Pagina Forlag

Queen of the Skies Cross Stitch Kit by Hanna Karlzon and The Folklore Company - Click through to read the review and see photos

Queen of the Skies Cross Stitch Kit – A Review

This kit was created and very kindly sent to me to review by The Folklore Company, who create fabulous embroidery and cross stitch kits. I’ve loved cross stitch since I was a child but haven’t done any in nearly 10 years but when I found out that The Folklore Company had teamed up with one of my favourite colouring book artists, Hanna Karlzon, I just knew I’d have to start up again! This design is available in two formats, the normal cross stitch format which is what I’m reviewing here or a tote bag with a special dissolvable plastic that allows you to sew on it as if it were aida fabric and then dissolve the plastic in water afterwards just leaving the stitches in place on the bag. I wish I’d asked to review that kit now because this design is beautiful and would look stunning on a bag!

The kit arrives well packed in a clear plastic packet and contains everything you need to get started apart from a small pair of scissors and an embroidery hoop, I’d personally recommend one that’s around 26cm in diameter, mine is this size and I haven’t had to move it once as the design fits within this space preventing lots of creasing and possible damage to stitching by having to move the hoop around whilst working. The kit contains Aida fabric, more than large enough to fit the design on and with plenty of space to fit whatever size hoop you have to hand, a needle (in a small plastic packet), 3 sheets of paper including the pattern and instructions, printed in colour and double-sided, and 10 different colour embroidery flosses. The instructions give clear guidelines for newbies as well as seasoned stitchers about where to begin, how to sew without using knots and handy tips about not getting show-through from dark threads and trailing colours when needed. The pattern is clear and printed just about large enough for those with most levels of visual acuity. I don’t know what everyone else’s technique whilst cross-stitching is but I always like to colour over the pattern when stitching to be sure that I know what I have and haven’t sewn which helps me avoid mistakes. I didn’t want to do this on the pattern itself so I photocopied it and have scribbled my way through that instead. The pattern is divided into 4 quarters each printed on a single piece of A4 though these are printed double-sided so unless you photocopy it, you can’t lay out the whole pattern at once and match it up. The pattern also doesn’t reach the edges of the paper which can make lining things up a little tricky, you certainly won’t want to swap quarters whilst tired or you’re likely to make mistakes. Each thread is allocated a symbol in the key and these are then shown on the pattern, all of these are well chosen and differ strongly from each other so you won’t get confused or accidentally misread the symbols and start sewing in the wrong colour. My only niggle with the symbols is the black square used for the dark grey thread as this is very difficult to colour over/around to indicate that I’ve sewn those areas and I do keep having to really study the pattern to check exactly what I have and haven’t done rather than being able to check with a glance like I’m able to with all of the other symbols and thread colours. This is a very minor criticism and will likely only affect people who cross-stitch in the same way as me. The only other difficulty is that the crossover sections on each page of the pattern aren’t totally clear, the lines for the edge of the diagram cross halfway through the symbols and these can be a little challenging to see and decipher but again, this is a minor issue and only affects the central crossing vertical and horizontal line so it is pretty minor in the grand scheme of the diagram and pattern.

All of the stitches in this pattern are full crosses, there are no quarter, half, or three-quarter cross stiches and no running/back stitch outlines either so the whole design is neatly made from full crosses which I personally prefer as I can never neatly sew partial cross stitches. The instructions suggest that you start in the very centre which is the middle of the bird and this is indeed where I started. It then suggests that you work through each quarter but I don’t work so well like that so I did the majority of the bird, then the outline of the top of the frame, then the bottom, then filled those in and then did the flowers outlining them first and then filling them in and finally finished off with the flower centres. There’s no right or wrong way of sewing, just make sure that you’ve centred the design correctly and that you double check your counting if you do separate sections to ensure that they will join up in the right places later. Having now finished the whole piece, I have a lot of thread left over so you’re given plenty of each one and don’t need to worry about running out. The darkest two colours were used by far the most and I don’t have a huge amount left but as long as you’re not very wasteful with them or trailing them across the design a lot, you definitely won’t run low on them and the others I’ve got loads left of.

In terms of mental health, cross stich generally is really good because you have to focus fully on the pattern to ensure you sew it correctly and the motion of sewing is very calming and therapeutic. This pattern is great for mental health because it’s a really good level of difficulty, it’s not so small that you can complete it in a day or two but it’s also not so big that you’ll get bored or feel like you’re not making progress. There are quite a lot of colour changes and not so many large blocks of the same colour but while this means you have to swap threads a fair bit, it also means that it keeps you interested and there isn’t lots of repetition. The colour choices are lovely and quite muted but not dull, they’re a great choice for aiding calm feelings and they’ll go nicely with lots of different décor if you want to frame and display it after you’ve finished. The design does require a pretty good level of concentration, especially the frame sections so you will need to sew on good days and those where your functioning is high. Alternatively, you could just sew for short periods of time to avoid making mistakes but still get your stitching fix. My anxiety disorders mean that I often struggle to concentrate for long periods of time and my vision is often affected which makes reading and following cross stitch patterns a real challenge, to combat this I tried to make sure not to sew when I was tired and to always sew in good light, either daylight or with a bright light near me and I double-checked all counting and regularly checked that what I’d sewn was correct with the pattern, as well as colouring over the pattern in pencil for every few stitches I’d done. This meant that I only made one mistake in the whole thing and that was just one stitch that no one would ever notice so I’m really pleased, this is the first time I’ve ever managed to do a whole project and not make a noticeable mistake!

If you photocopy the pattern before scribbling all over it like I did then it would be possible to reuse it in future and you could even change the colour scheme to create personalised projects that would match your own décor or favourite colours. Each colour only needs one skein of thread so it would be very easy to reuse the pattern and make heaps of beautiful birds if you wished. For those of you who are from the colouring community, you might be interested to know that this design isn’t an exact replica of one of Hanna’s drawings but rather a combination of two, both from a double-page spread in Magisk Gryning (Magical Dawn), her third colouring book and a photo of these can be found below. Before you ask, yes, I did spend ages trawling through all of her books to find it because I was almost certain I’d seen the image before!

Overall, I would highly recommend this cross stitch kit, it’s a beautiful design, lovely colours, and a great level of difficulty that’s not too simple or too challenging. I like it so much that I’m hoping to recreate it in future with a totally different colour scheme but for now, I’m hoping to frame this one and have it in pride of place in my flat, it’s a great reminder of what you can accomplish, even whilst very poorly. This kit would suit seasoned stitchers, as well as complete beginners who are up for a challenge!

If you’d like to purchase a kit, they’re available here: Queen of the Skies Cross Stitch Kit

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Hem Ljuva Hem (Home Sweet Home) by Emelie Lidehall Oberg, click through to read my review, see a flick through and photos

Hem Ljuva Hem (Home Sweet Home) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Hem Ljuva Hem (Home Sweet Home) is illustrated by Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. This book is only available in this format and is similar to the Swedish Artist’s Editions (Tavelboks), it measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are white with green imagery from inside the book. The book has a green tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through and mine didn’t even shadow when colouring the black sections of the image. The 20 illustrations are all posters, 19 contain text, 7 are written in Swedish, 12 are written in English, two of them include swearing (one English and one Swedish). The posters contain varying amounts of imagery and text with some just being beautifully drawn text and others just having a subtle message placed within a large colourable image. The phrases range from romantic to funny, exclamations to sayings, you can see them all in the images below. The illustrations also vary a lot from animals to flowers, objects to houses, scenes to collections and more, they are all drawn beautifully and are each packed with content so there’s loads to colour in each one. The posters would be ideal to remove and frame either for your own home or to give as gifts.

In terms of mental health, this book is great, I’m always a huge fan of books that offer a project that can be gifted or displayed because these are fantastic for showing us what we can achieve and for giving us a goal to work towards and afterwards, a reminder of what we can do. You could easily colour them to match the theme of a room or to stand out a look fabulous and I can’t wait to frame my finished page and brighten up my walls with it! The line thickness is consistent throughout and remains thin but not spindly. The intricacy and detail levels vary a little within each image with most being fairly intricate but having a few places with larger open spaces, therefore this book would be ideal for most levels of vision and fine motor control. The content is pretty uplifting and positive and sure to make you smile or laugh, even on your worst days and it looks even more fabulous once you’ve filled it with colour! The images are all a manageable size and will take varying amounts of time to colour depending on what mediums you use and how much blending and shading you want to do but none are overwhelming or likely to require weeks of dedication! Most of them consist of lots of component parts so you can colour them in sections if you wish, particularly useful if you’re having a bad day.

Overall, this is a fab book, it’s filled with beautiful artwork just begging to be coloured and displayed and it’s sure to perk up even the most symptom-filled days. The card is ideal for all mediums and the posters lend themselves to all types of colouring styles.

If you’d like to purchase a copy, it’s available here: https://www.printworksmarket.com/p/shop/books/all-books/hem-ljuva-hem-20-posters-to-color-and-frame.html

I run a fan group for the artwork of Emelie, please do join us and share your work.

The image below was coloured with Holbein Artist’s Colored Pencils, Faber-Castell Polychromos Pencils and a black Sharpie.

Tillsammans Målarbok (Together Colouring Book) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tillsammans Målarbok (Together Colouring Book) is illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. This book is in an artist’s edition format but this is the only format it’s available in, it’s not a full-size colouring book or postcard book. It is identical in format to the artist’s editions (tavelboks) of Hanna’s other books, Daydreams (Dagdrommar), Summer Nights (Sommarnatt) and Magical Dawn (Magisk Gryning) and therefore my review is mostly identical apart from the content section and the photos, skip to paragraph 2 for information about the content. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are a pale lemon colour with a black and white line drawing of one of the portraits (found inside) with gold foiling accents on the front and back. The book has a black tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The 20 illustrations are all portraits of women and 15 of these have been chosen from Hanna’s 4 previous colouring books and 5 have been newly created for this book specifically. The images Hanna has chosen are a really good cross-section and seem to be some of the favourites of the colouring community, none of the previously published images have been printed in artist’s edition format so while it’s not all new content, it is all newly published in the single-sided format printed on card. There are a range of different portraits from two women together to single women face on, some in side profile and others showing a whole person. Each image contains various different objects and accessories including gems, metal, jewellery, mushrooms, flowers, birds, shells, moths, crowns, and candles, there is a really good variety despite them all being portraits of women. Those images taken from previous colouring books are all printed the same size as the originals so if you’re able to colour those, you’ll also be able to colour these with no difficulty. The pictures would all look amazing framed for yourself or gifted to others and because the faces are mostly quite large they’re great to practice skin tone colouring on and really push yourself out of your comfort zone. All of the images are pictured below so you can check that you’re happy with the choices and see if your favourites are included.

In terms of mental health, this book is great, it’s very absorbing and ideal for those who want to colour realistically and learn how to colour people. The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary a little throughout from medium to high and this is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and objects makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty but unlike many of Hanna’s images that consist of lots of component parts, these are all portraits and scenes and therefore they don’t have such natural stopping points for those wanting to just colour in short bursts, you can still colour just one flower or just the eyes but it’s not so easy to come to an obvious point to stop, however, if you don’t mind stopping part-way through an image then this book would be ideal for using on good and bad days. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book to those of you who are already fans of Hanna’s work and have her previous books and really want to colour more people, while 75% of the artwork can be found in Hanna’s previous books, this gives you the opportunity to colour those pages again and use different colour schemes or wetter media without ruining a reverse image and you can also frame them for wonderful gifts or beautiful decoration for your own home. This book is ideal for those who use wet media and alcohol markers and the illustrations are a great cross-section of Hanna’s portraits.

If you’d like to purchase a copy, it’s available from Printworks. A Dutch edition will be published in March 2018 by BBNC Uitgevers and it will be called Karakter.

The image below was coloured using Faber-Castell Polychromos Pencils and a White Sakuara Gelly Roll Gel Pen.I used the skin tone tutorial from Colorist’s Special Effects by Helen Elliston.
Buy on Amazon UK – Colorist’s Special Effects
Buy on Book Depository – goo.gl/CrS7DU

Tidevarv (Seasons) Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Tidevarv is the fourth instalment of colouring books illustrated by Hanna Karlzon and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Hanna’s first three books, Dagdrömmar (Daydreams), Sommarnatt (Summer Nights), and Magisk Gryning (Magical Dawn). The latest book is identical in format so if you already have a previous title of hers then skip to paragraph two, for those of you who are new to her work, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are a beautiful lemon yellow colour with a black and white design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is black with gold lettering (these books look really luxurious on the shelf and look like classic tomes). The pages are glue and string-bound and the pages are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist of single and double-page spreads.

The image content is gorgeous, varied, and possibly the best yet! This time, they’re organised into four sections of season-themed images starting with Spring and ending with Winter. The vast majority of the images are heavily nature-centred and realistically drawn but with Hanna’s signature quirkiness and magic added to them with gemstone fruit, anthropomorphised animals, and hair morphing into fruit, florals and even migrating geese. This book contains the second largest number of women (18) with seasonal accessories, beautiful headdresses, piercings and tattoos, these are in my opinion, the best drawings of women that Hanna has given us so far, they’re beautiful and so inventive, and in keeping with the seasonal theme, however, if you’re not interested in colouring people then don’t despair, these are not the majority of the images and there are loads of images of animals, flowers, plants, fruit and lots of gemstones as always! There is so much content in each of these books, it’s hard to sum it all up in a written description but the book contains everything from potion bottles, birds, mushrooms, seedlings, beetles, and mice, to snakes, fish, berries, cats, candles, houses, lanterns, Christmas baubles, presents and stars, it’s absolutely jam-packed with content. The illustrations are all highly decorative and ornate, they are beautiful in black and white but they’re completely brought to life with colour! Hanna’s work has always been beautiful but the added theme of seasons is spectacular, it’s really brought a new dimension to her work and has led to some really creative and beautiful illustrations.

In terms of mental health, this book is just wonderful, it offers escapism, natural imagery and lots of whimsy and it’s perfect for distraction even just by looking through the images! The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout and mostly range from medium to high but a few have much larger open spaces. The detail is part of what makes Hanna’s work so special and beautiful, if you’re wanting to colour within each teeny tiny section then you’ll need to have very good vision and fine motor control but if you’re happy to colour over some of it and use it as texture underneath then moderate vision and fine motor control would be absolutely fine! Unlike Hanna’s first book Daydreams, this book doesn’t contain any outline images or written prompts. This may be a welcome change for those of you who don’t like to draw. A number of the images are centralised and have large surrounding spaces so there are plenty of opportunities to create your own backgrounds if you wish, though of course this isn’t a requirement! I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different details, patterns and creatures makes me feel calmer and the images are just charming so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary in size and difficulty and they consist of a mixture of collections of components, portraits and scenescape images. This makes it ideal for good and bad days because you can work on one gem or potion bottle on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels.

I would highly recommend this book to anyone who loves natural images, highly ornate illustrations, and anyone who likes all things pretty or magical. Hanna’s books are genuinely stunning and some of my favourites, I love just looking through them and this is definitely my favourite with the seasonal theme, it’s added another dimension and gives the book more flow.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

The image below was coloured using Holbein Artists’ Colored Pencils and Prismacolor Premier Coloured Pencils.

Sagor Och Sägner (Tales and Legends) En Målarbok – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Sagor Och Sägner is the second colouring book illustrated Emelie Lidehäll Öberg and published and kindly sent to me to review by Pagina Förlag. I have previously reviewed Emelie’s first book, Sagolikt. This latest book is different in format from Sagolikt, it’s the same format as Hanna Karlzon and Maria Trolle’s books, this book is hardback and just a little smaller than A4 at 21.6 x 25.8 cm. The covers are pale pink with a mostly coloured design from inside the book with gold foiling accents and lettering adding a touch of luxury! The spine of the book is burgundy with gold lettering. The pages are glue and string-bound and are attached to a sturdy ribbon which is flexible rather than being rigidly glued to the hardback spine; the spine is durable and hard-wearing but it can be a bit difficult to get to the very centre of some of the pages though this does ease up with use. The paper is thick, cream and smooth and pencils work fairly well on it, with it being relatively easy to build up layers for blending and shading; water-based pens don’t bleed or shadow (always test somewhere inconspicuous because everyone colours differently). The illustrations are printed double-sided and consist solely of single-page spreads apart from one double-page spread at the back.

The title translates as Tales and Legends and that’s exactly what you get in this book, images of fantastical creatures, scenes from fairy stories and, I assume, characters from Swedish folktales. The content is floral, girly, and quite similar, but not samey, to Sagolikt. The images are decorative and very nature and animal-focused. There are lot of mice and bunnies as well as doll-like girls and characters from stories. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The illustrations are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together but would look equally good removed from the book and framed. The images include mice, princesses, gnomes, flowers, woodland creatures, snow globes, a whale, teacups, a dragon, and lots of other beautiful objects and animals. Many of the pages depict imaginative imagery from a snow queen to a fortune-telling cat, a hare carrying a house on its back to mice being read a bedtime story, and fairies to mice showering in a teacup and so much more! The images contain a lot of realistic items used in very imaginative ways including lemons, teapots, cakes and acorns, all made into houses. The pictures are all very cute, fun and often light-hearted and they look absolutely stunning once you’ve added a splash of colour to them!

In terms of mental health, this book is lovely because it’s based around fairy-tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of objects that you can practice realistic colouring of wood, metal or fur on if you wish. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like tales and legends, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to purchase a copy it’s available right now from Sweden from the site below and if you use my exclusive discount code Lucy_PW you’ll get a 10% discount on all items in the Book category until the 8th of June 2017.
www.printworksmarket.com

If you’re a fan of Emelie’s work then please do join my dedicated Facebook group where you can share your coloured pages from all of her books and postcard books.

The image below was coloured using Holbein Artists’ Colored Pencils and blended with a Caran d’Ache Blender Pencils.

Twilight Garden Artist’s Edition (Blomstermandala Tavelbok) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Twilight Garden Artist’s Edition is published and very kindly sent to me to review by Gibbs Smith Publishing. Twilight Garden is the English title of the hugely successful series of colouring books called Blomstermandala by Swedish artist, Maria Trolle. I have previously reviewed the Blomstermandala Colouring Book HERE and this is the Artist’s Edition of that book, it’s identical in format to other Artist’s Editions published by Gibbs Smith and Pagina (the Swedish publisher of all of these books) and therefore much of my review is identical to those, this Artist’s Edition is also identical to the Swedish version of it apart from the language. The book measures 29.5x21cm (A4), it’s paperback with thick but flexible card covers which are black with muted coloured flowers from inside the book and gold foiled text on the front, back, and spine. The book has a matte gold tape binding meaning the pages lie completely flat when the book is open and they can be removed for framing. The pages are made of thick cream card which is lightly textured and absolutely fabulous for using pencils on as they layer really well and blend seamlessly. Water-based pens also work really well on this card and don’t bleed through or sideways and there isn’t even a hint of shadowing either. For my page I used Derwent Inktense Pencils activated with minimal water which worked brilliantly with absolutely no buckling or warping at all. The illustrations are all single-page designs and are printed single-sided so you can use whatever medium you fancy without worrying about bleed-through.

The content is a little strange, the book contains 20 pages, 16 of which are illustrations from the original book, 1 is a floral alphabet where each letter shape consists of a single flower (oddly the letter W is missing), and 3 of which are black-background images with full colour printing of what look to be photographed petals, leaves and flowers so these 3 pages are unable to be coloured, a strange choice I feel. However, the other 17 images are lovely choices and are all single-page spreads from the book printed either the same size as the originals or a little larger. 7 of the images have white backgrounds and 10 have black backgrounds (some of these were printed with white backgrounds in the original book). The images are all of flowers and plants and none contain any animals, birds or objects so if those were you favourites then this Artist’s Edition may not be for you. A huge range of flowers are included from daffodils to tulips, lupins to forget-me-nots, foxgloves to grape hyacinths, and fuchsias to peonies and so many more! I’ve included photos of all of the pages below so that you can see the range and make an informed choice. None of the images reach the edges of the page and those with a white background have space where you could add your own backgrounds or imagery if you wish, though this is by no means a requirement, and this will make all of them very easy to frame for yourself or to gift to others.

In terms of mental health, this book is just wonderful, seasoned readers of my blog will know that I strongly believe that natural images, and those depicting nature are the best for mental health and calming you down and this book is no exception, the images are very relaxing and very realistic and details have been added to these that weren’t in the original illustrations (see photo comparisons below). The line thickness is consistent throughout and remains medium/thin so it’s definitely manageable to colour. The intricacy and detail vary throughout from medium to high and this is higher than the original book due to the added details in the larger spaces of each section, these are easily coloured over if you prefer larger sections to colour or they’re manageable to colour within so this book is good for a range of levels of vision and fine motor control depending on how you want to use it. I found this book and the illustrations within it great for my mood, just looking through it and noticing all of the different flowers and leaves made me feel calmer and the images are just beautiful so they’re sure to lift your mood and keep you distracted from any difficult thoughts or persistent symptoms. The images do vary a little in size and difficulty and they mostly consist of a collection of components which is ideal for good and bad days because you can work on one tiny flower or leaf on a bad day, or a whole page on a good day so it’s ideal for those with fluctuating conditions or concentration levels. The fact that the pages are printed single-sided and are removable is fantastic because it means you can remove your works of art and frame them or gift them which is a great way of reminding yourself of what you can achieve and brighten up the darkest of days.

I would highly recommend this book (despite the inclusion of three uncolourable images) to those of you who like to colour flowers and plants, those who have the original book, those who love to gift or frame their colouring, and those who like to use alcohol markers or wet media as there’s no worry about ruining any reverse images. The illustrations chosen are beautiful and very calming.

If you’d like to purchase a copy, it’s available here:
Amazon UK – Twilight Garden Artist’s Edition
Book Depository Worldwide – https://www.bookdepository.com/Twilight-Garden-Mari-Trolle/9781423647072/?a_aid=colouringitmom

The image below was coloured using Derwent Inktense Pencils activated with water.

Fairy Tales Coloring Book (Sagolikt) – A Review

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Fairy Tales Coloring Book is a Swedish book illustrated by Emelie Lidehall Oberg, originally published with the title Sagolikt and published and kindly sent to me to review by Gibbs Smith. I reviewed the original book, Sagolikt, HERE and this English language edition is identical in all respects apart from the language it’s written in and very subtle cosmetic differences with slightly different colour shades used on the covers for example but nothing that affects the use or enjoyment of the book, therefore the rest of my review is identical.

The book is 25cm square, paperback with flexible card covers that are cream with mint green and pale pink coloured illustrations with gold foiling accents on the front and back making it a really pretty and luxurious looking book. The covers have ¾ flaps which both have fully colourable black line drawings from within the book. The spine is glue and string-bound so it’s fairly durable but this does mean a little of each image is lost into it. The paper is cream, thick and lightly textured, it doesn’t bleed or shadow with water-based pens unless you press too hard in one spot, it works well with pencils and you can build up a good number of layers for blending and shading. The book contains 96 pages of double-sided images which are all single page spreads. The image content is really varied and contains all sorts of aspects from different fairy tales without being specific or telling any stories, each picture is a stand-alone piece though some content is similar. So many different things are pictured from all sorts of furry animals and birds to doll-like people and treehouses, gramophones and teapots to cupcakes and bunting, glass jars and flowers to tepees and underwater scenes. Some of the images are of more realistic scenes and others are purely fantasy-based from a tea party scene with cuddly toys to a family of clothed rabbits moving house; a glass fish bowl to a teacup village; and a beautiful country house to a city contained within a lightbulb. The images are really pretty and this book is absolutely ideal for anyone who likes fantasy, whimsy and images that are filled with childlike charm (not childish) but with adult levels of intricacy. The images are also really cohesive and I didn’t feel that any of the pages contained filler images, each has definitely earnt its place and they look beautiful together.

In terms of mental health, this book is lovely because it’s based around fairy tale imagery which is full of charm and whimsy. The images aren’t overly realistic so there’s no need to use realistic colour schemes unless you want to and the animals pictured could be coloured as if they’re real, or as if they’re cuddly toys that have come to life so the possibilities are endless! The line thickness is consistent throughout and is medium/thin so it’s perfectly colourable for almost anyone and there is a little leeway to prevent you accidentally going over the lines. The intricacy and detail levels vary throughout and while the majority of the images are very detailed, hardly any of this is particularly intricate so this book will suit most people apart from those with particularly poor vision or fine motor control. The variance in difficulty level means that there is something suitable for your good days, bad days, and everything in between so this is an ideal book for those or you with fluctuating conditions or changeable concentration levels. The book offers huge amounts of escapism and truly transports you to a far off land where you can get out of your head, away from your thoughts and lost into a place filled with friendly fluffy animals, beautiful doll-like people, and quirky, whimsical landscapes. There are plenty of fairly large spaces where you can really practice your blending and shading and there are a number of pages with jewels on for those of you who are currently obsessed with the gem-colouring that has swept through the colouring groups. The images are really pretty, so varied and just lovely to look at and to colour! There is plenty of space to add your own backgrounds or details if you wish but all of these pages look finished and there are no hints or written suggestions so there’s absolutely no need to be able to draw if you don’t want to.

I would highly recommend this book to those who like fairy tales, charming and cute imagery, and Swedish artwork because this book is beautiful and one I’m really pleased to now own. It’s a really pretty book with plenty of detail and interesting imagery, the paper is ideal for pen and pencil lovers and it really has a good feel about it.

If you’d like to pre-order a copy it’s available here:
Amazon UK – Fairy Tales Coloring Book
Book Depository Worldwide – https://www.bookdepository.com/Fairy-Tales-Coloring-Book/9781423646624/?a_aid=colouringitmom

The image below was coloured using Stabilo 68 Fibre-tips and Stabilo Point 88 Fineliners.