy of Floribunda it’s available here:
Review – Floribunda: A Flower Colouring Book
Amazon UK – Floribunda: A Flower Colouring Book (Colouring Books)
Book Depository Worldwide – http://www.bookdepository.com/Floribund-Leil-Duly/9781780677767/?a_aid=colouringitmom

The image below was coloured using a combination of Holbein Artist’s Coloured Pencils and Faber-Castell Polychromos Pencils. I also used a Caran d’Ache Blender.

Birdtopia: 20 Colour-In Postcards – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia: 20 Colour-In Postcards are published and kindly sent to me to review by Laurence King Publishing. These postcards are of illustrations taken from the Birdtopia Colouring Book which was one of the most unusually formatted books I’ve ever seen during my time reviewing. This postcard book is paperback with card covers made of the same card as the postcards themselves, it’s bound with beautiful red tape creating a lay-flat binding meaning you can reach all of the edges when colouring. Each of the 20 postcards have a thin lined border around them and the main background of each is printed in cream, just like the original book, with white backgrounds for all of the colourable sections on the birds and plants. The card itself is white, thick, and lightly textured, it’s a little tricky to build up layers with pencils but patience helps and it doesn’t bleed, shadow or spread with water-based pens; alcohol pens will heavily shadow and bleed to the back but won’t bleed through onto the next design though do always pop a protective sheet behind your work, just in case! The binding allows the postcards to be kept in the book if you’re careful not to twist the spine, or remove them if you wish for gifting or framing. All of the postcards are portrait orientation apart from one landscape image. The illustrations themselves are all taken directly from the book with very little editing of the content, a few are drastically reduced in size, others are smaller but much closer to the original size, none appear to be larger. On the reverse of each postcard is space to write, four address lines and a beautiful floral bordered space for a postage stamp, in the bottom left corner (when looking at the back in a landscape orientation) the birds illustrated are named so that if you wish to colour them realistically you can. Each image contains one, or more, birds and usually a plant of some kind so there is a good variety and plenty of interest in each picture. Some of the birds include the European Robin, the Plate-Billed Mountain Toucan, the Pileated Woodpecker, and Chilean Flamingo, there is a good range of British and exotic birds to suit all tastes.

In terms of mental health, these postcards make the ideal manageable project, they’re small enough to manage in one sitting but the images are also made up of lots of component parts so you could colour just one section if you wish. The line thickness is spindly thin throughout and you will have to have very sharp pencils or fineliners to avoid going over the lines. The intricacy and detail levels vary a little but all of the postcards have high to very high levels of intricacy so you will need exceedingly good vision and fine motor control to enjoy these as the majority of the images are printed on a much smaller scale than in the original book. The content of the images is very natural and realistic and I found it quite calming just looking through the images let alone actually colouring them, the illustrations are very good at grounding you. Because the drawings are of real birds and flowers and the birds are all identified, it’s easy to look up the colours of each and colour them realistically if you wish so that you don’t have to worry about choosing colour schemes when you’re feeling stressed or anxious.

I would highly recommend these postcards to bird-lovers and those who love to colour nature and natural images, who don’t mind a bit of the surreal. The images are beautifully drawn and if the cream background doesn’t bother you then this book is sure to be a winner and the card quality is great!

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK – Birdtopia: 20 Colour-In Postcards
Book Depository Worldwide – https://www.bookdepository.com/Birdtopia/9781780679419/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils.

Floribunda: A Flower Colouring Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Floribunda: A Flower Colouring Journal is illustrated by Leila Duly and published and kindly sent to me to review by Laurence King Publishing. These journals often come shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you may not be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect, those of you familiar with Leila’s first colouring book, Floribunda, will know just how stunning her artwork is and now some of the smaller elements have been collated into this journal. It’s really luxurious from its pale pink hardback cover with a beautiful floral scene from the book, to the black linen-style spine, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! It is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy shell pink ribbon bookmark so you can easily find your place each time and on every other double-page is a small image from Leila’s Floribunda colouring book. The 37 illustrations include lots of the single flower illustrations which were printed in colour on the inside covers of her original book, they are printed in a very similar size to those and therefore look very delicate on the page. Of these illustrations, around 5 are printed twice, first towards the front of the book and then towards the end, these include the freesia, iris, delphinium, and two others. They look beautiful left uncoloured or brightened up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers and first and last pages are pale pink and the first internal page of the book has a large floral image with a small lined space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink lines do transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is lovely because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration though you do have to focus very hard to not colour over the lines. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are very intricate and detailed, and the lines are possibly the thinnest I’ve seen with the illustrations much smaller than those in the original colouring book pages and a similar size to their coloured counterparts on the inside covers of it, therefore you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. When compared to the two previous colouring journals Laurence King have published, I was very slightly disappointed with this one as there are no foiled elements on the cover (apart from the title on the removable paper strip), no metallic coloured edging to the pages, and half the number of colourable designs also including 5 repeats. This seems a little bit of a shame, however, as a standalone product it’s simply beautiful, I just feel the two journals of Johanna Basford’s artwork were better value for money as they had double the number of illustrations but for Floribunda fans this journal will still be ideal.

I would highly recommend this journal for stationery addicts, those who love to write and ‘need’ a new notebook, and fans of Floribunda and the stunning work of Leila Duly. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is one little flower. This journal is delicate and beautiful and a lovely addition to the colouring journal range.

You can purchase a copy here:
Amazon UK – Floribunda: A Flower Colouring Journal
Book Depository Worldwide – https://www.bookdepository.com/Floribund-Leil-Duly/9781780679402/?a_aid=colouringitmom

The images below were coloured using Holbein Artists’ Coloured Pencils.

Nordic Wilderness – A Review and Comparison to the German Edition, Nordische Wildnis

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Nordic Wilderness is illustrated by Claire Scully who co-illustrated The Menagerie, The Aviary, and The Aquarium, and is published and very kindly sent to me to review by Laurence King Publishing. This book was originally published in Germany under the title Nordische Wildnis, you can find my review of that edition here, I expected the UK publication to be identical but I couldn’t have been more wrong, despite the content being almost identical, almost all aspects of the publication are different including the image order, formatting, paper colour and book size to name a few, therefore I will first review the UK edition here and then go on to compare the UK and German editions so that you know which to purchase if you want just one, or whether to buy this UK copy if you already have a German copy so buckle up, this is a long one folks!

Review

Nordic Wilderness brings us exactly the content you’d expect, beautiful images of animals and scenery from the Nordic countries, it’s gorgeous, drawn in Claire’s signature intricate style and really lovely! The book is just under 25cm square, paperback with flexible grey card covers with images from inside the book and silver foiled text, the spine is a dark teal/blue colour and the inside covers are also this colour. The spine is glue and string-bound and fairly strong but also pliable so you can get the book to lie quite flat. The pages are mostly printed double-sided but the book contains 9 fold-out pages each containing a single-sided double-page spread which is a fantastic feature as the spine doesn’t get in the way of colouring the centre of these pages and they could also be carefully removed to frame if you wish. On the backs of the fold-out pages are a unique small motif so there are no truly blank pages in the book. The paper is thick, cream and lightly textured, I’ve tested it with pencils and these blend and layer nicely and I coloured my double-page spread with water-based pens which didn’t bleed or shadow at all; alcohol markers will bleed through so either keep these to the fold-out spreads or avoid using them in this book. The images are a mixture of single and double-page spreads and those that are most affected by the spine being down the centre have been printed on the 9 fold-out pages so you can finally colour the beaks of the two owls which disappeared into the spine in the German edition.

The images are beautiful and so cohesive! The illustrations are all of things you’d expect to find in Nordic countries from polar bears to pine martens, various species of owl to wolves, whales to horses, and squirrels to salmon. There are also a number of beautiful scenic images of fjords, log cabins, lots of trees, underwater creatures and even a stunning double-page spread of the Northern Lights over some icebergs which I can’t wait to get blending pinks and greens on to really make the scene come to life. Some of the images are animals on their own, others have backgrounds or objects with them, some are shown in groups and there are also a few double-page spreads of collections of natural items including lots of mushrooms, pine needles and pine cones, palm fronds, feathers, snowflakes and leaves. There are no filler images in this book and each illustration has absolutely earned its place, Claire’s style is beautiful and her hyper-detailed drawings of nature are just perfect to be coloured with pencils or fineliners. A fantastic new feature of the UK edition is that it contains an image key at the front, annoyingly this isn’t printed in the same order as the images in the book but it’s easy enough to find the picture you’re wanting to colour and find out what type of bear or fish it is you’re embarking on colouring, this is ideal for those of us who like to colour things realistically as it really aids with searching for the right colour schemes!

In terms of mental health, this book is wonderful, it’s absolutely jam-packed with nature imagery and so it’s really calming and grounding. It also offers wonderful escapism as it creates a real sense of place from the first page and truly does transport you to the Nordic countries where it’s cold and snowy and bears and furry creatures are everywhere. Claire’s illustration style is very realistic so it’s well suited to colourers who like to stick to realistic colour schemes but equally, her images look fabulous in neon colours, metallics, or rainbows for those with an adventurous streak! The line thickness is consistently thin throughout but it’s not particularly difficult to stay within the lines as long as you have moderate to good vision and fine motor control. The images are highly detailed and intricate (on a par with Millie Marotta’s and Johanna Basford’s books) and there are lots of tiny spaces making up each image whether it be hundreds of leaves, or blades of grass, or feathers, fur or scales, there is a huge amount of detail in these illustrations which makes them so beautiful and a joy to colour but this does mean it’s not so suitable for people who don’t have good vision or fine motor control. However, while the images are really intricate and detailed, most of this detail is drawn into much larger spaces including landscapes and animals so you could very easily colour over these details with pens or pencils so that the linework shows up as texture rather than having to colour each tiny section separately so there is scope for most ability levels to really enjoy this book. There are also a number of larger spaces in some of the images that will be really well suited to using your pencils for blending and shading to really bring the animals and landscapes to life. There aren’t any designs for you to finish drawing but there are natural spaces left in a few of the designs where you could add your own creatures, foliage, scenery and backgrounds, this is a happy compromise for those who can and can’t draw because there is space to draw if you want it, without any written hints.  You will need a fair amount of concentration to really get the most out of this book as each image will take a good long while to colour but because of the subject matter you can always colour a few leaves or a flower to get your quick colouring fix on a bad day and tackle a whole image on days when you can cope with colouring for longer. I really can’t express how beautiful this book is or how amazing the production is. You’ll get absolutely lost in the Nordic Wilderness and if you like The Menagerie, you’re sure to love this book filled with Claire’s beautiful illustrations, the German edition made its way straight onto my list of favourites and this new formatting has possibly made me love it even more!

I would highly recommend this book to anyone who loves colouring natural images of plants, animals and scenery, this book is beautiful and the added features of removable card pages, bookmarks and postcards is such a wonderful touch. The paper is great quality and If you love detail, intricacy and realistic images then this book will be perfect for you.

Comparison

  1. German edition has covers that open out revealing a colourable design, the UK edition has blue coloured inside covers and no design to colour.
  2. The covers are totally different between the editions.
  3. The UK book is almost 2cms larger in both dimensions than the German edition.
  4. The paper colour is very different, it’s bright white in the German edition and cream in the UK edition, it seems to be equal thickness and similar texture, neither bleed with water-based pens but pencils blend and layer better on the UK edition.
  5. The UK edition has a key at the front of the book with a thumbnail of most of the images and a written description of what they depict, there is no key in the German edition.
  6. In the UK edition many of the double-page spreads are printed on fold-out pages, especially those most affected by the spine in the German edition. The German book has no fold-out pages.
  7. The German edition contains postcards and 4 perforated card pages with single-sided images to colour. The UK edition does contain the images of 3 of these but there are no postcards or perforated pages in it.
  8. The images are either the same size of a little larger in the UK edition due to the larger size of the book, this isn’t a huge difference but if you have slightly poorer vision or fine motor control then you’d be best getting the UK edition rather than the German.
  9. The image order is completely different in each edition.
  10. The UK book is missing about 3 single pages of artwork compared to the original German edition, these include the twigs next to the beaver page and the fox tail but I’m yet to discover the third page that hasn’t been included, it’s not an obvious one though.
  11. The whale is printed totally differently, in the German edition it’s a double-page spread showing just half of the whale, in the UK edition it’s a triple-page spread spanning a single page and a double-page fold-out and it shows the whale in its entirety so it’s printed a fair bit smaller in terms of the detail and intricacy.
  12. The cover image of the German edition is a colourable page in the UK edition with the title removed, in the German edition is has the title intact and is the title page of the book.

If you’d like to purchase a copy of either of the books then they’re available here:

Amazon UK
UK – Nordic Wilderness
German – Nordische Wildnis

Book Depository Worldwide
UK – https://www.bookdepository.com/Nordic-Wilderness-Claire-Scully/9781780679099/?a_aid=colouringitmom
German – https://www.bookdepository.com/Nordische-Wildnis-Claire-Scully/9783833852626/?a_aid=colouringitmom

If you’re a fan of Claire Scully’s artwork then please join my new fan group and share your coloured pages from her book – The Menagerie and More

The image below was coloured using Stabilo 68 Fibre-Tip Pens.

Enchanted Forest Journal – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

Enchanted Forest Journal is illustrated by Johanna Basford and published and kindly sent to me to review by Laurence King Publishing. I will freely admit to being a total stationery addict – I love nothing more than a brand new pen or notebook, so when I saw that our colouring Queen Johanna Basford had released another colouring journal, I had to have a copy, her first colouring journal Secret Garden can be found reviewed by me here. This journal comes shrink-wrapped in plastic so unfortunately, even if you’re able to hunt it down in the shops, you won’t be able to see inside so here is my review to unlock its mysteries and show you inside so you can make an informed decision. This journal is beautiful, as you’d expect. It’s really luxurious from its hardback cover with a beautiful woodland scene from the book and gold foiling accents, to the black linen-style spine and beautiful gold-edged pages, this journal oozes class and specialness and will be perfect for using as a diary, writing special notes or taking down your life story, or even using as a scrapbook, this journal is certainly not for your run of the mill shopping or to-do lists! The journal is A5 in size and contains 144 pages which are plain and un-lined meaning you can write in it or even use it for doodling, the corners are rounded so there are no harsh lines or corners making this journal feel very warm and inviting. There is a handy cream ribbon bookmark so you can easily find your place each time and on every double-page is a small image from Johanna’s Enchanted Forest colouring book. The 72 illustrations include loads of different leaves, fish, birds, owls, feathers and more, and they look stunning on each double-page spread either left uncoloured or brightening it up with splashes of colour. The cover has a paper strip which is folded over but not attached stating the title of the journal and the price and description on the back of it, which can be removed. The inside covers are cream with black line drawings of Johanna’s flower patterns which can be coloured and the first page of the book has space to write your name. The paper is cream adding to the luxurious, vintage feel of the book and it is smooth meaning it’s a little tricky to layer your coloured pencils but it is doable with a bit of effort. I tried out my water-based fineliners and they didn’t bleed at all and only had the slightest hint of shadowing with very dark colours but I only noticed because I was closely inspecting it. The ink does transfer ever-so slightly when pressing hard with pencils so do use a spare piece of paper behind when burnishing the images to avoid image transfer. My recommendation would be to use pencil to write in the journal or water-based pens rather than ball-points which would dent the paper heavily and take away from its lovely smooth feel.

From a mental health perspective, this journal is fantastic because it gives you small little colouring projects for the days when a whole page is far too overwhelming. The illustrations are small and can be completed in a short amount of time meaning you don’t need a good attention span or level of concentration to be able to enjoy each illustration. You could complete them one by one, in order, each time you get to writing on that page, or pick and choose your favourites. The images are intricate and detailed, some at the same level as contained in the original book and others are much smaller and therefore more intricate and detailed so if you’re wanting to colour these images you will need extremely good vision and fine motor control, a steady hand and some sharp pencils or a trusty set of fineliners so that you don’t go over the spindly thin lines. I found that the illustrations are ideal for testing out colour schemes and techniques ready for doing my ‘best’ version in my copy of Enchanted Forest but this is also a great stand-alone journal.

I would highly recommend this journal for Johanna Basford fans, stationery addicts, and those who love to write and ‘need’ a new notebook. This is wonderfully luxurious, beautifully illustrated and ideal for mixing colouring and writing and it’s perfect for your bad mental health days when all you can cope with colouring is a sprig of leaves or a little fox. This journal is gorgeous and certainly the best I’ve seen and its gold-edged pages are a lovely addition.

You can purchase a copy here:
Amazon UK – Enchanted Forest Journal
Book Depository Worldwide (cover shown is incorrect but item is right) – http://www.bookdepository.com/Johann-Basfords-Enchanted-Forest-Journal-Johann-Basford/9781780679181/?a_aid=colouringitmom

The images below were coloured using Stabilo Point 88 fineliners and Prismacolor Premier Coloured Pencils.