Johanna Basford

Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!

Dromenvanger vs Zemlja Snova – A Comparison of the Dutch and Croatian Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Zemlja Snova was published in 2016 and illustrated by Tomislav Tomic, it’s one of the most beautiful colouring books I’ve ever seen and still vies for the title of my most favourite colouring book ever. It was published in Croatia by Fokus and has been notoriously difficult to get hold of after it was quickly taken off Amazon and has almost exclusively been acquired since then through the publisher’s website which my Facebook fan group runs international group orders from. This is no longer necessary for this book because Dromenvanger will (hopefully) be available worldwide at a really reasonable price (around £12 or $15) with free worldwide delivery from Book Depository, when I originally wrote this post two days ago it was available for pre-order there, it’s currently showing as unavailable however, I’m hoping that this might just be a stock issue and that it will be rectified soon. The website allows you to sign up for email alerts of stock so do click through and sign up to be the first to hear when it’s available to order. The artwork is the same in both books but there are a number of subtle publication differences between the two editions which I’ve listed and detailed below. If you’d rather watch a video version then scroll all the way to the bottom where the video is embedded at the end of this post. This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those. The publisher has very kindly provided me with an extra copy of Dromenvanger which I’m currently running a Worldwide giveaway for on my blog until 23.59 GMT on the 31st of October, to enter please click here.

  1. Covers – Zemlja Snova has a soft-feel cover with glossy accents on the title and subtext. Dromenvanger also has a soft-feel cover with glossy accents on the title and all of the stars.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  2. Cover Image – The cover images are totally different, Zemlja Snova has a partially coloured image on the front that is similar to the art in the book but isn’t a direct copy of a page. Dromenvanger has a partially coloured image from inside the book.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  3. Publishing Logo – The publishing logo is bottom centre on the cover of Dromenvanger and at the bottom right on Zemlja Snova.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  4. Cover Card – Both books are paperback and both have equally thick card covers.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  5. Inside Covers – Zemlja Snova has French Flaps with black and white artwork and these open out to reveal a purple and white line drawn illustration front and back. Dromenvanger doesn’t have French Flaps, and the inside covers are blank white.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  6. Back Cover – The back cover of Dromenvanger is partially coloured and shows a reverse version of the front cover image. The back cover of Zemlja Snova is completely black and white and the blurb is bordered by a frame from inside the book.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  7. Spine – The illustrator name and book title are differently ordered on the spines of the different editions. They both use completely different fonts. The Publisher logos at the bottom of the spine differ too.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences! Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  8. Book Size – Dromenvanger is slightly smaller than Zemlja Snova. The pages in both copies are the same width (the Zemlja Snova covers extend further), but not the same height with Dromenvanger being approximately 5mm shorter, possibly less.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences! Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  9. Thickness – Dromenvanger is thicker than Zemlja Snova due to having thicker paper (more on this later).
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  10. Binding – Both editions are glue and string-bound, Zemlja Snova is more heavily glued than Dromenvanger.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  11. Language – Zemlja Snova is written in Croatian and Dromenvanger in Dutch. I don’t read either of these languages so I’m therefore unable to comment on whether the text in each book translates the same, or whether it differs in meaning.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  12. Title – Obviously the titles differ due to language but they also slightly differ in meaning. Dromenvanger translates as Dream Catcher and Zemlja Snova translates as Dreamland or Land of Dreams.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  13. Publisher – Both editions have been published by different publishing companies (hence all of these subtle differences), Zemlja Snova is published by Fokus Na Hit and Dromenvanger is published by BBNC Utigevers.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  14. Paper Colour – The paper in Zemlja Snova is bright white, the paper in Dromenvanger is cream.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  15. Paper Thickness – The paper in both is quite thick but it’s definitely thicker in Dromenvanger. Water-based pens heavily shadow in Zemlja Snova but don’t shadow at all in Dromenvanger. The paper used in Dromenvanger is, as far as I’m aware, the same paper that BBNC Utigevers use in all of their colouring books, it’s a little temperamental with oil-based pencils (though others have had great results with these so it may well be my technique or lack of patience) and beautiful for pens and soft pencils like Prismacolor Premiers.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  16. Copyright Page – The information is much more spread out on the page in Zemlja Snova and is contained to the bottom half of the page in Dromenvanger.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  17. Image Order – The pages in Dromenvanger are identically ordered to the correct, later editions of Zemlja Snova, the original editions had three double-page spreads that were split in the book, this issue has been rectified in later printings and in Dromenvanger.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  18. Image Size – Oddly, the first few frames on the ancillary pages at the beginning are larger in Zemlja Snova than Dromenvanger but the actual illustrations of the book are identical sizes on the many images I measured to check.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  19. Image Orientation – The images are spaced slightly differently between the books with a little more or less of the image shown at some edges on some pages when compared to each other, see photos for clarification.
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  20. Weight – Zemlja Snova weighs less than Dromenvanger, it weighs 527g compared to 561g (ish, one of my copies was 565g).
    Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!Dromenvanger and Zemlja Snova, a Comparison of the Dutch and Croatian editions, click through to see photos and read about the differences!
  21. Availability – Zemlja Snova is extremely difficult to get hold of outside Croatia and is one of the hardest colouring books on the market to obtain. We have run international group orders through the publisher’s site for the last year but this isn’t easy. It was looking very hopeful that Dromenvanger was going to be much easier to access because it was listed on Book Depository, however, yesterday it changed to saying it was currently unavailable and some people who’ve pre-ordered it have been given refunds because Book Depository don’t know when they’ll get stock in. I’m really hoping that this issue will be resolved quickly and I will be sure to update this post asap when I know more. You can sign up for email updates about stock at the link below to book depository so that you’re the first to know when it’s back and if you can’t wait it’s available from Dutch site Bol. It’s definitely worth the wait for a copy because Book Depository will have free worldwide delivery and were charging a fraction of the price compared to getting a copy of Zelmja Snova out of Croatia and to your front door. We will still be running group orders for the new book (title unknown currently) and if you’d like to join these and know more then please do join my FB fan group where we will post any information as soon as we know it.

As you’ll have seen, there are a lot of subtle differences between the editions but hardly any of them affect use, in fact the only one that really does is the paper. It’s a shame in some ways that it’s cream, I know a lot of people love crisp, white paper, but this paper is thicker and ideal for water-based pens and pencils and with the (hopefully) increased accessibility, I will now forever be suggesting that people get a copy of Dromenvanger. My fingers are now very tightly crossed hoping that BBNC Utigevers will acquire the rights to the next book by Tomislav Tomic so that it too becomes easily accessible. This new edition is beautiful and for those of you who already have Zemlja Snova and are wondering about getting this new edition, or a second copy, I’d say definitely get a copy of Dromenvanger, it’s beautifully produced, the illustrations look lovely on the new paper and it’s so much easier to get hold of and if you’re anything like me, you’ll want a copy of the new edition just because it’s a bit different, I truly am a colouring book hoarder!

Amazon UK – Dromenvanger 
Book Depository Worldwide – https://www.bookdepository.com/book/9789045321868/?a_aid=colouringitmom
Bol.com – https://www.bol.com/nl/p/dromenvanger/9200000080026444/?suggestionType=typedsearch#modal_open

You can see my videos of unboxing the book, and a silent flick-through of the book if you click on the relevant words.

Don’t forget, I’m running a Worldwide giveaway to win a copy of Dromenvanger by Tomislav Tomic, to enter click here by 23.59 GMT on October the 31st.

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Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.

Ivy and the Inky Butterfly: A Comparison between the UK and US Editions

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly will be released worldwide in just one week and I have been lucky enough to be sent a copy of the UK and US editions by Johanna Basford in order to write this comparison post for you all. Every time Johanna releases a new book there are huge online debates about which edition is “best” to buy, what the similarities will be and what will be different so I’m here to hopefully clear up any questions and queries you may have after the success of my comparison posts of the last 3 titles – Johanna’s Christmas, Magical Jungle, and Lost Ocean.

This is a long post because there are so many pictures included to illustrate each point but please bear with me because a lot of time and effort has gone into being as thorough as possible, if you’d prefer to watch a video where I talk through and show all of the differences then scroll all the way down to the bottom of the post. Most of the things I’ve noticed don’t affect the enjoyment or use of the book, they’re just differences but there are a few items that are fundamentally different and do affect use so keep an eye out for those, they’re summarised at the bottom. Some of the very noticeable differences include size, image size and paper type so here goes with the most comprehensive list of similarities and differences that you’re likely to find online!

  1. Book Size – Both books are rectangular and not square, they are each the same height as their country’s other Johanna titles but both are 4cms narrower at the side. The UK edition is almost half a centimetre smaller in both directions than the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  2. Cover Design – The cover design is very slightly zoomed in on the UK edition so the US edition has a little extra detail around the very edges that isn’t included on the UK copies.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  3. Penguin Logo – The US edition has the Penguin Publishing logo subtly placed in the top right corner, the UK edition has a star in this space instead.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  4. Cover Colour – The UK edition has a bright white cover, the US edition is slightly off-white though this is only noticeable when placed next to something truly white or the UK copy of the book.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  5. Foiling Colour – The UK foiling is a subtle coppery/bronze colour, it’s not gold like previous titles or as shiny. The US foiling is in gold and green and is very bright and shiny (try to avoid scratching it as it does come off and it appears that the green is underlain with gold).
     Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  6. Foiling Aspects/Amount – There is much more foiling on the US edition than the UK edition, the foiling on the UK edition is quite subtle due to not being so shiny, bright, or abundant. The US edition has a lot of foiling and many more aspects are foiled including whole sections rather than hints.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  7. Colour Splashes – The title and subtitle on the cover of the US edition have a mint green background. The UK cover has no colour added.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  8. Capitalisation of Text on Cover – The subtitle on the UK cover is capitalised, the US subtitle is all lower case apart from the first A.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  9. Spine – Usually the book spines are black in the UK and white in the US. This time, both are white with black text, it’s printed a little blacker on the US edition. The UK spine has little bronze foil star accents, there is no foiling on the US spine. The motif between Johanna’s name and the book title differs with a butterfly on the UK edition and a side portrait of Ivy on the US edition. The US edition has the subtitle printed, the UK has replaced this with a key motif and foiled stars. Finally, the UK edition has the Virgin Books logo and the US has the Penguin Books logo.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  10. Thickness – The US edition is significantly thicker than the UK edition due to the paper being thicker, more on this later.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  11. Weight – The US edition weighs significantly more than the UK edition at 627g vs 564g.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  12. Blurb – The blurbs on both books are totally different. There is more text in the US edition, less in the UK edition. Info about Johanna and where to find her on social media is written on the US copy. The barcode is included in the space on the US edition but printed over some of the design on the UK edition. The design is printed exactly the same size on both books despite the difference in book size, therefore there is a larger border around the image on the US edition. NB The colour on the back of the US cover has been added by me when I was testing alcohol marker, the back cover of both editions arrives blank.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  13. Spelling – The UK edition uses British spelling throughout, including on the cover in the spelling of colour. The US edition uses American spellings throughout (I didn’t realise how many different spellings there were between the two versions of English until paying close attention to the text in this book!).
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  14. Dust Jacket – This is usually one of the biggest differences between the editions, with the UK version usually having a removable dust jacket and the US edition having it attached. Johanna’s Christmas broke with convention and neither edition had a removable dust jacket and this has remained the case, it’s probably sensible as they’re prone to getting damaged but I’m a little sad inside because I’ve always loved them, but there you go, neither has one this time. The covers are made of thick card folded into 1/2 French Flaps inside, the card used for the UK cover is significantly thicker and less bendy than the card used for the US cover.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  15. Cover Attachment to Front and Back Pages – The US cover is attached to a thicker strip of the front and back pages of the book than the UK cover and it also isn’t pre-folded meaning it doesn’t open as easily or as widely as the UK edition which opens much flatter.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  16. Binding – The UK edition is stitched and glue-bound whereas the US edition is only glue-bound which will make it less durable and can lead to pages falling out. Because of the fixed cover being attached to more of the book, the binding is much tighter in the US edition, this will ease up with use, especially if you crack or break the spine (I always find this heartbreaking to do), but initially the US edition is much tighter and opens less flat than the UK edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  17. French Flaps – Both editions have ½ size French Flaps, they have the same design but the US design is printed a little larger and is also taken from a slightly different section of the original illustration from the UK edition. On the back inside flap of both books is information, the US copy has images of 6 of Johanna’s books and on the UK copy is information about Johanna herself.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  18. Title Page Size – The title page in the US edition is much larger than in the UK edition, 24.1 x 19.1cm vs 22.9 x 18.1cm.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  19. Emblem on Title Page – Possibly the most pedantic difference I found; the leaf emblem underneath Johanna’s name on the title page is much bigger in the US edition than the UK edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  20. Paper – This is one of the biggest differences between the two editions. The paper is not identical and is unique to each country. Johanna changed papers when Magical Jungle was published and her specially created ivory paper that was named after her is in all US copies of Magical Jungle, Johanna’s Chirstmas, and now Ivy and the Inky Butterfly. In the UK we have a whiter ivory paper which Johanna and her team scoured the globe for and this is in all UK editions of Magical Jungle, Johanna’s Christmas and Ivy and the Inky Butterfly. The UK paper is equal in thickness to Secret Garden and Enchanted Forest and significantly thicker than Lost Ocean, it has a little tooth but does burnish after a few layers of Polychromos and Prismacolor Premiers. The US paper is ivory but a more cream colour though it’s still paler than the cream colour of Secret Garden and Enchanted Forest. The paper is the thickest yet and has a more visible tooth, it takes far more layers for blending. In both editions water-based pens behave the same way and the paper in both is beautiful to colour on with pens as they glide really well with no feathering or spreading at all. The UK paper seems like it will shadow faster and more easily than the US edition and while I didn’t experience any shadowing in either, the UK paper did seem like it might with very dark colours if not using a light touch. I personally prefer the colour of the UK paper but the US paper is much easier to use pencils on and is less likely to bleed with water-based pens so I have to recommend that one.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  21. Introduction – The introduction and Johanna’s signature in the UK edition are aligned centrally, the introduction in the US edition is aligned centrally and justified, Johanna’s signature is off to the right.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  22. Icons for Colouring Tips – The UK edition has leaves as bullet points and the US edition has flowers. The text is also larger on this page in the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  23. Text Layout – The text in both books appears to be the same font and size. Due to the difference in the size of the overall book and the sizing of some images (see point 25), the gaps for the text in the UK edition are sometimes smaller and therefore, while the text in both editions is always in the same spaces, it’s sometimes laid out a bit differently either starting or ending lines on a different word or sometimes taking up more or less space on the page. Some of the UK text is justified like a newspaper with varying space sizes between the words, this is much less obvious in the US edition, if it has in fact been justified in that edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  24. Image Quality – Previously, there have been slight issues with UK editions having pixelation of images (see third photo below of a section in UK Magical Jungle). There are no such issues in either edition of this book. Hoorah!
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  25. Image Size/Spacing – The US images are up to 1cm larger than those in the UK edition. Not all of the images are larger by any means and it appears to be quite random as to which images are larger and which are the same size but if you have any vision or fine motor control impairments then I’d suggest purchasing the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  26. Image Orientation – On some of the full double-page scenes, the image is shifted slightly showing a sliver more or less in one of the editions. This can be on any external edge of the image. Sometimes the UK page is slightly zoomed in and other times the US page is slightly zoomed in so that a little is lost off all edges, usually only a millimetre or two.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  27. Text Alterations – Very occasionally there are alterations to the text with a word added, removed or altered e.g. spring-clean/spring-cleaning. The most notable example is on the page below with two paragraphs beginning with “then” in the UK edition and not in the US edition.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  28. Typos – Sorry to be pointing these out, I did a lot of searching to find these so they’re not exactly noticeable, I only found them because I was looking for text differences. In the UK edition cloths has been replaced with clothes and in the US edition, cord has been replaced with chord. Apart from that, I’ve not noticed any others which is pretty impressive.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  29. Printing Location – The UK edition is printed in China and the US edition is printed in the USA.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  30. Page Ink Permanency – This is fairly similar in both, I tested the ink on the colour palette page with a Derwent Blender, a Derwent Burnisher and a Caran d’Ache Blender Pencil, the Derwent Blender did drag some ink pigment in both editions, more so on the US edition, the other two types of pencil didn’t move much pigment at all. You will need to be a little careful if using a hard blender pencil like the Derwent one and also, when pressing hard with any pencils you may experience image transfer on subsequent pages (this is erasable) so pop a sheet or two of paper behind your work to avoid this.
    Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions. Ivy and the Inky Butterfly by Johanna Basford, click through to read my review, see a video flick-through, photos and read my comprehensive comparison post detailing 31 differences between the UK and US editions.
  31. Publication dates – The US edition releases on the 10th of October and the UK edition on the 12th of October.

To sum up, if you’ve managed to make it this far, the biggest factors affecting your decisions are spelling, paper and image size. As a perfectionist, I would always want a copy with the correct spellings for the country I’m from and therefore when reading the book, I’ll be reading my UK copy. The paper is lovely in both but if you’re wanting to really go to town with blending and shading pencils or using wet media then I’d suggest the US copy as the paper is thicker and holds up better to these types of colouring. The image size in some images is larger in the US edition and therefore anyone with any visual or fine motor control issues will be best purchasing the US edition so you’ve got that bit more wiggle-room.

Everything else I’ve listed is not a criticism and doesn’t impact use or enjoyment, I’ve just listed all of the differences to make people aware of what they are and to make it easy to identify which copy is which when looking at pictures of it online and elsewhere. In my opinion, the US edition offers a slightly superior colouring experience to the UK edition and if you’re going to purchase just one copy then I’d suggest it be that one though the UK edition really is lovely and I’m ever so glad to have both. If you notice any other differences then please do get in touch and I’ll add them to the list! Happy Colouring – You’ve definitely earnt it!

Please do let me know in the comments section below which edition you’ll be purchasing and why!

You can read my review of the contents of Ivy and the Inky Butterfly, including my mental health recommendations here for the UK and here for the US edition. You can find my Unboxing videos for both books and silent video flick-throughs on my YouTube Channel here.

If you’d like to purchase a copy of Ivy and the Inky Butterfly it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925?ref=grid-view&qid=1507078323619&sr=1-2/?a_aid=colouringitmom

Ivy and the Inky Butterfly: A Magical Tale to Colour (UK Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Colour is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Virgin Books. I have also been sent a US edition of the book and have written a comparison post which can be found here. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.5 x 25cm making it the same height as the UK editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has coppery/bronze foiling accents which is quite subtle and very luxurious and aids the traditional storybook feeling! The spine is glue and string-bound which makes it very durable and easier to open out flat so you can reach the majority of the gutter and colour it. The paper is the same as that used in UK editions of Magical Jungle and Johanna’s Christmas, this paper was found through a global hunt and it’s beautiful, it is not the same paper as used in the US editions of these books which was created specifically for Johanna’s books and named after her. The paper is a very pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your mediums behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned it, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

The image below was coloured with Staedtler Ergosoft Coloured Pencils.

Ivy and the Inky Butterfly: A Magical Tale to Color (US Edition) – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Ivy and the Inky Butterfly: A Magical Tale to Color is illustrated and very kindly sent to me to review by Johanna Basford, it is published by Penguin Books. I have also been sent a UK edition of the book and have written a comparison post which can be found here. This book is the sixth colouring book illustrated by colouring queen, Johanna Basford and this meant it was time for a bit of a change, this time it’s a different shape, somewhat different style and contains a story that she’s written based on a bedtime story she’s told her daughter Evie but what isn’t different is the charm, beauty and wonderfulness that we’ve come to expect from Johanna’s books, this book has those in spades!

The book itself measures 21.8 x 25.4cm making it the same height as the US editions of Magical Jungle and Johanna’s Christmas but almost 4cm narrower as it’s not square. It’s paperback with flexible card covers with ½ French Flaps which open out front and back to reveal a flower, leaf and butterfly design that is fully colourable, this isn’t waxy and is very smooth so it should be fully colourable with most mediums including pencils and water-based pens, be very careful with alcohol markers bleeding through to the external covers. The spine and covers are white with black text, the cover has mint green text backgrounds and beautiful gold and green foiling which is really luxurious and aids the traditional storybook feeling! The spine is glue-bound which makes it quite stiff on opening because the covers are glued a little to the front and back pages of the book, you’re likely to need to crack the spine in order to get the book to open fully but do be very careful because pages can fall out of glue-bound spines and that would be a bit of a disaster if you want to keep the story in order! The paper is the same ‘Johanna Basford’ paper as used in the US editions of Magical Jungle and Johanna’s Christmas, this is not the same as the paper used in the UK editions of any of these books which was sourced through a global hunt to find a suitable ivory paper. The paper is a pale ivory colour, it’s a medium thickness and lightly textured and it’s perfect for pens and pencils; pencils are a dream to blend and shade with and pens go on really smoothly, they don’t bleed through unless you use alcohol markers and water-based pens only shadow if you colour too much in one spot, as always, do check all of your mediums on the colour palette test page to check how your they behave.

Upon opening the book, you find the beautiful title page, followed by the introduction and name page, the copyright page is at the back at the bottom of the End page. There isn’t an official treasure hunt in this book but Johanna has hidden over 200 butterflies throughout the pages for you to find, some are very obvious and some are much better hidden and there aren’t any answers or clues to where they are so you may be left scratching your head if you can’t find them all. The images are printed double-sided throughout, I know lots of people aren’t a fan of this but it really wouldn’t have worked with single-sided pages as the story wouldn’t have flowed and the book would have weighed a ton, as it is it contains 120 pages so it’s much thicker than all of the previous titles and has so much content packed in that this could be a lifetime project!  The story has been written by Johanna and it’s thoroughly lovely, exciting and far more complex than I expected. I’m not sure what age range it’s aimed at but there is some fairly complex language included so at a guess I’d suggest probably age 6-8 and above, and possibly older if the children are wanting to read it themselves, depending on their reading ability. The text isn’t on every page and those it is on it’s been very cleverly incorporated and illustrated around so that it doesn’t feel like a colouring book with text shoe-horned in, it feels like an illustrated storybook with images on every page and text on the vast majority. The images vary a huge amount, this book has by far the largest range of content of any of Johanna’s books and it’s absolutely packed with different items to really challenge you to learn to colour all sorts of types of things including gems, metal, feathers, fur, skin, water, wood, and so much more. The images are also drawn in a huge range of styles including ribbons, centralised images, full double-page scenes, mandalas, symmetrical sections, portrait-style images, illuminated manuscripts, borders, frames and more. The content of the images matches the story and without giving too much away, this involves Ivy following an Inky Butterfly out of a portrait, through a hidden door and into a magical world where she meets some lovely friends and creatures and encounters a gigantic flower garden, a magpie shop owner, a mouse, elves, dragons and more. The images contain all manner of things including flowers, leaves, mushrooms, food, lanterns, trinkets, bees, tree houses, stilted water houses, jewellery, maps, stars, berries, a griffin, treasure, and owl, I could go on forever! This book does still have a lot of flowers, leaves and trees but there are so many other things interspersed that you can certainly give your green pencils and pens a bit of a rest and start learning all sorts of techniques to really challenge yourself and make things look realistic if you wish. The images are truly beautiful, I’ve spent more hours than I care to admit flicking through this book for the last few days and every single time I find more items I didn’t notice before. One thing I really noticed and which I’m absolutely in love with about this book is the subtle nods to all of Johanna’s previous books, from a picture of flamingos on the wall in the Wonder Room and another of elephants (both from Magical Jungle), to the cuckoo clock on the wall that was pictured in Johanna’s Christmas, a crab postcard, fish and ships in bottles like those found in Lost Ocean, there are dragons, castles and treehouses similar to those in Enchanted Forest and flower upon flower from Secret Garden (as well as heaps of new ones, don’t panic), none of the content feels samey, boring, or repetitive, but it’s so lovely to have little reminders of the previous books which really helps tie them all together and certainly made me wonder if all of those previous books might have been places and lands that Ivy, or her grandfather might have travelled to in the past. Some of the images are really packed with illustrations and others are much more open with space to add your own imagery or backgrounds if you wish. There aren’t a great deal of images of Ivy because Johanna knows that a lot of us struggle with colouring skin tone and she’s not a fan of drawing people though she’s done a fabulous job of all of the images of Ivy that there are but this book certainly isn’t intimidating for those of us whose current level of skin-tone colouring is a block of peachy-pink!

In terms of mental health, I’m not sure this book could be better, it offers a great project in a number of ways and it is so distracting. The story itself is absolutely lovely and very absorbing, the images follow it really well but also leave plenty of room for you to use your own imagination and get lost in Ivy’s journey to Enchantia. The images are all different sizes so this book is really adaptable for those with fluctuating conditions and these range from small motifs of one bee or a couple of fish, all the way up to completely packed double-page spreads that have almost no un-illustrated spaces and everything in between, no matter how you’re feeling you’ll be able to find a section that’s suitable and that will give you a sense of accomplishment. You can really use this book to challenge yourself to learn new techniques if you wish but it’ll look equally beautiful block coloured in your brightest, weirdest colour combinations, the sky really is the limit! For those of us who often struggle to know what to colour or pick a page it could be a great idea to work through this book cover to cover and just colour each page in turn so that you don’t have to keep deciding, or you can just dive in to your favourite page and start there, it really doesn’t matter. I know a lot of people want to fully colour a copy of this book as a gift for children in their life and having now seen the book, this would make the most amazing gift and heirloom that children for years to come would adore and cherish but my goodness is it an undertaking, it’ll take such a long time to complete but it’ll be so worth it and you could even start it off for a child and then get them to carry it on. What a wonderful experience it would be to read the story and colour the book together! The line thickness is the same as always, thin and sometimes spindly thin. The intricacy and detail levels have increased again since Magical Jungle and are much more similar to Secret Garden and the less detailed parts of Lost Ocean so you will need pretty good vision and fine motor control because while the intricacy and detail levels do vary throughout, the majority are quite high because of the sheer amount of content and objects in each image. I have personally found this book really calming, the story is very reminiscent of those from my childhood and nostalgia can be very comforting, it’s just really heart-warming both in the words and the imagery and it really helps your worries melt away, it lifts your mood and the world doesn’t feel like such a dark place for a while, it’s perfect!

Overall, I really can’t recommend this book enough, it’s beautiful and I know some people were a bit upset about it having text added this time but it adds so much to the book and loses none of the illustrative content because of the larger number of pages. You don’t need to have kids or be a child to enjoy this book, I don’t have kids and my goodness have I been enjoying it, especially knowing that no one will be “adding” to my colouring or dog-earing the pages but it’ll make a wonderful project or gift for the children in your life if you choose to share it with them. Johanna really has outdone herself, the new objects and types of imagery are fantastic and really add a lot to the book and I honestly can’t express just how beautiful and perfect this book is when it’s actually in your hands, I can’t imagine anyone being disappointed with it!

If you’d like to purchase a copy, it’s available here:
US Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Color
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom
UK Edition
Amazon UK – Ivy and the Inky Butterfly: A Magical Tale to Colour
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom

The image below was coloured with Holbein Artist’s Colored Pencils.

Ivy and the Inky Butterfly – Unboxing and Flick-Through

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.

If you’d like to purchase a copy it’s available to pre-order here:
UK Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780753545652/?a_aid=colouringitmom
US Edition
Amazon UK – Ivy and the Inky Butterfly
Book Depository Worldwide – https://www.bookdepository.com/Ivy-and-the-Inky-Butterfly-Johann-Basford/9780143130925/?a_aid=colouringitmom

The Wellbeing Journal - Created with the mental health charity, Mind, it's filled with self-care tips, space to write, and activities. Click through to read and see more.

The Wellbeing Journal: Creative Activities to Inspire – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
The Wellbeing Journal: Creative Activities to Inspire is published and kindly sent to me to review by Michael O’Mara Books. This journal has been created in partnership with the mental health charity, Mind, all royalties from the sale of the book will be donated to them and thus, by purchasing it, you can not only help yourself (more on this later), but also the countless number of us who are mentally ill in the UK and further afield who are supported by Mind and their tireless work to raise awareness and reduce stigma about mental illness. The book itself is 14.7 x 19cm (just smaller than A5), paperback, with flexible card covers with pictures of brightly coloured birds and branches. The journal is printed double-sided and contains a mixture of single and double-page spreads. The paper is bright white, smooth, and medium thickness, it shadows and occasionally bleeds with water-based pens and pencils don’t work brilliantly unless you use graphite or soft leads due to the smoothness. The majority of the pages in the journal have space to write or draw, some are plain with borders or corner imagery and others are lined, scattered throughout are pages filled with colourful patterns or bright drawings of plants and animals. There are also lots of written activities and self-help suggestions including: relaxing your body, drawing how you’re feeling, organising your time, identifying your stress triggers, and lots more, all of these things may seem simple to people who are well, but it’s often the most basic of tasks, especially anything that involves self-care that those of us who are mentally ill struggle with and it’s great to have prompts all written in the same place for us to refer to when needed. A few colouring pages are scattered through the journal and a number of inspiring and uplifting quotes that might help you look at the world a little differently or remind you that it’s not quite as dark or hopeless as you might feel.

In terms of mental health, this journal couldn’t be much better, it’s been designed with mental health in mind and the tips included are genuinely useful for helping yourself to feel just a little bit better. Journaling is often credited as being great for mental health, it’s not something I’ve ever managed to regularly stick at but I certainly find blogging helps me make sense of things and writing things down can be really useful for this so having a dedicated space to do that interspersed with tips, quotes and activities to keep you perked up is ideal. This journal would be a great present for yourself (get started on the self-care journey by investing in this as something that can help you help yourself), or for others around you who might be struggling with self-care or mental health, it’s perfect for letting someone know you’re thinking of them and starting the conversation about mental health and letting them know that it’s ok not to be ok and it’s also ok to talk about it. The journal is not only a fabulous place to write down your thoughts, feelings, and symptom diary, you could also use it as a place to write down additional self-care tips, strategies, and activities, you could even get people around you who care about you to write nice messages in it for you to read when you’re having symptomatic days and need a boost! The journal is a great size for popping in your bag for journaling on the move or having a portable self-help guide. The tips included are sadly not likely to cure you, they may not even make a huge difference to how you’re feeling, but without trying them, you’ll never know, and starting to care about yourself and for yourself is notoriously difficult when you’re very unwell, therefore having written suggestions of basic things you can try can be a really useful tool for helping yourself feel just a little bit better, even just for a moment!

Overall, I would highly recommend this journal, the paper quality is slightly disappointing but other than that I can’t fault it, the content is great, with a good mix of activities and tips, and space for writing or drawing and if nothing else, the bright colours printed throughout might just brighten your day for the briefest of moments. It would make a wonderful present to yourself or others and better still, by purchasing it you’re helping support a wonderful mental health charity, it doesn’t get much better than that!

If you’d like to purchase a copy it’s available here:
Amazon UK – The Wellbeing Journal: Creative Activities to Inspire
Book Depository Worldwide – https://www.bookdepository.com/The-Wellbeing-Journal/9781782438007/?a_aid=colouringitmom

The image below was coloured with Stabilo Point 88 Fineliners.

Johanna Basford 2018 Colouring Day-To-Day Calendar in a Keepsake Box – A Review

Disclaimer – Please read this disclosure about my use of affiliate links which are contained within this post.
Johanna Basford 2018 Colouring Day-To-Day Calendar in a Keepsake Box is published and was very kindly sent to me to review by Andrews McMeel Publishing. This page-a-day calendar arrives in shrink-wrapped plastic which keeps the keepsake box clean and free from damage. The keepsake box is made of thick ivory card which is covered all over (including the bottom) with a black line drawn flower and foliage pattern most similar to the flower scenes in Secret Garden, the top and all four sides of the box have gold foiling accents. The box opens with a hinge-style (the lid remains attached at the top) with two pieces of black ribbon holding it open at a >90degree angle; the inside of the lid and the box are lined with black paper with white flower and foliage designs drawn in Johanna’s signature style; the box is fully colourable if you wish. A black ribbon allows easy access to lift out all of the loose calendar pages which aren’t bound in any way so it’s easy to pick out which ones to colour, move them around, leave them out to dry if using wet media and so on. The pages are the same size and format as any other page-a-day calendar, the illustration is on the left and takes up two thirds of the page and on the right at the top is a leafy-lettered title of the month and at the bottom is the date and day, above this in small text are written the important festivals and celebrations and the country they’re celebrated in; as with all others, Saturday and Sunday share a page so there are approximately 312 pages of colouring for you to complete over the year. The pages are pale cream this time rather than bright white (they are less yellow than the Secret Garden book paper and more cream than the new ivory paper in Magical Jungle; see photo below of the different paper colours), thin (slightly thicker than copier paper), and lightly textured, pencils don’t build up many layers on this paper but I’m sure those of you who are more talented than me will have more luck with this and create wonderful masterpieces; water-based pens do heavily shadow and may bleed through if you’re particularly heavy-handed but the images are printed single-sided so really you can use whatever mediums you like, these pages would be ideal for testing out new mediums or trialling colour schemes.

The illustrations themselves are all taken from Johanna Basford’s five currently published colouring books, Secret Garden, Enchanted Forest, Lost Ocean, Magical Jungle, and Johanna’s Christmas, I have carefully looked through all of the images and there is one tree that I couldn’t find in any of her books and appears not to be from one and a couple of butterfly images that have been adapted from the originals to have line drawn butterflies and blacked out ones too but apart from these 3/4 images all of the images are directly from the books. Some of them are the whole page scaled down, others are sections of the page printed at the original size, others are zoomed in sections which are printed larger than the original so there is a really good mix of detailed sections, larger spaced illustrations to practice blending and shading on, and whole pages which you’ll need your finest of fineliners and sharpest of pencils to colour accurately. The lid is designed to display the current day’s page in but it will hold plenty more pages than this so you could easily place a month’s worth in there before having to move them under the proceeding days’ pages. At the bottom of the stack are 4 pages for you to test your colouring mediums on so that you can see how the paper behaves so you don’t have to accidentally ruin any proper pages.

In terms of mental health, this page-a-day calendar is fantastic because it provides you with a manageable size of project to attempt each day, you could colour the page in a few minutes or really take your time to try out new techniques and spend much longer, it’s entirely up to you. You could colour the day’s page ahead of time or on the day itself, you could even spend the next 4 months colouring the whole thing ready to look at your beautiful work throughout the coming year, or even to gift to someone else (what a labour of love that would be and it would make an incredible present if you could bear to part with your work, perhaps you could start if off for them to finish?). The pages are a great size to practice colour schemes for your copies of the actual books, or even to try out colouring mediums on a smaller page. The loose pages make it easy to access the page you need without having to move the whole block around all the time and it means you don’t have to worry at all about bleed through. At the end of the year you could even cut out all of the images and create collages, small framed pictures or gifts or even add them to cards or craft projects so this is a really versatile product that goes way beyond just being a calendar! There isn’t a treasure hunt element in this calendar and there are no written hints for drawing though there are plenty of spaces on a number of images to be able to add your own details or backgrounds to really make the pages your own but this of course isn’t necessary and it’ll look finished without the need to draw at all. This page-a-day calendar is perfect for fans of Johanna’s work and it is a beautiful new way of using her illustrations. The line thickness varies a little throughout from thin to spindly thin and the intricacy and detail levels are often much higher than in the books because many of the images are shrunk down to fit the pages so you will most definitely need very good vision and fine motor control to get the most out of this calendar if you’re wanting to colour it; you could of course leave it blank and just admire the illustrations because they really are beautiful to just look at with no need to add colour if that’s too challenging. The images aren’t arranged into any order and there are no duplicates, a number of the calendar pages show parts of the same original image but these are all of different aspects of it, with varying size or depicting different areas (see images below) and this is by no means the majority of the pages, most are of entirely separate illustrations or aspects within them, they also don’t appear to duplicate the images used in the 2017 edition of this calendar so those of you who already have that won’t be disappointed by duplicates. The page size is much more manageable and less daunting to colour and this is ideal for those of you with fluctuating conditions or concentration levels because these pages are much quicker to finish and likely to cause less frustration, they’re also fantastic for trying out new things without worrying about ruining a whole page in your books.

I would highly recommend this page-a-day calendar to fans of Johanna’s work and to those who love to be organised. It’s a great size and format, ideal for those who find the full-size book pages too daunting. It’s also great for practising colour schemes or using new colouring mediums and it’ll be a lovely keepsake to work through from beginning to end and see how you’ve progressed over the year it runs for; you can even remove the images afterwards and frame or gift them or even use them in craft projects and the box will make a wonderful keepsake.

If you’d like to purchase a copy of this page-a-day colouring calendar, it’s available here:
UK Edition
Amazon UK – Johanna Basford 2018 Colouring Day-To-Day Calendar in a Keepsake Box
US Edition
Amazon UK – Johanna Basford 2018 Coloring Day-To-Day Calendar in a Keepsake Box
Book Depository Worldwide – https://www.bookdepository.com/Johann-Basford-2018-Coloring-Day–Day-Calendar-Johann-Basford/9781449482787/?a_aid=colouringitmom

Can’t get enough of Johanna’s images? Below are my reviews of her new colouring planner and two new wall calendars so you can be fully organised and colour to your heart’s content for the coming year!
Magical Jungle 2018 Wall Calendar
Secret Garden 2018 Wall Calendar
Johanna Basford 2017-2018 16-Month Weekly Colouring Planner

The pages below were coloured using Stabilo Point 88 Fineliners and Magnetips Pens.