Artist’s Edition

Tangle Wood Collector’s Art Edition – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tangle Wood Collector’s Art Edition is illustrated by Jessica Palmer and published and kindly sent to me to review by Search Press Publishing. This book is the artist’s edition of Jessica’s hugely popular debut colouring book, Tangle Wood, which I reviewed almost 18 months ago, she’s since gone on to produce two further titles, Tangle Bay and Tangle Magic. This artist’s edition is a different format from the original and contains 20 images, some originally single pages and others a full double-page spread, I’ve included photos of all of the pages below so that you can see if your favourites are included and decide if this book is for you. It’s currently listed on Amazon with a release date in the UK as the 31st of March but my contact at Search Press is expecting their own website to have stock by the end of January and Amazon doesn’t usually take long after that so do get your pre-order in (links below) and you’ll be sure to get a copy as soon as it’s available.

The book itself is very large, measuring 25 x 33cm (the same size as Floribunda and the JB artist’s editions), it’s paperback with covers made of the same card as the pages inside, it’s thick card which is a beautiful cream colour, lightly textured and perfect for use with water-based pens which don’t bleed sideways or through, and pencils which layer and blend beautifully. I tested my Stabilo Point 88 Fineliners and they didn’t shadow onto the back, they just seemed to glide on top instead of saturating the paper. Cream isn’t everyone’s favourite page colour but it definitely adds a vintage feel and seems more natural than pure white so it really fits the woodland theme and also means you’re left with a less harsh contrast if you decide to leave the background uncoloured. The 20 images are printed single-sided onto the card and all of them are landscape, some are single page images from the original book which are printed a little larger, and others are double-page spreads which have been shrunk to fit the new page size. The book has a lay-flat binding meaning there is no spine to contend with and that you can reach the whole image to colour it. The pages are all removable, they’re not perforated so there’s no risk of them not being fully perforated and you ripping a page when trying to remove it, they’re all glued onto the spine in the same way as postcard books so they’re easy to remove if you wish but do stay put as long as you’re careful and don’t twist the spine too much, mine arrived pretty stiff. The removable nature of the pages is ideal for two reasons, firstly, its main purpose, which is so that they can be displayed, framed, or gifted to friends or family so your colouring is no longer destined to stay hidden away in a book; secondly, it makes it much easier to colour if you remove the page first – the book is very large when fully open which makes it difficult to colour on your lap or even on a clipboard because it’s over A3 size when opened, but when you remove the page you can turn it to any angle you please so that you can colour each section easily without having to have your hand hanging off one corner or be rubbing over previously coloured areas and accidentally smudging bits.

The images included are all from the original version of Tangle Wood, unlike most artist’s editions, the majority of these images are actually smaller than in the original book, I personally don’t think this was the best decision as Jessica’s illustrations are some of the most detailed around and it would have been lovely to have slightly larger scale versions to get our teeth into. There are also some slightly odd image choices like the floral frame which doesn’t actually fill the page or have enough space in the middle to draw much of your own imagery, or the floral spray with a small hummingbird, I was very disappointed to see that the gingerbread house wasn’t included apart from as a faded background for the bio on the back page. However, those niggles aside, the book is lovely and the images are really beautiful. Of the 20 images, 3 are printed larger than the original, 11 are printed smaller than the original, and the rest are the same size (see comparison photos below). The illustrations are printed in a different order from the book and don’t show the journey through the wood as the original did, there also isn’t a treasure hunt aspect though there are jewellery pieces hidden in each illustration. On the back of each page it says “Hand Coloured By” with a line to write your name and then “On” followed by space to write the date, you could also add the colouring mediums you used as a great record for the future.

In terms of mental health, this book is great, Jessica’s work contains so much detail that there’s constantly something to look at and notice, there’s a really good mix of images from up-close plants and insects to more scenic pages and all of the chosen illustrations will look beautiful framed if you wish. The linework is fairly consistent throughout and is thin and spindly thin, the detail levels do vary because the scale of the images varies and it ranges from the tiniest of details up to much larger open spaces. While you will need pretty good vision and fine motor control, don’t forget that you don’t have to colour in each tiny section individually and you can get great effects from colouring over sections and using the black linework as pattern or texture through your colouring, I often do this with Jessica’s illustrations and it’s really effective. The drawings themselves are really natural and evocative and are sure to spark your imagination as well as calm you down, Jessica’s illustrations feel very peaceful so they’re great for slowing down a racing mind. A number of the images have large spaces where you could add your own backgrounds but this is by no means necessary and the pages will look beautiful with or without any additions. There is also a variance in the amount of content on each page so you can tackle a simpler page on bad days or a more complex design on days where you can focus and concentrate more fully. Fans of the original book are sure to love this edition, it feels quite different from the original but it has many more uses and is ideal for using heavy/wet media that you can’t use on double-sided pages.

Overall, I would highly recommend this book, while the image choice and layout is a little disappointing, this may just be my personal taste and what is here is very lovely and will look stunning finished and framed. The book itself would make a wonderful gift or you could colour and frame a page for a loved one, or just brighten up your own home with your wonderful creations, I will certainly be framing my own soon, I just love how my owl turned out!

If you’d like to purchase a copy, it’s available to pre-order here:
Amazon UK – Tangle Wood Collector’s Art Edition
Book Depository Worldwide – https://www.bookdepository.com/Tangle-Wood-Jessic-Palmer/9781782214878/?a_aid=colouringitmom
Search Press Website – https://www.searchpress.com/book/9781782214878/tangle-wood-collector-s-art-edition

The image below was coloured using Holbein Artists’ Colored Pencils and the background with PanPastels.

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Fåglar & Fjärilar (Birds and Butterflies) – A Review

Fåglar & Fjärilar is illustrated by Nadja Wedin, and published and kindly sent to me to review by Pagina Förlag. This is another beautiful Swedish offering which is currently only available from international websites (links below, directly above the photos). This book is landscape, measuring 29x20cm, paperback, with thick flexible card covers with partially coloured images on the front and back covers which are featured within the book. It has gold foiling on the title and matte gold tape covering the spine which has a lay-flat binding meaning the book will lie completely flat and that the pages can be removed if you wish, this also means you need to be careful not to twist the spine to avoid pages accidentally falling out. The book contains 20 single-sided images and every other one has a black background, the last 6 pages are the same 3 images printed first with a black background and second with a white background, the other 14 pages in the book are all different images. The pages are a pale cream colour, made of thick card and are lightly textured, water-based pens don’t bleed or shadow, alcohol markers do bleed to the back of the page but not through onto the next as the card is so thick. Pencils apply smoothly but are a tad tricky to layer at points due to lack of tooth, it is manageable though and I’ve seen some beautiful finished pages done in pencil so do persevere. The images themselves are exactly as you’d expect given the translation of the title, the pages are filled with birds and butterflies, as well as berries, flowers, leaves, trees, cats, hedgehogs, pine martens, and heaps more. Some of the images are scenes and others are a bit more like a random collection of items all pictured on the same page. 7 of the images are portrait, the other 13 are landscape. A few elements of some of the images are drawn in a greyscale style where they’re not just black and white line drawings, they have lots of shading and texture added in the form of fur on a few of the animals, this is quite unobtrusive and is fantastic for those of us who’ve not yet mastered colouring realistic fur!

In terms of mental health, this is a lovely book and because it’s nature-based it’s great for calming you down. The imagery is almost like walking through a garden and this is great for those who are housebound like I am, one of the things I miss most is being outside watching the birds and looking at flowers and this book really offers up a sense of those things. The line thickness is consistent throughout the book with thin lines and some spindly thin details. The intricacy and detail levels are varied within each image and range from very small details all the way up to much larger open spaces, the majority are small so you will need reasonable vision and fine motor control to enjoy this book. The images are all made of lots of component parts which is ideal for those of you with concentration problems of fluctuating conditions, you can colour just one or two items at once or colour all of one type of flower, or berry, or more on a better day. There is plenty to look at on each page so it’s very absorbing and you do need to focus well in order to decipher what each section is to ensure you’re colouring things the correct colour. These illustrations look truly stunning when they’re completed in a number of mediums and they are absolutely worthy of framing which means the removable pages are ideal. You could display your completed creations in your home to brighten things up and remind you on bad days of exactly how much you can achieve, or they would make a stunning and very personal gift, if you can bear to part with any!

Overall, this is a beautiful nature-themed book which really does take you on a walk through a garden of birds and butterflies. The black and white background pages are lovely and the card is great for just about any medium and when you’re done you can frame your creations and show off all your beautiful hard work. What could be better?!

If you’d like to purchase a copy, it’s currently only published in Swedish and available for International delivery from the following stores:
Pen Store – https://www.penstore.com/art-design/faglar-fjarilar-tavelbok-artist-edition
Bokus – http://www.bokus.com/bok/9789163612947/birds-butterflies-20-ark-att-farglagga-riva-ut-och-rama-in/

If you need some inspiration or want to see some more coloured pages then check out this lovely Facebook Fan Group.

The page below was coloured using Sharpie Fine Point Alcohol Markers.

Safari Tavelbok (Artist’s Edition) – A Review

Safari Tavelbok is illustrated by Emma Fällman and published and kindly sent to me to review by Pagina Förlag. This book is an artist’s edition but there is no original colouring book, the images are only currently published in this format. This is another beautiful Swedish offering which is currently only available from international websites (links below, directly above the photos). The book itself measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a beautiful pale blue colour with greyscale images from inside the book with gold foiled text on the front and back. The book has a pale pink tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly (my boyfriend thought I’d painted the page I coloured because the blending is so smooth). Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through. The 20 illustrations are drawn in a really unique style, they’re greyscale, but where most greyscale books are photographs that have been turned black and white, these images are all hand drawn by Emma but she’s added lots of shading in different levels of grey so that you know exactly where the shading on each part should be, she’s also added texture to fur and feathers which is really handy! The images are all really natural with a quirky twist, most of them are of animals but they’re wearing scarves, jewellery, fancy collars and even floral headpieces. The remainder are of exotic plants, flowers, and fruits. The illustrations are truly breath-taking, I’m not a fan of greyscale ordinarily, but these images are stunning and fascinating to look at, they’re so lovely in fact that they’d look wonderful framed just as they are, though they really do come to life when you add colour to them.

In terms of mental health, this book is pretty good, the natural aspects of the imagery are really calming and grounding while the quirky aspects of the illustrations are quite energising and intriguing and give you plenty to look at which is a great distraction. It might just be me, but I really enjoyed just looking through the images and wondering why the animals were wearing jewellery or clothing and started imagining them in real life and what scenarios a flamingo might want to wear beads for. The line thickness is consistent throughout and is very thin. The intricacy and detail level varies from whole flamingos to tiny leaves and everything in between, this also varies depending on how you want to colour the images e.g. whether you want to colour each scale on the snake separately, or colour over them and use them as texture underneath. You’ll need fairly good vision and fine motor control to get the most out of this book as there are some very fiddly bits. This book would be ideal for beginner colourists who want to learn about blending and shading, it can be really tricky to work out where light and shade should be in an image but the greyscale nature of Emma’s illustrations takes out the guesswork and you simply colour the darkest grey parts in the darkest shades and the white areas in the lightest shade and blend them in between. You will need fairly good concentration but there are lots of natural stopping points so you won’t feel obliged to finish a whole page and can colour one banana, one leaf or a whole chameleon and then stop if your symptoms are plaguing you. I found that this book was great for escapism, I often struggle to concentrate for too long when using pencils to blend and shade but I managed to complete my giraffe in one sitting because once I started I was hooked. There is plenty of space on most of the pages to add your own drawings or backgrounds if you wish but this is totally optional, there are no written hints and the pages will look beautiful with or without added extras.

Overall, I would highly recommend this book to those who like or want to try greyscale, those who want to learn to blend and shade, and those who love colouring natural images of plants and animals with an added bit of quirkiness. This is a really unusual book, different from anything else I’ve seen and the production is fantastic, making it ideal for users of any colouring medium and the artwork would look incredible framed as it is let alone with your own colour added!

If you’d like to purchase a copy, it’s available for International delivery at the following stores:
Pen Store – http://www.penstore.com/art-design/safari-tavelbok-artist-edition
Bokus – http://www.bokus.com/bok/9789163612930/safari-tavelbok-20-illustrationer-att-farglagga/

The image below was coloured using Prismacolor Premier Coloured Pencils.

Dagdrömmar Tavelbok (Artist’s Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Dagdrömmar Tavelbok is illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Forlag. This book is the Artist’s Edition of Dagdrömmar, the hugely popular debut colouring book by Hanna. I don’t have the original book so I’m afraid I can’t make direct comparisons between the two and I’m unsure if the images are printed on a larger scale than the original (I will put in measurements of a few below so you can compare if you have the original and will update this review when I have the English version in a month).

This artist’s edition measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a beautiful green colour with black and white line drawings of Hanna’s beautiful birds and flowers with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly (I’ve shown my finished page to a few people and they all think it was painted or printed because it’s so smooth). Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through. The illustrations chosen are lovely and very cohesive; I’ve seen lots of finished pages from Dagdrömmar and the images chosen are not a cross-section of the pages, they’re quite niche, there are no pictures of people or mammals (except for one curled up fox), they are all depicting birds, insects and flowers and are quite similar to each other without being samey. All of the images are pictured below so that you know exactly what you’re getting, the illustrations are truly beautiful and are perfect for those who love to colour natural images.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one flower or beetle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful and extremely cohesive and are wonderfully calming. The Swedish version is available now from here, and the English version is due to be published on August the 9th and can be pre-ordered here:
Amazon UK – http://amzn.to/29jmp55
Book Depository Worldwide – http://www.bookdepository.com/Daydreams-Artists-Edition-Hann-Karlzon/9781423645573/?a_aid=colouringitmom

The image below was coloured using Faber-Castell Polychromos Pencils and the white highlights and accents were created using a White Sakura Gelly Roll Gel Pen.

Measurements – Wingspan of Dragonfly top wings: 19.1cm; Height of tallest bird of pair with key on string: 23.9cm.