Birds

The longest colouring book in the world, packed with content ranging from realistic to mythological, click through to see photos, video and written review!

To the Ends of the Earth and Back Again: The Longest Colouring Book in the World – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
To the Ends of the Earth and Back Again is illustrated by Good Wives and Warriors of the Escape To… series and published and kindly sent to me to review by Laurence King Publishing. This book is a really unusual format with only two others that I’m aware of on the market like this, both of which are smaller. This book is paperback with flexible card covers, the covers are portrait but the pages are landscape, they are all attached together and folded in a concertina so that they make one continuous strip of images stretching out for a full 17ft, I’ve never seen anything like it (you can view my silent video flick-through of the whole book here)! The pages fold into A4 size and the book consists of 15 pages in total, all joined together, they’re easy enough to colour because you can keep them folded and therefore just have two pages ‘showing’ at once which makes it a much more manageable size to contend with though it is still a little tricky and may require a table or a large lap tray. The images are printed single-sided and make up one continuous scenescape. The paper is white apart from the sky in the images which gradually changes colour through the pages from white to a dark teal-blue, this transition is seamless and I didn’t actually notice it until the second time I looked through, the backs of all of the pages also fade through from white to the same dark teal-blue colour which is a nice touch. There is no spine to contend with, just folds and these are very easy to colour over so you don’t lose any of the image and can colour its entirety. The paper is white, thick and smooth, it doesn’t have any visible texture but seems to take pencils well and you can happily blend, shade and layer them, water-based pens don’t bleed or shadow and you can use alcohol markers if you wish as the pages are single-sided and therefore bleeding won’t matter, just pop some protective sheets behind so that it doesn’t bleed through to any other pages. The image is a continuous scenescape journey that takes you from a house with a pretty garden around various landmarks from around the world and delves into folklore and mythology and pictures of all sorts of weird and wonderful things. There is such a wealth of imagery that it’s hard to even know where to start when describing it all, there are llamas, dragons, jackalope, wolves, deer, mountains, the pyramids, a sphynx, totem poles, an Aztec calendar, peacocks, rivers, Chinese dragons, sea serpents, lizards, turtles, otters, walruses, Easter Island statues, cacti, snakes, the Arctic, elk, polar bears, geese, igloos, penguins, and finally ends back at the house which is filled with animals and souvenirs from the trip and a space to write your name in a This Adventure Belongs To box.

In terms of mental health, this book isn’t for the faint-hearted, it really is one hell of a project and will be better suited to those of you without concentration problems and those who don’t mind spending time on a project for a really long time as there’s no quick way of getting this book coloured. That being said, it offers a great level of distraction, there is so much to look at within each section and I know I’ve not yet seen even half of what’s pictured despite looking through it heaps of times, there’s just such a lot of content packed in that you always notice new things. The line thickness is consistent throughout and remains thin. The intricacy and detail levels vary a little within the scenescape but mostly remain at a very high level with some really small sections and lots and lots of components making up each section, you will therefore need very good vision and fine motor control to get the most out of this book. The content is a great mixture of realistic animals and scenery and mythological creatures and surreal settings, this combination lends itself well to realistic or outlandish colour schemes and you could even mix media and colour each page differently or even each type of imagery, the sky is the limit! The images are so wide-ranging that it’s almost like loads of different colouring books in one and you’ll always be able to find something you fancy colouring in here if you have a look through. There are lots of natural stopping points because the whole scenescape is made up of lots of component parts so you can easily colour just one creature or type of flower or work through it systematically from beginning to end, it really is up to you.

Overall, this book is amazing, it’s unlike any others and it’s just packed with content and different things to colour. It offers an amazing project which isn’t for the faint-hearted but it’ll look amazing when it’s finished and be so worth all of the time and effort you’ll need to put in.

If you’d like to purchase a copy, it’s available here:
Amazon UK – To the Ends of the Earth and Back Again
Book Depository Worldwide – https://www.bookdepository.com/the-Ends-of-the-Earth-and-Back-Again-Good-Wives-And-Warriors/9781786270351/?a_aid=colouringitmom

If you’d like to see the full book then you can find my silent video flick-through here.

The image below was coloured using Staedtler Ergosoft Coloured Pencils.

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Into the Wild: An Exotic Woodland Colouring Book – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Into the Wild: An Exotic Woodland Colouring Book is published and was kindly sent to me to review by Laurence King Publishing. This book is the second brought to us by artist Daisy Fletcher who illustrated Birdtopia last year which was one of the most unusually formatted books I’ve seen during my time reviewing. This second book, Into the Wild is formatted in the same way (detailed description of this below) but this time rather than being focused on birds, it’s a whole lot more exotic and wide-ranging in content – to illustrate this I’ve recorded a video flick-through which can be found HERE as well as a full written review and photographs as usual. This book is a little larger than A4 at 23.5 by 31cm, paperback with sturdy card covers with a gold foiled title. The paper is bright white, thick and lightly textured, the paper takes pencil very well and allows for lots of light layers which makes blending a breeze and even better, there’s absolutely no shadowing or bleed-through with water-based pens, unless you use very dark colours, which is a huge bonus! The really strange part of the formatting is that the paper is white and the colouring spaces are left white but all of the backgrounds are printed in a strong cream colour. These backgrounds don’t feel printed and there isn’t a weird surface to the paper so you can still add your own background with pencil or pastel or any other mediums you normally use, but it means the uncoloured pages look quite strange and different from any other book I’ve seen. The images are printed double-sided and some are full page images and others are small illustrations somewhere in the middle of the page. There is a mixture of single page and double-page spreads and the spine is glue and string bound and is very durable but a little of many of the images is lost into it though with some bending it does loosen up a lot.

The book starts with a This Book Belongs To… page and then contains 76 images of animals, flowers, and other wildlife and plants, the last two pages have a beetle printed on each and open out to reveal a fabulous four-page woodland scene including lots of deer, giant mushrooms, a griffin and even two unicorns! The images contain a huge number of different animals from hares to butterflies, deer to otters, fish to chipmunks, wolves to leopards, horses to lynx and lots more. Some of the images are drawn to scale with butterflies and flowers drawn in a realistic scale and others have varied scale with deer perching on flowers and owls sitting on mushrooms so there is a real variance in scale and realism in the scenes. Each double-page spread includes at least one animal, usually many more, and at the back of the book there are thumbnail pictures of each image with the names of each of the animals and many of the plants and flowers that are included which makes them easy to identify and research if you want to colour them realistically. In addition to the line drawings, there are also a few, quite strange, greyscale animals and background plants (this time there are no fully coloured elements), these greyscale items almost look photoshopped into the images (see photos below), these features can be coloured over if you wish, they certainly aren’t the majority and there are fewer in this book than in Birdtopia. None of this is a criticism of the features, and I don’t dislike it, it’s just very unusual and different from anything I’ve seen before (other than Birdtopia) and therefore worth commenting on.

In terms of mental health, this book is pretty good because of the information at the back of the book identifying what each animal is so that you can head to google and get searching for the accurate colour schemes if you wish. This means that colouring can be very relaxing and thought-free as you’ve got a ready created colour scheme that nature has handed you on a plate that can be found with a quick internet search. The natural images are lovely and relaxing and are sure to ground you and calm you down. The sometimes unusual arrangements are quirky and intriguing and these are almost energising as you ponder the surrealism of them. The line thickness is consistent throughout and is spindly thin so you will need very good fine motor control to enjoy and fully utilise this book. The intricacy and detail level varies throughout from large open spaces to teeny tiny sections so this book will only really suit those of you with good vision. The images themselves vary in size hugely so this a great book for those of you with fluctuating conditions because you can do some of the smaller images on your bad days or tackle the full four-page spread on your good days and everything in between. There are lots of large open spaces around the images where you could add your own drawings or backgrounds and there are no drawing hints so these images look and feel finished but you can add to them if you wish.

I would highly recommend this book to animal and plant lovers and those who love to colour nature and natural images, who don’t mind a bit of the surreal. This book is beautifully drawn and if the cream background doesn’t bother you then this book is sure to be a winner and the paper quality is great!

If you’d like to purchase a copy of the book, it’s available to pre-order here:
Amazon UK – Into the Wild: An Exotic Woodland Colouring Book
Book Depository Worldwide – https://www.bookdepository.com/Into-Wild-Daisy-Fletcher/9781786270849/?a_aid=colouringitmom

If you’d like to see a full silent video flick-through of the book then click here.

The image below was coloured using Prismacolor Premier Coloured Pencils.

Birdtopia 2018 Colouring Calendar – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia 2018 Colouring Calendar is published and was very kindly sent to me to review by Laurence King Publishing. This calendar contains images from Daisy Fletcher’s gorgeous colouring book, Birdtopia. This calendar is huge, it’s 30.5cm wide by 35.5cm long, when closed, making it a whopping 71cms long when it’s opened and hung on the wall so it really will be pride of place no matter where you hang it. It is significantly larger than the book (see photos below) and contains 12 of the images, each enlarged to fit the larger pages, one for each month of the year. I have included pictures of all of the calendar pages below so that you can decide if this is for you, as well as comparison photos of the book and calendar image sizes. The images are printed a fair bit larger in the calendar than in the book so this is a great purchase for those of you who found Daisy’s illustrations just a little too detailed and small, under each illustration is a small note stating what birds are drawn so that you can easily identify them and colour them realistically if you wish. The cover of the calendar is yellowy-cream card with the same images and design as the book cover, the title is printed in gold foil lettering and on the back are thumbnail pictures of all of the images inside; the calendar arrives wrapped in protective plastic wrap so you can’t look inside. The paper is cream and medium weight with a little bit of tooth and it’s perfectly possible to get a number of layers and to blend well, I tested Holbein and Polychromos pencils and these worked really well; water-based pens don’t bleed and will only shadow if you press too hard but do be sure to test in an inconspicuous area. I completed my page using Derwent Inktense Pencils activated with minimal water and the paper held up very well to this with minimal warping or buckling. You definitely can’t use alcohol markers because the images are all printed double-sided with the dates for the previous month on the back of the page which will get ruined by bleed-through if you colour ahead but would be fine if you colour month by month. As with the Birdtopia book, this calendar has the quirky feature of having white colouring spaces but cream background printed throughout (except for the peacock page which is entirely white due to being a full page design), this isn’t a bad thing and many people think that this feature was one of the things that made Birdtopia so special but it’s worth mentioning and taking note of my photos below as it doesn’t suit everyone and is a bit of a surprise when you first look through the calendar.

The calendar pages themselves are beautifully arranged with a large month title at the top and the dates all neatly spaced in a grid. There is plenty of space to write plans into each box and a notes section at the bottom consisting of five lines. The calendar lists all major holidays and dates as well as the country that celebrates them in brackets and the moon phases are also shown. At the bottom of each calendar page is a small coloured bird illustration, sometimes accompanied by a flower or plant. When writing on the calendar I’d strongly advise using pencil so that you don’t get bleed through onto the next month’s image, or indentation from using a biro. The calendar is stitch-bound so you can easily fold it back on itself for easier colouring as it’s a little unmanageable when it’s not folded in half. Each page has a hole at the top that you can either hang directly on a nail or thread string through to hang on a hook.

In terms of mental health, this calendar is ideal because not only does it give you hours of colouring fun and distraction, you can also easily display it on your wall to brighten up even the darkest of days and you’ll get satisfaction every day looking at all of your beautiful hard work. The larger image size means it’s more suitable for those of you who don’t have perfect vision or fine motor control, there are still some small and intricate sections but these are much more manageable. It’s a great project that will help motivate you with a deadline of making sure each image is ready for the first day of the following month. The pages could also be removed at the end of the year once you’re done with the calendar and could be easily framed or gifted to others to bring enjoyment for years to come. The majority of Daisy’s images are intricate and detailed and do require a fair amount of concentration which is great for keeping you occupied when you’re feeling anxious or low, they’re also nature-themed, realistically drawn (though not realistically composed in terms of accurate plants or comparative sizes of things) and truly beautiful and just looking through the calendar is sure to lift your mood. These images are really good for practising mindfulness techniques because they require a lot of focus and time to complete meaning this calendar is ideal for those of us who are mentally ill and needing to zone out. The line thickness is thin and spindly thin throughout so you’ll need to colour slowly in order to keep within the lines but this is perfectly doable if you’re patient.

I would highly recommend this for any colouring fan who needs a calendar in their life. If you like Daisy’s previous work, or if it’s new to you and you love birds and nature then this calendar will be perfect for you, it’s an absolute joy to colour and it looks amazing when you finish a page. With its beautiful selection of designs and great paper quality, it will brighten up the darkest of rooms and moods. It would also make a fabulous gift either as it is, or fully coloured for someone and it’s not only useful for the coming year as a calendar, but for years to come when you can frame your pictures to continue the joy.

If you’d like to purchase a copy it can be found here:
Amazon UK – Birdtopia 2018 Colouring Calendar
Book Depository Worldwide – https://www.bookdepository.com/Birdtopi-2018-Colouring-Calendar-Daisy-Fletcher/9781786270498/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with minimal water.

The Labyrinth: Mythical Beasts to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Labyrinth is published and was kindly sent to me to review by Michael O’Mara Books. This is the fourth book created in this series, all illustrated by Richard Merritt who this time has been joined by Sabine Reinhart. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary and The Aquarium) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful teal and purple foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 32 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens didn’t bleed or shadow at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a mythical beasts instead, some are zoomed in a little, some are drawn side on and others are pictured front on, all are pictured individually. The images are beautifully drawn and very varied as Richard and Sabine’s art styles are quite different from each other, if you’re a fan of mythology and mythological beasts then you’re sure to love this book! This new instalment to the The Menagerie series is just gorgeous and a worthy sequel to The Aviary and The Aquarium, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images and this title is no exception.

Each picture has a bit of colour added to the background in the form of blue mountains, pink and purple thistles, lilac clouds, and yellow lightening bolts, but the creature itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of mythological beasts included but some of my personal favourites are the faun, gnome, jackalope, unicorn, and fairy, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book none of the beasts are naturally black though I’m not sure what colour many of the creatures are “supposed” to be so it’s worth going all out with your colour schemes and get your brightest colours working!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images are best, very closely followed by fantasy-based images and you’ve got an abundance of those in this book so it’s a great one for getting lost in! I found it great fun to colour ready for review and this is sure to be one of my go-to books when I need energising or feel like my mood needs a boost. The images aren’t of real animals so you can really go to town with your colour schemes and there are really no wrong choices though there will be plenty of depictions of most of these creatures if you have a quick search online so you could copy someone else’s colour schemes if you wish or you can do what I did and just pick a colour and roll with it. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the previous books’ pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The mythical beasts themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a mythological masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love mythology and mythological beasts and really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of mythological creatures that I’ve seen. The Labyrinth is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

I have recently created a fan group for artwork by Richard Merritt and Claire Scully (and now Sabine Reinhart too) which you can find here, please do join and share your finished pages from this and the other books in the series.

***This book has been published under the title Mythologica in the US and their edition has perforated pages whereas ours in the UK doesn’t. If you’d prefer perforated pages, I’ve included purchase links for the US edition as well as the UK edition below.***

If you’d like to purchase a UK edition it’s available to pre-order here:
Amazon UK – The Labyrinth
Book Depository Worldwide – https://www.bookdepository.com/The-Mythologic-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

If you’d like to purchase a US edition it’s available here:
Amazon UK – Mythologica
Book Depository Worldwide – https://www.bookdepository.com/Mythologic-Richard-Merritt-Sabine-Reinhart/9781438009520/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo 68 Fibre-tips.

Birdtopia: 20 Colour-In Postcards – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Birdtopia: 20 Colour-In Postcards are published and kindly sent to me to review by Laurence King Publishing. These postcards are of illustrations taken from the Birdtopia Colouring Book which was one of the most unusually formatted books I’ve ever seen during my time reviewing. This postcard book is paperback with card covers made of the same card as the postcards themselves, it’s bound with beautiful red tape creating a lay-flat binding meaning you can reach all of the edges when colouring. Each of the 20 postcards have a thin lined border around them and the main background of each is printed in cream, just like the original book, with white backgrounds for all of the colourable sections on the birds and plants. The card itself is white, thick, and lightly textured, it’s a little tricky to build up layers with pencils but patience helps and it doesn’t bleed, shadow or spread with water-based pens; alcohol pens will heavily shadow and bleed to the back but won’t bleed through onto the next design though do always pop a protective sheet behind your work, just in case! The binding allows the postcards to be kept in the book if you’re careful not to twist the spine, or remove them if you wish for gifting or framing. All of the postcards are portrait orientation apart from one landscape image. The illustrations themselves are all taken directly from the book with very little editing of the content, a few are drastically reduced in size, others are smaller but much closer to the original size, none appear to be larger. On the reverse of each postcard is space to write, four address lines and a beautiful floral bordered space for a postage stamp, in the bottom left corner (when looking at the back in a landscape orientation) the birds illustrated are named so that if you wish to colour them realistically you can. Each image contains one, or more, birds and usually a plant of some kind so there is a good variety and plenty of interest in each picture. Some of the birds include the European Robin, the Plate-Billed Mountain Toucan, the Pileated Woodpecker, and Chilean Flamingo, there is a good range of British and exotic birds to suit all tastes.

In terms of mental health, these postcards make the ideal manageable project, they’re small enough to manage in one sitting but the images are also made up of lots of component parts so you could colour just one section if you wish. The line thickness is spindly thin throughout and you will have to have very sharp pencils or fineliners to avoid going over the lines. The intricacy and detail levels vary a little but all of the postcards have high to very high levels of intricacy so you will need exceedingly good vision and fine motor control to enjoy these as the majority of the images are printed on a much smaller scale than in the original book. The content of the images is very natural and realistic and I found it quite calming just looking through the images let alone actually colouring them, the illustrations are very good at grounding you. Because the drawings are of real birds and flowers and the birds are all identified, it’s easy to look up the colours of each and colour them realistically if you wish so that you don’t have to worry about choosing colour schemes when you’re feeling stressed or anxious.

I would highly recommend these postcards to bird-lovers and those who love to colour nature and natural images, who don’t mind a bit of the surreal. The images are beautifully drawn and if the cream background doesn’t bother you then this book is sure to be a winner and the card quality is great!

If you’d like to purchase a copy of the book, it’s available here:
Amazon UK – Birdtopia: 20 Colour-In Postcards
Book Depository Worldwide – https://www.bookdepository.com/Birdtopia/9781780679419/?a_aid=colouringitmom

The image below was coloured using Holbein Artists’ Colored Pencils.

Tangle Wood Collector’s Art Edition – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tangle Wood Collector’s Art Edition is illustrated by Jessica Palmer and published and kindly sent to me to review by Search Press Publishing. This book is the artist’s edition of Jessica’s hugely popular debut colouring book, Tangle Wood, which I reviewed almost 18 months ago, she’s since gone on to produce two further titles, Tangle Bay and Tangle Magic. This artist’s edition is a different format from the original and contains 20 images, some originally single pages and others a full double-page spread, I’ve included photos of all of the pages below so that you can see if your favourites are included and decide if this book is for you. It’s currently listed on Amazon with a release date in the UK as the 31st of March but my contact at Search Press is expecting their own website to have stock by the end of January and Amazon doesn’t usually take long after that so do get your pre-order in (links below) and you’ll be sure to get a copy as soon as it’s available.

The book itself is very large, measuring 25 x 33cm (the same size as Floribunda and the JB artist’s editions), it’s paperback with covers made of the same card as the pages inside, it’s thick card which is a beautiful cream colour, lightly textured and perfect for use with water-based pens which don’t bleed sideways or through, and pencils which layer and blend beautifully. I tested my Stabilo Point 88 Fineliners and they didn’t shadow onto the back, they just seemed to glide on top instead of saturating the paper. Cream isn’t everyone’s favourite page colour but it definitely adds a vintage feel and seems more natural than pure white so it really fits the woodland theme and also means you’re left with a less harsh contrast if you decide to leave the background uncoloured. The 20 images are printed single-sided onto the card and all of them are landscape, some are single page images from the original book which are printed a little larger, and others are double-page spreads which have been shrunk to fit the new page size. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but do stay put as long as you’re careful and don’t twist the spine too much, mine arrived pretty stiff. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits.

The images included are all from the original version of Tangle Wood, unlike most artist’s editions, the majority of these images are actually smaller than in the original book, I personally don’t think this was the best decision as Jessica’s illustrations are some of the most detailed around and it would have been lovely to have slightly larger scale versions to get our teeth into. There are also some slightly odd image choices like the floral frame which doesn’t actually fill the page or have enough space in the middle to draw much of your own imagery, or the floral spray with a small hummingbird, I was very disappointed to see that the gingerbread house wasn’t included apart from as a faded background for the bio on the back page. However, those niggles aside, the book is lovely and the images are really beautiful. Of the 20 images, 3 are printed larger than the original, 11 are printed smaller than the original, and the rest are the same size (see comparison photos below). The illustrations are printed in a different order from the book and don’t show the journey through the wood as the original did, there also isn’t a treasure hunt aspect though there are jewellery pieces hidden in each illustration. On the back of each page it says “Hand Coloured By” with a line to write your name and then “On” followed by space to write the date, you could also add the colouring mediums you used as a great record for the future.

In terms of mental health, this book is great, Jessica’s work contains so much detail that there’s constantly something to look at and notice, there’s a really good mix of images from up-close plants and insects to more scenic pages and all of the chosen illustrations will look beautiful framed if you wish. The linework is fairly consistent throughout and is thin and spindly thin, the detail levels do vary because the scale of the images varies and it ranges from the tiniest of details up to much larger open spaces. While you will need pretty good vision and fine motor control, don’t forget that you don’t have to colour in each tiny section individually and you can get great effects from colouring over sections and using the black linework as pattern or texture through your colouring, I often do this with Jessica’s illustrations and it’s really effective. The drawings themselves are really natural and evocative and are sure to spark your imagination as well as calm you down, Jessica’s illustrations feel very peaceful so they’re great for slowing down a racing mind. A number of the images have large spaces where you could add your own backgrounds but this is by no means necessary and the pages will look beautiful with or without any additions. There is also a variance in the amount of content on each page so you can tackle a simpler page on bad days or a more complex design on days where you can focus and concentrate more fully. Fans of the original book are sure to love this edition, it feels quite different from the original but it has many more uses and is ideal for using heavy/wet media that you can’t use on double-sided pages.

Overall, I would highly recommend this book, while the image choice and layout is a little disappointing, this may just be my personal taste and what is here is very lovely and will look stunning finished and framed. The book itself would make a wonderful gift or you could colour and frame a page for a loved one, or just brighten up your own home with your wonderful creations, I will certainly be framing my own soon, I just love how my owl turned out!

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Tangle Wood Collector’s Art Edition
Book Depository Worldwide – https://www.bookdepository.com/Tangle-Wood-Jessic-Palmer/9781782214878/?a_aid=colouringitmom
Search Press Website – https://www.searchpress.com/book/9781782214878/tangle-wood-collector-s-art-edition

The image below was coloured using Holbein Artists’ Colored Pencils and the background with PanPastels.

The Aquarium: Marine Creatures to Colour – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Aquarium is published and was kindly sent to me to review by Michael O’Mara Books. This is the third book created by the super talented illustrators Richard Merritt and Claire Scully, known for The Menagerie and The Aviary. This book is exactly the same size and format as the predecessors (it’s non-perforated like The Aviary) but in case you missed those here are the specs. The book is huge at 29cm square, it’s paperback and has beautiful blue and magenta foiling on the cover. The pages are not perforated but they are easy to remove by cutting as close to the spine as possible so you can still frame them if you wish. There are 31 images, all printed single-sided and very little of the image enters the spine so hardly any of it is lost. The paper is bright white, fairly thick and lightly textured. My water-based pens barely shadowed and didn’t bleed through at all and there was no sideways bleeding so these images are ideal to be coloured with fineliners or fibre-tipped pens as well as coloured pencils, you could also use alcohol markers as long as you pop some protective sheets of paper behind your work. Each image is just like a portrait of a person but each one is of a fish or sea creature instead, some are zoomed in a little, some are drawn side on and others are pictured front on or even in pairs or shoals. The images are beautiful and if you are a fish or underwater creature fan then you’ll love this book! Michael O’Mara are incredibly proud of this new title and quite rightly so, it’s just gorgeous and a worthy sequel to The Menagerie and The Aviary, this series is really different from any other books I’ve seen in the way it’s presented and the content of the images, I think this might actually be my favourite so far because you can use such an array of bright colours.

Each picture (except the walrus, clown fish and seal) has a bit of colour added to the background in the form of blue or purple bubbles, red seaweed, turquoise waves and lilac jellyfish silhouettes but the animal itself is always colour-free ready for you to make your mark. These images would look stunning framed on their own or as a set and I’m already making grand plans for some of my favourites! I have put a photo below of the list of sea creatures included but some of my personal favourites are the orcas, lined seahorses, chambered nautilus, and common octopus, but that’s just to name a few. Unlike in the previous books where a few of the animals were naturally black which made it difficult to colour them realistically if you so chose, in this book only the orcas and penguins are naturally black and as you can see from my finished page, I decided to go all out and use as many colours as possible to create rainbow orcas which I really wish were a real thing!

In terms of mental health, this book is fabulous! As seasoned readers of my reviews will know, I think natural images and those of things in nature are by far the most relaxing to colour and animals are absolutely top of my list for that so this book is ideal! I found it really calming to colour ready for review and this is sure to be one of my go-to books when my anxiety peaks and I need to get control of it quickly. Because the images are of something real, you can either colour them realistically meaning you can have a quick google and find out exactly what pens and pencils to use to make it come alive and practice your blending and shading, or you can do what I did and really spice things up with your brightest pens and wildest colour schemes. There’s no right or wrong way of colouring this book and having seen other people’s finished versions of the pictures online, I’m still not sure which I prefer out of realistic or outlandish and I’m intending to mix and match through my copy! The sea creatures themselves are drawn with a varying line thickness which ranges from thin to medium but none of it is spindly thin which is ideal. The intricacy and detail levels also vary throughout but mostly these images are pretty intricate and are made up of lots of teeny tiny sections. However, because the images are of fish, you don’t have to colour in each section a different colour and could easily colour whole chunks and just use the black lines as texture behind that rather than guides for where you must colour within. A number of the images really lend themselves to beautifully blended pencils and I most certainly won’t be colouring within every section and will instead be using those to colour over and look like scales through my coloured pencil. There are loads of possibilities with these images so this is one book that you don’t need to be put off from just because at first glance it looks too intricate. You will need a moderate level of fine motor control and good-ish vision but neither need to be perfect for you to be able to create a scaly, tentacled masterpiece! These images will take ages to colour so they’re great for keeping you distracted from difficult thoughts and calming you down when your mind is racing and your anxiety is off the chart. The size of the images means that you’ve really got something to get your teeth into and you can just colour small sections on bad days when your concentration isn’t so great, or the whole image on days where you’re feeling more focused.

I would highly recommend this book if you love sea creatures, like colouring natural things, or if you really like intricate, detailed books with plenty of different sections to colour. This is one of the nicest colouring books of fish and marine life that I’ve seen. The Aquarium is a fantastic book for keeping you focused and distracted from mental illness and I found it really helpful for calming down my anxiety and slowing down my thoughts so I could focus again.

If you’d like to purchase a copy it’s available for less than the RRP here:
Amazon UK – The Aquarium
Book Depository Worldwide – https://www.bookdepository.com/Aquarium-Richard-Merritt/9781910552322/?a_aid=colouringitmom

A Fourth book has also been announced called The Labyrinth which will be filled with mythical creatures and can be pre-ordered here but you’ve got a long wait as it doesn’t publish until May 2017!
Amazon UK – The Labyrinth
Book Depository Worldwide – http://www.bookdepository.com/The-Labyrinth-Richard-Merritt-Claire-Scully-Sabine-Reinhart/9781910552612/?a_aid=colouringitmom

I scoured the internet looking for places that sold frames that fit these images and found these ones on Amazon were perfect and are available in various colours to suit your image no matter how it’s coloured.
White 11 inch square frame
Oak 11 inch square frame
Beech 11 inch square frame

The image below was coloured using Stabilo Point 88 Fineliners and Stabilo 68 Fibre-tips.